Take Off Your Pants and Jacket (Jacket version (green))

~ Release by blink‐182 (see all versions of this release, 24 available)

Annotation

This album is referred to as the "Jacket version", signified by a green jacket printed on the CD itself. Alternate versions are the "Pants version" and the "Take Off version".

Annotation last modified on 2008-01-07 11:39 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Anthem, Part Two
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Anthem, Part Two
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.853:48
2Online Songs
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Online Song
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.852:26
3First Date
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
First Date
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
4.12:52
4Happy Holidays, You Bastard
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Happy Holidays, You Bastard
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.40:42
5Story of a Lonely Guy
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Story of a Lonely Guy
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
43:40
6The Rock Show
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
The Rock Show
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.82:52
7Stay Together for the Kids
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Stay Together for the Kids
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
4.23:59
8Roller Coaster
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Roller Coaster
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.752:48
9Reckless Abandon
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Reckless Abandon
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.653:06
10Everytime I Look for You
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Everytime I Look for You
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Goats, Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.853:05
11Give Me One Good Reason
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Give Me One Good Reason
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Goats, Fun With Guns and HMNIM Music
3.53:19
12Shut Up
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) and Geffen Records (in 2016)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Shut Up
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
3.83:20
13Please Take Me Home
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Please Take Me Home
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
56:08
14Don’t Tell Me It’s Over
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
Don’t Tell Me It’s Over
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
52:34
15When You Fucked Grandpa
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (power pop/electronic musician, sometimes credited simply as Roger Manning)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
When You Fucked Grandpa
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
EMI April Music Inc. and Fun With Guns
51:39