Young at Heart

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Young at Heart
producer:
Bob Andrews (keyboardist and producer) and Colin Fairley
cover recording of:
Young at Heart
writer:
Sara Dallin, Siobhan Fahey, Robert Hodgens and Keren Woodward
The Bluebells2.53:27
2Come On Eileen
producer:
Clive Langer, Kevin Rowland and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Phonogram Ltd. (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners4.154:05
3Heart of Glass
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis (in 1978) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
part of:
TV Cream: Real 100 Best Singles Ever (number: 2), Indie 88: Top 500 Indie Rock Songs (number: 138), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 138) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 255)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, フジパシフィックミュージック and Rare Blue Music Inc (in 1978)
version of:
Once I Had a Love
Blondie4.63:56
4Really Saying Something
cover recording of:
He Was Really Sayin’ Somethin’
writer:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team), William Stevenson (Motown songwriter) and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music
Bananarama2:40
5The Look of Love
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
SARM Studios in London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4) and The Downloader’s Music Source Book (number: 73)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (The American arm of Virgin's publishing company)
part of:
Mantrap (ABC long-form film)
ABC4.13:31
6Smalltown Boy
recording engineer:
Pete Griffiths (UK studio technician, programmer & producer)
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
recording of:
Smalltown Boy
writer:
Steve Bronski, Jimmy Somerville and Larry Steinbachek
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), Bronski Music Ltd., Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
Gotcha! (1985 film soundtrack)
Bronski Beat3.654:59
7Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:38
8Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Buggles43:29
9Einstein a Go‐Go
producer:
Landscape (80s British synthpop)
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (from 1981 to present)
recording of:
Einstein a Go-Go
composer:
Richard James Burgess, Landscape (80s British synthpop) and John L. Walters
publisher:
Landscape Music Ltd. and Sunbury Music Ltd.
Landscape3:03
10Fade to Grey
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Island Music Ltd.
Visage3:56
11Reward
recording of:
Reward
composer:
Julian Cope and Alan Gill
The Teardrop Explodes2:56
12Wishing (If I Had a Photograph of You)
engineer:
Dave Hutchins (UK engineer)
producer:
Mike Howlett
bass guitar:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (English guitarist from A Flock of Seagulls)
keyboard and lead vocals:
Mike Score
phonographic copyright (℗) by:
Zomba Productions Limited (in 1983) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen, Germany
mixed at:
Union Studios (Established in 1963 as 'Studio Allach') in München, Bayern, Germany
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (English guitarist from A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc.
A Flock of Seagulls4.255:33
13Save a Prayer
recording of:
Save a Prayer (Duran Duran)
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
Gloucester Place Music Ltd.
Duran Duran5:28
14I Second That EmotionJapan43:45
15Vienna
producer:
Conny Plank (German producer and sound engineer) and Ultravox
bass:
Chris Cross (UK bassist for Ultravox)
drums (drum set):
Warren Cann
guitar:
Midge Ure
keyboard and violin:
Billy Currie
vocals:
Midge Ure
recording of:
Vienna
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox34:38
CD 2
#TitleArtistRatingLength
1My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in 1979-04)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger
The Knack4.14:04
2Turning Japanese
producer:
Vic Coppersmith‐Heaven
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
Glenwood Music Corp.
The Vapors3.653:46
3Stray Cat Strut
recording of:
Stray Cat Strut
lyricist and composer:
Brian Setzer
Stray Cats3:19
4London Calling
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 63) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 143)
recording of:
London Calling (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Music (publisher) and Virgin Music (Publishers) Ltd.
The Clash3.953:22
5Eton Rifles
producer:
Vic Coppersmith‐Heaven and The Jam (late 70s/early 80s UK punk/mod revival band)
recording of:
The Eton Rifles
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam3:30
6I Want You to Want Me
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
I Want You to Want Me (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Gil Music Corporation, Adult Music (in 1977, in 1978), Screen Gems-EMI Music Incorporated (USA, affiliated with BMI) (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
part of:
10 Things I Hate About You
Cheap Trick4.353:08
7Brass in Pocket
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1987, in 2000)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 389)
recording of:
Brass in Pocket
writer:
James Honeyman‐Scott and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, Hynde House of Hits Music and Modern Music Publishing Co., Inc.
The Pretenders4.253:05
8I Don’t Like Mondays
recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Zomba Enterprises, Inc.
The Boomtown Rats3:50
9ShoutTears for Fears5:52
10I Got You
engineer and producer:
David Tickle
recording of:
I Got You
lyricist and composer:
Neil Finn
Split Enz33:30
11Ships in the Night
producer:
John Leckie and Bill Nelson (English experimental musician)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1975-10)
recording of:
Ships in the Night (in 1975-10)
lyricist and composer:
Bill Nelson (English experimental musician)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Beechwood Music Corp., EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated) and Henrees Music co.
Be Bop Deluxe54:04
12Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
Men at Work4.053:35
13Fields of Fire
recording of:
Fields of Fire
lyricist:
Stuart Adamson
composer:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) and Bruce Watson
publisher:
10 Music Ltd., BMG VM Music Ltd. and Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country3:26
14Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Complete Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.453:28
1519
producer:
Paul Hardcastle
music videos:
19 (music video) by Paul Hardcastle
recording of:
19
lyricist:
Bill Couturié, Paul Hardcastle and Jonas McCord
composer:
Paul Hardcastle
Paul Hardcastle3.63:39
CD 3
#TitleArtistRatingLength
1Dr. Beat
lead vocals:
Gloria Estefan
recording of:
Dr. Beat
lyricist and composer:
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd.
Miami Sound Machine3.54:19
2Annie I’m Not Your Daddy
recording of:
Annie, I’m Not Your Daddy
lyricist and composer:
August Darnell
Kid Creole and the Coconuts34:05
3Japanese Boy
producer:
Neil Ross (UK based Music Engineer)
part of:
TV Cream: Real 100 Best Singles Ever (number: 26)
recording of:
Japanese Boy
lyricist and composer:
Bobby Heatlie (songwriter)
publisher:
EMI (EMI Records, since 1972) (in 1981)
Aneka33:58
4Happy Birthday
producer:
Martin Rushent
recording of:
Happy Birthday
writer:
Tich Anderson, Clare Grogan, Tony McDaid and Johnny McElhone
publisher:
Beam Down Ltd. (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Altered Images33:00
5Girls Just Want to Have Fun
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
bass:
Eric Bazilian
electric guitar:
Rick DiFonzo
electronic drum set:
Anton Fig
keyboard [keyboards] and synthesizer [synthesizers]:
Rob Hyman
background vocals:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson (vocals)
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
music videos:
Girls Just Want to Have Fun by Cyndi Lauper
recording of:
Girls Just Want to Have Fun
lyricist and composer:
Robert Hazard
publisher:
Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部 and Heroic Music (publisher) (in 1983)
Cyndi Lauper4.13:47
699 Luftballons
recording engineer:
Imre Sereg
producer:
Reinhold Heil (in 1982) and Manfred Praeker (in 1982)
mixer:
Udo Arndt (in 1982)
bass guitar:
Jürgen Dehmel
drums (drum set):
Rolf Brendel
guitar:
Carlo Karges
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen
lead vocals:
Nena Kerner (the person, performing solo since 1987)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
recorded at:
Spliff in Berlin, Germany (in 1982)
mixed at:
Audio-Studio in Berlin, Germany (in 1982)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 3) and Cachitos Nochevieja 2022 (number: 105)
recording of:
99 Luftballons (in 1982)
lyricist:
Carlo Karges (in 1982)
writer:
Fahrenkrog-Petersen and Karges
composer:
Uwe Fahrenkrog-Petersen (in 1982)
Nena4.53:54
7Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1982)
music videos:
Too Shy by Kajagoogoo
recording of:
Too Shy
lyricist:
Nick Beggs and Christopher Hamill
composer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
Kajagoogoo43:42
8It’s My Party
engineer:
Nick Bradford
producer:
Dave Stewart (Canterbury keyboardist, NOT the Eurythmics’ Dave Stewart)
electronic drum set [SDS V], electronic instruments [claptrap], keyboard [keyboards] and vocoder:
Dave Stewart (Canterbury keyboardist, NOT the Eurythmics’ Dave Stewart)
background vocals:
Amanda Parsons
lead vocals:
Barbara Gaskin
recorded at and mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1981-06 until 1981-07)
cover recording of:
It’s My Party
writer:
John Gluck, Jr., Wally Gold, Seymour Gottlieb and Herb Weiner
publisher:
A. Schroeder Music Ltd. and Chappell & Co., Inc. (USA)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin33:50
9Stand and Deliver
engineer:
Alan Douglas (Scottish born engineer)
producer:
Chris Hughes (Producer. aka Merrick)
vocals:
Adam Ant (English new wave singer and actor)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
part of:
The Downloader’s Music Source Book (number: 145)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:10
10Boxer Beat
recording of:
Boxerbeat
writer:
David Collard, Rob Marche and Dig Wayne
JoBoxers32:56
11On My Radio
recording of:
On My Radio
lyricist and composer:
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter33:12
12O Superman
engineer:
Leanne Ungar
assistant producer:
Perry Hoberman
producer:
Laurie Anderson (experimental/art rock musician) and Roma Baran
electronic instruments [electronics] and vocoder:
Laurie Anderson (experimental/art rock musician)
farfisa and synthesizer [Casio]:
Roma Baran
flute and saxophone [sax]:
Perry Hoberman
vocals:
Laurie Anderson (experimental/art rock musician)
recorded at:
The Lobby (Laurie Anderson's home studio) in New York, New York, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
recording of:
O Superman (in 1981)
lyricist and composer:
Laurie Anderson (experimental/art rock musician)
publisher:
Difficult Music
is based on:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel)
Laurie Anderson4.48:26
13Da Da Da
engineer:
Jim Duncombe (Swiss musician / engineer) (in 1982-01)
producer:
Klaus Voormann (in 1982-01)
bass guitar:
Klaus Voormann (in 1982-01)
castanets:
Hans‐Joachim Behrendt (in 1982-01)
drums (drum set):
Peter Behrens (in 1982-01)
keyboard:
Stephan Remmler (in 1982-01)
background vocals:
Annette Humpe (in 1982-01)
lead vocals:
Stephan Remmler (in 1982)
performer:
Kralle Krawinkel (in 1982-01)
engineered at:
Audio Studios in Berlin, Germany (in 1982-01) and Powerplay Studios in Maur, Zürich, Switzerland (in 1982-01)
edit of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha by Trio (80s German band)
music videos:
Da Da Da (I Don't Love You) by Trio (80s German band)
recording of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (in 1982)
lyricist and composer:
Kralle (in 1981) and Stephan Remmler (in 1981)
translator:
Kralle and Stephan Remmler
publisher:
Just Us Music Production GmbH
translated version of:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:23
14Can Can
recording of:
Can Can (“Bad Manners” version)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arranger:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) and Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
version of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (widely known as “Can-can”)
Bad Manners22:56
15Happy Talk
cover recording of:
Happy Talk (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:33
CD 4
#TitleArtistRatingLength
1Kids in America
recording engineer:
Jeo
programming:
Jörn‐Uwe Fahrenkrog‐Petersen and Derek von Krogh
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
additional keyboard:
Nick Priessnitz
bass guitar:
Derek von Krogh and Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Bernhard Hahn, Tobias Wörner and Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Thomas Hahn, Charlotte Hatherley, Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen, Derek von Krogh, Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz, M. Janz, N. Janz and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio, RAK Studios in London (Greater London), England, United Kingdom, Soundmastaz Studios, Studio 77 in Stuttgart, Baden-Württemberg, Germany and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (in 1980)
writer:
Marty Wilde and Ricky Wilde
publisher:
Finchley Music Corp.
Kim Wilde4.453:28
2One Night in Bangkok
part of:
TV Cream: Real 100 Best Singles Ever (number: 76)
cover recording of:
One Night in Bangkok
lyricist:
Tim Rice
composer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
Chess (full musical)
Murray Head44:01
3Imagination
recording of:
Imagination
lyricist and composer:
Neville Keighley
Belouis Some3:08
4Hold Me Now
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Point Music (publisher)
Thompson Twins4:44
5Gold
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
guitar:
Gary Kemp (in 1982)
keyboard:
Jess Bailey (in 1982)
membranophone:
John Keeble (in 1982)
percussion and saxophone:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
lead vocals:
Tony Hadley (in 1982)
performer:
Spandau Ballet (in 1982)
recording of:
Gold (in 1982)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:54
6It Doesn’t Have to Be This Way
producer:
Michael Baker (producer)
recording of:
It Doesn’t Have to Be This Way
lyricist and composer:
Robert Howard (pop songwriter)
The Blow Monkeys2.54:05
7We Close Our Eyes
producer:
Gary Stevenson
recording of:
We Close Our Eyes
writer:
Peter Cox (Artist and songwriter) and Richard Drummie
Go West33:47
8Somewhere in My Heart
producer:
Michael Jonzun
recording of:
Somewhere in My Heart
lyricist and composer:
Roddy Frame
Aztec Camera3.63:52
9I Won’t Let You Down
recording of:
I Won’t Let You Down
writer:
Jim Diamond (Scottish singer/songwriter/guitarist) and Tony Hymas
Ph.D.44:07
10What Is Love
engineer:
Stephen W. Tayler (UK engineer)
producer:
Rupert Hine
lead vocals:
Howard Jones (English singer, songwriter)
recording of:
What Is Love?
lyricist:
William Bryant (UK lyricist, writer and speaker) and Howard Jones (English singer, songwriter)
composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd., Kobalt Music Group and Warner Chappell Publishing
Howard Jones4.53:41
11If I Was
guest performer:
Mark King
recording of:
If I Was
writer:
Danny Mitchell (Scottish songwriter and member of Messengers) and Midge Ure
Midge Ure45:21
12I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
additional bass:
Paul Westwood (bassist) (in 1983)
lead vocals:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983)
mixed at:
Sarm East Studios in Whitechapel, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal and Rondor Music (London) Ltd.
Nik Kershaw43:19
13Bang BangB. A. Robertson3:24
14Life in a Northern Town
additional producer:
David Gilmour (Pink Floyd)
producer:
David Gilmour (Pink Floyd), Nick Laird-Clowes and George Nicholson
part of:
TV Cream: Real 100 Best Singles Ever (number: 54)
recording of:
Life in a Northern Town
writer:
Gilbert Gabriel and Nick Laird-Clowes
dedicated to:
Nick Drake (English singer-songwriter)
The Dream Academy4.34:18
15I’m in Love With a German Film StarThe Passions43:59
CD 5
#TitleArtistRatingLength
1Tide Is High
assistant engineer:
Gary Boatner (Engineer) and Doug Schwartz
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett and Tyrone Evans
writer:
John Holt
publisher:
B & C Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:37
2I Don’t Wanna Dance
recording of:
I Don’t Wanna Dance
lyricist and composer:
Eddy Grant
Eddy Grant3:40
3Showing Out (Get Fresh at the Weekend)
recording of:
Showing Out (Get Fresh at the Weekend)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Mel & Kim2.753:29
4Inside Out
recording of:
Inside Out
lyricist and composer:
Jesse Rae (Scottish (Very Scottish!) singer/songwriter)
Odyssey3:51
5Breakout
producer:
Paul Staveley O’Duffy
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) and Mercury Records Ltd. (not for release label use!) (in 1986)
recording of:
Breakout (in 1986)
writer:
Andy Connell (in 1986), Corinne Drewery (in 1986) and Martin Jackson (in 1986)
publisher:
10 Music Ltd., EMI Virgin Music Publishers and Virgin 10 Music Ltd.
Swing Out Sister3.83:45
6Riding on a TrainThe Pasadenas4:20
7Get Out of Your Lazy Bed
recording of:
Get Out of Your Lazy Bed
writer:
Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
Matt Bianco3:28
8Whatever I Do (Wherever I Go)
recording of:
Whatever I Do (Wherever I Go)
writer:
Matt Aitken and Mike Stock (of Stock Aitken Waterman)
Hazell Dean3:50
9Too Good to Be ForgottenAmazulu3:07
10Love Changes (Everything)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (British keyboardist and half of the 80s synthpop duo Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher4:27
11Back on the Chain Gang
engineer:
Steve Churchyard
producer:
Chris Thomas (UK record producer / remixer)
bass guitar:
Tony Butler (English rock bassist with Big Country)
drums (drum set):
Martin Chambers
guitar:
Billy Bremner and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
background vocals:
Tony Butler (English rock bassist with Big Country), Martin Chambers and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
lead vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1982)
recorded at:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom
recording of:
Back on the Chain Gang
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
dedicated to:
James Honeyman‐Scott
publisher:
Al Gallico Music Corp.
The Pretenders4.653:50
12Thorn in My Side
recording of:
Thorn in My Side
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
RCA Music Ltd. (publisher)
Eurythmics4:15
13Gloria
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
music videos:
Gloria (music video) by Laura Branigan
recording of:
Gloria (English version) (from 1981 until 1982)
lyricist and composer:
Giancarlo Bigazzi, Umberto Tozzi and Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, S.I.A.E. Direzione Generale, Songs of Universal, Inc. and Sugar Song Publications, Inc.
translated version of:
Gloria (original Italian version)
Laura Branigan54:51
14Music and Light
recording of:
Music and Lights (Imagination song)
writer:
Ashley Ingram, Leee John, Steve Jolley and Tony Swain (songwriter, producer)
Imagination5:03
15The Future’s So Bright I Gotta Wear Shades
engineer and producer:
Dennis Herring
recorded at and mixed at:
Dustbowl Studios in Los Angeles, California, United States
recording of:
The Future's So Bright, I Gotta Wear Shades
lyricist and writer:
Pat MacDonald (singer, songwriter, guitarist for Timbuk3)
publisher:
Bugle Songs Ltd. (Publishing label formerly known as Illegal Music Ltd.) and IRS Songs
Timbuk 353:24
CD 6
#TitleArtistRatingLength
1Bamboleo
recording of:
Bamboleo
lyricist:
Jahloul "Chico" Bouchikhi, Simón Díaz (Venezuelan music legend) and Nicolas Reyes
composer:
Tonino Baliardo, Jahloul "Chico" Bouchikhi and Simón Díaz (Venezuelan music legend)
publisher:
Selemúsica, C.A. and Sony Music Publishing (worldwide except Japan, ended 1995)
version of:
Caballo viejo
Gipsy Kings3:25
2Give a Little Love
Aswad3:56
3Toy Soldiers
recording of:
Toy Soldiers
writer:
Martika (American singer-songwriter and actress) and Michael Jay (producer/engineer)
Martika4:16
4I Want Your Love
recording of:
I Want Your Love
lyricist and composer:
Nick Christian Sayer
Transvision Vamp3:31
5Real Love
Jody Watley4:18
6See the Day
recording of:
See the Day
lyricist and composer:
Dee C. Lee
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dee C. Lee4:38
7Together Forever
keyboard [Fairlight] programming:
Ian Curnow
engineer:
Mark McGuire (UK producer/engineer)
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Pete Hammond (UK producer aka "Mixmaster")
guitar:
Matt Aitken
keyboard:
Matt Aitken and Mike Stock (of Stock Aitken Waterman)
recording of:
Together Forever (in 1987)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Terrace Music (from 1987 to present)
Rick Astley4.653:24
8Poison Arrow
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
lead vocals:
Martin Fry
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
SARM Studios in London (Greater London), England, United Kingdom (in 1982)
part of:
The Downloader’s Music Source Book (number: 76)
recording of:
Poison Arrow
writer:
Martin Fry, Mark Lickley, Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) and Virgin Music (Publishers) Ltd.
part of:
Mantrap (ABC long-form film)
ABC4.43:25
9Manic Monday
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michelle Steele
drums (drum set):
Debbi Peterson
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs
recording of:
Manic Monday
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
Bangles4.13:05
10Look Mama
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
programming:
Howard Jones (English singer, songwriter)
producer:
Rupert Hine
instruments:
Howard Jones (English singer, songwriter)
lead vocals:
Howard Jones (English singer, songwriter)
recorded at and mixed at:
Farmyard Studios in Buckinghamshire, England, United Kingdom
recording of:
Look Mama
lyricist and composer:
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones54:04
11Nothing’s Gonna Stop Me Now
engineer:
Mark McGuire (UK producer/engineer)
producer:
Matt Aitken, Stock Aitken Waterman, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka "Mixmaster")
recorded at and mixed at:
PWL Studios (London) in London (Greater London), England, United Kingdom
recording of:
Nothing’s Gonna Stop Me Now
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Samantha Fox3:45
12Only When You Leave
recording of:
Only When You Leave
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet4:46
13I Think We’re Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.853:45
14You’re HistoryShakespears Sister4:26
15The Twist
producer:
Albert Cabrera and Tony Moran
keyboard:
Mac Quayle
saxophone:
The NYC Kid
background vocals:
Craig Derry, Cindy Mizelle and Norma Jean Wright
lead vocals and other vocals [stupid def vocals]:
Chubby Checker
performer:
Chubby Checker
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1988)
produced for:
Latin Rascals Productions Inc.
recording of:
The Twist (Fat Boys version)
lyricist:
Hank Ballard and Jim "Jimbo" Glenn
composer:
Hank Ballard
is based on:
The Twist
Chubby Checker & Fat Boys2.354:05