Andreas Scholl: The Voice

~ Release by Andreas Scholl (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1The Three Ravens
lute:
Andreas Martin (lute player) (from 1996-02 until 1996-04)
countertenor vocals:
Andreas Scholl (countertenor) (from 1996-02 until 1996-04)
recording of:
The Three Ravens (Child 26, Roud 5) (from 1996-02 until 1996-04)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 5), Child Ballads (number: 26) and Child Ballads (number: 26)
[traditional]3:21
2Barbara Allen
engineer:
Małgorzata Albińska (from 1996-02 until 1996-04)
lute:
Andreas Martin (lute player) (from 1996-02 until 1996-04)
countertenor vocals:
Andreas Scholl (countertenor) (from 1996-02 until 1996-04)
recording of:
Barbara Allen (from 1996-02 until 1996-04)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 54) and Child Ballads (number: 84)
[traditional]3:10
3Oratorio, HWV 56 "Messiah": Part I, VI. Aria "But who may abide the day of His coming?
alto vocals:
Andreas Scholl (countertenor)
orchestra and performer:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:44
4Serse, HWV 40: Act III. "Sinfonia"
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Akademie für Alte Musik Berlin
Georg Friedrich Händel1:14
5Serse, HWV 40: Act I, Scene I. "Frondi tenere"
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Akademie für Alte Musik Berlin
recording of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel0:40
6Serse, HWV 40: Act I, Scene I. "Ombra mai fù"
countertenor vocals:
Andreas Scholl (countertenor)
orchestra:
Akademie für Alte Musik Berlin
recording of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:04
7Cantata, RV 684 "Cessate, omai cessate": I. Largo e scialto "Cessate, omai cessate"
engineer:
Emmanuelle Bailliet (engineer)
producer:
Julien Azaïs (pianist)
countertenor vocals:
Andreas Scholl (countertenor) (in 1995-06)
orchestra:
Ensemble 415 (Swiss Baroque ensemble) (in 1995-06)
conductor:
Chiara Banchini (violinist and conductor) (in 1995-06)
recording of:
Cantata for Alto voice, Strings, and Continuo, RV 684 "Cessate, omai cessate": I. Recitativo. Largo e sciolto "Cessate, omai cessate" (in 1995-06)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto voice, Strings, and Continuo, RV 684 "Cessate, omai cessate"
Antonio Vivaldi1:59
8Cantata, RV 684 "Cessate, omai cessate": II. Larghetto & Andante molto "Ah ch'infelice sempre"
engineer:
Emmanuelle Bailliet (engineer)
producer:
Julien Azaïs (pianist)
countertenor vocals:
Andreas Scholl (countertenor) (in 1995-06)
orchestra:
Ensemble 415 (Swiss Baroque ensemble) (in 1995-06)
conductor:
Chiara Banchini (violinist and conductor) (in 1995-06)
recording of:
Cantata for Alto voice, Strings, and Continuo, RV 684 "Cessate, omai cessate": II. Aria. Larghetto "Ah ch'infelice sempre" (in 1995-06)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto voice, Strings, and Continuo, RV 684 "Cessate, omai cessate"
Antonio Vivaldi5:16
9Cantata, RV 684 "Cessate, omai cessate": III. Andante "A voi dunque ricorro"
engineer:
Emmanuelle Bailliet (engineer)
producer:
Julien Azaïs (pianist)
countertenor vocals:
Andreas Scholl (countertenor) (in 1995-06)
orchestra:
Ensemble 415 (Swiss Baroque ensemble) (in 1995-06)
conductor:
Chiara Banchini (violinist and conductor) (in 1995-06)
recording of:
Cantata for Alto voice, Strings, and Continuo, RV 684 "Cessate, omai cessate": III. Recitativo. Andante e pianissimo "A voi dunque ricorro orridi specchi" (in 1995-06)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto voice, Strings, and Continuo, RV 684 "Cessate, omai cessate"
Antonio Vivaldi1:16
10Cantata, RV 684 "Cessate, omai cessate": IV. Allegro "Nell' orrido albergo ricetto di pene"
engineer:
Emmanuelle Bailliet (engineer)
producer:
Julien Azaïs (pianist)
countertenor vocals:
Andreas Scholl (countertenor) (in 1995-06)
orchestra:
Ensemble 415 (Swiss Baroque ensemble) (in 1995-06)
conductor:
Chiara Banchini (violinist and conductor) (in 1995-06)
recording of:
Cantata for Alto voice, Strings, and Continuo, RV 684 "Cessate, omai cessate": IV. Aria. Allegro "Nell'orrido albergo ricetto di pene" (in 1995-06)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Cantata for Alto voice, Strings, and Continuo, RV 684 "Cessate, omai cessate"
Antonio Vivaldi3:44
11Mass in B minor, BWV 232: "Agnus Dei"
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
alto vocals:
Andreas Scholl (countertenor) (in 1996-07)
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:35
12Hymn in F minor, RV 621 "Stabat Mater": VII. Largo "Eja mater"
engineer:
Emmanuelle Bailliet (engineer)
producer:
Julien Azaïs (pianist)
countertenor vocals:
Andreas Scholl (countertenor) (in 1995-06)
orchestra:
Ensemble 415 (Swiss Baroque ensemble) (in 1995-06)
conductor:
Chiara Banchini (violinist and conductor) (in 1995-06)
recording of:
Stabat Mater, RV 621: VII. Largo "Eja Mater" (in 1995-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi2:44
13Hymn in F minor, RV 621 "Stabat Mater": VIII. Lento "Fac ut ardeat"
recording of:
Stabat Mater, RV 621: VIII. Lento "Fac ut ardeat"
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi1:39
14Hymn in F minor, RV 621 "Stabat Mater": IX. Allegro "Amen"
recording of:
Stabat Mater, RV 621: IX. Allegro "Amen"
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi1:08
15Oratorio "Maddalena ai piedi di Cristo": No. 50 Recitativo "Di miei dardi possenti" (Amor Celeste)
Antonio Caldara0:37
16Oratorio "Maddalena ai piedi di Cristo": No. 51 Aria "Da quel strale che stilla veleno" (Amor Celeste)
Antonio Caldara7:04
17Cantata, BuxWV 64 "Jubilate Domino"
lute:
Karl-Ernst Schröder (lutenist and guitarist)
organ:
Markus Märkl (harpsichordist, organist & pianist)
viola da gamba:
Brigitte Gasser (viol + viola da gamba player) and Friederike Heumann (violist)
alto vocals:
Andreas Scholl (countertenor)
recording of:
Jubilate Domino, omnis terra, BuxWV 64
composer:
Dieterich Buxtehude (composer)
part of:
Buxtehude-Werke-Verzeichnis (number: BuxWV 64)
Dietrich Buxtehude8:44
18Ach Liebste, laß uns eilen
cello:
Alix Verzier (cellist)
harpsichord:
Markus Märkl (harpsichordist, organist & pianist)
lute:
Karl-Ernst Schröder (lutenist and guitarist)
countertenor vocals:
Andreas Scholl (countertenor)
recording of:
Ach Liebste, laß uns eilen
composer:
Johann Nauwach
Johann Nauwach3:10
19Kunst des Küssens
cello:
Alix Verzier (cellist)
harpsichord:
Markus Märkl (harpsichordist, organist & pianist)
lute:
Karl-Ernst Schröder (lutenist and guitarist)
countertenor vocals:
Andreas Scholl (countertenor)
recording of:
Die Kunst des Küssens
composer:
Andreas Hammerschmidt (17th century composer)
Andreas Hammerschmidt2:08
20Cantata No. 213, BWV 213 "Laßt uns sorgen, laßt uns wachen": V. Aria "Treues Echo dieser Orten"
alto vocals [Hercules]:
Andreas Scholl (countertenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
recording of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen": V. Aria (Alt, Alt) "Treues Echo dieser Orten" (in 1994-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-09-05)
composed in:
Leipzig, Sachsen, Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 213 "Laßt uns sorgen, laßt uns wachen"
Johann Sebastian Bach6:44
21Matthäus-Passion, BWV 244: Part II, No. 39 Aria "Erbarme dich"
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean-Martial Golaz
alto vocals and solo vocals:
Andreas Scholl (countertenor) (in 1998-08)
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor and chorus master:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1998-08)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:39