# | Title | Rating | Length |
---|
1 | An Eye for Optical Theory | | 4:29 |
2 | Queen of the Night | | 6:55 |
3 | Chasing Sheep Is Best Left to Shepherds | | 5:01 |
4 | Car Crash | | 3:40 |
5 | Time Lapse | | 4:15 |
6 | Vermeer's Wife | | 3:00 |
7 | Trysting Fields/Sheep & Tides | | 7:16 |
8 | Wheelbarrow Walk | | 2:37 |
9 | Fish Beach | | 2:53 |
10 | Memorial | | 11:21 |
11 | Come Unto These Yellow Sands | | 3:12 |
12 | Prospero's Curse- assistant engineer:
- Chris Brown and Dillon Gallagher
- producer:
- David Cunningham
- mixer:
- David Cunningham, Michael J. Dutton and Michael Nyman
- editor:
- Peter Mew
- alto saxophone and sopranino saxophone:
- David Roach and Jamie Talbot
- baritone saxophone, flute, piccolo and tenor saxophone:
- Andy Findon
- bass:
- Martin Elliott
- bass clarinet and clarinet:
- David Rix
- bass trombone:
- Nigel Barr and Stave Saunders
- cello:
- Tony Hinnigan and Justin Pearson
- double bass:
- Tim Amhurst , Lynda Houghton and Paul Morgan
- horn:
- Richard Clews and Marjorie Dunn
- instruments:
- Michael Nyman Band
- piano:
- Michael Nyman
- trumpet:
- Graham Ashton
- viola:
- Kate Musker
- violin:
- Alexander Bălănescu , Jonathan Carney , Clare Connors and Elisabeth Perry
- conductor:
- Michael Nyman
- recorded at and mixed at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom and PRT Studios in London , England, United Kingdom
- edited at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom
- recording of:
- Prospero’s Books: Prospero’s Curse
- composer:
- Michael Nyman
- part of:
- Prospero’s Books
| | 2:40 |
13 | Miranda | | 4:12 |