The History of Classical Music, Part 4: Late Romantic to Modern: From Tchaikovsky to Rachmaninov

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ Digital Media 1: Tchaikovsky: Piano Concerto no. 1 / Violin Concerto
▶ Digital Media 2: Wagner: Overtures & Preludes
▶ Digital Media 3: Wagner: Der Ring des Nibelungen (highlights)
▶ Digital Media 4: Wagner: Tristan und Isolde (highlights)
▶ Digital Media 5: Verdi: Aida (highlights)
▶ Digital Media 6: Verdi: Rigoletto (highlights)
▶ Digital Media 7: Verdi: La traviata (highlights)
▶ Digital Media 8: Saint‐Saëns: “Organ” Symphony / Franck: Symphony in D minor
▶ Digital Media 9: Glinka: “Ruslan and Lyudmila” Overture / Balakirev: Islamey / Borodin: Polovtsian Dances / Mussorgsky: Pictures at an Exhibition
▶ Digital Media 10: Rimsky‐Korsakov: Scheherazade / Capriccio espagnol
▼ Digital Media 11: Mahler: Symphony no. 1 / Lieder eines fahrenden Gesellen
#TitleArtistRatingLength
1Symphony no. 1 “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut – Im Anfang sehr gemächlich
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler14:30
2Symphony no. 1 “Titan”: II. Kräftig bewegt, doch nicht zu schnell – Trio. Recht gemächlich
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler6:55
3Symphony no. 1 “Titan”: III. Feierlich und gemessen, ohne zu schleppen
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:36
4Symphony no. 1 “Titan”: IV. Stürmisch bewegt
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler17:39
5Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1968-12)
conductor:
Rafael Kubelík (conductor) (in 1968-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-12)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (in 1968-12)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen
Gustav Mahler3:53
6Lieder eines fahrenden Gesellen: Ging heut’ morgen übers Feld
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1968-12)
conductor:
Rafael Kubelík (conductor) (in 1968-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-12)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (in 1968-12)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen
Gustav Mahler3:59
7Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1968-12)
conductor:
Rafael Kubelík (conductor) (in 1968-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-12)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (in 1968-12)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen
Gustav Mahler3:11
8Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Wolfgang Lohse
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1968-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1968-12)
conductor:
Rafael Kubelík (conductor) (in 1968-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1968-12)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (in 1968-12)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen
Gustav Mahler5:09
▶ Digital Media 12: Mahler: Symphony no. 5
▶ Digital Media 13: Debussy: La Mer / Nocturnes / Prélude à l’après‑midi d’un faune
▶ Digital Media 14: Debussy: Suite bergamansque / Préludes
▶ Digital Media 15: Strauss, R.: Also sprach Zarathustra / Don Juan / Till Eulenspiegel
▶ Digital Media 16: Strauss, R.: Death and Transfiguration / Four Last Songs / Capriccio
▶ Digital Media 17: Puccini: La bohème (highlights)
▶ Digital Media 18: Puccini: Tosca (highlights) / Nessun dorma
▶ Digital Media 19: Elgar: “Enigma” Variations / Holst: The Planets
▶ Digital Media 20: Rachmaninov: Piano Concerto no. 3 / Scriabin: Le poeme de l’extase

Credits

Release group

includes:Also sprach Zarathustra / Don Juan / Till Eulenspiegel by Richard Strauss (German composer); Berliner Philharmoniker, Karl Böhm (Austrian conductor)
Der Ring des Nibelungen (highlights) by Richard Wagner (composer); Berliner Philharmoniker, Herbert von Karajan (conductor)
Holst: The Planets / Elgar: Enigma Variations by Holst (composer), Elgar (composer); Boston Symphony Orchestra, London Symphony Orchestra, William Steinberg (conductor), Eugen Jochum (conductor)
La bohème (1987 live composite recording cast) by Puccini (Italian composer); Réaux (US soprano), Hadley (tenor), Hampson (baritone), Daniels (soprano), Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein
La Mer / Nocturnes / Prélude à l’après‐midi d’un faune by Claude Debussy (composer); Orchestre de Paris, Daniel Barenboim (pianist and conductor)
La traviata (1976-77 studio cast) by Giuseppe Verdi (Italian opera composer); Ileana Cotrubas (Romanian soprano), Placido Domingo (tenor), Sherrill Milnes (baritone), Plácido Domingo (tenor), Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany), Carlos Kleiber (conductor)
Piano Concerto no. 1 / Violin Concerto by Tchaikovsky (Russian romantic composer); Martha Argerich (Argentine pianist), Nathan Milstein (violinist)
Rigoletto by Giuseppe Verdi (Italian opera composer); Wiener Philharmoniker, Carlo Maria Giulini (conductor), Piero Cappuccilli (baritone), Ileana Cotrubaş (Romanian soprano), Plácido Domingo (tenor), Elena Obraztsova (mezzo-soprano), Nicolaï Ghiaurov (operatic bass), Kurt Moll (operatic bass), Hanna Schwarz (mezzo soprano), Konzertvereinigung Wiener Staatsopernchor
Scheherazade / Capriccio espagnol by Rimski-Korsakov (Russian composer); Joseph Silverstein (violinist and conductor), Seiji Ozawa (conductor and composer), Boston Symphony Orchestra, Neeme Järvi (Estonian conductor), Gothenburg Symphony Orchestra
Suite bergamasque / 12 Préludes by Claude Debussy (composer); Tamás Vásáry (Hungarian pianist and conductor), Dino Ciani (Italian pianist)
Symphonie Nr. 1 / Lieder eines fahrenden Gesellen (1967 recording) by Gustav Mahler (composer); Dietrich Fischer‐Dieskau (baritone), Rafael Kubelík (conductor)
Symphonie Nr. 5 by Gustav Mahler (composer); Berliner Philharmoniker, Herbert von Karajan (conductor)
Tristan und Isolde (1966 Bayreuth cast, composite recordings) by Richard Wagner (composer); Birgit Nilsson (soprano), Wolfgang Windgassen (tenor), Christa Ludwig (mezzo-soprano), Martti Talvela (operatic bass), Eberhard Wächter (baritone), Orchester der Bayreuther Festspiele, Karl Böhm (Austrian conductor)
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 4)