| # | Title | Rating | Length |
|---|
| 1 | Day in, Day Out | 4 | 6:49 |
| 2 | Darn That Dream | 4 | 6:20 |
| 3 | But Not for Me | 4 | 3:51 |
| 4 | Body and Soul- engineer:
- Val Valentin
- producer:
- Norman Granz
- double bass:
- Red Mitchell (on 1957-01-07)
- double bass [bass]:
- Joe Mondragon (in 1957-01)
- drums (drum set):
- Alvin Stoller (on 1957-01-07)
- guitar:
- Barney Kessel (on 1957-01-07)
- piano:
- Jimmy Rowles (on 1957-01-07)
- tenor saxophone:
- Ben Webster (on 1957-01-07)
- trumpet:
- Harry “Sweets” Edison (on 1957-01-07)
- vocals:
- Billie Holiday (on 1957-01-07)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
- recording of:
- Body and Soul (on 1957-01-07)
- lyricist:
- Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
- composer:
- Johnny Green (in 1930)
- publisher:
- Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| 3 | 6:25 |
| 5 | Just Friends (instrumental) | | 6:29 |
| 6 | Stars Fell on Alabama | 3.35 | 4:32 |
| 7 | Say It Isn't So | 4 | 3:19 |
| 8 | Love Is Here to Stay- producer:
- Norman Granz
- double bass:
- Red Mitchell (on 1957-01-08)
- drums (drum set):
- Alvin Stoller (on 1957-01-08)
- guitar:
- Barney Kessel (on 1957-01-08)
- piano:
- Jimmy Rowles (on 1957-01-08)
- tenor saxophone:
- Ben Webster (on 1957-01-08)
- trumpet:
- Harry “Sweets” Edison (on 1957-01-08)
- vocals:
- Billie Holiday (on 1957-01-08)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-08)
- recording of:
- Love Is Here to Stay (on 1957-01-08)
- lyricist:
- Ira Gershwin
- composer:
- George Gershwin
- publisher:
- Chappell & Co., Inc. , Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Chappell Music , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- The Goldwyn Follies
| 5 | 3:45 |
| 9 | One for My Baby (And One More for the Road) | 4 | 5:42 |
| 10 | They Can't Take That Away From Me- producer:
- Norman Granz (on 1957-01-09)
- double bass:
- Joe Mondragon (on 1957-01-09)
- guitar:
- Barney Kessel (on 1957-01-09)
- piano:
- Jimmy Rowles (on 1957-01-09)
- tenor saxophone:
- Ben Webster (on 1957-01-09)
- trumpet:
- Harry “Sweets” Edison (on 1957-01-09)
- vocals:
- Billie Holiday (in 1957-01)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1957-01-09)
- recording of:
- They Can’t Take That Away From Me (on 1957-01-09)
- lyricist:
- Ira Gershwin (in 1937)
- composer:
- George Gershwin (in 1937)
- publisher:
- Chappell & Co., Inc. , Chappell Music , Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited , WB Music Corp. (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
- part of:
- The 10th Academy Award for Best Original Song (number: 2)
- part of:
- An American in Paris
- part of:
- Crazy for You
- part of:
- Shall We Dance
| 4 | 4:12 |
| 11 | Embraceable You | 5 | 6:49 |
| 12 | Let's Call the Whole Thing Off | 5 | 3:26 |
| 13 | Gee, Baby, Ain't I Good to You? | 4 | 5:37 |
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