Master Class: Inspired by the Broadway Play

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Il barbiere di Siviglia: Atto I. “Una voce poco fa” (Master Class with Syble Young)
piano:
Eugene Kohn (pianist, conductor) (in 1971-11)
soprano vocals:
Maria Callas (soprano) (in 1971-11) and Syble Young (soprano) (in 1971-11)
recorded at:
The Juilliard School in Lincoln Square, New York, New York, United States (in 1971-11)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina) (in 1971-11)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini15:57
2Il barbiere di Siviglia: Atto I. “Una voce poco fa”
producer:
Walter Legge (British classical record producer, 1906-1979)
contralto vocals:
Maria Callas (soprano) (from 1957-02-07 until 1957-02-14)
soprano vocals:
Maria Callas (soprano) (in 1957-02, from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1957-02, from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (organist, conductor and composer) (in 1957-02, from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1957-02, from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina) (in 1957-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:21
3La sonnambula: “Ah! non credea mirarti …”
bass vocals:
Nicola Zaccaria (operatic bass)
choir vocals:
Coro del Teatro alla Scala di Milano
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals:
Maria Callas (soprano)
tenor vocals:
Nicola Monti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini11:07
4La Bohème: “Sì. Mi chiamano Mimì” (Master Class with Kyu Do Park)
piano:
Eugene Kohn (pianist, conductor) (in 1972-02)
soprano vocals:
Maria Callas (soprano) (in 1972-02) and Kyu Do Park (soprano) (in 1972-02)
recorded at:
The Juilliard School in Lincoln Square, New York, New York, United States (in 1972-02)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1972-02)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini14:02
5La Bohème: “Sì. Mi chiamano Mimì”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (from 1954-09-15 until 1954-09-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-09-15 until 1954-09-16)
conductor:
Tullio Serafin (conductor) (from 1954-09-15 until 1954-09-16)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1954)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-15 until 1954-09-16)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (from 1954-09-15 until 1954-09-16)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:51
6Macbeth: “Nel dì della vittoria” … “Vieni! t'affretta”
soprano vocals:
Maria Callas (soprano) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1959)
conductor:
Nicola Rescigno (conductor) (in 1959)
recording of:
Macbeth: Atto I. N°3a Scena “Nel dì della vittoria io le incontrai” … “Ambizioso spirto” (Lady) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
additional librettist:
Andrea Maffei (19th century poet, translator and librettist)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto I
part of:
Macbeth: Atto I
recording of:
Macbeth: Atto I. N°3b Cavatina “Vieni! t'affretta!” … “Or tutti sorgete” (Lady)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
Giuseppe Verdi7:45
7Tosca: “Vissi d’arte”
sound engineer and balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals:
Maria Callas (soprano) (in 1953)
soprano vocals [Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchester der Mailänder Scala (in 1953) and Orchestra del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (in 1953, from 1953-08-10 until 1953-08-21)
phonographic copyright (℗) by:
IDOL (Independent Distribution On Line) (in 2013)
recorded at:
Teatro alla Scala in Milano, Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
live recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1953)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:16
8[Callas’ closing remarks to students]
spoken vocals:
Maria Callas (soprano) (in 1972-03)
recorded at:
The Juilliard School in Lincoln Square, New York, New York, United States (in 1972-03)
Maria Callas1:49