The Shawshank Redemption: Original Motion Picture Soundtrack

~ Release by Thomas Newman (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1May
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
May (Shawshank Redemption)
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman0:33
2Shawshank Prison (Stoic Theme)
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Shawshank Prison (Stoic Theme)
composer:
Thomas Newman (American score composer)
Thomas Newman1:53
3New Fish
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
New Fish
composer:
Thomas Newman (American score composer)
Thomas Newman1:51
4Rock Hammer
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Rock Hammer
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman1:52
5An Inch of His Life
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
An Inch of His Life (The Shawshank Redemption)
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman2:49
6If I Didn't Care
recording of:
If I Didn’t Care (on 1939-01-12)
lyricist and composer:
Jack Lawrence (US songwriter)
publisher:
Chappell Music Ltd. and Range Road Music Inc.
The Ink Spots3.353:05
7Brooks Was Here
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Brooks Was Here (The Shawshank Redemption)
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman5:06
8His Judgement Cometh
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
His Judgement Cometh (The Shawshank Redemption)
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman2:00
9Suds on the Roof
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Suds on the Roof
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman1:36
10Workfield
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Workfield
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman1:12
11Shawshank Redemption
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Shawshank Redemption
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman4:28
12Lovesick Blues
recorded in:
Cincinnati, Ohio, United States (on 1948-12-22)
bass:
Willie Thawl (US bassist) (on 1948-12-22)
fiddle:
Tommy Jackson (bluegrass fiddler) (on 1948-12-22)
guitar:
Hank Williams (country music legend) (on 1948-12-22)
guitar [lead guitar]:
James Grishaw (on 1948-12-22)
guitar [rhythm guitar]:
Louis Innis (on 1948-12-22)
mandolin:
Clyde Baum (on 1948-12-22)
steel guitar:
Jerry Byrd (Nashville A-Team) (on 1948-12-22)
vocals:
Hank Williams (country music legend) (on 1948-12-22)
recording of:
Lovesick Blues (on 1948-12-22)
lyricist:
Irving Mills and Hank Williams (country music legend) (on 1949-11-01)
composer:
Cliff Friend (US composer, lyricist & pianist)
arranger:
Hank Williams (country music legend) (on 1949-11-01)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Jack Mills, Inc. (on 1922-04-03) and Mills Music, Inc. (from 1930 to present)
Hank Williams3.652:43
13Elmo Blatch
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Elmo Blatch (The Shawshank Redemption)
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman1:08
14Sisters
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Sisters
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman1:18
15Zihuatanejo
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Zihuatanejo
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman4:45
16The Marriage of Figaro / "Duettino - Sull 'Aria"
engineer:
Michael Farrow
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Carter Burwell (American score composer) and Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (soprano) (in 1968-03)
soprano vocals [Susanna]:
Edith Mathis (soprano) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
orchestrator:
Carter Burwell (American score composer)
balance engineer:
Günter Hermanns (producer/engineer) (in 1968-03)
phonographic copyright (℗) by:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.) and Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull'aria) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III
Wolfgang Amadeus Mozart3:34
17Lovely Raquel
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Lovely Raquel
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman1:55
18And That Right Soon
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
And That Right Soon (The Shawshank Redemption)
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman1:08
19Compass and Guns
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Compass and Guns (The Shawshank Redemption)
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman3:53
20So Was Red
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
So Was Red (The Shawshank Redemption)
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman2:44
21End Title
assistant engineer:
Tom Winslow (Audio engineer)
engineer:
Dennis Sands (American sound engineer)
producer:
Bill Bernstein and Thomas Newman (American score composer)
editor:
Bill Bernstein
conductor:
Thomas Newman (American score composer)
remixer:
Thomas Newman (American score composer) and Dennis Sands (American sound engineer)
orchestrator:
Thomas Pasatieri
mixed at:
Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
End Title (The Shawshank Redemption)
composer:
Thomas Newman (American score composer)
part of:
The Shawshank Redemption
Thomas Newman4:08