Jazz Piano: A Smithsonian Collection, Volume 1

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Label: Smithsonian - Catalog #: 394


Label: Smithsonian - Catalog #: 392


Label: Smithsonian - Catalog #: 393
TODO:
#7 from Monk.

Annotation last modified on 2015-09-04 02:00 UTC.

Tracklist

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CD 1: Volume 1
#TitleArtistRatingLength
1Mamanita
recorded in:
Chicago, Illinois, United States (in 1924-04)
solo piano:
Jelly Roll Morton (in 1924-04)
recording of:
Mamamita (in 1924-04)
writer:
Jelly Roll Morton
Jelly Roll Morton2:49
2The Pearls
recorded in:
New York, New York, United States (in 1935-08)
piano:
Jelly Roll Morton (in 1935-08)
recording of:
The Pearls (in 1935-08)
composer:
Ferdinand Joseph LaMothe
Jelly Roll Morton5:17
3Snowy Morning Blues
recorded in:
New York, New York, United States (on 1927-03-07)
piano:
James P. Johnson (on 1927-03-07)
James P. Johnson2:43
4The Mule Walk
recorded in:
New York, New York, United States (on 1939-06-14)
piano:
James P. Johnson (on 1939-06-14)
James P. Johnson2:28
5Echoes of Spring
engineered in:
New York, New York, United States (on 1957-11-08)
piano:
Willie “The Lion” Smith (on 1957-11-08)
recording of:
Echo of Spring (on 1957-11-08)
composer:
Willie “The Lion” Smith
Willie “The Lion” Smith3:26
6Honeysuckle Rose
engineered in:
New York, New York, United States (on 1935-03-11)
piano:
Fats Waller (on 1935-03-11)
recording of:
Honeysuckle Rose (on 1935-03-11)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
Fats Waller3:01
7Keepin' Out of Mischief Now
recorded in:
New York, New York, United States (on 1937-06-11)
solo piano:
Fats Waller (on 1937-06-11)
recording of:
Keepin’ Out of Mischief Now (on 1937-06-11)
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
Fats Waller3:11
8Carolina Shout
recorded in:
New York, New York, United States (on 1941-05-13)
piano:
Fats Waller (on 1941-05-13)
recording of:
Carolina Shout (on 1941-05-13)
composer:
James P. Johnson
Fats Waller2:20
9Blues in Thirds
recorded in:
Long Island City, New York, New York, United States (on 1928-12-08)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-08)
recording of:
Blues in Thirds (on 1928-12-08)
composer:
Earl Hines (jazz pianist and bandleader)
Earl Hines2:51
10I Ain't Got Nobody
engineered in:
Chicago, Illinois, United States (on 1928-12-12)
piano and solo piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-12)
instrumental recording of:
I Ain’t Got Nobody (on 1928-12-12)
lyricist:
Roger Graham
composer:
Spencer Williams (US jazz composer, pianist & singer)
Earl Hines3:13
11Fifty-Seven Varieties
recorded in:
Chicago, Illinois, United States (on 1928-12-12)
piano:
Earl Hines (jazz pianist and bandleader) (on 1928-12-12)
recording of:
Fifty-Seven Varieties
Earl Hines3:12
12Chimes in Blues
recorded in:
New York, New York, United States (in 1970-01)
piano:
Earl Hines (jazz pianist and bandleader) (in 1970-01)
recording of:
Chimes Blues (jazz standard)
composer:
King Oliver (jazz cornetist) (in 1923)
instruments arranger:
Lil Hardin Armstrong (in 1923)
Earl Hines3:42
13Smoke Gets in Your Eyes
recorded in:
Chicago, Illinois, United States (on 1941-04-07)
piano:
Teddy Wilson (on 1941-04-07)
instrumental cover recording of:
Smoke Gets in Your Eyes (on 1941-04-07)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Teddy Wilson3:17
14Rosetta
recorded in:
Chicago, Illinois, United States (on 1941-04-07)
double bass:
Al Hall (on 1941-04-07)
drums (drum set):
J.C. Heard (on 1941-04-07)
piano:
Teddy Wilson (on 1941-04-07)
recording of:
Rosetta (on 1941-04-07)
lyricist:
William Henri Woode
composer:
Earl Hines (jazz pianist and bandleader)
Teddy Wilson2:33
15These Foolish Things
recorded in:
New York, New York, United States (on 1942-01-21)
piano:
Teddy Wilson (on 1942-01-21)
instrumental cover recording of:
These Foolish Things (Remind Me of You) (on 1942-01-21)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
Teddy Wilson3:02
16State Street Special
recorded in:
Chicago, Illinois, United States (on 1939-10-25)
piano:
Jimmy Yancey (on 1939-10-25)
Jimmy Yancey2:41
17Honky Tonk Train Blues
recorded in:
Chicago, Illinois, United States (in 1927-12)
piano:
Meade Lux Lewis (in 1927-12)
recording of:
Honky Tonk Train Blues (in 1927-12)
composer:
Meade Lux Lewis
sub-publisher:
Multitone AB (in 1982)
Meade Lux Lewis3:11
18Climbin' and Screamin'
recorded in:
New York, New York, United States (on 1939-04-16)
piano:
Pete Johnson (US Boogie-woogie pianist) (on 1939-04-16)
Pete Johnson3:19
19After Hours
recorded in:
New York, New York, United States (on 1940-06-10)
alto saxophone:
William Johnson (US jazz alto saxophonist, clarinetist & arranger) (on 1940-06-10) and Jimmy Mitchelle (on 1940-06-10)
double bass:
Lee Stanfield (on 1940-06-10)
drums (drum set):
Ray Bauduc and James Morrison (drums, jazz swing-era) (on 1940-06-10)
guitar:
Bill McLemore (guitarist active ca. 1940) (on 1940-06-10)
piano:
Avery Parrish (on 1940-06-10)
reeds:
Haywood Henry (US jazz saxophonist) (on 1940-06-10)
tenor saxophone:
Paul Bascomb (on 1940-06-10) and Julian Dash (on 1940-06-10)
trombone:
Robert Range (on 1940-06-10) and Edward Sims (on 1940-06-10)
trumpet:
Marcellus Green (on 1940-06-10), James Harris (trumpet) (on 1940-06-10), Erskine Hawkins (on 1940-06-10), Sammy Lowe (on 1940-06-10) and Wilbur Bascomb Sr. (Sr., jazz trumpeter) (on 1940-06-10)
orchestra:
Erskine Hawkins and His Orchestra (on 1940-06-10)
arranger:
Sammy Lowe (on 1940-06-10) and Avery Parrish (on 1940-06-10)
recording of:
After Hours (blues piano composition by Avery Parrish) (on 1940-06-10)
composer:
Avery Parrish
Avery Parrish with Erskine Hawkins and His Orchestra3:22
20Trio Blues
recorded in:
Montreux, Vaud, Switzerland (on 1977-07-14)
double bass:
Ray Brown (jazz bassist) (on 1977-07-14)
drums (drum set):
Jimmie Smith (jazz drummer) (on 1977-07-14)
piano:
Count Basie (pianist) (on 1977-07-14)
Count Basie4:09
21Between Sets
recorded in:
New York, New York, United States (on 1939-05-23)
double bass:
Marty Kaplan (jazz bassist) (on 1939-05-23)
guitar:
Dave Barbour (on 1939-05-23)
piano:
Billy Kyle (on 1939-05-23)
Billy Kyle2:26
CD 2: Volume 2
#TitleArtistRatingLength
1Nicole
recorded in:
Paris, Île-de-France, France (in 1954)
double bass:
Buddy Banks (jazz bassist) (in 1954)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (in 1954)
piano:
Mary Lou Williams (in 1954)
Mary Lou Williams3:29
2Get Happy
recorded in:
Los Angeles, California, United States (on 1940-02-22)
solo piano:
Art Tatum (US jazz pianist) (on 1940-02-22)
instrumental recording of:
Get Happy (on 1940-02-22)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
Art Tatum2:47
3Aunt Hagar's Blues
recorded in:
Los Angeles, California, United States (on 1949-07-13, on 1949-07-25)
piano:
Art Tatum (US jazz pianist) (on 1949-07-13, on 1949-07-25)
instrumental recording of:
Aunt Hagar’s Blues (on 1949-07-13)
lyricist:
James “Tim” Brymn
composer:
William Christopher Handy
Art Tatum2:44
4Have You Met Miss Jones?
recorded in:
Los Angeles, California, United States (on 1953-12-29)
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1953-12-29)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Art Tatum4:50
5Jitterbug Waltz
recorded in:
Los Angeles, California, United States (on 1953-12-28)
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
recording of:
Jitterbug Waltz (on 1953-12-28)
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp.
Art Tatum3:50
6Sweet Lorraine
recorded in:
Los Angeles, California, United States (on 1955-07-03)
piano:
Art Tatum (US jazz pianist) (on 1955-07-03)
instrumental recording of:
Sweet Lorraine (on 1955-07-03)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
Art Tatum3:50
7The Clothed Woman
recorded in:
New York, New York, United States (on 1947-12-30)
alto saxophone:
Johnny Hodges (on 1947-12-30)
baritone saxophone and clarinet:
Harry Carney (on 1947-12-30)
double bass:
Junior Raglin (on 1947-12-30)
drums (drum set):
Sonny Greer (on 1947-12-30)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1947-12-30)
trombone:
Lawrence Brown (jazz trombonist) (on 1947-12-30)
trumpet:
Harold Baker (on 1947-12-30)
Duke Ellington & His Orchestra2:56
8Reflections in D
recorded in:
New York, New York, United States (on 1953-04-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1953-04-14)
recording of:
Reflections in D
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Duke Ellington Music and Tempo Music Inc
Duke Ellington3:37
9Ec-Stacy
recorded in:
New York, New York, United States (on 1939-06-13)
piano:
Jess Stacy (on 1939-06-13)
Jess Stacy4:51
10The Man I Love
recorded in:
Los Angeles, California, United States (on 1944-01-17)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1944-01-17)
guitar:
Oscar Moore (on 1944-01-17)
piano:
Nat King Cole (on 1944-01-17)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-17)
instrumental cover recording of:
The Man I Love (on 1944-01-17)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
King Cole Trio3:24
11Blues in My Shower
recorded in:
Los Angeles, California, United States (on 1947-08-20)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-20)
guitar:
Oscar Moore (on 1947-08-20)
piano:
Nat Cole (on 1947-08-20)
recording of:
Blues in My Shower (on 1947-08-20)
composer:
Nat King Cole
King Cole Trio2:54
12Back Home Again in Indiana
recorded in:
New York, New York, United States (on 1945-09-25)
double bass:
John Levy, Jr (US jazz double-bassist) (on 1945-09-25)
drums (drum set):
George de Hart (on 1945-09-25)
piano:
Erroll Garner (on 1945-09-25)
instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1945-09-25)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Erroll Garner2:36
13Play Piano Play
recorded in:
Los Angeles, California, United States (on 1947-06-10)
solo piano:
Erroll Garner (on 1947-06-10)
Erroll Garner3:17
14This Can't Be Love
engineered in:
Los Angeles, California, United States (in 1949)
double bass:
John Simmons (bassist) (in 1949)
drums (drum set):
Alvin Stoller (in 1949)
piano:
Erroll Garner (in 1949)
instrumental cover recording of:
This Can’t Be Love (in 1949)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
Erroll Garner2:21
15New York City Blues
recorded in:
New York, New York, United States (in 1947)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1947)
Jimmy Jones2:51
16Somebody Loves Me
recorded in:
New York, New York, United States (on 1947-01-10)
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
Bud Powell Trio2:59
17Tempus Fugit
recorded in:
New York, New York, United States (in 1949-05)
double bass:
Ray Brown (jazz bassist) (in 1949-05)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1949-05)
piano:
Bud Powell (in 1949-05)
recording of:
Tempus Fugit (in 1949-05)
composer:
Bud Powell
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Bud Powell Trio2:28
18Polkadots and Moonbeams
recorded in:
New York, New York, United States (on 1953-08-14)
double bass:
George Duvivier (on 1953-08-14)
drums (drum set):
Arthur Taylor (on 1953-08-14)
piano:
Bud Powell (on 1953-08-14)
instrumental recording of:
Polka Dots and Moonbeams (on 1953-08-14)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部
Bud Powell Trio4:06
19Un Poco Loco
recorded in:
New York, New York, United States (on 1951-05-01)
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
Bud Powell Trio4:50
20I Can't Get Started
recorded in:
New York, New York, United States (on 1946-10-08)
double bass:
Clyde Lombardi (on 1946-10-08)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1946-10-08)
piano:
Lennie Tristano (on 1946-10-08)
instrumental cover recording of:
I Can’t Get Started (on 1946-10-08)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Lennie Tristano Trio2:55
CD 3: Volume 3
#TitleArtistRatingLength
1Mellow Mood
recorded in:
Los Angeles, California, United States (on 1946-01-11)
double bass:
Ray Brown (jazz bassist) (on 1946-01-11)
drums (drum set):
Jackie Mills (on 1946-01-11)
piano:
Dodo Marmarosa (on 1946-01-11)
Dodo Marmarosa Trio3:13
2Between the Devil and the Deep Blue Sea
recorded in:
New York, New York, United States (on 1951-06-21)
piano:
Ellis Larkins (on 1951-06-21)
instrumental cover recording of:
Between the Devil and the Deep Blue Sea (on 1951-06-21)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Ellis Larkins2:44
3I Wished on the Moon
recorded in:
New York, New York, United States (on 1977-10-23)
piano:
Dave McKenna (on 1977-10-23)
instrumental cover recording of:
I Wished on the Moon (on 1977-10-23)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Dave McKenna3:36
4Autumn in New York
recorded in:
New York, New York, United States (on 1954-03-13)
double bass:
Bill Crow (on 1954-03-13)
drums (drum set):
Lee Abrams (American jazz drummer) (on 1954-03-13)
piano:
Al Haig (on 1954-03-13)
instrumental cover recording of:
Autumn in New York (1934) (on 1954-03-13)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Al Haig5:16
5Night and Day
recorded in:
New York, New York, United States (in 1952-12)
double bass:
Ray Brown (jazz bassist) (in 1952-12)
guitar:
Herb Ellis (jazz guitarist) (in 1952-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1952-12)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
The Oscar Peterson Trio2:04
6The Peacocks
recorded in:
New York, New York, United States (on 1974-04-07)
double bass:
Rusty Gilder (on 1974-04-07)
piano:
Jimmy Rowles (on 1974-04-07)
recording of:
The Peacocks (on 1974-04-07)
composer:
Jimmy Rowles
publisher:
Kudu Music Co.
Jimmy Rowles4:01
7Smoke Gets in Your Eyes
recorded in:
New York, New York, United States (on 1954-05-11)
double bass:
Curley Russell (on 1954-05-11)
drums (drum set):
Art Blakey (on 1954-05-11)
piano:
Thelonious Monk (on 1954-05-11)
tenor saxophone:
Frank Foster (saxophonist) (on 1954-05-11)
trumpet:
Ray Copeland (on 1954-05-11)
instrumental cover recording of:
Smoke Gets in Your Eyes (on 1954-05-11)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Thelonious Monk Quintet4:32
8Honeysuckle Rose
recorded in:
New York, New York, United States (on 1956-04-03)
producer:
Orrin Keepnews
double bass:
Oscar Pettiford (on 1956-04-03)
drums (drum set):
Art Blakey (on 1956-04-03)
piano:
Thelonious Monk (on 1956-04-03)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (on 1956-04-03)
instrumental cover recording of:
Honeysuckle Rose (on 1956-04-03)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
Thelonious Monk5:30
9'Round Midnight
recorded in:
New York, New York, United States (on 1957-04-05)
recording engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
piano:
Thelonious Monk (on 1957-04-05)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-04-05)
recording of:
’Round Midnight (on 1957-04-05)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk6:42
10Celia
recorded in:
Hackensack, New Jersey, United States (on 1956-05-04) and New York, New York, United States (on 1956-05-04)
recording engineer:
Rudy van Gelder (on 1956-05-04)
producer:
Nesuhi Ertegun
double bass:
Oscar Pettiford (on 1956-05-04)
drums (drum set):
Kenny Clarke (on 1956-05-04)
piano:
Phineas Newborn, Jr. (American jazz pianist) (on 1956-05-04)
recording of:
Celia (on 1956-05-04)
composer:
Bud Powell
Phineas Newborn, Jr.3:07
11Sweet Stuff
double bass:
Eugene Taylor (US jazz bassist) (on 1959-02-01)
drums (drum set):
Louis Hayes (on 1959-02-01)
piano:
Horace Silver (on 1959-02-01)
recording of:
Sweet Stuff (on 1959-02-01)
composer:
Horace Silver
Horace Silver5:31
12Somebody Loves Me
engineered in:
Paris, Île-de-France, France (in 1966-05)
double bass:
Gilbert Rovere (French bassist) (in 1966-05)
drums (drum set):
Chales Bellonzi (in 1966-05)
piano:
Martial Solal (in 1966-05)
instrumental recording of:
Somebody Loves Me (in 1966-05)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
Martial Solal Trio3:11
13House Party Starting
producer:
Alfred Lion
double bass:
Al McKibbon (on 1955-08-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-08-01)
piano:
Herbie Nichols (jazz pianist and composer) (on 1955-08-01)
recording of:
House Party Starting (on 1955-08-01)
composer:
Herbie Nichols (jazz pianist and composer)
Herbie Nichols Trio5:40
14It's Me, Oh Lord
recorded in:
Berkeley, California, United States
piano:
Hank Jones (piano)
arranger:
Hank Jones (piano)
instrumental recording of:
It’s Me, Oh Lord (Gospel traditional)
lyricist and composer:
[traditional] (special purpose artist)
Hank Jones4:59
15Oh! What a Beautiful Morning
piano:
Hank Jones (piano) (on 1977-10-17)
instrumental cover recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!) (on 1977-10-17)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
Hank Jones4:46
16Lady Bird
piano:
Tommy Flanagan (on 1978-01-28) and Hank Jones (piano) (on 1978-01-28)
cover recording of:
Lady Bird (on 1978-01-28)
composer:
Tadd Dameron
Tommy Flanagan & Hank Jones3:55
17Relaxin' at Camarillo
recorded in:
Stockholm, Stockholms län, Sweden
double bass:
Wilbur Little (on 1957-08-15)
drums (drum set):
Elvin Jones (jazz drummer) (on 1957-08-15)
piano:
Tommy Flanagan (on 1957-08-15)
cover recording of:
Relaxin’ at Camarillo (on 1957-08-15)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Tommy Flanagan Trio3:25
CD 4: Volume 4
#TitleArtistRatingLength
1Delaunay's Dilemma
recording engineer:
Frank Abbey (engineer / producer) (on 1959-05-08) and Earle Brown (American composer, engineer) (on 1959-05-08)
producer:
Nesuhi Ertegun
double bass:
George Duvivier (on 1959-05-08)
drums (drum set):
Connie Kay (on 1959-05-08)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1959-05-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-05-08)
recording of:
Delaunay's Dilemma (on 1959-05-08)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
John Lewis4:29
2Nobody Knows the Trouble I've Seen
piano:
Randy Weston (in 1957)
instrumental recording of:
Nobody Knows the Trouble I’ve Seen (in 1957)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
C. Mose Music
Randy Weston3:17
3Changes
double bass:
Percy Heath (on 1955-08-05)
drums (drum set):
Art Taylor (on 1955-08-05)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1955-08-05)
recording of:
Blues Changes (on 1955-08-05)
composer:
Ray Bryant (US jazz pianist, composer, and arranger)
publisher:
Prestige Music Co. (US, affiliated with BMI) and Prestige Music ltd.
Ray Bryant3:15
4Autumn Leaves
double bass:
Scott La Faro (on 1959-12-28)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1959-12-28)
piano:
Bill Evans (pianist) (on 1959-12-28)
instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1959-12-28)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
Bill Evans Trio5:25
5Waltz for Debbie
double bass:
Scott La Faro (on 1961-06-25)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (on 1961-06-25)
piano:
Bill Evans (pianist) (on 1961-06-25)
recording of:
Waltz for Debby (instrumental) (on 1961-06-25)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Bill Evans Trio7:00
6I Loves You, Porgy
recorded in:
Montreux, Vaud, Switzerland (on 1968-06-15)
piano:
Bill Evans (pianist) (on 1968-06-15)
live instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1968-06-15)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Bill Evans5:48
7Passion Dance
double bass:
Ron Carter (US jazz double-bassist) (on 1967-04-21)
drums (drum set):
Elvin Jones (jazz drummer)
piano:
McCoy Tyner (jazz pianist) (on 1967-04-21)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1967-04-21)
recording of:
Passion Dance (on 1967-04-21)
composer:
McCoy Tyner (jazz pianist)
McCoy Tyner5:53
8Matrix
double bass:
Miroslav Vitous (on 1968-02-26)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1968-02-26)
piano:
Chick Corea (jazz pianist) (on 1968-02-26)
recording of:
Matrix (on 1968-02-26)
writer:
Chick Corea (jazz pianist)
Chick Corea6:27
9In Front
piano:
Keith Jarrett (pianist) (in 1972-01)
recording of:
In Front (in 1972-01)
composer:
Keith Jarrett (pianist)
Keith Jarrett10:06
10The Sorcerer
double bass:
Ron Carter (US jazz double-bassist) (on 1968-03-09)
drums (drum set):
Mickey Roker (Drummer) (on 1968-03-09)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1968-03-09)
recording of:
The Sorcerer (on 1968-03-09)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Herbie Hancock5:32