Portrait of Carmen (mono)

~ Release by Carmen McRae (see all versions of this release, 2 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1I'm Always Drunk in San Francisco
bass:
Ray Brown (jazz bassist) (on 1967-11-27)
bass trombone:
George Roberts (american bass trombone) (on 1967-11-27)
cello [2 celli], viola [2 violas] and violin [8 violins]:
unidentified (Special Purpose Artist – Do not add releases here, if possible.) (on 1967-11-27)
drums (drum set):
Victor Feldman (jazz musician) (on 1967-11-27) and Jack Sperling (drummer) (on 1967-11-27)
French horn:
Dick Perissi (on 1967-11-27) and Henry Sigismonti (on 1967-11-27)
guitar:
Tommy Tedesco (guitar) (on 1967-11-27)
harp:
Ann Mason (American harpist) (on 1967-11-27)
percussion:
Dale Anderson (percussionist) (on 1967-11-27)
piano:
Norman Simmons (on 1967-11-27)
saxophone:
Gene Cipriano (on 1967-11-27), Dominick Fera (on 1967-11-27), Justin Gordon (on 1967-11-27), John Lowe (woodwind) (on 1967-11-27) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1967-11-27)
trombone:
Joe Howard (american trombone player) (on 1967-11-27) and Dick Nash (on 1967-11-27)
trumpet:
John Audino (on 1967-11-27), James Salko (on 1967-11-27) and Jimmy Zito (on 1967-11-27)
vocals:
Carmen McRae (on 1967-11-27)
conductor:
Gene DiNovi (on 1967-11-27)
arranger:
Gene DiNovi
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-11-27)
recording of:
I’m Always Drunk in San Francisco (on 1967-11-27)
lyricist and composer:
Tommy Wolf (US pianist/composer)
3:01
A2Elusive Butterfly
bass:
Ray Brown (jazz bassist) (on 1967-11-28)
bass trombone:
George Roberts (american bass trombone) (on 1967-11-28)
cello [2 celli] and violin [6 violins]:
unidentified (Special Purpose Artist – Do not add releases here, if possible.) (on 1967-11-28)
drums (drum set):
Earl Palmer (on 1967-11-28)
flute:
Gene Cipriano (on 1967-11-28) and Harry Klee (on 1967-11-28)
French horn:
David Duke (Horn) (on 1967-11-28), William Hinshaw (American horn player) (on 1967-11-28) and Henry Sigismonti (on 1967-11-28)
guitar:
Dennis Budimir (on 1967-11-28) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1967-11-28)
percussion:
Victor Feldman (jazz musician) (on 1967-11-28) and Louis Singer (percussionist) (on 1967-11-28)
piano:
Norman Simmons (on 1967-11-28)
trombone:
Lew McCreary (on 1967-11-28)
vocals:
Carmen McRae (on 1967-11-28)
conductor:
Shorty Rogers (trumpet) (on 1967-11-28)
arranger:
Shorty Rogers (trumpet)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-11-28)
recording of:
Elusive Butterfly (on 1967-11-28)
lyricist and composer:
Bob Lind
publisher:
Metric Music Ltd.
2:59
A3Day by Day
bass:
Ray Brown (jazz bassist) (on 1967-11-29)
bass trombone:
Ernie Tack (on 1967-11-29)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1967-11-29)
guitar:
John Collins (jazz guitarist) (on 1967-11-29)
piano:
Norman Simmons (on 1967-11-29)
saxophone:
Buddy Collette (on 1967-11-29), William Green (woodwind) (on 1967-11-29), Anthony Ortega (jazz saxophonist) (on 1967-11-29) and Frank Strozier (on 1967-11-29)
trombone:
Lou Blackburn (on 1967-11-29), Billy Byers (on 1967-11-29) and Frank Rosolino (on 1967-11-29)
trumpet:
Bob Bryant (on 1967-11-29), Conte Candoli (on 1967-11-29), Freddie Hill (trumpet) (on 1967-11-29) and Al Porcino (on 1967-11-29)
vocals:
Carmen McRae (on 1967-11-29)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1967-11-29)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-11-29)
recording of:
Day by Day (on 1967-11-29)
lyricist:
Sammy Cahn
composer:
Axel Stordahl and Paul Weston
publisher:
Barton Music Corp. and Hanover Music Corp.
2:25
A4When You Get Around to Me
bass:
Ray Brown (jazz bassist) (on 1967-11-28)
bass trombone:
George Roberts (american bass trombone) (on 1967-11-28)
cello [2 celli] and violin [6 violins]:
unidentified (Special Purpose Artist – Do not add releases here, if possible.) (on 1967-11-28)
drums (drum set):
Earl Palmer (on 1967-11-28)
flute:
Gene Cipriano (on 1967-11-28) and Harry Klee (on 1967-11-28)
French horn:
David Duke (Horn) (on 1967-11-28), William Hinshaw (American horn player) (on 1967-11-28) and Henry Sigismonti (on 1967-11-28)
guitar:
Dennis Budimir (on 1967-11-28) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1967-11-28)
percussion:
Victor Feldman (jazz musician) (on 1967-11-28) and Louis Singer (percussionist) (on 1967-11-28)
piano:
Norman Simmons (on 1967-11-28)
trombone:
Lew McCreary (on 1967-11-28)
vocals:
Carmen McRae (on 1967-11-28)
conductor:
Shorty Rogers (trumpet) (on 1967-11-28)
arranger:
Shorty Rogers (trumpet)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-11-28)
recording of:
When You Get Around to Me (on 1967-11-28)
writer:
Richard Ahlert
2:54
A5Walking Happy
bass:
Ray Brown (jazz bassist) (on 1967-11-29)
bass trombone:
Ernie Tack (on 1967-11-29)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1967-11-29)
guitar:
John Collins (jazz guitarist) (on 1967-11-29)
piano:
Norman Simmons (on 1967-11-29)
saxophone:
Buddy Collette (on 1967-11-29), William Green (woodwind) (on 1967-11-29), Anthony Ortega (jazz saxophonist) (on 1967-11-29) and Frank Strozier (on 1967-11-29)
trombone:
Lou Blackburn (on 1967-11-29), Billy Byers (on 1967-11-29) and Frank Rosolino (on 1967-11-29)
trumpet:
Bob Bryant (on 1967-11-29), Conte Candoli (on 1967-11-29), Freddie Hill (trumpet) (on 1967-11-29) and Al Porcino (on 1967-11-29)
vocals:
Carmen McRae (on 1967-11-29)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1967-11-29)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-11-29)
recording of:
Walking Happy (on 1967-11-29)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
2:33
A6My Very Own Person
bass:
Ray Brown (jazz bassist) (on 1967-11-27)
bass trombone:
George Roberts (american bass trombone) (on 1967-11-27)
cello [2 celli], viola [2 violas] and violin [8 violins]:
unidentified (Special Purpose Artist – Do not add releases here, if possible.) (on 1967-11-27)
drums (drum set):
Victor Feldman (jazz musician) (on 1967-11-27) and Jack Sperling (drummer) (on 1967-11-27)
French horn:
Dick Perissi (on 1967-11-27) and Henry Sigismonti (on 1967-11-27)
guitar:
Tommy Tedesco (guitar) (on 1967-11-27)
harp:
Ann Mason (American harpist) (on 1967-11-27)
percussion:
Dale Anderson (percussionist) (on 1967-11-27)
piano:
Norman Simmons (on 1967-11-27)
saxophone:
Gene Cipriano (on 1967-11-27), Dominick Fera (on 1967-11-27), Justin Gordon (on 1967-11-27), John Lowe (woodwind) (on 1967-11-27) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1967-11-27)
trombone:
Joe Howard (american trombone player) (on 1967-11-27) and Dick Nash (on 1967-11-27)
trumpet:
John Audino (on 1967-11-27), James Salko (on 1967-11-27) and Jimmy Zito (on 1967-11-27)
vocals:
Carmen McRae (on 1967-11-27)
conductor:
Benny Carter (on 1967-11-27)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-11-27)
recording of:
My Very Own Person (on 1967-11-27)
lyricist:
Spence Maxwell
composer:
Gene di Novi
2:55
B1Ask Any Woman
bass:
Ray Brown (jazz bassist) (on 1967-11-28)
bass trombone:
George Roberts (american bass trombone) (on 1967-11-28)
cello [2 celli] and violin [6 violins]:
unidentified (Special Purpose Artist – Do not add releases here, if possible.) (on 1967-11-28)
drums (drum set):
Earl Palmer (on 1967-11-28)
flute:
Gene Cipriano (on 1967-11-28) and Harry Klee (on 1967-11-28)
French horn:
David Duke (Horn) (on 1967-11-28), William Hinshaw (American horn player) (on 1967-11-28) and Henry Sigismonti (on 1967-11-28)
guitar:
Dennis Budimir (on 1967-11-28) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1967-11-28)
percussion:
Victor Feldman (jazz musician) (on 1967-11-28) and Louis Singer (percussionist) (on 1967-11-28)
piano:
Norman Simmons (on 1967-11-28)
trombone:
Lew McCreary (on 1967-11-28)
vocals:
Carmen McRae (on 1967-11-28)
conductor:
Shorty Rogers (trumpet) (on 1967-11-28)
arranger:
Shorty Rogers (trumpet)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-11-28)
recording of:
Ask Any Woman (on 1967-11-28)
writer:
Gerard Robert Langley (songwriter with Jimmy Stewart) and James Johnston Stewart
2:58
B2Boy, Do I Have a Surprise for You
bass:
Ray Brown (jazz bassist) (on 1967-11-27)
bass trombone:
George Roberts (american bass trombone) (on 1967-11-27)
cello [2 celli], viola [2 violas] and violin [8 violins]:
unidentified (Special Purpose Artist – Do not add releases here, if possible.) (on 1967-11-27)
drums (drum set):
Victor Feldman (jazz musician) (on 1967-11-27) and Jack Sperling (drummer) (on 1967-11-27)
French horn:
Dick Perissi (on 1967-11-27) and Henry Sigismonti (on 1967-11-27)
guitar:
Tommy Tedesco (guitar) (on 1967-11-27)
harp:
Ann Mason (American harpist) (on 1967-11-27)
percussion:
Dale Anderson (percussionist) (on 1967-11-27)
piano:
Norman Simmons (on 1967-11-27)
saxophone:
Gene Cipriano (on 1967-11-27), Dominick Fera (on 1967-11-27), Justin Gordon (on 1967-11-27), John Lowe (woodwind) (on 1967-11-27) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1967-11-27)
trombone:
Joe Howard (american trombone player) (on 1967-11-27) and Dick Nash (on 1967-11-27)
trumpet:
John Audino (on 1967-11-27), James Salko (on 1967-11-27) and Jimmy Zito (on 1967-11-27)
vocals:
Carmen McRae (on 1967-11-27)
conductor:
Benny Carter (on 1967-11-27)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-11-27)
3:21
B3Loads of Love
bass:
Ray Brown (jazz bassist) (on 1967-11-29)
bass trombone:
Ernie Tack (on 1967-11-29)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1967-11-29)
guitar:
John Collins (jazz guitarist) (on 1967-11-29)
piano:
Norman Simmons (on 1967-11-29)
saxophone:
Buddy Collette (on 1967-11-29), William Green (woodwind) (on 1967-11-29), Anthony Ortega (jazz saxophonist) (on 1967-11-29) and Frank Strozier (on 1967-11-29)
trombone:
Lou Blackburn (on 1967-11-29), Billy Byers (on 1967-11-29) and Frank Rosolino (on 1967-11-29)
trumpet:
Bob Bryant (on 1967-11-29), Conte Candoli (on 1967-11-29), Freddie Hill (trumpet) (on 1967-11-29) and Al Porcino (on 1967-11-29)
vocals:
Carmen McRae (on 1967-11-29)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1967-11-29)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-11-29)
recording of:
Loads of Love (on 1967-11-29)
lyricist and composer:
Richard Rodgers (composer)
3:54
B4I Haven't Got Anything Better to Do
bass:
Ray Brown (jazz bassist) (on 1967-11-27)
bass trombone:
George Roberts (american bass trombone) (on 1967-11-27)
cello [2 celli], viola [2 violas] and violin [8 violins]:
unidentified (Special Purpose Artist – Do not add releases here, if possible.) (on 1967-11-27)
drums (drum set):
Victor Feldman (jazz musician) (on 1967-11-27) and Jack Sperling (drummer) (on 1967-11-27)
French horn:
Dick Perissi (on 1967-11-27) and Henry Sigismonti (on 1967-11-27)
guitar:
Tommy Tedesco (guitar) (on 1967-11-27)
harp:
Ann Mason (American harpist) (on 1967-11-27)
percussion:
Dale Anderson (percussionist) (on 1967-11-27)
piano:
Norman Simmons (on 1967-11-27)
saxophone:
Gene Cipriano (on 1967-11-27), Dominick Fera (on 1967-11-27), Justin Gordon (on 1967-11-27), John Lowe (woodwind) (on 1967-11-27) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1967-11-27)
trombone:
Joe Howard (american trombone player) (on 1967-11-27) and Dick Nash (on 1967-11-27)
trumpet:
John Audino (on 1967-11-27), James Salko (on 1967-11-27) and Jimmy Zito (on 1967-11-27)
vocals:
Carmen McRae (on 1967-11-27)
conductor:
Gene DiNovi (on 1967-11-27)
arranger:
Gene DiNovi
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-11-27)
recording of:
I Haven’t Got Anything Better to Do (on 1967-11-27)
writer:
Lee Pockriss and Paul Vance (US songwriter and producer)
4:29
B5Wonder Why
bass:
Ray Brown (jazz bassist) (on 1967-11-29)
bass trombone:
Ernie Tack (on 1967-11-29)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1967-11-29)
guitar:
John Collins (jazz guitarist) (on 1967-11-29)
piano:
Norman Simmons (on 1967-11-29)
saxophone:
Buddy Collette (on 1967-11-29), William Green (woodwind) (on 1967-11-29), Anthony Ortega (jazz saxophonist) (on 1967-11-29) and Frank Strozier (on 1967-11-29)
trombone:
Lou Blackburn (on 1967-11-29), Billy Byers (on 1967-11-29) and Frank Rosolino (on 1967-11-29)
trumpet:
Bob Bryant (on 1967-11-29), Conte Candoli (on 1967-11-29), Freddie Hill (trumpet) (on 1967-11-29) and Al Porcino (on 1967-11-29)
vocals:
Carmen McRae (on 1967-11-29)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1967-11-29)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1967-11-29)
recording of:
Wonder Why (Rich, Young and Pretty) (on 1967-11-29)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
2:12