Orphée aux enfers

~ Release by Jacques Offenbach; Dessay, Naouri, Fouchécourt, Beuron, Podleś, Petibon, Smith, Gens, Steven Cole, Marc Minkowski (see all versions of this release, 1 available)

Annotation

Version de 1858 (Opéra-bouffe en deux actes, 4 tableaux) augmentée d'éléments de la version de 1874 (Opéra-féerie en 4 actes). Version établie par Marc Minkowski et Laurent Pelly.

Conductor Marc Minkowski - 1997
Orchestra - Orchestre de l'Opéra national de Lyon - Orchestre de chambre de Grenoble
Chorus - Choeur de l'Opéra national de Lyon
Pluton-Aristée - Jean-Paul Fouchécourt
Jupiter - Laurent Naouri
John Styx - Steven Cole
Mercure - Etienne Lescroart
Orphée - Yann Beuron
Euridice - Natalie Dessay
Cupidon - Patricia Petibon
Diane - Jennifer Smith
L'Opinion Publique - Ewa Podles
Junon - Lydie Pruvot
Vénus - Véronique Gens
Minerve - Virginie Pochon

Annotation last modified on 2020-01-08 13:24 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Orphée aux Enfers: Ouverture
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Ouverture (version de 1858) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers (opéra bouffe in two acts, 1858)
Jacques Offenbach3:05
2Orphée aux Enfers: Acte I, Tableau 1. « Qui je suis ? »
contralto vocals [L’Opinion publique]:
Ewa Podleś (contralto) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. “Qui je suis ?” – “Du théâtre antique …” (L'Opinion publique) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach1:45
3Orphée aux Enfers: Acte I, Tableau 1. « La femme dont le cœur rêve »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Chanson “La femme dont le cœur rêve” (Eurydice) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach2:24
4Orphée aux Enfers: Acte I, Tableau 1. « Il est sorti ! »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Dialogue “Il est sorti !” (Eurydice, Orphée) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach2:02
5Orphée aux Enfers: Acte I, Tableau 1. « Ah ! C’est ainsi ! »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Duo du concerto “Ah ! C'est ainsi !” (Orphée, Eurydice) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach5:17
6Orphée aux Enfers: Acte I, Tableau 1. « Oh Vénus, belle déesse »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Dialogue “Oh Vénus, belle déesse” (Eurydisce, Orphée) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach1:22
7Orphée aux Enfers: Acte I, Tableau 1. « J’ai peur… »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Monologue “J'ai peur ...” (Eurydice) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach0:25
8Orphée aux Enfers: Acte I, Tableau 1. Ballet pastoral
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Ballet pastoral (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach1:45
9Orphée aux Enfers: Acte I, Tableau 1. « Moi, je suis Aristée »
tenor vocals [Aristée]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Chanson d'Aristée “Moi, je suis Aristée” (Aristée) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach3:37
10Orphée aux Enfers: Acte I, Tableau 1. « Voilà! voilà ce que je dis… »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [Aristée]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Dialogue “Voilà! voilà ce que je dis ...” (Aristée, Eurydice) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach1:27
11Orphée aux Enfers: Acte I, Tableau 1. « Allons ! Allons ! »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [Aristée]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Dialogue “Allons ! Allons !” (Aristée, Eurydice) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach1:03
12Orphée aux Enfers: Acte I, Tableau 1. « La mort m’apparaît souriante »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Couplets “La mort m'apparaît souriante” (Eurydice) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach2:17
13Orphée aux Enfers: Acte I, Tableau 1. « Crac ! c’est bon ! »
tenor vocals [Aristée]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Mélodrame “Crac ! c'est bon !” (Aristée) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach1:55
14Orphée aux Enfers: Acte I, Tableau 1. Final « Libre ! Ô bonheur ! »
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I. Tableau 1. Final “Libre ! Ô bonheur !” (Orphée, chœurs) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach2:02
15Orphée aux Enfers: Acte I, Tableau 1. Final « C’est l’Opinion Publique »
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
contralto vocals [L’Opinion publique]:
Ewa Podleś (contralto) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Final: Couplets “C'est l’Opinion publique” (L’Opinion publique, chœurs) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach1:35
16Orphée aux Enfers: Acte I, Tableau 1. Final « Viens ! à l’Opinion »
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
contralto vocals [L’Opinion publique]:
Ewa Podleś (contralto) (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Final “Viens ! À l’Opinion” (L’Opinion publique, chœurs, Orphée) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach0:57
17Orphée aux Enfers: Acte I, Tableau 1. Final « Viens ! Viens ! C’est l’honneur »
contralto vocals [L’Opinion publique]:
Ewa Podleś (contralto) (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 1. Final: Duettino “Viens ! viens ! c’est l’honneur" (L’Opinion publique, Orphée) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 1 (La Campagne aux environs de Thèbes)
Jacques Offenbach2:01
18Orphée aux Enfers: Acte I, Tableau 2. Entr’acte / « Dormons, dormons »
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Entr'acte et chœur du sommeil “Dormons, dormons” (Chœur) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach4:46
19Orphée aux Enfers: Acte I, Tableau 2. « Les Heures »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. “Les Heures” (Jupiter, chœurs) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach2:01
20Orphée aux Enfers: Acte I, Tableau 2. « Par Saturne, quel est ce bruit »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Réveil des dieux et couplets de Diane “Par Saturne, quel est ce bruit” (Jupiter, chœur, Diane) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach2:50
21Orphée aux Enfers: Acte I, Tableau 2. « Ah ! Pauvre Actéon ! »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Dialogue “Ah ! Pauvre Actéon !” (Diane, Cupidon, Junon, Jupiter, Vénus) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach3:22
22Orphée aux Enfers: Acte I, Tableau 2. « Eh hop ! Eh hop ! »
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Rondo-saltarelle de Mercure “Eh hop ! Eh hop !” (Mercure) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach2:10
23Orphée aux Enfers: Acte I, Tableau 2. « Et Pluton ? »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Dialogue “Et Pluton ?” (Mercure, Junon, Jupiter) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach0:53
24Orphée aux Enfers: Acte I, Tableau 2. « Salut au puissant maître »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Entrée de Pluton et des Furies “Salut au puissant maître” (Pluton, Jupiter) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach1:06
25Orphée aux Enfers: Acte I, Tableau 2. « Heureuses divinités »
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Air en prose de Pluton “Heureuses divinités” (Pluton) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach2:03
26Orphée aux Enfers: Acte I, Tableau 2. « As‐tu bientôt fini »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Dialogue “As-tu bientôt fini” (Jupiter, Pluton) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach1:25
27Orphée aux Enfers: Acte I, Tableau 2. « Aux armes »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Chœur de la révolte “Aux armes, dieux et demi-dieux !” (Diane, Vénus, Cupidon, Chœur des dieux, Jupiter, Junon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach1:34
28Orphée aux Enfers: Acte I, Tableau 2. « Une sédition ! »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Dialogue “Une sédition !” (Jupiter, Vénus, Cupidon, Pluton, Diane, Junon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach1:19
29Orphée aux Enfers: Acte I, Tableau 2. « Pour séduire Alcmène »
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Minerve]:
Virginie Pochon (soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Rondeau des métamorphoses “Pour séduire Alcmène” (Minerve, chœur, Diane, Cupidon, Vénus, Pluton) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach2:27
30Orphée aux Enfers: Acte I, Tableau 2. « Je suis à bout de force ! »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Dialogue “Je suis à bout de force !” (Junon, Jupiter, Pluton, Mercure) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach1:46
31Orphée aux Enfers: Acte I, Tableau 2. Final « Il approche ! Il s’approche ! »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
contralto vocals [L’Opinion publique]:
Ewa Podleś (contralto) (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Final “Il approche ! Il s’approche !” (Pluton, Les dieux, L’Opinion publique, Jupiter, Orphée, Mercure, Cupidon, Diane, Vénus) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach4:19
32Orphée aux Enfers: Acte I, Tableau 2. Final « Gloire ! gloire à Jupiter »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
contralto vocals [L’Opinion publique]:
Ewa Podleś (contralto) (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte I, Tableau 2. Final “Gloire ! Gloire à Jupiter” (Pluton, Les dieux, L’Opinion publique, Jupiter, Orphée, Mercure, Cupidon, Diane, Vénus) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte I, Tableau 2 (L’Olympe)
Jacques Offenbach2:33
▼ CD 2
#TitleArtistRatingLength
1Orphée aux Enfers: Acte II, Tableau 3. Entr’acte
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Entr'acte (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach0:50
2Orphée aux Enfers: Acte II, Tableau 3. « Ah ! Quelle triste destinée »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Couplets des regrets “Ah ! quelle triste destinée” (Eurydice) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach2:10
3Orphée aux Enfers: Acte II, Tableau 3. « Voilà deux jours que je suis seule »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US-american operatic tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Dialogue “Voilà deux jours que je suis seule” (Eurydice, John Styx) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach1:54
4Orphée aux Enfers: Acte II, Tableau 3. « Quand j’étais roi de Béotie »
tenor vocals [John Styx]:
Steven Cole (US-american operatic tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Couplets “Quand j'étais roi de Béotie” (John Styx) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach1:43
5Orphée aux Enfers: Acte II, Tableau 3. « Va‐t’en, je te dis, tu sens le vin »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US-american operatic tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Dialogue “Va-t'en, je te dis, tu sens le vin” (Eurydice, John Styx, Pluton, Jupiter, Cupidon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach4:24
6Orphée aux Enfers: Acte II, Tableau 3. « Pour attirer du fond de sa retraite »
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Couplets des baisers “Pour attirer du fond de sa retraite” (Cupidon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach2:45
7Orphée aux Enfers: Acte II, Tableau 3. « À la une… à la deux… à la trois »
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Dialogue “À la une... à la deux... à la trois” (Cupidon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach0:10
8Orphée aux Enfers: Acte II, Tableau 3. « Il m’a semblé sur mon épaule »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Duo de la mouche: “Il m'a semblé sur mon épaule” (Eurydice, Jupiter) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach5:00
9Orphée aux Enfers: Acte II, Tableau 3. « Ah, je le savais bien »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US-american operatic tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Dialogue “Ah, je le savais bien” (Eurydice, Jupiter, Pluton, John Styx, Cupidon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach3:11
10Orphée aux Enfers: Acte II, Tableau 3. Ballet des mouches: Galop
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 3. Ballet des mouches: Galop (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 3 (Le Boudoir de Pluton)
Jacques Offenbach1:52
11Orphée aux Enfers: Acte II, Tableau 3. Entr’acte
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Entr'acte (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach0:59
12Orphée aux Enfers: Acte II, Tableau 4. « Vive le vin ! Vive Pluton »
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Chœur infernal “Vive le vin ! Vive Pluton” (chœur) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach2:04
13Orphée aux Enfers: Acte II, Tableau 4. « Allons, ma belle bacchante »
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. “Allons, ma belle bacchante” (Cupidon, Vénus, chœur) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:01
14Orphée aux Enfers: Acte II, Tableau 4. « J’ai vu le dieu Bacchus »
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Hymne à Bacchus “J'ai vu le dieu Bacchus” (Eurydice, Diane, Cupidon, Vénus, Les déesses) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach2:15
15Orphée aux Enfers: Acte II, Tableau 4. « Maintenant, je veux »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. “Maintenant, je veux” (Jupiter, Pluton) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:17
16Orphée aux Enfers: Acte II, Tableau 4. « La la la. Le menuet n’est vraiment si charmant »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US-american operatic tenor) (in 1997)
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Menuet “La la la. Le menuet n'est vraiment si charmant” (Tous) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:24
17Orphée aux Enfers: Acte II, Tableau 4. « Ce bal est original »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US-american operatic tenor) (in 1997)
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Galop infernal “Ce bal est original” (Tous) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:48
18Orphée aux Enfers: Acte II, Tableau 4. « Et maintenant, fuyons »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Dialogue “Et maintenant, fuyons” (Eurydice, Jupiter, Junon) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach0:56
19Orphée aux Enfers: Acte II, Tableau 4. « La position se tend »
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Dialogue “La position se tend” (Pluton, Eurydice) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:22
20Orphée aux Enfers: Acte II, Tableau 4.. « Oui, je suis convaincu »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
tenor vocals [Ariston] and tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Dialogue “Oui, je suis convaincu” (Orphée, Jupiter, Pluton) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:00
21Orphée aux Enfers: Acte II, Tableau 4. « Ne regarde pas en arrière ! »
bass-baritone vocals [Jupiter]:
Laurent Naouri (bass-baritone) (in 1997)
choir vocals:
Chœur de l’Opéra de Lyon (in 1997)
contralto vocals [L’Opinion publique]:
Ewa Podleś (contralto) (in 1997)
soprano vocals [Cupidon]:
Patricia Petibon (soprano) (in 1997)
soprano vocals [Diane]:
Jennifer Smith (soprano) (in 1997)
soprano vocals [Eurydice]:
Natalie Dessay (soprano) (in 1997)
soprano vocals [Junon]:
Lydie Pruvot (operatic soprano) (in 1997)
soprano vocals [Vénus]:
Véronique Gens (soprano) (in 1997)
tenor vocals [John Styx]:
Steven Cole (US-american operatic tenor) (in 1997)
tenor vocals [Mercure]:
Étienne Lescroart (in 1997)
tenor vocals [Orphée]:
Yann Beuron (french tenor) (in 1997)
tenor vocals [Pluton]:
Jean-Paul Fouchécourt (tenor) (in 1997)
orchestra:
Orchestre national de Lyon (in 1997)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1997)
recording of:
Orphée aux Enfers: Acte II, Tableau 4. Final “Ne regarde pas en arrière !” (L’Opinion publique, Tous) (in 1997)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach2:36

Credits

Release

ASIN:US: B00000I3U8 [info]