How Big, How Blue, How Beautiful (hi-res)

~ Release by Florence + the Machine (see all versions of this release, 20 available)

Tracklist

Digital Media 1
#TitleRatingLength
1Ship to Wreck
assistant engineer:
Iain Berryman (engineer) and Jonathan Sagis (engineer)
engineer:
Robin Baynton
producer:
Markus Dravs and Kid Harpoon
assistant mixer:
Geoff Swan
mixer:
Mark “Spike” Stent (producer, engineer)
acoustic guitar:
Leo Abrahams
bass and synthesizer [CP70synth]:
Kid Harpoon
drums (drum set) and percussion:
Chris Hayden and Kid Harpoon
electric guitar:
Kid Harpoon and Rob Ackroyd
glockenspiel:
Markus Dravs
Hammond organ:
James Hallawell
background vocals:
Janelle Martin, Baby N’Sola, Nim Miller (singer/songwriter) and Florence Welch (English singer)
lead vocals:
Florence Welch (English singer)
mixed at:
Mixsuite UK in London (Greater London), England, United Kingdom
engineered at:
The Pool in Southwark, London (Greater London), England, United Kingdom
instrumental versions:
Ship to Wreck (instrumental) by Florence + the Machine
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2016)
recording of:
Ship to Wreck
writer:
Tom Hull and Florence Welch (English singer)
publisher:
Goldzeal Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
43:55
2What Kind of Man
assistant recording engineer:
Ronan Phelan (engineer)
recording engineer:
Mat Bartram
additional engineer:
Iain Berryman (engineer) and Joe Kearns (British record producer, writer and engineer)
assistant engineer:
Jonathan Sagis (engineer)
co-producer:
John Hill (producer and songwriter, aka Johnny Rodeo)
producer:
Markus Dravs
assistant mixer:
Geoff Swan
mixer:
Mark “Spike” Stent (producer, engineer)
bass:
Mark Saunders (bassist for Florence + the Machine)
drums (drum set):
Chris Hayden
electric guitar:
Leo Abrahams and Rob Ackroyd
euphonium:
Ed Tarrant (brass player) and Andy Wood (trombonist)
French horn:
Nigel Black (horn player), Elise Campbell (horn), Pip Eastop (horn player) and Sam Jacobs (horn)
percussion:
Chris Hayden and Markus Dravs
synthesizer:
Markus Dravs and John Hill (producer and songwriter, aka Johnny Rodeo)
tenor trombone:
Richard Edwards (trombonist)
trumpet:
John Barclay (trumpeter), Philip Cobb (trumpetist), Andrew Crowley and Tom Rees-Roberts
tuba:
Oren Marshall (acoustic/electric tuba player)
background vocals:
Janelle Martin, Baby N’Sola, Nim Miller (singer/songwriter) and Florence Welch (English singer)
lead vocals:
Florence Welch (English singer)
brass arranger:
John Hill (producer and songwriter, aka Johnny Rodeo) and Kid Harpoon
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom
mixed at:
Mixsuite UK in London (Greater London), England, United Kingdom
engineered at:
The Pool in Southwark, London (Greater London), England, United Kingdom
music videos:
What Kind of Man by Florence + the Machine
instrumental versions:
What Kind of Man (instrumental) by Florence + the Machine
part of:
Grammy Award: Best Rock Performance nominees (number: 2016) and Indie 88: Top 500 Indie Rock Songs (number: 405)
recording of:
What Kind of Man
writer:
John Hill (producer and songwriter, aka Johnny Rodeo), Tom Hull and Florence Welch (English singer)
publisher:
EMI April Music Inc., Goldzeal Ltd., Rodeoman Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
3.953:36
3How Big, How Blue, How Beautiful
assistant recording engineer:
Ronan Phelan (engineer)
recording engineer:
Mat Bartram
assistant engineer:
Iain Berryman (engineer) and Jonathan Sagis (engineer)
engineer:
Robin Baynton
producer:
Markus Dravs
assistant mixer:
Eduardo de La Paz (producer/engineer)
mixer:
Craig Silvey
acoustic guitar:
Rob Ackroyd
alto flute and flute:
Eliza Marshall
bass:
Mark Saunders (bassist for Florence + the Machine)
bass [basses]:
Richard Pryce (double bassist) and Lucy Shaw (double bassist)
cello:
Ian Burdge (cellist), Nick Cooper (UK cellist), Sophie Harris (cellist) and Chris Worsey (cellist)
cimbalom [Cimbalom] and harp:
Pete Prokopiw
drums (drum set):
Crhis Hayden
electric guitar:
Steve Jones (Sex Pistols member)
euphonium:
Ed Tarrant (brass player) and Andy Wood (trombonist)
flugelhorn [flugel trumpet]:
Philip Cobb (trumpetist)
French horn:
Nigel Black (horn player), Elise Campbell (horn), Pip Eastop (horn player) and Sam Jacobs (horn)
piano:
Robin Baynton
piccolo trumpet:
John Barclay (trumpeter)
Rhodes piano [Rhodes organ]:
Robin Baynton and Isabella Summers
tenor trombone:
Richard Edwards (trombonist)
trumpet:
Andy Crowley, Philip Cobb (trumpetist), John Barcley (trumpeter) and Tom Rees-Roberts
tuba:
Oren Marshall (acoustic/electric tuba player)
viola:
Max Baillie, Fiona Bonds (violist), Ian Rathbone (violist) and Rachel Robson (violist)
violin:
Ian Belton (UK violinist, member of Brodsky Quartet), Natalia Bonner (violinist), Gillon Cameron (violinist), Alison Dods (violinist), Ian Humphries (violinist), Patrick Kiernan (violinist), Ciaran McCabe (violinist), Ann Morfee (violinist), Emlyn Singleton (violinist), Julia Singleton (violinist), Sonia Slany (violinist) and John Smart (violinist)
background vocals:
Janelle Martin, Baby N’Sola, Nim Miller (singer/songwriter) and Florence Welch (English singer)
vocals:
Florence Welch (English singer)
conductor:
Sally Herbert (violinist, composer, and conductor)
bass arranger and strings arranger:
Ali Helnwein and Will Owen
orchestrator:
Sally Herbert (violinist, composer, and conductor)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom
mixed at:
Toast Studios (mixing studio) in London (Greater London), England, United Kingdom
engineered at:
The Pool in Southwark, London (Greater London), England, United Kingdom
instrumental versions:
How Big, How Blue, How Beautiful (instrumental) by Florence + the Machine
recording of:
How Big, How Blue, How Beautiful
writer:
Isabella Summers and Florence Welch (English singer)
publisher:
Florence + the Machine Limited
3.755:35
4Queen of Peace
assistant recording engineer:
Ronan Phelan (engineer)
recording engineer:
Mat Bartram and Robin Baynton
additional programming:
Benson (backing vocals on "Long & Lost" by Florence + the Machine)
additional engineer:
Dan Cox
assistant engineer:
Iain Berryman (engineer) and Jonathan Sagis (engineer)
engineer:
Robin Baynton
producer:
Markus Dravs
assistant mixer:
Eduardo de La Paz (producer/engineer)
mixer:
Craig Silvey
additional keyboard:
Benson (backing vocals on "Long & Lost" by Florence + the Machine)
alto flute and flute:
Eliza Marshall
bass:
Mark Saunders (bassist for Florence + the Machine)
cello:
Ian Burdge (cellist)
drums (drum set) and percussion:
Matt Ingram
electric guitar:
Leo Abrahams and Rob Ackroyd
euphonium:
Ed Tarrant (brass player) and Andy Wood (trombonist)
flugelhorn [flugel] and piccolo trumpet:
Daniel Newell (British trumpeter)
French horn:
Nigel Black (horn player), Elise Campbell (horn), Pip Eastop (horn player) and Sam Jacobs (horn)
Hammond organ:
James Hallawell
piano:
Rusty Bradshaw
tenor trombone:
Richard Edwards (trombonist)
trombone:
Andy Wood (trombonist)
trumpet:
Andy Crowley, John Barclay (trumpeter), Philip Cobb (trumpetist), Daniel Newell (British trumpeter) and Tom Rees-Roberts
tuba:
Oren Marshall (acoustic/electric tuba player)
viola:
Nick Barr (viola player) and Bruce White (violist)
violin:
Gillon Cameron (violinist), Rick Koster, Oli Langford (violinist) and Everton Nelson (violinist)
background vocals:
Janelle Martin, Baby N’Sola, Nim Miller (singer/songwriter) and Florence Welch (English singer)
lead vocals:
Florence Welch (English singer)
conductor:
Sally Herbert (violinist, composer, and conductor)
bass arranger, flute arranger and strings arranger:
Benson (backing vocals on "Long & Lost" by Florence + the Machine) and Sally Herbert (violinist, composer, and conductor)
orchestrator:
Sally Herbert (violinist, composer, and conductor)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom and The Pool in Southwark, London (Greater London), England, United Kingdom
mixed at:
Toast Studios (mixing studio) in London (Greater London), England, United Kingdom
engineered at:
The Pool in Southwark, London (Greater London), England, United Kingdom and Urchin Studios in Hackney, London (Greater London), England, United Kingdom
instrumental versions:
Queen of Peace (instrumental) by Florence + the Machine
recording of:
Queen of Peace
writer:
Markus Dravs and Florence Welch (English singer)
3.25:07
5Various Storms & Saints
assistant recording engineer:
Ronan Phelan (engineer)
recording engineer:
Mat Bartram
assistant engineer:
Iain Berryman (engineer) and Jonathan Sagis (engineer)
engineer:
Mat Bartram and Robin Baynton
producer:
Markus Dravs
assistant mixer:
Eduardo de La Paz (producer/engineer)
mixer:
Craig Silvey
bass synthesizer:
Markus Dravs
cello:
Ian Burdge (cellist), Nick Cooper (UK cellist), Sophie Harris (cellist) and Chris Worsey (cellist)
double bass:
Richard Pryce (double bassist) and Lucy Shaw (double bassist)
electric guitar:
Leo Abrahams
viola:
Max Baillie, Fiona Bonds (violist), Ian Rathbone (violist) and Rachel Robson (violist)
violin:
Anne Morfee (violinist), Ian Belton (UK violinist, member of Brodsky Quartet), Natalia Bonner (violinist), Gillon Cameron (violinist), Alison Dods (violinist), Ian Humphries (violinist), Patrick Kiernan (violinist), Ciaran McCabe (violinist), Emlyn Singleton (violinist), Julia Singleton (violinist), Sonia Slany (violinist) and John Smart (violinist)
background vocals and lead vocals:
Florence Welch (English singer)
conductor:
Sally Herbert (violinist, composer, and conductor)
strings arranger:
Will Owen
orchestrator:
Sally Herbert (violinist, composer, and conductor)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom
mixed at:
Toast Studios (mixing studio) in London (Greater London), England, United Kingdom
engineered at:
The Pool in Southwark, London (Greater London), England, United Kingdom
instrumental versions:
Various Storms & Saints (instrumental) by Florence + the Machine
recording of:
Various Storms & Saints
writer:
Markus Dravs and Florence Welch (English singer)
44:09
6Delilah
programming:
Pete Prokopiw
assistant engineer:
Iain Berryman (engineer) and Jonathan Sagis (engineer)
engineer:
Robin Baynton
producer:
Markus Dravs
assistant mixer:
Eduardo de La Paz (producer/engineer)
mixer:
Craig Silvey
bass:
Mark Saunders (bassist for Florence + the Machine)
drums (drum set) and percussion:
Chris Hayden
electric guitar:
Leo Abrahams
organ and piano:
Robin Baynton
background vocals and lead vocals:
Florence Welch (English singer)
mixed at:
Toast Studios (mixing studio) in London (Greater London), England, United Kingdom
engineered at:
The Pool in Southwark, London (Greater London), England, United Kingdom
instrumental versions:
Delilah (instrumental) by Florence + the Machine
recording of:
Delilah
writer:
Isabella Summers and Florence Welch (English singer)
publisher:
Goldzeal Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
3.84:53
7Long & Lost
programming:
Markus Dravs and Pete Prokopiw
assistant engineer:
Iain Berryman (engineer) and Jonathan Sagis (engineer)
engineer:
Robin Baynton
producer:
Markus Dravs
assistant mixer:
Eduardo de La Paz (producer/engineer)
mixer:
Craig Silvey
bass:
Mark Saunders (bassist for Florence + the Machine)
drums (drum set):
Chris Hayden
electric guitar:
Steve Jones (Sex Pistols member) and Rob Ackroyd
farfisa, organ and piano:
James Hallawell
background vocals:
Benson (backing vocals on "Long & Lost" by Florence + the Machine) and Florence Welch (English singer)
lead vocals:
Florence Welch (English singer)
mixed at:
Toast Studios (mixing studio) in London (Greater London), England, United Kingdom
engineered at:
The Pool in Southwark, London (Greater London), England, United Kingdom
instrumental versions:
Long & Lost (instrumental) by Florence + the Machine
recording of:
Long & Lost
writer:
Ester Dean and Florence Welch (English singer)
4.353:15
8Caught
assistant engineer:
Iain Berryman (engineer) and Jonathan Sagis (engineer)
engineer:
Joe Kearns (British record producer, writer and engineer)
producer:
Markus Dravs
assistant mixer:
Eduardo de La Paz (producer/engineer)
mixer:
Craig Silvey
acoustic guitar, harmonium and piano:
Iain Berryman (engineer)
bass:
Mark Saunders (bassist for Florence + the Machine)
drums (drum set) and percussion:
Chris Hayden
electric guitar:
Rob Ackroyd
lead vocals:
Florence Welch (English singer)
mixed at:
Toast Studios (mixing studio) in London (Greater London), England, United Kingdom
engineered at:
The Pool in Southwark, London (Greater London), England, United Kingdom
recording of:
Caught
writer:
James Ford (UK producer/engineer/drummer for Simian Mobile Disco) and Florence Welch (English singer)
3.754:24
9Third Eye
assistant recording engineer:
Ronan Phelan (engineer)
recording engineer:
Mat Bartram
assistant engineer:
Iain Berryman (engineer) and Jonathan Sagis (engineer)
engineer:
Robin Baynton
producer:
Markus Dravs
assistant mixer:
Geoff Swan
mixer:
Mark “Spike” Stent (producer, engineer)
bass:
Mark Saunders (bassist for Florence + the Machine)
body percussion:
Iain Berryman (engineer), Markus Dravs and Florence Welch (English singer)
cornet:
Iain Berryman (engineer)
drums (drum set):
Chris Hayden
electric guitar:
Leo Abrahams, Markus Dravs and Rob Ackroyd
euphonium:
Ed Tarrant (brass player) and Andy Wood (trombonist)
French horn:
Nigel Black (horn player), Elise Campbell (horn), Pip Eastop (horn player) and Sam Jacobs (horn)
piano:
Robin Baynton
tenor trombone:
Richard Edwards (trombonist)
trumpet:
Andy Crowley, John Barclay (trumpeter), Philip Cobb (trumpetist) and Tom Rees-Roberts
tuba:
Oren Marshall (acoustic/electric tuba player)
ukulele:
Rob Ackroyd
background vocals:
Janelle Martin, Baby N’Sola, Nim Miller (singer/songwriter) and Florence Welch (English singer)
lead vocals:
Florence Welch (English singer)
conductor:
Sally Herbert (violinist, composer, and conductor)
brass arranger:
Sally Herbert (violinist, composer, and conductor)
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom
mixed at:
Mixsuite UK in London (Greater London), England, United Kingdom
engineered at:
The Pool in Southwark, London (Greater London), England, United Kingdom
instrumental versions:
Third Eye (instrumental) by Florence + the Machine
recording of:
Third Eye
lyricist and composer:
Florence Welch (English singer)
44:20
10St. Jude
programming:
Markus Dravs, James Ford (UK producer/engineer/drummer for Simian Mobile Disco) and Pete Prokopiw
assistant engineer:
Iain Berryman (engineer) and Jonathan Sagis (engineer)
engineer:
Robin Baynton
producer:
Markus Dravs
assistant mixer:
Eduardo de La Paz (producer/engineer)
mixer:
Craig Silvey
bassoon:
Pete Harrison (bassoon/conductor)
cor anglais and oboe:
Rebecca Wood (oboe)
background vocals and lead vocals:
Florence Welch (English singer)
woodwind arranger:
Markus Dravs, James Ford (UK producer/engineer/drummer for Simian Mobile Disco) and Sally Herbert (violinist, composer, and conductor)
orchestrator:
Sally Herbert (violinist, composer, and conductor)
mixed at:
Toast Studios (mixing studio) in London (Greater London), England, United Kingdom
engineered at:
The Pool in Southwark, London (Greater London), England, United Kingdom
instrumental versions:
St. Jude (instrumental) by Florence + the Machine
recording of:
St Jude
writer:
James Ford (UK producer/engineer/drummer for Simian Mobile Disco) and Florence Welch (English singer)
3.53:45
11Mother
producer:
Paul Epworth
assistant mixer:
Eduardo de La Paz (producer/engineer)
mixer:
Craig Silvey
bass, drums (drum set), guitar family, organ, percussion and synthesizer:
Paul Epworth
lead vocals:
Florence Welch (English singer)
mixed at:
Toast Studios (mixing studio) in London (Greater London), England, United Kingdom
produced at:
The Church Studios in London (Greater London), England, United Kingdom
instrumental versions:
Mother (instrumental) by Florence + the Machine
recording of:
Mother
lyricist and composer:
Paul Epworth and Florence Welch (English singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Florence + the Machine Limited
3.55:50