Pimpinone / Der Tag des Gerichts

~ Release by Georg Philipp Telemann; Baroque Orchestra Florilegium Musicum, Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Pimpinone, TWV 21:15: Intermezzo 1. Aria "Chi mi vuol, son cameriera" (Vespetta)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 1. Aria "Chi mi vuol, son cameriera" (Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
Georg Philipp Telemann4:15
2Pimpinone, TWV 21:15: Intermezzo 1. Recitativo "Ich suche zwar ein Glück" (Vespetta)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 1. Recitativo "Ich suche zwar ein Glück" (Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann1:45
3Pimpinone, TWV 21:15: Intermezzo 1. Aria "Höflich reden, lieblich singen" (Vespetta)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 1. Aria "Höflich reden, lieblich singen" (Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann4:32
4Pimpinone, TWV 21:15: Intermezzo 1. Recitativo "Doch was kann dieses wohl für Lust erwecken?" (Pimpinone)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 1. Recitativo "Doch was kann dieses wohl für Lust erwecken?" (Pimpinone)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann2:06
5Pimpinone, TWV 21:15: Intermezzo 1. Aria "Ella mi vuol confondere" (Pimpinone)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 1. Aria "Ella mi vuol confondere" (Pimpinone)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
Georg Philipp Telemann3:38
6Pimpinone, TWV 21:15: Intermezzo 1. Recitativo "Was aber denkt ihr nun zu thun?" (Pimpinone)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 1. Recitativo "Was aber denkt ihr nun zu thun?" (Pimpinone)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann1:23
7Pimpinone, TWV 21:15: Intermezzo 1. Aria (Duetto) "Nel petto il cor mi giubila" (Pimpinone, Vespetta)
bass vocals:
Max van Egmond (bass-baritone)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 1. Aria (Duetto) "Nel petto il cor mi giubila" (Pimpinone, Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
Georg Philipp Telemann4:28
8Pimpinone, TWV 21:15: Intermezzo 2. Recitativo "Vespetta, willst du von mir gehen?" (Pimpinone)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 2. Recitativo "Vespetta, willst du von mir gehen?" (Pimpinone)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann0:29
9Pimpinone, TWV 21:15: Intermezzo 2. Aria "Nei brevi momenti" (Vespetta)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 2. Aria "Nei brevi momenti" (Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
Georg Philipp Telemann1:48
10Pimpinone, TWV 21:15: Intermezzo 2. Recitativo "Schweig, schweig! Du hast ja alles recht gemacht." (Pimpinone)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 2. Recitativo "Schweig, schweig! Du hast ja alles recht gemacht." (Pimpinone)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann1:36
11Pimpinone, TWV 21:15: Intermezzo 2. Aria "Guarda un poco" (Pimpinone)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 2. Aria "Guarda un poco" (Pimpinone)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
Georg Philipp Telemann3:48
12Pimpinone, TWV 21:15: Intermezzo 2. Recitativo "Er schweige nur!" (Vespetta)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 2. Recitativo "Er schweige nur!" (Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann1:25
13Pimpinone, TWV 21:15: Intermezzo 2. Aria "Io non sono una di quelle" (Vespetta)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 2. Aria "Io non sono una di quelle" (Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
Georg Philipp Telemann6:15
14Pimpinone, TWV 21:15: Intermezzo 2. Recitativo "So geht es gut" (Pimpinone)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 2. Recitativo "So geht es gut" (Pimpinone)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann1:27
15Pimpinone, TWV 21:15: Intermezzo 2. Aria (Duetto) "Stendi, stendi! Uh! ch'allegrezza!" (Pimpinone, Vespetta)
bass vocals:
Max van Egmond (bass-baritone)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 2. Aria (Duetto) "Stendi, stendi! Uh! ch'allegrezza!" (Pimpinone, Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
Georg Philipp Telemann5:37
16Pimpinone, TWV 21:15: Intermezzo 3. Recitativo "Ich will dahin, wohin es mir beliebet, gehen" (Vespetta)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 3. Recitativo "Ich will dahin, wohin es mir beliebet, gehen" (Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann1:42
17Pimpinone, TWV 21:15: Intermezzo 3. Aria "Sò quel che si dice" (Pimpinone)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 3. Aria "Sò quel che si dice" (Pimpinone)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
Georg Philipp Telemann4:12
18Pimpinone, TWV 21:15: Intermezzo 3. Recitativo "Für dieses Mal sey ihr der Ausgang unbenommen" (Pimpinone)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 3. Recitativo "Für dieses Mal sey ihr der Ausgang unbenommen" (Pimpinone)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann1:32
19Pimpinone, TWV 21:15: Intermezzo 3. Aria "Voglio far come fan l'altre" (Vespetta)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 3. Aria "Voglio far come fan l'altre" (Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
Georg Philipp Telemann6:01
20Pimpinone, TWV 21:15: Intermezzo 3. Recitativo "Wie aber wenn ich's auch so machen wollte?" (Pimpinone)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 3. Recitativo "Wie aber wenn ich's auch so machen wollte?" (Pimpinone)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann0:46
21Pimpinone, TWV 21:15: Intermezzo 3. Aria (Duetto) "Wilde Hummel! Böser Engel!" (Pimpinone, Vespetta)
bass vocals:
Max van Egmond (bass-baritone)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 3. Aria (Duetto) "Wilde Hummel! Böser Engel!" (Pimpinone, Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann3:53
22Pimpinone, TWV 21:15: Intermezzo 3. Recitativo "Du eigensinn'ger Esel, schau" (Vespetta)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 3. Recitativo "Du eigensinn'ger Esel, schau" (Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15
part of:
Pimpinone, TWV 21:15 (All-german translation)
Georg Philipp Telemann1:00
23Pimpinone, TWV 21:15: Intermezzo 3. Aria (Duetto) "Schweig hinkünftig, albrer Tropf!" (Pimpinone, Vespetta)
bass vocals:
Max van Egmond (bass-baritone)
soprano vocals:
Gertraud Landwehr-Herrmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Pimpinone, TWV 21:15: Intermezzo 3. Aria (Duetto) "Schweig hinkünftig, albrer Tropf!" (Pimpinone, Vespetta)
composer:
Georg Philipp Telemann (composer)
part of:
Pimpinone, TWV 21:15 (All-german translation)
part of:
Pimpinone, TWV 21:15
Georg Philipp Telemann6:53
▼ CD 2
#TitleArtistRatingLength
1Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Einleitung
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: I. Einleitung
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: II. Chor der Gläubigen: 'Der Herr kommt'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann3:55
2Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Chor "Der Herr kommt mit vieltausend Heiligen" (Chorus)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: II. Chor der Gläubigen: 'Der Herr kommt'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann1:34
3Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Ruft immerhin, des Pöbels Wut zu zähmen" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: III. Recitativo: 'Ruft immerhin des Pöbels Wut zu zähmen'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann0:51
4Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Arie "Fürchtet nur, fürchtet des Donnerers Schelten" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: IV. Aria: 'Fürchtet nur'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann7:49
5Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Wer ist, der kühn sein Joch zerreißt?" (Bass, Soprano, Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: V. Recitativo: 'Wer ist, der kühn sein Joch zerreißt?'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann1:43
6Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Arie "Jetzt weiß ich's überkluge Köpfe" (Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: VI. Aria: 'Jetzt weiß ich's'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann4:48
7Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Genug der Schande bloßgestellt" (Alto)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: VII. Recitativo: 'Genug der Schande bloßgestellt!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann1:08
8Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Arie "Des Sturmes Donnerstimmen schallen" (Alto)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: VIII. Aria: 'Des Sturmes Donnerstimmen schallen, seht!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann6:34
9Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Ganz recht, das Endliche vergeht" (Soprano)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: IX. Recitativo: 'Ganz recht, das Endliche vergeht'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann1:29
10Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Chor "Dann jauchzet der Gerechten Stimme" (Chorus)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung: X. Chor der Gläubigen: 'Dann jauchzet der Gerechten Samme'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: I. Die erste Betrachtung
Georg Philipp Telemann2:33
11Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Chor "Es rauscht" (Chorus)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: I. Chor: 'Es rauscht'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
Georg Philipp Telemann5:16
12Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Accompognato Rezitativ "Das sind sie, der Verwüstung Zeichen!" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: II. Accomp: 'Da sind sie, der Verwüstung Zeichen!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
Georg Philipp Telemann2:31
13Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Arie "Da kreuzen verzehrende Blitze" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: III. Aria: 'Da kreuzen verzehrende Blitze'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
Georg Philipp Telemann4:45
14Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Rezitativ "Gewaltig Element!" (Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: IV. Recitativo: 'Gewaltig Element!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
Georg Philipp Telemann1:01
15Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Arioso "Ich aber schwinge mich empor" (Boy-Soprano)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Four soloists from th Wiener Sängerknaben and Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung: V. Arioso: 'Ich aber schwinge mich empor'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: II. Die zweite Betrachtung
Georg Philipp Telemann2:06
16Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Accompognato Rezitativ "Ich sehe, Gott, den Engel deiner Rache!" (Alto)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: I. Accomp: 'Ich sehe, Gott!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:46
17Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Arioso "So spricht der Herr, der mich gesandt" (Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: II. Arioso: 'So spricht der Herr, der mich gesandt'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:42
18Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Rezitativ "Nun dränget sich der Kreis der ganzen Erde" (Alto)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: III: Recitativo: 'Nun dränget sich der Kreis der ganzen'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:34
19Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Arie "Seid mir gesegnet, ihr Gerechten" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: IV. Jesus zu den Gläbigen: 'Seid mir gesegnet'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann2:31
20Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Choral "Du, Ehren König, Jesu Christ" (Chorus)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: V. Chor der Gläubigen: 'Du Ehren König Jesu Christ'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:22
21Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Rezitativ "Da sitzet Er - o wie nenn' ich ihn?" (Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: VI. Recitativo: 'Da sitzet Er'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:06
22Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Chor "Ach Hilfe! Weh uns! Hilfe! Rat!" (Chorus)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone) (in 1966)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: VII. Chor der Laster: 'Ach Hülfe!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann1:36
23Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Rezitativ "Wir flehn umsonst. - Der Tod entweicht!" (Tenor)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
vocals:
Gertraud Landwehr-Herrmann (in 1966) and Monteverdi‐Chor Hamburg (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: VIII. Recitativo: 'Wir flehn umsonst'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann0:30
24Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Arie "Hinweg von meinem Angesichte!" (Bass)
alto vocals:
Cora Canne-Meijer (Dutch mezzo-soprano) (in 1966)
bass vocals:
Max van Egmond (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg (in 1966)
soprano vocals:
Gertraud Landwehr-Herrmann (in 1966)
tenor vocals:
Kurt Equiluz (tenor) (in 1966)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Jürgen Jürgens (chorus master and conductor) (in 1966)
phonographic copyright (℗) by:
TELDEC Classics, a Warner Music UK Division (in 1966) and (p) for Remastering TELDEC Classics, a Warner Music UK Division (in 1992)
recorded at:
Vienna, Bayrischer Hof (Wien) in Wien, Austria (in 1966)
recording of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung: IX. Aria: 'Hinweg von meinem Angesichte!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: III. Die dritte Betrachtung
Georg Philipp Telemann2:44
▼ CD 3
#TitleArtistRatingLength
1Der Tag des Gerichts, TWV 6:8: 4. Betrachtung. Chor "Schallt, ihr hohen Jubellieder!" (Chorus)
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung: I. Chor der Engel und Auserwählten: 'Schallt, ihr hohen Jubellieder!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung
Georg Philipp Telemann2:47
2Der Tag des Gerichts, TWV 6:8: 4. Betrachtung. Arioso "Nun ist das Heil und Kraft" (Bass)
bass vocals:
Max van Egmond (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung: II. 'Nun ist das Heil und die Kraft'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung
Georg Philipp Telemann1:05
3Der Tag des Gerichts, TWV 6:8: 4. Betrachtung. Arioso "Ein ew'ger Palm umschlingt mien Haar" (Tenor)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung: III. Arioso: 'Ein ew'ger Palm umschlingt mein Haar'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung
Georg Philipp Telemann3:22
4Der Tag des Gerichts, TWV 6:8: 4. Betrachtung. Chor "Heilig ist unser Gott!" (Chorus)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung: IV. Chor der Vorigen: 'Heilig ist unser Gott!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung
Georg Philipp Telemann0:24
5Der Tag des Gerichts, TWV 6:8: 4. Betrachtung. Arioso "Heil! Wenn um des Erwürgten willen" (Boy-Alto)
alto vocals:
Four boys from the Wiener Sängerknaben
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung: V. Arioso: 'Heil! Wenn um des Erwürgten willen mein Blut'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung
Georg Philipp Telemann3:28
6Der Tag des Gerichts, TWV 6:8: 4. Betrachtung. Arioso "Das Lamm, das erwürget ist" (Bass, Chorus)
bass vocals:
Max van Egmond (bass-baritone)
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung: VI. 'Das Lamm, das erwürget ist'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung
Georg Philipp Telemann1:41
7Der Tag des Gerichts, TWV 6:8: 4. Betrachtung. Arie "Ich bin erwacht nach Gottes Bilde" (Boy-Soprano)
soprano vocals:
Four soloists from th Wiener Sängerknaben
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung: VII. Aria: 'Ich bin er wacht nach Gottes Bilde in Weisheit und Gerechtigkeit'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung
Georg Philipp Telemann2:39
8Der Tag des Gerichts, TWV 6:8: 4. Betrachtung. Chor "Lobt ihn, ihr Seraphinen-Chöre!" (Chorus)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung: VIII. Chor der Seligen: 'Lobt ihn ihr Seraphinen chöre!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung
Georg Philipp Telemann2:24
9Der Tag des Gerichts, TWV 6:8: 4. Betrachtung. Rezitativ "Es ist geschehen! Die Tugend ist gerächt!" (Boy-Alto)
alto vocals:
Four boys from the Wiener Sängerknaben
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung: IX. Recitativo: 'Es ist geschehen!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung
Georg Philipp Telemann0:47
10Der Tag des Gerichts, TWV 6:8: 4. Betrachtung. Chor "Die Rechte des Herrn ist erhöhet!" (Chorus)
choir vocals:
Monteverdi‐Chor Hamburg
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung: X. Der Chöre der Himmlischen: 'Die Rechte des Herrn ist erhöhet!'
composer:
Georg Philipp Telemann (composer)
part of:
Der Tag des Gerichts, TWV 6:8: IV. Die vierte Betrachtung
Georg Philipp Telemann1:55
11Quartett für flöte, violine, cello & continuo Nr. 1 D-Dur "Pariser Quartette Nr. 7", TWV 43:D3: I. Prélude: Vivement
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Quartet in D major, TWV 43:D3: I. Prèlude. Vivement
composer:
Georg Philipp Telemann (composer)
part of:
Quartet in D major, TWV 43:D3
Georg Philipp Telemann2:06
12Quartett für flöte, violine, cello & continuo Nr. 1 D-Dur "Pariser Quartette Nr. 7", TWV 43:D3: II. Tendrement
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Quartet in D major, TWV 43:D3: II. Tendrement
composer:
Georg Philipp Telemann (composer)
part of:
Quartet in D major, TWV 43:D3
Georg Philipp Telemann1:48
13Quartett für flöte, violine, cello & continuo Nr. 1 D-Dur "Pariser Quartette Nr. 7", TWV 43:D3: III. Vite
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Quartet in D major, TWV 43:D3: III. Vite
composer:
Georg Philipp Telemann (composer)
part of:
Quartet in D major, TWV 43:D3
Georg Philipp Telemann2:13
14Quartett für flöte, violine, cello & continuo Nr. 1 D-Dur "Pariser Quartette Nr. 7", TWV 43:D3: IV. Gayment
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Quartet in D major, TWV 43:D3: IV. Gaiement
composer:
Georg Philipp Telemann (composer)
part of:
Quartet in D major, TWV 43:D3
Georg Philipp Telemann4:28
15Quartett für flöte, violine, cello & continuo Nr. 1 D-Dur "Pariser Quartette Nr. 7", TWV 43:D3: V. Modérément
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Quartet in D major, TWV 43:D3: V. Modérement
composer:
Georg Philipp Telemann (composer)
part of:
Quartet in D major, TWV 43:D3
Georg Philipp Telemann3:04
16Quartett für flöte, violine, cello & continuo Nr. 1 D-Dur "Pariser Quartette Nr. 7", TWV 43:D3: VI. Vite
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Quartet in D major, TWV 43:D3: VI. Vite
composer:
Georg Philipp Telemann (composer)
part of:
Quartet in D major, TWV 43:D3
Georg Philipp Telemann2:07
17Quartett für flöte, violine, cello & continuo Nr. 6 e-Moll "Pariser Quartette Nr. 12", TWV 43:e4: I. Prélude: À discrétion - Très vite - À discrétion
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Suite à 4, TWV 43:e4: I. Prélude. A discretion - tres Vîte - A discretion
composer:
Georg Philipp Telemann (composer)
part of:
Suite à 4, TWV 43:e4
Georg Philipp Telemann2:45
18Quartett für flöte, violine, cello & continuo Nr. 6 e-Moll "Pariser Quartette Nr. 12", TWV 43:e4: II. Gay
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Suite à 4, TWV 43:e4: II. Gay
composer:
Georg Philipp Telemann (composer)
part of:
Suite à 4, TWV 43:e4
Georg Philipp Telemann2:48
19Quartett für flöte, violine, cello & continuo Nr. 6 e-Moll "Pariser Quartette Nr. 12", TWV 43:e4: III. Vite
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Suite à 4, TWV 43:e4: III. Vîte
composer:
Georg Philipp Telemann (composer)
part of:
Suite à 4, TWV 43:e4
Georg Philipp Telemann1:19
20Quartett für flöte, violine, cello & continuo Nr. 6 e-Moll "Pariser Quartette Nr. 12", TWV 43:e4: IV. Gracieusement
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Suite à 4, TWV 43:e4: IV. Gracieusement
composer:
Georg Philipp Telemann (composer)
part of:
Suite à 4, TWV 43:e4
Georg Philipp Telemann2:12
21Quartett für flöte, violine, cello & continuo Nr. 6 e-Moll "Pariser Quartette Nr. 12", TWV 43:e4: V. Distrait
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Suite à 4, TWV 43:e4: V. Distrait
composer:
Georg Philipp Telemann (composer)
part of:
Suite à 4, TWV 43:e4
Georg Philipp Telemann2:53
22Quartett für flöte, violine, cello & continuo Nr. 6 e-Moll "Pariser Quartette Nr. 12", TWV 43:e4: VI. Modéré
cello:
Anner Bylsma (cellist)
flute:
Frans Brüggen (recorder player, baroque flautist, conductor)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
violin:
Jaap Schröder (Dutch violinist and conductor)
recording of:
Suite à 4, TWV 43:e4: VI. Modéré
composer:
Georg Philipp Telemann (composer)
part of:
Suite à 4, TWV 43:e4
Georg Philipp Telemann4:58

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ASIN:US: B000FJ494O [info]