Tracklist

CD 1
CD 2
CD 3
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1Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro "Ehre sei dir, gott, gesungen"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach7:39
2Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo "Da Jesus geboren war zu Bethlehem" (Evangelista) / XLV. Coro "Wo ist der neugeborne König" / XLVI. Choral "Dein Glanz all Finsternis verzehrt"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:41
3Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) "Erleucht auch meine finstre Sinnen"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:37
4Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo "Da das der König Herodes hörte" (Evangelista) / XLIX. Recitativo (Alto) "Warum wollt ihr erschrecken" / L. Recitativo "Und ließ versammeln alle Hohepriester" (Evangelista)
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:41
5Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, alto, tenore) "Ach, wenn wird die Zeit erscheinen"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
bass vocals:
Hermann Prey (baritone) (in 1973-02)
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:34
6Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) "Mein Liebster herrschet schon" / LIII. Choral "Zwar ist solche Herzensstube"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:43
7Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro "Herr, wenn die stolzen Feinde schnauben"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:10
8Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo "Da berief Herodes die Weisen heimlich" (Evangelista) / LVI. Recitativo (Soprano) "Du Falscher, suche nur den Herrn zu fällen"
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:56
9Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) "Nur ein Wink von seinen Händen"
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:00
10Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo "Als sie nun den König gehöret hatten" (Evangelista)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:40
11Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral "Ich steh an deiner Krippen hier"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:15
12Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo "Und Gott befahl ihnen im Traum" (Evangelista) / LXI. Recitativo (Tenore) "So geht! Genug, mein Schatz geht nicht von hier"
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:52
13Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) "Nun mögt ihr stolzen Feinde schrecken"
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:23
14Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, alto, tenore, basso) "Was will der Höllen Schrecken nun"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
bass vocals:
Hermann Prey (baritone) (in 1973-02)
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:51
15Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral "Nun seid ihr wohl gerochen"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:34