The Very Best of Michael Nyman: Film Music 1980-2001

~ Release by Michael Nyman (see all versions of this release, 4 available)

Tracklist

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CD 1
#TitleRatingLength
1Bird List
producer:
Michael Nyman (composer)
performer:
Michael Nyman Band
orchestrator:
Michael Nyman (composer)
4:17
2Chasing Sheep Is Best Left to Shepherds
recording of:
Chasing Sheep Is Best Left to Shepherds
composer:
Michael Nyman (composer) (in 1982)
publisher:
Première Music Group (in 1982)
is based on:
King Arthur, Z. 628: Act III. Prelude
5:26
3An Eye for Optical Theory
assistant engineer:
Brad Grisdale, Dave Hunt (engineer, producer and occasional writer), Steve Smith (engineer) and Bob Zimbler
engineer:
Martin Rex
producer:
David Cunningham
alto saxophone:
John Harle and Ian Mitchell (clarinetist)
baritone saxophone:
Andy Findon
bass:
Malcolm Bennett (of Gryphon)
bass clarinet and clarinet:
Ian Mitchell (clarinetist)
bass trombone and euphonium:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
double bass:
Barry Guy (composer and double bass)
harpsichord and piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
tenor saxophone:
John Harle and Keith Thompson (saxaphonist)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
performer:
Michael Nyman Band
engineered at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom and Studio 80 in London (Greater London), England, United Kingdom
produced at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
An Eye for Optical Theory (in 1982)
composer:
Michael Nyman (composer) (in 1982)
publisher:
Première Music Group (in 1982)
is based on:
Ground in C minor, ZD. 221
5:12
4Homage to Maurice
producer:
Michael Nyman (composer)
performer:
Michael Nyman Band
orchestrator:
Michael Nyman (composer)
2:17
5Angelfish Decay
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
2:51
6Time Lapse
producer:
David Cunningham and Michael Nyman (composer)
harpsichord:
Michael Nyman (composer)
violin:
Alexander Bălănescu (Romanian violinist) and Elisabeth Perry (violinist)
orchestra:
Zoo Orchestra
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Berry Street Studio in Islington, London (Greater London), England, United Kingdom, Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and VARA Studio in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Time Lapse (A Zed and Two Noughts)
composer:
Michael Nyman (composer)
4:00
7Trysting Fields
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Trysting Fields (Drowning by Numbers)
composer:
Michael Nyman (composer)
3:30
8Wheelbarrow Walk
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Wheelbarrow Walk
composer:
Michael Nyman (composer)
2:15
9Knowing The Ropes
recording engineer:
Bob Butterworth (engineer)
assistant engineer:
Marsten Bailey (engineer)
producer:
David Cunningham and Michael Nyman (composer)
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, piccolo and tenor saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass trombone:
Steve Saunders (bass trombone / euphonium / tuba / sackbut)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and Andrew Shulman (cellist, conductor and composer)
double bass:
Robin McGee
flugelhorn and trumpet:
John Wilbraham (trumpet player)
French horn:
Michael Thompson (British horn player and conductor)
piano:
Michael Nyman (composer)
soprano saxophone:
John Harle
viola:
Jonathan Carney (violinist, conductor and concertmaster), Kate Musker (violist) and Joe Rappaport (violinist)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster), Miranda Fulleylove (violinist), Rosemary Furniss, Jackie Shave and Briony Shaw
orchestra and performer:
Michael Nyman Band
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
recording of:
Knowing the Ropes
composer:
Michael Nyman (composer) (in 1988)
3:19
10Memorial
assistant engineer:
Dillon Gallagher
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer:
David Cunningham
alto saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, flute and tenor saxophone:
Andy Findon
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
clarinet:
David Fuest (clarinet)
double bass:
Chris Laurence (double bassist)
soprano saxophone:
John Harle
trombone:
David Stewart (Trombone player)
trumpet:
Graham Ashton (Trumpeter, composer and conductor)
viola:
Jonathan Carney (violinist, conductor and concertmaster)
violin:
Alexander Bălănescu (Romanian violinist), Jonathan Carney (violinist, conductor and concertmaster) and Elisabeth Perry (violinist)
soprano vocals:
Sarah Leonard (soprano)
conductor:
Michael Nyman (composer)
performer:
Michael Nyman Band
recorded at and mixed at:
PRT Studios (Precision Records and Tapes) in London (Greater London), England, United Kingdom
recording of:
Memorial (The Cook, The Thief, His Wife and Her Lover)
composer:
Michael Nyman (composer)
part of:
The Cook, The Thief, His Wife and Her Lover
12:01
11Skating
producer:
Michael Nyman (composer)
performer:
Michael Nyman Band
recording of:
Skating
writer:
Michael Nyman (composer)
1:27
12Peeking
producer:
Michael Nyman (composer)
performer:
Michael Nyman Band
recording of:
Peeking
writer:
Michael Nyman (composer)
2:46
13Abandoning
producer:
Michael Nyman (composer)
performer:
Michael Nyman Band
recording of:
Abandoning
writer:
Michael Nyman (composer)
3:32
14Skirting
producer:
Michael Nyman (composer)
performer:
Michael Nyman Band
recording of:
Skirting
writer:
Michael Nyman (composer)
2:06
15Miranda Previsited
recording of:
Prospero’s Books: Miranda
composer:
Michael Nyman (composer)
part of:
Prospero’s Books
6:49
16Here to There
additional engineer:
Jamie Luker
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer:
Michael Nyman (composer)
arranger:
Michael Nyman (composer)
recorded at:
Arco Studios in München, Bayern, Germany
mixed at:
Kitsch Recording Studio in Ixelles / Elsene, Brussels, Belgium
produced at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Here to There (The Piano)
composer:
Michael Nyman (composer)
part of:
The Piano (1993 film score)
1:03
17The Heart Asks Pleasure First / The Promise
additional engineer:
Jamie Luker
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer and creative direction:
Michael Nyman (composer)
piano:
Michael Nyman (composer)
conductor and performer:
Michael Nyman (composer)
arranger:
Michael Nyman (composer)
phonographic copyright (℗) by:
Michael Nyman Ltd. (in 1993)
recorded at:
Arco Studios in München, Bayern, Germany and Kitsch Recording Studio in Ixelles / Elsene, Brussels, Belgium
medley including a recording of:
The Heart Asks Pleasure First (The Piano)
composer:
Michael Nyman (composer)
publisher:
Chester Music Ltd., Michael Nyman Ltd. and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
The Piano (1993 film score)
medley including a recording of:
The Promise (The Piano)
composer:
Michael Nyman (composer)
part of:
The Piano (1993 film score)
3:12
18All Imperfect Things
additional engineer:
Jamie Luker
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer:
Michael Nyman (composer)
arranger:
Michael Nyman (composer)
recorded at:
Arco Studios in München, Bayern, Germany
mixed at:
Kitsch Recording Studio in Ixelles / Elsene, Brussels, Belgium
produced at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
All Imperfect Things (The Piano)
composer:
Michael Nyman (composer)
publisher:
Chester Music Ltd. and Michael Nyman Ltd.
part of:
The Piano (1993 film score)
4:04
19Dreams of a Journey
additional engineer:
Jamie Luker
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer:
Michael Nyman (composer)
arranger:
Michael Nyman (composer)
recorded at:
Arco Studios in München, Bayern, Germany
mixed at:
Kitsch Recording Studio in Ixelles / Elsene, Brussels, Belgium
produced at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Dreams of a Journey (The Piano)
composer:
Michael Nyman (composer)
part of:
The Piano (1993 film score)
5:29
CD 2
#TitleRatingLength
1Escape
assistant engineer:
Dillon Gallagher
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
alto saxophone and soprano saxophone:
John Harle and David Roach (UK saxophonist)
baritone saxophone, flute and piccolo:
Andy Findon
bass:
Tim Amhurst (bass) and Chris Laurence (double bassist)
bass guitar:
Martin Elliott (British bass guitarist)
cello:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and William Schofield (cellist)
horn:
Marjorie Dunn
piano:
Michael Nyman (composer)
trombone and tuba:
Nigel Barr
viola:
Kate Musker (violist)
violin:
Beverley Davison (violinist), Marshall Marcus (violinist), Ann Morfee (violinist) and Katherine Shave
conductor:
Michael Nyman (composer)
performer:
Michael Nyman Band
arranger:
Michael Nyman (composer)
recorded at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (from 1994-03-14 until 1994-05)
mixed at:
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Transfermation in London (Greater London), England, United Kingdom
recording of:
Escape
writer:
Michael Nyman (composer)
3:38
2Fly Drive
recording of:
Fly Drive (Carrington)
writer and composer:
Michael Nyman (composer)
1:32
3The Infinite Complexities of Christmas4:12
4If
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner) and Michael Nyman (composer)
vocals:
Hilary Summers (contralto)
conductor:
Michael Nyman (composer)
recorded at:
Studio Mons in France
mixed at:
Kitsch Recording Studio in Ixelles / Elsene, Brussels, Belgium
edited at:
Kitsch Recording Studio in Ixelles / Elsene, Brussels, Belgium and Metropolis (London) in London (Greater London), England, United Kingdom
recording of:
If (The Diary of Anne Frank)
lyricist:
Hachiro Konno and Roger Pulvers (playwright)
composer:
Michael Nyman (composer)
publisher:
Chester Music Ltd. and Michael Nyman Ltd.
part of:
The Diary of Anne Frank (1995 film score)
4:25
5Abel Carries Ephraim
engineer:
Michael J. Dutton (British recording and re-mastering engineer, producer, and label owner)
producer:
Michael Nyman (composer)
editor:
Martin Elliot (engineer)
alto saxophone and soprano saxophone:
Simon Haram (saxophonist), John Harle and David Roach (UK saxophonist)
baritone saxophone, flute and piccolo:
Andy Findon
bass trombone and tuba:
Nigel Barr
drums (drum set):
Gary Kettel (percussionist)
flugelhorn and trumpet:
Nigel Gomm (trumpeter) and Steve Sidwell (English composer & wind instrumentalist)
horn and Wagner tuba:
Nigel Black (horn player), Richard Clews (horninst), Christopher Davies (horn player), Paul Gardham and Dave Lee (UK french horn player)
piccolo trumpet:
Steve Sidwell (English composer & wind instrumentalist)
tenor saxophone:
David Roach (UK saxophonist)
trombone:
Andrew Berryman (trombonist)
conductor:
Michael Nyman (composer)
recorded at and mixed at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom
edited at:
Metropolis (London) in London (Greater London), England, United Kingdom
recording of:
Abel Carries Ephraim
writer:
Michael Nyman (composer)
5:55
6Becoming Jerome / God's Hands
edit of:
Becoming Jerome by Michael Nyman (composer) and God’s Hands by Michael Nyman (composer)
recording of:
Becoming Jerome
composer:
Michael Nyman (composer)
2:58
7The Morrow
additional engineer:
Sue McLean
engineer and mixer:
John Richards (engineer)
producer:
Michael Nyman (composer)
editor:
Bunny Andrews (engineer)
orchestra:
Michael Nyman Orchestra
conductor:
Michael Nyman (composer)
mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
engineered at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States (in 1997)
recording of:
The Morrow (Gattaca)
composer:
Michael Nyman (composer)
43:11
8The Other Side
additional engineer:
Sue McLean
engineer and mixer:
John Richards (engineer)
producer:
Michael Nyman (composer)
editor:
Bunny Andrews (engineer)
orchestra:
Michael Nyman Orchestra
conductor:
Michael Nyman (composer)
mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
engineered at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States (in 1997)
recording of:
The Other Side
composer:
Michael Nyman (composer)
53:41
9The Departure
additional engineer:
Sue McLean
engineer and mixer:
John Richards (engineer)
producer:
Michael Nyman (composer)
editor:
Bunny Andrews (engineer)
orchestra:
Michael Nyman Orchestra
conductor:
Michael Nyman (composer)
mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
engineered at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States (in 1997)
recording of:
The Departure (Gattaca)
composer:
Michael Nyman (composer)
33:49
10Convening the Coven
programming:
Robert Worby
engineer:
Austin Ince (engineer)
editor:
Bunny Andrews (engineer)
conductor:
Michael Nyman (composer)
orchestrator:
Gary Carpenter and Michael Nyman (composer)
recording of:
Convening the Coven
composer:
Michael Nyman (composer)
4:05
11Stranger at the Window
programming:
Tom Girling, Sean Spuehler and Robert Worby
assistant engineer:
Matt Palmer (engineer) and Nick Wollage
producer:
Damon Albarn and Michael Nyman (composer)
mixer:
Austin Ince (engineer) and John Smith (UK producer/engineer)
accordion:
Bing Lyle
banjo:
Matt Goorney
guitar and mouth harp:
Tab Hunter (member of Long Hill Ramblers)
violin:
Ben Paley
conductor:
Michael Nyman (composer) and Jackie Shave
orchestrator:
Gary Carpenter and Michael Nyman (composer)
recording of:
Stranger at the Window
composer:
Damon Albarn and Michael Nyman (composer)
part of:
Ravenous
1:38
12Cannibal Fantasy
programming:
Tom Girling, Sean Spuehler and Robert Worby
assistant engineer:
Matt Palmer (engineer) and Nick Wollage
producer:
Damon Albarn and Michael Nyman (composer)
mixer:
Austin Ince (engineer) and John Smith (UK producer/engineer)
accordion:
Bing Lyle
banjo:
Matt Goorney
guitar and mouth harp:
Tab Hunter (member of Long Hill Ramblers)
violin:
Ben Paley
conductor:
Michael Nyman (composer) and Jackie Shave
orchestrator:
Gary Carpenter and Michael Nyman (composer)
recording of:
Cannibal Fantasy
composer:
Damon Albarn and Michael Nyman (composer)
part of:
Ravenous
2:12
13Molly
assistant engineer:
Matt Donin (engineer) and Jason Westbrook
engineer:
Austin Ince (engineer)
producer:
Michael Nyman (composer)
alto saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17)
baritone saxophone, flute and tenor saxophone:
Andy Findon (from 1999-03-15 until 1999-03-17)
bass guitar:
Martin Elliott (British bass guitarist) (from 1999-03-15 until 1999-03-17)
cello:
Sophie Harris (cellist) (from 1999-03-15 until 1999-03-17) and Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) (from 1999-03-15 until 1999-03-17)
double bass:
Paul Morgan (UK doublebass/contrabass) (from 1999-03-15 until 1999-03-17)
French horn:
Dave Lee (UK french horn player) (from 1999-03-15 until 1999-03-17)
soprano saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17) and David Roach (UK saxophonist) (from 1999-03-15 until 1999-03-17)
trombone:
Nigel Barr (from 1999-03-15 until 1999-03-17)
trumpet:
Steve Sidwell (English composer & wind instrumentalist) (from 1999-03-15 until 1999-03-17)
viola:
Bill Hawkes (from 1999-03-15 until 1999-03-17), Kate Musker (violist) (from 1999-03-15 until 1999-03-17) and Andrew Parker (viola) (from 1999-03-15 until 1999-03-17)
violin:
Fran Andrade (violinist) (from 1999-03-15 until 1999-03-17), Beverley Davison (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Evans‐Jones (violinist) (from 1999-03-15 until 1999-03-17), Miranda Fulleylove (violinist) (from 1999-03-15 until 1999-03-17), Sophie Landon (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Rees (from 1999-03-15 until 1999-03-17), Jackie Shave (from 1999-03-15 until 1999-03-17) and Katherine Shave (from 1999-03-15 until 1999-03-17)
conductor:
Michael Nyman (composer) (from 1999-03-15 until 1999-03-17)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (from 1999-03-15 until 1999-03-17)
mixed at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Molly (Wonderland) (from 1999-03-15 until 1999-03-17)
composer:
Michael Nyman (composer)
part of:
Wonderland
2:51
14Eddie
assistant engineer:
Matt Donin (engineer) and Jason Westbrook
engineer:
Austin Ince (engineer)
producer:
Michael Nyman (composer)
alto saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17)
baritone saxophone, flute and tenor saxophone:
Andy Findon (from 1999-03-15 until 1999-03-17)
bass guitar:
Martin Elliott (British bass guitarist) (from 1999-03-15 until 1999-03-17)
cello:
Sophie Harris (cellist) (from 1999-03-15 until 1999-03-17) and Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) (from 1999-03-15 until 1999-03-17)
double bass:
Paul Morgan (UK doublebass/contrabass) (from 1999-03-15 until 1999-03-17)
French horn:
Dave Lee (UK french horn player) (from 1999-03-15 until 1999-03-17)
soprano saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17) and David Roach (UK saxophonist) (from 1999-03-15 until 1999-03-17)
trombone:
Nigel Barr (from 1999-03-15 until 1999-03-17)
trumpet:
Steve Sidwell (English composer & wind instrumentalist) (from 1999-03-15 until 1999-03-17)
viola:
Bill Hawkes (from 1999-03-15 until 1999-03-17), Kate Musker (violist) (from 1999-03-15 until 1999-03-17) and Andrew Parker (viola) (from 1999-03-15 until 1999-03-17)
violin:
Fran Andrade (violinist) (from 1999-03-15 until 1999-03-17), Beverley Davison (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Evans‐Jones (violinist) (from 1999-03-15 until 1999-03-17), Miranda Fulleylove (violinist) (from 1999-03-15 until 1999-03-17), Sophie Landon (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Rees (from 1999-03-15 until 1999-03-17), Jackie Shave (from 1999-03-15 until 1999-03-17) and Katherine Shave (from 1999-03-15 until 1999-03-17)
conductor:
Michael Nyman (composer) (from 1999-03-15 until 1999-03-17)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (from 1999-03-15 until 1999-03-17)
mixed at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Eddie
composer:
Michael Nyman (composer)
part of:
Wonderland
3:56
15Dan
assistant engineer:
Matt Donin (engineer) and Jason Westbrook
engineer:
Austin Ince (engineer)
producer:
Michael Nyman (composer)
alto saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17)
baritone saxophone, flute and tenor saxophone:
Andy Findon (from 1999-03-15 until 1999-03-17)
bass guitar:
Martin Elliott (British bass guitarist) (from 1999-03-15 until 1999-03-17)
cello:
Sophie Harris (cellist) (from 1999-03-15 until 1999-03-17) and Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) (from 1999-03-15 until 1999-03-17)
double bass:
Paul Morgan (UK doublebass/contrabass) (from 1999-03-15 until 1999-03-17)
French horn:
Dave Lee (UK french horn player) (from 1999-03-15 until 1999-03-17)
soprano saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17) and David Roach (UK saxophonist) (from 1999-03-15 until 1999-03-17)
trombone:
Nigel Barr (from 1999-03-15 until 1999-03-17)
trumpet:
Steve Sidwell (English composer & wind instrumentalist) (from 1999-03-15 until 1999-03-17)
viola:
Bill Hawkes (from 1999-03-15 until 1999-03-17), Kate Musker (violist) (from 1999-03-15 until 1999-03-17) and Andrew Parker (viola) (from 1999-03-15 until 1999-03-17)
violin:
Fran Andrade (violinist) (from 1999-03-15 until 1999-03-17), Beverley Davison (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Evans‐Jones (violinist) (from 1999-03-15 until 1999-03-17), Miranda Fulleylove (violinist) (from 1999-03-15 until 1999-03-17), Sophie Landon (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Rees (from 1999-03-15 until 1999-03-17), Jackie Shave (from 1999-03-15 until 1999-03-17) and Katherine Shave (from 1999-03-15 until 1999-03-17)
conductor:
Michael Nyman (composer) (from 1999-03-15 until 1999-03-17)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (from 1999-03-15 until 1999-03-17)
mixed at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Dan
composer:
Michael Nyman (composer)
part of:
Wonderland
2:15
16Eileen
assistant engineer:
Matt Donin (engineer) and Jason Westbrook
engineer:
Austin Ince (engineer)
producer:
Michael Nyman (composer)
alto saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17)
baritone saxophone, flute and tenor saxophone:
Andy Findon (from 1999-03-15 until 1999-03-17)
bass guitar:
Martin Elliott (British bass guitarist) (from 1999-03-15 until 1999-03-17)
cello:
Sophie Harris (cellist) (from 1999-03-15 until 1999-03-17) and Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) (from 1999-03-15 until 1999-03-17)
double bass:
Paul Morgan (UK doublebass/contrabass) (from 1999-03-15 until 1999-03-17)
French horn:
Dave Lee (UK french horn player) (from 1999-03-15 until 1999-03-17)
soprano saxophone:
Simon Haram (saxophonist) (from 1999-03-15 until 1999-03-17) and David Roach (UK saxophonist) (from 1999-03-15 until 1999-03-17)
trombone:
Nigel Barr (from 1999-03-15 until 1999-03-17)
trumpet:
Steve Sidwell (English composer & wind instrumentalist) (from 1999-03-15 until 1999-03-17)
viola:
Bill Hawkes (from 1999-03-15 until 1999-03-17), Kate Musker (violist) (from 1999-03-15 until 1999-03-17) and Andrew Parker (viola) (from 1999-03-15 until 1999-03-17)
violin:
Fran Andrade (violinist) (from 1999-03-15 until 1999-03-17), Beverley Davison (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Evans‐Jones (violinist) (from 1999-03-15 until 1999-03-17), Miranda Fulleylove (violinist) (from 1999-03-15 until 1999-03-17), Sophie Landon (violinist) (from 1999-03-15 until 1999-03-17), Jonathan Rees (from 1999-03-15 until 1999-03-17), Jackie Shave (from 1999-03-15 until 1999-03-17) and Katherine Shave (from 1999-03-15 until 1999-03-17)
conductor:
Michael Nyman (composer) (from 1999-03-15 until 1999-03-17)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (from 1999-03-15 until 1999-03-17)
mixed at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
Eileen
composer:
Michael Nyman (composer)
part of:
Wonderland
3:40
17Sarah Dies
engineer:
Austin Ince (engineer)
producer:
Cameron Allan
alto saxophone:
Christian Forshaw (from 1999-08-10 until 1999-10-06), Simon Haram (saxophonist) (from 1999-08-10 until 1999-10-06), John Harle (from 1999-08-10 until 1999-10-06), David Roach (UK saxophonist) (from 1999-08-10 until 1999-10-06), Jonathan Snowden (flutist) (from 1999-08-10 until 1999-10-06) and Phil Todd (UK flautist/saxophonist) (from 1999-08-10 until 1999-10-06)
baritone saxophone:
Christian Forshaw (from 1999-08-10 until 1999-10-06) and David Roach (UK saxophonist) (from 1999-08-10 until 1999-10-06)
bass:
Mike Brittain (from 1999-08-10 until 1999-10-06), Chris Laurence (double bassist) (from 1999-08-10 until 1999-10-06) and Mary Scully (double bassist) (from 1999-08-10 until 1999-10-06)
bass guitar:
Martin Elliott (British bass guitarist) (from 1999-08-10 until 1999-10-06)
bass trombone and tuba:
Nigel Barr (from 1999-08-10 until 1999-10-06)
bassoon:
Michael Chapman (bassoonist) (from 1999-08-10 until 1999-10-06) and David Chatterton (from 1999-08-10 until 1999-10-06)
cello:
Nick Cooper (UK cellist) (from 1999-08-10 until 1999-10-06), Sophie Harris (cellist) (from 1999-08-10 until 1999-10-06), Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) (from 1999-08-10 until 1999-10-06), Louise Hopkins (from 1999-08-10 until 1999-10-06) and William Schofield (cellist) (from 1999-08-10 until 1999-10-06)
cor anglais:
David Theodore (oboist) (from 1999-08-10 until 1999-10-06)
flugelhorn and trumpet:
Steve Sidwell (English composer & wind instrumentalist) (from 1999-08-10 until 1999-10-06)
flute and piccolo:
Jonathan Snowden (flutist) (from 1999-08-10 until 1999-10-06)
horn:
Dave Lee (UK french horn player) (from 1999-08-10 until 1999-10-06)
solo violin:
Alexander Bălănescu (Romanian violinist) (from 1999-08-10 until 1999-10-06)
soprano saxophone:
Christian Forshaw (from 1999-08-10 until 1999-10-06), Simon Haram (saxophonist) (from 1999-08-10 until 1999-10-06), John Harle (from 1999-08-10 until 1999-10-06), David Roach (UK saxophonist) (from 1999-08-10 until 1999-10-06) and Phil Todd (UK flautist/saxophonist) (from 1999-08-10 until 1999-10-06)
viola:
Nick Barr (viola player) (from 1999-08-10 until 1999-10-06), Philip D'Arcy (from 1999-08-10 until 1999-10-06), Paul Martin (viola player) (from 1999-08-10 until 1999-10-06), Kate Musker (violist) (from 1999-08-10 until 1999-10-06), Andrew Parker (viola) (from 1999-08-10 until 1999-10-06) and Bruce White (violist) (from 1999-08-10 until 1999-10-06)
violin:
Rachel Allen (violinist) (from 1999-08-10 until 1999-10-06), Mark Berrow (violinist) (from 1999-08-10 until 1999-10-06), Dermot Crehan (from 1999-08-10 until 1999-10-06), Beverley Davison (violinist) (from 1999-08-10 until 1999-10-06), Manon Derome (from 1999-08-10 until 1999-10-06), Ian Humphries (violinist) (from 1999-08-10 until 1999-10-06), Philippa Ibbotson (violinist) (from 1999-08-10 until 1999-10-06), Patrick Kiernan (violinist) (from 1999-08-10 until 1999-10-06), Boguslaw Kostecki (violinist) (from 1999-08-10 until 1999-10-06), Julian Leaper (concert master and violinist) (from 1999-08-10 until 1999-10-06), Rita Manning (from 1999-08-10 until 1999-10-06), Ann Morfee (violinist) (from 1999-08-10 until 1999-10-06), Everton Nelson (violinist) (from 1999-08-10 until 1999-10-06), Helen Paterson (from 1999-08-10 until 1999-10-06), Maciej Rakowski (violinist) (from 1999-08-10 until 1999-10-06), Jackie Shave (from 1999-08-10 until 1999-10-06), Katherine Shave (from 1999-08-10 until 1999-10-06), Sonia Slany (violinist) (from 1999-08-10 until 1999-10-06), Cathy Thompson (violinist) (from 1999-08-10 until 1999-10-06), Chris Tombling (violinist) (from 1999-08-10 until 1999-10-06), Paul Willey (violinist) (from 1999-08-10 until 1999-10-06) and Warren Zielinski (violinist) (from 1999-08-10 until 1999-10-06)
orchestra:
Michael Nyman Orchestra (from 1999-08-10 until 1999-10-06)
conductor:
Michael Nyman (composer) (from 1999-08-10 until 1999-10-06)
concertmaster:
Jackie Shave (from 1999-08-10 until 1999-10-06)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (from 1999-08-10 until 1999-10-06)
mixed at and edited at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
2:59
18The End of the Affair
engineer:
Austin Ince (engineer)
producer:
Cameron Allan
alto saxophone:
Christian Forshaw (from 1999-08-10 until 1999-10-06), Simon Haram (saxophonist) (from 1999-08-10 until 1999-10-06), John Harle (from 1999-08-10 until 1999-10-06), David Roach (UK saxophonist) (from 1999-08-10 until 1999-10-06), Jonathan Snowden (flutist) (from 1999-08-10 until 1999-10-06) and Phil Todd (UK flautist/saxophonist) (from 1999-08-10 until 1999-10-06)
baritone saxophone:
Christian Forshaw (from 1999-08-10 until 1999-10-06) and David Roach (UK saxophonist) (from 1999-08-10 until 1999-10-06)
bass:
Mike Brittain (from 1999-08-10 until 1999-10-06), Chris Laurence (double bassist) (from 1999-08-10 until 1999-10-06) and Mary Scully (double bassist) (from 1999-08-10 until 1999-10-06)
bass guitar:
Martin Elliott (British bass guitarist) (from 1999-08-10 until 1999-10-06)
bass trombone and tuba:
Nigel Barr (from 1999-08-10 until 1999-10-06)
bassoon:
Michael Chapman (bassoonist) (from 1999-08-10 until 1999-10-06) and David Chatterton (from 1999-08-10 until 1999-10-06)
cello:
Nick Cooper (UK cellist) (from 1999-08-10 until 1999-10-06), Sophie Harris (cellist) (from 1999-08-10 until 1999-10-06), Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) (from 1999-08-10 until 1999-10-06), Louise Hopkins (from 1999-08-10 until 1999-10-06) and William Schofield (cellist) (from 1999-08-10 until 1999-10-06)
cor anglais:
David Theodore (oboist) (from 1999-08-10 until 1999-10-06)
flugelhorn and trumpet:
Steve Sidwell (English composer & wind instrumentalist) (from 1999-08-10 until 1999-10-06)
flute and piccolo:
Jonathan Snowden (flutist) (from 1999-08-10 until 1999-10-06)
horn:
Dave Lee (UK french horn player) (from 1999-08-10 until 1999-10-06)
solo violin:
Alexander Bălănescu (Romanian violinist) (from 1999-08-10 until 1999-10-06)
soprano saxophone:
Christian Forshaw (from 1999-08-10 until 1999-10-06), Simon Haram (saxophonist) (from 1999-08-10 until 1999-10-06), John Harle (from 1999-08-10 until 1999-10-06), David Roach (UK saxophonist) (from 1999-08-10 until 1999-10-06) and Phil Todd (UK flautist/saxophonist) (from 1999-08-10 until 1999-10-06)
viola:
Nick Barr (viola player) (from 1999-08-10 until 1999-10-06), Philip D'Arcy (from 1999-08-10 until 1999-10-06), Paul Martin (viola player) (from 1999-08-10 until 1999-10-06), Kate Musker (violist) (from 1999-08-10 until 1999-10-06), Andrew Parker (viola) (from 1999-08-10 until 1999-10-06) and Bruce White (violist) (from 1999-08-10 until 1999-10-06)
violin:
Rachel Allen (violinist) (from 1999-08-10 until 1999-10-06), Mark Berrow (violinist) (from 1999-08-10 until 1999-10-06), Dermot Crehan (from 1999-08-10 until 1999-10-06), Beverley Davison (violinist) (from 1999-08-10 until 1999-10-06), Manon Derome (from 1999-08-10 until 1999-10-06), Ian Humphries (violinist) (from 1999-08-10 until 1999-10-06), Philippa Ibbotson (violinist) (from 1999-08-10 until 1999-10-06), Patrick Kiernan (violinist) (from 1999-08-10 until 1999-10-06), Boguslaw Kostecki (violinist) (from 1999-08-10 until 1999-10-06), Julian Leaper (concert master and violinist) (from 1999-08-10 until 1999-10-06), Rita Manning (from 1999-08-10 until 1999-10-06), Ann Morfee (violinist) (from 1999-08-10 until 1999-10-06), Everton Nelson (violinist) (from 1999-08-10 until 1999-10-06), Helen Paterson (from 1999-08-10 until 1999-10-06), Maciej Rakowski (violinist) (from 1999-08-10 until 1999-10-06), Jackie Shave (from 1999-08-10 until 1999-10-06), Katherine Shave (from 1999-08-10 until 1999-10-06), Sonia Slany (violinist) (from 1999-08-10 until 1999-10-06), Cathy Thompson (violinist) (from 1999-08-10 until 1999-10-06), Chris Tombling (violinist) (from 1999-08-10 until 1999-10-06), Paul Willey (violinist) (from 1999-08-10 until 1999-10-06) and Warren Zielinski (violinist) (from 1999-08-10 until 1999-10-06)
orchestra:
Michael Nyman Orchestra (from 1999-08-10 until 1999-10-06)
conductor:
Michael Nyman (composer) (from 1999-08-10 until 1999-10-06)
concertmaster:
Jackie Shave (from 1999-08-10 until 1999-10-06)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (from 1999-08-10 until 1999-10-06)
mixed at and edited at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
2:56
19The Shoot-Out
programming and editor:
Robert Worby
assistant engineer:
Simon Changer (editor) and Ryu Kawashima (engineer)
engineer:
Austin Ince (engineer)
alto saxophone and soprano saxophone:
Simon Haram (saxophonist) and David Roach (UK saxophonist)
baritone saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass guitar:
Martin Elliott (British bass guitarist)
cello:
Nick Cooper (UK cellist), Sophie Harris (cellist), Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and William Schofield (cellist)
cor anglais and oboe:
Chris Hooker (oboe)
double bass:
Mike Brittain and Paul Sherman (double bass)
flugelhorn, piccolo trumpet and trumpet:
Steve Sidwell (English composer & wind instrumentalist)
flute and piccolo:
Jonathan Snowden (flutist)
French horn:
Paul Gardham and Dave Lee (UK french horn player)
percussion:
Greg Knowles (guitarist)
trombone and tuba:
Nigel Barr
viola:
Paul Martin (viola player), Kate Musker (violist), Andrew Parker (viola), Stephen Tees (violist), Vicci Wardman (violist) and Bruce White (violist)
violin:
Rachel Allen (violinist), Mark Berrow (violinist), Thomas Bowes (violinist), Edmund Coxon (violinist), Dermot Crehan, Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Philippa Ibbotson (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Julian Leaper (concert master and violinist), Ann Morfee (violinist), Helen Paterson, Maciej Rakowski (violinist), Cathy Thompson (violinist) and Paul Willey (violinist)
conductor:
Michael Nyman (composer)
performer:
Michael Nyman Orchestra
orchestrator:
Gary Carpenter and Michael Nyman (composer)
concertmaster:
Alexander Bălănescu (Romanian violinist)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (in 2000-09)
mixed at and edited at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
The Shoot Out
writer:
Michael Nyman (composer)
5:06
20The Burning
programming and editor:
Robert Worby
assistant engineer:
Simon Changer (editor) and Ryu Kawashima (engineer)
engineer:
Austin Ince (engineer)
alto saxophone and soprano saxophone:
Simon Haram (saxophonist) and David Roach (UK saxophonist)
baritone saxophone:
Andy Findon
bass clarinet and clarinet:
David Fuest (clarinet)
bass guitar:
Martin Elliott (British bass guitarist)
cello:
Nick Cooper (UK cellist), Sophie Harris (cellist), Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes) and William Schofield (cellist)
cor anglais and oboe:
Chris Hooker (oboe)
double bass:
Mike Brittain and Paul Sherman (double bass)
flugelhorn, piccolo trumpet and trumpet:
Steve Sidwell (English composer & wind instrumentalist)
flute and piccolo:
Jonathan Snowden (flutist)
French horn:
Paul Gardham and Dave Lee (UK french horn player)
percussion:
Greg Knowles (guitarist)
trombone and tuba:
Nigel Barr
viola:
Paul Martin (viola player), Kate Musker (violist), Andrew Parker (viola), Stephen Tees (violist), Vicci Wardman (violist) and Bruce White (violist)
violin:
Rachel Allen (violinist), Mark Berrow (violinist), Thomas Bowes (violinist), Edmund Coxon (violinist), Dermot Crehan, Jonathan Evans‐Jones (violinist), Peter Hanson (violinist), Ian Humphries (violinist), Philippa Ibbotson (violinist), Patrick Kiernan (violinist), Boguslaw Kostecki (violinist), Julian Leaper (concert master and violinist), Ann Morfee (violinist), Helen Paterson, Maciej Rakowski (violinist), Cathy Thompson (violinist) and Paul Willey (violinist)
conductor:
Michael Nyman (composer)
performer:
Michael Nyman Orchestra
orchestrator:
Gary Carpenter and Michael Nyman (composer)
concertmaster:
Alexander Bălănescu (Romanian violinist)
recorded at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (in 2000-09)
mixed at and edited at:
Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
recording of:
The Burning
writer:
Michael Nyman (composer)
9:20

Credits