In Time

~ Release by Craig Armstrong (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1In Time Main Theme
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
In Time Main Theme
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
2Lost Century
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Lost Century
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
3Dawn in Dayton
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Dawn in Dayton
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
4The Cost of Living
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
The Cost of Living
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
5Mother Times Out
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Mother Times Out
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
6Zones of Time
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Zones of Time
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
7Welcome to New Greenwich
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Welcome to New Greenwich
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
8Waking Up in Time
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Waking Up in Time
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
9An Hour Ahead
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
An Hour Ahead
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
10Ocean
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Ocean
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
11Abduction
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Abduction
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
12Whatever We Have To
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Whatever We Have To
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
13Mother's Dress
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Mother's Dress
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
14Clock Watching
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Clock Watching
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
15Sylvia Shoots
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Sylvia Shoots
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
16Backseat Love
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Backseat Love
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
17Giving It Away
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Giving it Away
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
18Rooftop Chase
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Rooftop Chase
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
19You Saved My Life
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
You Saved My Life
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
20Surrender
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Surrender
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
21To Be Immortal
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
To Be Immortal
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
22Leaving the Zone
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
Leaving the Zone
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
23In Time Choral Theme
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
In Time Choral Theme
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
24There's Still Time
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
There's Still Time
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??
25In Time Main Theme (orchestral)
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Barrett (engineer)
producer:
Craig Armstrong (Scottish score composer)
assistant mixer:
Joel Evenden
mixer:
Andy Bradfield
editor:
Zig Gron
conductor:
Cecilia Weston
phonographic copyright (℗) by:
Regency Entertainment (USA) Inc.
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom and Studio A in London (Greater London), England, United Kingdom
recording of:
In Time Main Theme (orchestral)
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
?:??