Smetana: Die Moldau / Dvorak: Slawische Tänze / Tchaikovsky: Dornröschen / Tchaikovsky: Romeo und Julia

~ Release by Bedřich Smetana, Antonín Dvořák, Пётр Ильич Чайковский; London Festival Orchestra, George Ralph Warren (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Die Moldau
orchestra:
Philharmonisches Staatsorchester Hamburg (aka Philharmoniker Hamburg), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slavonica (Alfred Scholz pseudonym), The Vienna Symphony Orchestra (Alfred Scholz related) and Wiener Symphoniker
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (Alfred Scholz pseudonym), Alfred Scholz, George Ralph Warren and Yuri Ahronovich (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:57
2Slawischer Tanz No. 2 e-moll, op. 46
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz, Thomas Waldham and George Ralph Warren
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:38
3Dornröschen Ballettsuite, op. 66a: I. Introductio
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty)
Пётр Ильич Чайковский3:31
4Dornröschen Ballettsuite, op. 66a: II. Pas d’action
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:25
5Dornröschen Ballettsuite, op. 66a: III. Valse
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский4:25
6Dornröschen Ballettsuite, op. 66a: IV. Panorama
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский2:33
7Dornröschen Ballettsuite, op. 66a: V. Finale
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (“Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (conductor, possibly another pseudonym Alfred Scholz created), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский2:06
8Romeo und Julia: Fantasie-Ouvertüre
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (London orchestra, known as New Philharmonia Orchestra from 1964-1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra, Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alfred Gehardt (conductor), Alfred Scholz, Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created), Nodar Tsatishvili, George Ralph Warren and Peter Wohlert
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский18:06