The Complete Recordings on Deutsche Grammophon

~ Release by Martha Argerich (see all versions of this release, 4 available)

Annotation

A 48-CD limited edition collection of Martha Argerich's complete recordings for Deutsche Grammophon.

Annotation last modified on 2022-01-24 11:07 UTC.

Tracklist

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▼ CD 1: Chopin: Scherzo no. 3 / Barcarolle, op. 60 / Brahms: Two Rhapsodies, op. 79 / Prokofiev: Toccata, op. 11 / Ravel: Jeu d'eaux / Liszt: Hungarian Rhapsody no. 6
#TitleArtistRatingLength
1Scherzo no. 3 in C-sharp minor, op. 39
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
Scherzo no. 3 in C-sharp minor, op. 39 (in 1960-07)
composer:
Fryderyk Chopin (composer) (in 1839)
dedicated to:
Adolphe Gutmann
part of:
Works of Fryderyk Chopin by opus number (number: op. 39)
Frédéric Chopin6:34
2Two Rhapsodies, op. 79: No. 1 in B minor: Agitato
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
2 Rhapsodies, op. 79: No. 1 in B minor. Agitato (in 1960-07)
composer:
Johannes Brahms (German composer) (in 1879)
part of:
2 Rhapsodies, op. 79
Johannes Brahms8:31
3Two Rhapsodies, op. 79: No. 2 in G minor: Molto passionato, ma non troppo allegro
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
2 Rhapsodies, op. 79: No. 2 in G minor. Molto passionato, ma non troppo allegro (in 1960-07)
composer:
Johannes Brahms (German composer) (in 1879)
part of:
2 Rhapsodies, op. 79
Johannes Brahms6:34
4Toccata in D minor, op. 11
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
Toccata in D minor, op. 11 (in 1960-07)
composer:
Сергей Сергеевич Прокофьев (Russian composer) (in 1912)
part of:
Works of Sergei Prokofiev by opus number (number: op. 11)
Serge Prokofiev4:11
5Jeux d'eau - Très doux
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
Jeux d'eau (in 1960-07)
composer:
Maurice Ravel (classical composer) (in 1901)
premiered at:
Salle Pleyel (1839-1927) in Paris, Île-de-France, France (on 1902-04-05)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 30)
Maurice Ravel5:29
6Barcarolle in F-sharp major, op. 60: Allegretto
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961) and Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
Barcarolle in F-sharp major, op. 60 (in 1960-07)
composer:
Fryderyk Chopin (composer) (from 1845 until 1846)
dedicated to:
Madame la Baronne de Stockhausen
publisher:
Brandus & Cie. (Paris) (in 1846), Breitkopf & Härtel (in 1846) and Wessel & Co (London) (in 1846)
part of:
Works of Fryderyk Chopin by opus number (number: op. 60)
Frédéric Chopin8:10
7Hungarian Rhapsody no. 6 in D-flat major, S. 244/6: Tempo giusto - Presto - Andante - Allegro - Presto
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante - Allegro - Presto (in 1960-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt6:21
▼ CD 2: Chopin: Piano Sonata no. 3 / Polonaise-Fantaisie, op. 61 / Polonaise no. 6 / Three Mazurkas, op. 68
#TitleArtistRatingLength
1Piano Sonata no. 3 in B minor, op. 58: 1. Allegro maestoso
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: I. Allegro maestoso (in 1967-01)
composer:
Fryderyk Chopin (composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin10:55
2Piano Sonata no. 3 in B minor, op. 58: 2. Scherzo. Molto vivace
recording engineer:
Dorothee Ehrensberger
sound engineer:
Heinz Opitz
engineer:
Dorothee Ehrensberger (task: Tonmeister)
piano:
Martha Argerich (Argentine pianist) (on 1967-03-15)
phonographic copyright (℗) by:
Deutsche Grammophon and Deutschlandradio (in 2010)
recorded at:
Hochschule für Musik in Berlin, Germany (on 1967-03-15)
live recording of:
Sonata for Piano no. 3 in B minor, op. 58: II. Scherzo. Molto vivace (on 1967-03-15)
composer:
Fryderyk Chopin (composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin2:17
3Piano Sonata no. 3 in B minor, op. 58: 3. Largo
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: III. Largo (in 1967-01)
composer:
Fryderyk Chopin (composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin8:45
4Piano Sonata no. 3 in B minor, op. 58: 4. Presto, ma non tanto
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Sonata for Piano no. 3 in B minor, op. 58: IV. Finale. Presto non tanto (in 1967-01)
composer:
Fryderyk Chopin (composer) (in 1844)
part of:
Sonata for Piano no. 3 in B minor, op. 58
Frédéric Chopin4:27
5Polonaise-Fantaisie in A-flat major, op. 61: Allegro maestoso
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Polonaise-fantaisie in A-flat major, op. 61: Allegro maestoso (in 1967-01)
composer:
Fryderyk Chopin (composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 61)
Frédéric Chopin11:34
6Polonaise no. 6 in A-flat major, op. 53: Maestoso
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Polonaise in A-flat major, op. 53 “Heroique” (in 1967-01)
composer:
Fryderyk Chopin (composer) (in 1842)
dedicated to:
Auguste Léo
part of:
Works of Fryderyk Chopin by opus number (number: op. 53)
Frédéric Chopin6:21
7Three Mazurkas, op. 59: No. 1 in A minor: Moderato
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 1 in A minor. Moderato (in 1967-01)
composer:
Fryderyk Chopin (composer)
part of:
Mazurkas, op. 59
Frédéric Chopin3:18
8Three Mazurkas, op. 59: No. 2 in A-flat major: Allegretto
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 2 in A-flat major. Allegretto (in 1967-01)
composer:
Fryderyk Chopin (composer)
part of:
Mazurkas, op. 59
Frédéric Chopin2:18
9Three Mazurkas, op. 59: No. 3 in F-sharp minor: Vivace
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1967-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1967)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1967-01)
recording of:
Mazurkas, op. 59: No. 3 in F-sharp minor. Vivace (in 1967-01)
composer:
Fryderyk Chopin (composer)
part of:
Mazurkas, op. 59
Frédéric Chopin2:47
▼ CD 3: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto in G major
#TitleArtistRatingLength
1Piano Concerto no. 3 in C major, op. 26: 1. Andante - Allegro
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: I. Andante - Allegro (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Serge Prokofiev9:01
2Piano Concerto no. 3 in C major, op. 26: 2. Tema. Andantino / Var I. L'istesso tempo / Var. II. Allegro / Var. III. Allegro moderato / Var. IV. Andantino meditativo / Var. V. Allegro giusto / Tema. L'istesso tempo
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Serge Prokofiev9:03
3Piano Concerto no. 3 in C major, op. 26: 3. Allegro ma non troppo
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Serge Prokofiev9:07
4Piano Concerto in G major: 1. Allegramente
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: I. Allegramente (in 1967-06)
composer:
Maurice Ravel (classical composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel8:09
5Piano Concerto in G major: 2. Adagio assai
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: II. Adagio assai (in 1967-06)
composer:
Maurice Ravel (classical composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel9:03
6Piano Concerto in G major: 3. Presto
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: III. Presto (in 1967-06)
composer:
Maurice Ravel (classical composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel3:55
▼ CD 4: Chopin: Piano Concerto no. 1 / Liszt: Piano Concerto no. 1 / Ravel: Piano Concerto in G major
#TitleArtistRatingLength
1Piano Concerto no. 1 in E minor, op. 11: 1. Allegro maestoso
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso (in 1968-02)
composer:
Fryderyk Chopin (composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin18:57
2Piano Concerto no. 1 in E minor, op. 11: 2. Romance. Larghetto
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto (in 1968-02)
composer:
Fryderyk Chopin (composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin9:58
3Piano Concerto no. 1 in E minor, op. 11: 3. Rondo. Vivace
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace (in 1968-02)
composer:
Fryderyk Chopin (composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin9:08
4Piano Concerto no. 1 in E-flat major, S. 124: 1. Allegro maestoso
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso (in 1968-02)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
Franz Liszt5:09
5Piano Concerto no. 1 in E-flat major, S. 124: 2. Quasi adagio / 3. Allegretto vivace - Allegro animato
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio (in 1968-02)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato (in 1968-02)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
Franz Liszt8:26
6Piano Concerto no. 1 in E-flat major, S. 124: 4. Allegro marziale animato
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1968-02)
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato (in 1968-02)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
Franz Liszt4:06
7Concerto for Piano and Orchestra in G major: 1. Allegramente
recording engineer:
Klaus Hiemann (German audio)
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Hanno Rinke
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1984-02)
orchestra:
London Symphony Orchestra (in 1984-02)
conductor:
Claudio Abbado (conductor) (in 1984-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1984-02)
live recording of:
Piano Concerto in G major: I. Allegramente (in 1984-02)
composer:
Maurice Ravel (classical composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel8:43
8Concerto for Piano and Orchestra in G major: 2. Adagio assai
recording engineer:
Klaus Hiemann (German audio)
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Hanno Rinke
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1984-02)
orchestra:
London Symphony Orchestra (in 1984-02)
conductor:
Claudio Abbado (conductor) (in 1984-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1984-02)
live recording of:
Piano Concerto in G major: II. Adagio assai (in 1984-02)
composer:
Maurice Ravel (classical composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel9:33
9Concerto for Piano and Orchestra in G major: 3. Presto
recording engineer:
Klaus Hiemann (German audio)
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Hanno Rinke
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1984-02)
orchestra:
London Symphony Orchestra (in 1984-02)
conductor:
Claudio Abbado (conductor) (in 1984-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1984-02)
live recording of:
Piano Concerto in G major: III. Presto (in 1984-02)
composer:
Maurice Ravel (classical composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel3:57
▼ CD 5: Tchaikovsky: Piano Concerto no. 1 / Mendelssohn: Concerto for Violin, Piano and String Orchestra
#TitleArtistRatingLength
1Piano Concerto no. 1 in B-flat minor, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1970-12)
orchestra:
Royal Philharmonic Orchestra (in 1970-12)
conductor:
Charles Dutoit (conductor) (in 1970-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Fairfield Halls in Croydon, London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version) (in 1970-12)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Pyotr Ilyich Tchaikovsky21:16
2Piano Concerto no. 1 in B-flat minor, op. 23: 2. Andantino semplice - Prestissimo - Tempo I
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1970-12)
orchestra:
Royal Philharmonic Orchestra (in 1970-12)
conductor:
Charles Dutoit (conductor) (in 1970-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Fairfield Halls in Croydon, London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version) (in 1970-12)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Pyotr Ilyich Tchaikovsky7:31
3Piano Concerto no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1970-12)
orchestra:
Royal Philharmonic Orchestra (in 1970-12)
conductor:
Charles Dutoit (conductor) (in 1970-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Fairfield Halls in Croydon, London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version) (in 1970-12)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Pyotr Ilyich Tchaikovsky6:57
4Concerto for Violin, Piano and String Orchestra in D minor: 1. Allegro
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Hanno Rinke
producer:
Wolf Erichson (engineer/producer)
piano:
Martha Argerich (Argentine pianist) (in 1988-05)
violin:
Gidon Kremer (violinist) (in 1988-05)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1988-05)
balance engineer:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
Schweizer Radio DRS2, Studio 1 in Zurich, Zürich, Switzerland (in 1988-05)
recording of:
Concerto for Violin, Piano and String Orchestra in D minor: I. Allegro (in 1988-05)
composer:
Felix Mendelssohn (composer) (in 1823)
part of:
Concerto for Violin, Piano and String Orchestra in D minor
Felix Mendelssohn18:27
5Concerto for Violin, Piano and String Orchestra in D minor: 2. Adagio
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Hanno Rinke
producer:
Wolf Erichson (engineer/producer)
piano:
Martha Argerich (Argentine pianist) (in 1988-05)
violin:
Gidon Kremer (violinist) (in 1988-05)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1988-05)
balance engineer:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
Schweizer Radio DRS2, Studio 1 in Zurich, Zürich, Switzerland (in 1988-05)
recording of:
Concerto for Violin, Piano and String Orchestra in D minor: II. Adagio (in 1988-05)
composer:
Felix Mendelssohn (composer) (in 1823)
part of:
Concerto for Violin, Piano and String Orchestra in D minor
Felix Mendelssohn9:12
6Concerto for Violin, Piano and String Orchestra in D minor: 3. Allegro molto
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Hanno Rinke
producer:
Wolf Erichson (engineer/producer)
piano:
Martha Argerich (Argentine pianist) (in 1988-05)
violin:
Gidon Kremer (violinist) (in 1988-05)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1988-05)
balance engineer:
Peter Laenger (engineer/producer) and Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
Schweizer Radio DRS2, Studio 1 in Zurich, Zürich, Switzerland (in 1988-05)
recording of:
Concerto for Violin, Piano and String Orchestra in D minor: III. Allegro molto (in 1988-05)
composer:
Felix Mendelssohn (composer) (in 1823)
part of:
Concerto for Violin, Piano and String Orchestra in D minor
Felix Mendelssohn9:00
▼ CD 6: Liszt: Piano Sonata in B minor / Schumann: Piano Sonata no. 2
#TitleArtistRatingLength
1Piano Sonata in B minor: Lento assai - Allegro energico -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt3:03
2Piano Sonata in B minor: Grandioso -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:59
3Piano Sonata in B minor: Cantando espressivo
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt3:40
4Piano Sonata in B minor: Pesante - Recitativo -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:05
5Piano Sonata in B minor: Andante sostenuto
executive producer:
Günther Breest (producer for classical music)
producer:
Günther Breest (producer for classical music) and Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt0:47
6Piano Sonata in B minor: Quasi Adagio -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
engineered at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (from 1971-06 until 1971)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt4:49
7Piano Sonata in B minor: Allegro energico
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:13
8Piano Sonata in B minor: Più mosso
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:52
9Piano Sonata in B minor: Cantando espressivo senza slentare -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:14
10Piano Sonata in B minor: Stretta quasi Presto - Presto - Prestissimo -
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:13
11Piano Sonata in B minor: Andante sostenuto - Allegro moderato - Lento assai
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:59
12Piano Sonata no. 2 in G minor, op. 22: 1. So rasch wie möglich
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: I. So rasch wie möglich - Schneller - Noch schneller (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann5:34
13Piano Sonata no. 2 in G minor, op. 22: 2. Andantino. Getragen
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: II. Andantino. Getragen (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann4:58
14Piano Sonata no. 2 in G minor, op. 22: 3. Scherzo. Sehr rasch und markiert -
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: III. Scherzo. Sehr rasch und markiert (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann1:31
15Piano Sonata no. 2 in G minor, op. 22: 4. Rondo. Presto - Prestissimo. Quasi Cadenza
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans-Rudolf Müller
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1971-06)
recording of:
Piano Sonata no. 2 in G minor, op. 22: IV. Rondo. Presto - Etwas langsamer - Prestissimo, quasi cadenza - Immer schneller und schneller (in 1971-06)
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann4:44
▼ CD 7: Chopin: Piano Sonata no. 3 / Andante spianato et Grande Polonaise brillante / Scherzo no. 2
#TitleArtistRatingLength
1Piano Sonata no. 2 in B-flat minor, op. 35: 1. Grave - Doppio movimento
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: I. Grave - Doppio movimento (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin6:42
2Piano Sonata no. 2 in B-flat minor, op. 35: 2. Scherzo
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: II. Scherzo (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin6:04
3Piano Sonata no. 2 in B-flat minor, op. 35: 3. Marche funèbre. Lento
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin8:34
4Piano Sonata no. 2 in B-flat minor, op. 35: 4. Finale. Presto
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: IV. Finale. Presto (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin1:32
5Andante spianato et Grande Polonaise brillante, op. 22: Andante spianato. Tranquillo - Polonaise. Allegro molto
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Andante spianato et Grande polonaise brillante in E-flat major, op. 22 (in 1974-07)
composer:
Fryderyk Chopin (composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 22)
Frédéric Chopin13:29
6Scherzo no. 2 in B-flat minor, op. 31: Presto
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1974-07)
recording of:
Scherzo no. 2 in B-flat minor, op. 31 (in 1974-07)
composer:
Fryderyk Chopin (composer) (in 1837)
dedicated to:
Adele Fürstensein
part of:
Works of Fryderyk Chopin by opus number (number: op. 31)
Frédéric Chopin8:55
▼ CD 8: Ravel: Gaspard de la nuit / Sonatine / Valses nobles et sentimentales
#TitleArtistRatingLength
1Gaspard de la nuit, Trois Poèmes pour piano d'après Aloysius Bertrand: 1. Ondine
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): I. Ondine (in 1974-11)
composer:
Maurice Ravel (classical composer) (in 1908)
is based on:
Ondine
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:21
2Gaspard de la nuit, Trois Poèmes pour piano d'après Aloysius Bertrand: 2. Le Gibet
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): II. Le Gibet (in 1974-11)
composer:
Maurice Ravel (classical composer) (in 1908)
is based on:
Le Gibet
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:42
3Gaspard de la nuit, Trois Poèmes pour piano d'après Aloysius Bertrand: 3. Scarbo
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): III. Scarbo (in 1974-11)
composer:
Maurice Ravel (classical composer) (in 1908)
is based on:
Scarbo
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel9:23
4Sonatine: 1. Modéré
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Sonatine: I. Modéré (in 1974-11)
composer:
Maurice Ravel (classical composer) (from 1903 until 1905)
part of:
Sonatine
Maurice Ravel4:00
5Sonatine: 2. Mouvement de Menuet
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Sonatine: II. Mouvement de menuet (for piano) (in 1974-11)
composer:
Maurice Ravel (classical composer) (from 1903 until 1905)
part of:
Sonatine
Maurice Ravel3:00
6Sonatine: 3. Animé
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Sonatine: III. Animé (in 1974-11)
composer:
Maurice Ravel (classical composer) (from 1903 until 1905)
part of:
Sonatine
Maurice Ravel3:38
7Valses nobles et sentimentales: 1. Modéré - très franc
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: I. Modéré - Très franc (for piano) (in 1974-11)
composer:
Maurice Ravel (classical composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:20
8Valses nobles et sentimentales: 2. Assez lent - avec une expression intense
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: II. Assez lent (for piano) (in 1974-11)
composer:
Maurice Ravel (classical composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel2:21
9Valses nobles et sentimentales: 3. Modéré
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: III. Modéré (for piano) (in 1974-11)
composer:
Maurice Ravel (classical composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:23
10Valses nobles et sentimentales: 4. Assez animé
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: IV. Assez animé (for piano) (in 1974-11)
composer:
Maurice Ravel (classical composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:05
11Valses nobles et sentimentales: 5. Presque lent - dans un sentiment intime
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: V. Presque lent (for piano) (in 1974-11)
composer:
Maurice Ravel (classical composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel1:34
12Valses nobles et sentimentales: 6. Vif
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: VI. Vif (for piano) (in 1974-11)
composer:
Maurice Ravel (classical composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel0:41
13Valses nobles et sentimentales: 7. Moins vif
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: VII. Moins vif (for piano) (in 1974-11)
composer:
Maurice Ravel (classical composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel2:40
14Valses nobles et sentimentales: 8. Épilogue. Lent
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Valses nobles et sentimentales: VIII. Epilogue. Lent (for piano) (in 1974-11)
composer:
Maurice Ravel (classical composer)
part of:
Valses nobles et sentimentales (for piano)
Maurice Ravel4:30
▼ CD 9: Chopin: 24 Préludes, op. 28 / Prélude in C-sharp minor, op. 45 / Prélude in A-flat major, op. posth.
#TitleArtistRatingLength
124 Préludes, op. 28: No. 1 in C major. Agitato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 1 in C major, op. 28: Agitato (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1838 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:32
224 Préludes, op. 28: No. 2 in A minor. Lento
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 2 in A minor, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:10
324 Préludes, op. 28: No. 3 in G major. Vivace
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:51
424 Préludes, op. 28: No. 4 in E minor. Largo
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:51
524 Préludes, op. 28: No. 5 in D major. Allegro molto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 5 in D major, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:30
624 Préludes, op. 28: No. 6 in B minor. Lento assai
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 6 in B minor, op. 28: Lento assai (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:46
724 Préludes, op. 28: No. 7 in A major. Andantino
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 7 in A major, op. 28: Andantino (in 1975-10)
composer:
Fryderyk Chopin (composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:44
824 Préludes, op. 28: No. 8 in F-sharp minor. Molto agitato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 8 in F-sharp minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:29
924 Préludes, op. 28: No. 9 in E major. Largo
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 9 in E major, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:30
1024 Préludes, op. 28: No. 10 in C-sharp minor. Allegro molto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 10 in C-sharp minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:25
1124 Préludes, op. 28: No. 11 in B major. Vivace
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 11 in B major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:33
1224 Préludes, op. 28: No. 12 in G-sharp minor. Presto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 12 in G-sharp minor, op. 28: Presto (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
1324 Préludes, op. 28: No. 13 in F-sharp major. Lento
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 13 in F-sharp major, op. 28: Lento (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:44
1424 Préludes, op. 28: No. 14 in E-flat minor. Allegro
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 14 in E-flat minor, op. 28: Allegro (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:29
1524 Préludes, op. 28: No. 15 in D-flat major. Sostenuto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 15 in D-flat major, op. 28: Sostenuto (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin4:51
1624 Préludes, op. 28: No. 16 in B-flat minor. Presto con fuoco
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 16 in B-flat minor, op. 28: Presto con fuoco (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
1724 Préludes, op. 28: No. 17 in A-flat major. Allegretto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 17 in A-flat major, op. 28: Allegretto (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:50
1824 Préludes, op. 28: No. 18 in F minor. Allegro molto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 18 in F minor, op. 28: Molto allegro (in 1975-10)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:47
1924 Préludes, op. 28: No. 19 in E-flat major. Vivace
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 19 in E-flat major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:04
2024 Préludes, op. 28: No. 20 in C minor. Largo
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 20 in C minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:32
2124 Préludes, op. 28: No. 21 in B-flat major. Cantabile
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 21 in B-flat major, op. 28: Cantabile (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:34
2224 Préludes, op. 28: No. 22 in G minor. Molto agitato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 22 in G minor, op. 28: Molto agitato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:34
2324 Préludes, op. 28: No. 23 in F major. Moderato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 23 in F major, op. 28: Moderato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:43
2424 Préludes, op. 28: No. 24 in D minor. Allegro appassionato
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Banquet hall, destroyed 1944; rebuilt 1959) in München, Bayern, Germany (in 1975-10)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (in 1975-10)
composer:
Fryderyk Chopin (composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:18
25Prélude in C-sharp minor, op. 45: Sostenuto
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prelude in C-sharp minor, op. 45 (in 1977-02)
composer:
Fryderyk Chopin (composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 45)
Frédéric Chopin4:07
26Prélude in A-flat major, op. posth.: Presto con leggierezza
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer and balance engineer:
Heinz Wildhagen (engineer, producer)
piano:
Martha Argerich (Argentine pianist) (in 1977-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Watford Town Hall (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1977-02)
recording of:
Prelude in A-flat major, Op. posth.: Presto con leggierezza (in 1977-02)
composer:
Fryderyk Chopin (composer) (in 1834)
Frédéric Chopin0:40
▶ CD 10: Stravinsky: Les Noces / Bartók: Concerto for Two Pianos, Percussion and Orchestra
▶ CD 11: Bartók: Sonata for Two Pianos and Percussion / Sonatina / Out of Doors / Mozart: Andante and Five Variations / Debussy: En blanc et noir
▶ CD 12: Schumann: Piano Concerto / Chopin: Piano Concerto no. 2
▶ CD 13: J. S. Bach: Toccato in C minor / Partita no. 2 / English Suite no. 2
▶ CD 14: Chopin: Cello Sonata, op. 65 / Introduction et Polonaise brillante / Schumann: Adagio und Allegro
▶ CD 15: Rachmaninov: Suite no. 2 for Two Pianos / Ravel: La Valse / Lutosławski: Variations on a Theme of Paganini
▶ CD 16: Rachmaninov: Piano Concerto no. 3 / Tchaikovsky: Piano Concerto no. 1
▶ CD 17: Rachmaninov: Symphonic Dances / Tchaikovsky: The Nutcracker (Suite)
▶ CD 18: Schumann: Kinderszenen / Kreisleriana
▶ CD 19: Schubert: Arpeggione Sonata / Schumann: Drei Fantasiestücke, op. 73 / Fünf Stücke im Volkston
▶ CD 20: Beethoven: Sonatas for Piano and Violin nos. 1-3
▶ CD 21: J. S. Bach: Three Sonatas for Cello and Piano
▶ CD 22: Saint-Saëns: Le Carnaval des animaux / Ridout: Ferdinand / Little Sad Sound / Meschwitz: Tier-Gebete
▶ CD 23: Beethoven: Piano Concertos nos. 1 & 2
▶ CD 24: Schumann: Violin Sonatas nos. 1 & 2
▶ CD 25: Beethoven: Sonatas for Piano and Violin no. 4 & no. 5 “Spring”
▶ CD 26: Bartók: Violin Sonata no. 1 / Janáček: Sonata for Violin and Piano / Messiaen: Theme and Variations for Violin and Piano
▶ CD 27: Beethoven: Twelve Variations on “Ein Mädchen oder Weibchen” / Sonatas for Piano and Cello nos. 1 & 2 / Seven Variations on “Bei Männern, welche Liebe fühlen”
▶ CD 28: Prokofiev: Violin Sonatas nos. 1 & 2 / Five Melodies for Violin and Piano
▶ CD 29: Beethoven: Sonatas for Piano and Cello nos. 3-5 / Twelve Variations on a Theme from Handel's Oratorio “Judas Maccabaeus”
▶ CD 30: Shostakovich: Concerto for Piano, Trumpet and Strings / Haydn: Piano Concerto in D major / Tchaikovsky: Piano Concerto no. 1
▶ CD 31: Bartók: Sonata for Two Pianos and Percussion / Ravel: Ma Mère l'Oye / Rapsodie espagnole
▶ CD 32: Beethoven: Sonatas for Piano and Violin nos. 6-8
▶ CD 33: Beethoven: Sonatas for Piano and Violin no. 9 “Kreutzer” & no. 10
▶ CD 34: Shostakovich: Piano Trio no. 2 / Tchaikovsky: Piano Trio op. 50 / Kiesewetter: Tango pathétique
▶ CD 35: Schumann: Adagio und Allegro / Drei Fantasiestücke, op. 73 / Fünf Stücke im Volkston / Romanze, op. 94 no. 1 / Märchenbilder, op. 113 no. 1 / Beethoven: Sonata for Piano and Violin no. 9 “Kreutzer”
▶ CD 36: Beethoven: Piano Concertos nos. 2 & 3
▶ CD 37: Chopin: Cello Sonata, op. 65 / Introduction et Polonaise brillante / Franck: Violin Sonata in A major / Debussy: Cello Sonata in D minor
▶ CD 38: Brahms: Piano Quartet no. 1 / Schumann: Fantasiestücke, op. 88
▶ CD 39: Stravinsky: Suite italienne / Prokofiev: Cello Sonata in C major / Waltz from the Ballet “The Stone Flower” / Shostakovich: Cello Sonata in D minor
▶ CD 40: Prokofiev: Cinderella [Suite] / Ravel: Ma Mère l'Oye
▶ CD 41: Brahms: Haydn Variations / Rachmaninov: Symphonic Dances / Schubert: Grand Rondeau / Ravel: La Valse
▶ CD 42: Mozart: Piano Concertos nos. 20 & 25
▶ CD 43: Mozart: Sonata for Two Pianos in D major / Schubert: Variations on an Original Theme / Stravinsky: Le Sacre du printemps
▶ CD 44: The Lugano Concertos I: Beethoven: Piano Concerto no. 1 / Poulenc: Concerto for Two Pianos in D minor / Mozart: Concert for Three Pianos “Lodron”
▶ CD 45: The Lugano Concertos II: Schumann: Piano Concerto / Prokofiev: Piano Concertos nos. 1 & 3
▶ CD 46: The Lugano Concertos III: Beethoven: Piano Concerto no. 2 / Liszt: Piano Concerto no. 1 / Bartók: Piano Concerto no. 3 / Mozart: Andante and Five Variations
▶ CD 47: The Lugano Concertos IV: Schubert: Divertissement à la hongroise / Brahms: Liebeslieder, op. 52 / Stravinsky: Les Noces / Milhaud: Scaramouche
▶ CD 48: Chopin: Ballade no. 1 / Étude, op. 10 no. 4 / Mazurkas / Nocturnes / Piano Sonata no. 3

Credits

Release group

includes:Argerich Plays Chopin by Frédéric Chopin (composer); Martha Argerich (Argentine pianist)
Chopin: Piano Concerto no. 1 / Liszt: Piano Concerto no. 1 by Chopin (composer), Liszt (Hungarian composer, pianist and conductor); London Symphony Orchestra, Claudio Abbado (conductor), Martha Argerich (Argentine pianist)
Frédéric Chopin · Martha Argerich by Frédéric Chopin (composer); Martha Argerich (Argentine pianist)
Klavierkonzert Nr. 1 b-moll op. 23 by Tschaikowsky (Russian romantic composer); Royal Philharmonic Orchestra, Charles Dutoit (conductor), Martha Argerich (Argentine pianist)
Liszt: Sonate h-Moll / Schumann: Sonate g-Moll by Liszt (Hungarian composer, pianist and conductor), Schumann (German classical composer); Martha Argerich (Argentine pianist)
Martha Argerich: Début Recital by Chopin (composer), Brahms (German composer), Liszt (Hungarian composer, pianist and conductor), Maurice Ravel (classical composer), Prokofiev (Russian composer); Martha Argerich (Argentine pianist)
Prokofiev: Klavierkonzert Nr. 3 C-Dur / Ravel: Klavierkonzert G-Dur by Prokofiev (Russian composer), Ravel (classical composer); Martha Argerich (Argentine pianist), Berliner Philharmoniker, Claudio Abbado (conductor)