| # | Title | Artist | Rating | Length |
|---|
| 1 | I Want to Break Free- additional recording engineer:
- Mike Beiriger
- assistant recording engineer:
- Eddie DeLena and Stephan Wissnet
- recording engineer, programming and engineer:
- Mack
- producer:
- Mack and Queen
- acoustic guitar [acoustic rhythm guitar] and bass guitar:
- John Deacon (from 1983-08 until 1984-01)
- drums (drum set):
- Roger Taylor (from 1983-08 until 1984-01)
- electric guitar:
- Brian May (from 1983-08 until 1984-01)
- guest solo synthesizer and guest synthesizer:
- Fred Mandel (from 1983-08 until 1984-01)
- synthesizer:
- John Deacon (from 1983-08 until 1984-01) and Freddie Mercury (from 1983-08 until 1984-01)
- background vocals and lead vocals:
- Freddie Mercury (from 1983-08 until 1984-01)
- phonographic copyright (℗) by:
- Raincloud Productions Ltd. (in 1984) and Queen Productions Ltd. (in 2011)
- recorded at:
- Musicland Studios in München, Bayern, Germany (from 1983-08 until 1984-01) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
- produced at:
- Musicland Studios in München, Bayern, Germany (from 1983-08 until 1984-01) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
- edit of:
- I Want to Break Free by Queen
- recording of:
- I Want to Break Free (from 1983-08 until 1984-01)
- lyricist and composer:
- John Deacon
- publisher:
- EMI Music Publishing Ltd. and Queen Music Ltd.
- part of:
- We Will Rock You
- part of:
- We Will Rock You
| Queen | 4.35 | 3:19 |
| 2 | Heaven Is a Place on Earth | Belinda Carlisle | 4.05 | 4:05 |
| 3 | Walking on Sunshine | Katrina and the Waves | 4 | 2:48 |
| 4 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim "Watts" Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
- part of:
- Back to the Future: the Musical
| Huey Lewis and the News | 4 | 3:53 |
| 5 | Call Me- producer:
- Giorgio Moroder
- bass guitar:
- Nigel Harrison (in 1979)
- drums (drum set):
- Clem Burke (in 1979)
- guitar:
- Frank Infante (in 1979) and Chris Stein (in 1979)
- keyboard:
- Jimmy Destri (in 1979)
- lead vocals:
- Deborah Harry (in 1979)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998) and Capitol Records, Inc. (in 1998)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- recording of:
- Call Me (in 1979)
- writer:
- Deborah Harry and Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:26 |
| 6 | Let's Dance (single version) | David Bowie | 4 | 4:07 |
| 7 | Gold | Spandau Ballet | 3.5 | 3:53 |
| 8 | The Reflex | Duran Duran | 3.8 | 4:23 |
| 9 | White Wedding, Part 1 | Billy Idol | 4.8 | 4:13 |
| 10 | Don't You (Forget About Me) | Simple Minds | 4.35 | 4:21 |
| 11 | Dancing With Tears in My Eyes | Ultravox | 4 | 4:06 |
| 12 | Temptation | Heaven 17 | 2.35 | 3:06 |
| 13 | Together in Electric Dreams | Phil Oakey & Giorgio Moroder | 2.35 | 3:51 |
| 14 | A Good Heart | Feargal Sharkey | 3.6 | 4:28 |
| 15 | Don't Go | Yazoo | 4.75 | 3:01 |
| 16 | A Little Respect | Erasure | 4 | 3:28 |
| 17 | Church of the Poison Mind- engineer:
- Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2003)
- recorded at:
- CBS Studios in London , England, United Kingdom (in 1983) and Red Bus Studios in London , England, United Kingdom (in 1983)
- music videos:
- Church of the Poison Mind by Culture Club
- recording of:
- Church of the Poison Mind (in 1983)
- writer:
- Mikey Craig , George O’Dowd, Roy Hay and Jon Moss
- publisher:
- Virgin Music (Publishers) Ltd. (from 1983 to present)
| Culture Club | 3 | 3:31 |
| 18 | We Close Our Eyes | Go West | 3 | 3:42 |
| 19 | Let's Go All the Way (Short Blix mix) | Sly Fox | | 3:48 |
| 20 | Straight Up | Paula Abdul | | 3:42 |
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