On the Trail

~ Release by Jimmy Heath (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleRatingLength
1On the Trail
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1964)
drums (drum set):
Albert “Tootie” Heath (in 1964)
guitar:
Kenny Burrell (in 1964)
piano:
Wynton Kelly (in 1964)
tenor saxophone:
Jimmy Heath (in 1964)
recorded at:
Plaza Sound Studios in New York, New York, United States (in 1964)
instrumental recording of:
On the Trail (in 1964)
lyricist:
Harold Adamson
composer:
Ferde Grofé (pianist, arranger, conductor and composer)
5:07
2Cloak and Dagger
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1964)
drums (drum set):
Albert “Tootie” Heath (in 1964)
guitar:
Kenny Burrell (in 1964)
piano:
Wynton Kelly (in 1964)
tenor saxophone:
Jimmy Heath (in 1964)
recorded at:
Plaza Sound Studios in New York, New York, United States (in 1964)
4:20
3Vanity
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1964)
drums (drum set):
Albert “Tootie” Heath (in 1964)
guitar:
Kenny Burrell (in 1964)
piano:
Wynton Kelly (in 1964)
tenor saxophone:
Jimmy Heath (in 1964)
recorded at:
Plaza Sound Studios in New York, New York, United States (in 1964)
instrumental recording of:
Vanity (in 1964)
lyricist:
Bernard Bierman and Jack Manus (lyricist)
composer:
Guy Wood
4:40
4All the Things You Are
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1964)
drums (drum set):
Albert “Tootie” Heath (in 1964)
guitar:
Kenny Burrell (in 1964)
piano:
Wynton Kelly (in 1964)
tenor saxophone:
Jimmy Heath (in 1964)
recorded at:
Plaza Sound Studios in New York, New York, United States (in 1964)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (in 1964)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
5:22
5Gingerbread Box
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1964)
drums (drum set):
Albert “Tootie” Heath (in 1964)
guitar:
Kenny Burrell (in 1964)
piano:
Wynton Kelly (in 1964)
tenor saxophone:
Jimmy Heath (in 1964)
recorded at:
Plaza Sound Studios in New York, New York, United States (in 1964)
5:32
6I Should Care
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1964)
drums (drum set):
Albert “Tootie” Heath (in 1964)
guitar:
Kenny Burrell (in 1964)
piano:
Wynton Kelly (in 1964)
tenor saxophone:
Jimmy Heath (in 1964)
recorded at:
Plaza Sound Studios in New York, New York, United States (in 1964)
instrumental recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
5:16
7Projects
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
double bass [bass]:
Paul Chambers (US jazz bassist) (in 1964)
drums (drum set):
Albert “Tootie” Heath (in 1964)
guitar:
Kenny Burrell (in 1964)
piano:
Wynton Kelly (in 1964)
tenor saxophone:
Jimmy Heath (in 1964)
recorded at:
Plaza Sound Studios in New York, New York, United States (in 1964)
8:02

Credits

Release group

Discogs:https://www.discogs.com/master/638697 [info]
Wikidata:Q7091567 [info]