Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Februar 1972/Juli 1983 (Sätze 1, 5, 6); Oktober 1979 (BWV 78); Oktober, November 1981 (BWV 79)
CD2 Aufnahme: Gedächtniskirche Stuttgart (BWV 80-82), Südwest-Tonstudio, Stuttgart (BWV 80). September/Oktober 1983 (BWV 80); Februar 1971/Juli, Oktober 1983 (BWV 81); Juli 1983 (BWV 82)
CD3 Aufnahme: Gedächtniskirche Stuttgart (BWV 83-86), Große Aula der Alten Universität Salzburg (BWV 85). September 1978 (BWV 83); Juni, Juli 1983 (BWV 84); Dezember 1980, April 1981, Juli 1983 (BWV 85); Februar, September 1978/Februar 1979 (BWV 86)
CD4 Aufnahme: Gedächtniskirche Stuttgart. Juni/Juli 1970 (BWV 88); September/Dezember 1977 (BWV 89); Dezember 1977, Januar 1978 (BWV 90); Dezember 1980/Februar/März 1981 (BWV 87)

Annotation last modified on 2014-06-19 18:05 UTC.

Tracklist

CD 1: BWV 77-79
CD 2: BWV 80-82
CD 3: BWV 83-86
CD 4: BWV 87-90
#TitleArtistRatingLength
1Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": I. Arioso (Bass) "Bisher habt ihr nichts gebeten in meinem Namen"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": I. Arioso (Bass) "Bisher habt ihr nichts gebeten in meinem Namen" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach2:12
2Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": II. Recitativo (Alt) "O Wort, das Geist und Seel erschreckt"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": II. Recitativo (Alt) "O Wort, das Geist und Seel erschreckt" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach0:48
3Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": III. Aria (Alt) "Vergib, o Vater, unsre Schuld"
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": III. Aria (Alt) "Vergib, o Vater, unsre Schuld" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach8:43
4Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": IV. Recitativo (Tenor) "Wenn unsre Schuld bis an den Himmel steigt"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": IV. Recitativo (Tenor) "Wenn unsre Schuld bis an den Himmel steigt" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach1:01
5Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": V. Arioso (Bass) "In der Welt habt ihr Angst"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": V. Arioso (Bass) "In der Welt habt ihr Angst" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach2:11
6Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VI. Aria (Tenor) "Ich will leiden, ich will schweigen"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VI. Aria (Tenor) "Ich will leiden, ich will schweigen" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach3:50
7Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VII. Choral "Muß ich sein betrübet"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VII. Choral "Muß ich sein betrübet" (from 1980-12 until 1981-03)
lyricist:
Heinrich von Mühler
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 201)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
Johann Sebastian Bach1:34
8Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": I. Aria (Bass) "Siehe, ich will viel Fischer aussenden"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": I. Aria (Bass) "Siehe, ich will viel Fischer aussenden" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach7:41
9Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": II. Recitativo (Tenor) "Wie leichtlich könnte doch der Höchste uns entbehren"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": II. Recitativo (Tenor) "Wie leichtlich könnte doch der Höchste uns entbehren" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach1:05
10Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": III. Aria (Tenor), Ritornello "Nein, nein! Gott ist allezeit geflissen"
vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": III. Aria (Tenor), Ritornello "Nein, nein! Gott ist allezeit geflissen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach4:05
11Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": IV. Recitativo ed Arioso (Tenor, Bass) "Jesus sprach zu Simon"
bass vocals:
Wolfgang Schöne (bass-baritone)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": IV. Recitativo ed Arioso (Tenor, Bass) "Jesus sprach zu Simon" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach2:49
12Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": V. Aria (Duetto Sopran, Alt) "Beruft Gott selbst, so muß der Segen"
alto vocals:
Verena Gohl (Swiss contralto)
soprano vocals:
Ingeborg Reichelt (German soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": V. Aria (Duetto Sopran, Alt) "Beruft Gott selbst, so muß der Segen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach4:15
13Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": VI. Recitativo (Sopran) "Was kann dich denn in deinem Wandel schrecken"
soprano vocals:
Ingeborg Reichelt (German soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": VI. Recitativo (Sopran) "Was kann dich denn in deinem Wandel schrecken" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach1:42
14Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": VII. Choral "Sing, bet und geh auf Gottes Wegen"
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": VII. Choral "Sing, bet und geh auf Gottes Wegen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Neumark (German hymn writer) (in 1657)
part of:
Breitkopf 389 Choralgesänge (number: 368)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
Johann Sebastian Bach1:00
15Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?" (from 1977-09 until 1977-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach3:35
16Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alt) "Ja, freilich sollte Gott"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alt) "Ja, freilich sollte Gott" (from 1977-09 until 1977-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach0:59
17Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alt) "Ein unbarmherziges Gerichte"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alt) "Ein unbarmherziges Gerichte" (from 1977-09 until 1977-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach3:05
18Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": IV. Recitativo (Sopran) "Wohlan! mein Herze legt Zorn, Zank und Zwietracht hin"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": IV. Recitativo (Sopran) "Wohlan! mein Herze legt Zorn, Zank und Zwietracht hin" (from 1977-09 until 1977-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach1:24
19Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": V. Aria (Sopran) "Gerechter Gott, ach, rechnest du?"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": V. Aria (Sopran) "Gerechter Gott, ach, rechnest du?" (from 1977-09 until 1977-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach2:25
20Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": VI. Choral "Mir mangelt zwar sehr viel"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": VI. Choral "Mir mangelt zwar sehr viel" (from 1977-09 until 1977-12)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 26)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
Johann Sebastian Bach0:53
21Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach5:41
22Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu"
alto vocals:
Helen Watts (contralto)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach1:44
23Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter"
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach3:42
24Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach0:50
25Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (from 1977-12 until 1978-01)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach1:07