Tracklist

CD 1
# Title Rating Length
1 A-1 [Rei I]
3:01
2 A-2 [Background Music]
1:57
3 A-3 [Nerv]
1:59
4 A-3 [Nerv] (without harp)
1:59
5 A-3 [Nerv] (rhythm only)
1:58
6 A-4 [Borderline Case]
2:21
7 A-4 [Borderline Case] (synth voice only) [Do you love me?]
2:22
8 A-5 [Advancement of the Human Instrumentality Project]
2:16
9 A-6 [I. Shinji]
2:02
10 A-7 [Angel Attack II]
2:00
11 A-7 [Angel Attack II] (rhythm synth)
2:00
12 A-7 [Angel Attack II] (synth only)
2:00
13 A-7 [Angel Attack II] (bridge)
0:47
14 A-8 [Angel's Arrival - quiet and eerie]
3:30
15 A-9 [Angel Attack III]
2:26
16 A-9 [Angel Attack III] (synth only)
2:25
17 A-10 [Mother Is The First Other]
2:27
18 A-10 [Mother Is The First Other] (synth voice only) [Splitting of the Breast]
2:17
19 A-11 [Depression]
2:36
20 A-11 [Depression] (synth voice only)
1:23
21 A-12 [Introjection]
2:28
22 A-13 [Separation Anxiety]
2:29
23 A-13 [Separation Anxiety] (rhythm only)
2:29
24 B-1 [Hedgehog's Dilemma]
2:48
25 B-2 [In The Depths Of Human Hearts]
2:25
26 B-3 [Background Music III]
2:35
27 B-4 [Fly Me To The Moon]
3:00
28 B-4 [Fly Me To The Moon] (strings piano) [Those women longed for the touch of others' lips and thus invited their kisses]
2:21
29 B-4 [Fly Me To The Moon] (strings)
1:24
30 B-4 [Fly Me To The Moon] (piano)
1:12
31 B-4 [Fly Me To The Moon] (guitar & piano)
1:13
32 B-4 [Fly Me To The Moon] (guitar & strings, lonely) [The Sorrow Of Losing The Object Of One's Dependence II]
1:35
33 B-4 [Fly Me To The Moon] (piano, lonely) [The Sorrow Of Losing The Object Of One's Dependence]
1:31
CD 2
# Title Rating Length
1 B-5 [Requiem, Sorrow] (the soft sound of bells)
3:09
2 B-6 [Anxiety]
1:58
3 B-7 [When I Find Peace of Mind]
3:35
4 B-8 [Determination and Anger]
2:34
5 B-9 [INFANTILE DEPENDENCE, ADULT DEPENDENCY]
3:02
6 B-9 [INFANTILE DEPENDENCE, ADULT DEPENDENCY] (no rhthm)
3:02
7 B-10 [Menace and Surprise]
2:13
8 B-10 [Menace and Surprise] (no guitar)
2:13
9 B-12 [Both of You, Dance Like You Want to Win!]
1:52
10 B-13 [Oppression and Impatience] (serious -- done over)
1:43
11 B-14 [The Day Tokyo 3 Stood Still]
1:43
12 B-15 [Liberation, Catalysis]
2:16
13 B-16 [MISATO]
1:34
14 B-16 [MISATO] (rhythm only)
1:34
15 B-17 [ASUKA STRIKES!]
2:24
16 B-17 [ASUKA STRIKES!] (rhythm only)
2:24
17 B-18 [Feeling at Peace - Hope]
2:13
18 B-18 [Feeling at Peace - Hope] (flute only)
2:13
19 B-18 [Feeling at Peace - Hope] (slow tempo)
2:26
20 B-18 [Feeling at Peace - Hope] (slow tempo, flute)
2:27
21 B-19 [Friendship]
1:35
22 B-20 [Rei II]
2:58
23 C-1 [Pleasant Morning]
2:47
24 C-1 [Pleasant Morning] (no latin percussion)
2:47
25 C-2 [BAREFOOT IN THE PARK]
2:38
26 C-3 [Relaxed and Heartwarming Day]
2:16
27 C-4 [Waking up in the Morning]
1:31
28 C-5 [RITSUKO]
3:04
29 C-6 [A Crystalline Night Sky]
2:23
30 C-7 [TOKYO 3]
2:26
31 D-1 [Violent Situations with Guns]
0:30
32 D-2 [Shock] (serious)
0:25
33 D-3 [Gentle Substitute]
0:26
34 D-4 [Everyday Scenes and Diversions]
0:25
35 D-5 [Comical Scenes and Diversions]
0:23
36 D-6 [Peaceful]
0:29
37 D-7 [Beautiful]
0:41
38 D-8 [Romance]
0:34
39 D-8 [Romance] (piano)
0:28
40 D-9 [Plaintive]
0:38
41 D-10 [Hastiness]
0:46
42 D-11 [Fear / Panic]
0:34
CD 3
# Title Rating Length
1 E-1 [DECISIVE BATTLE]
2:25
2 E-1 [DECISIVE BATTLE] (rhythm only) [Spending Time in Preparation]
2:24
3 E-2 [Suspense - Light]
1:56
4 E-2 [Suspense - Light] (no brass)
1:15
5 E-3 [EVA-01]
2:50
6 E-4 [EVA-02]
2:01
7 E-5 [EVA-00]
1:51
8 E-5 [EVA-00] (rhythm only)
1:51
9 E-5 [EVA-00] (fast tempo) [THE BEAST]
1:41
10 E-5 [EVA-00] (fast tempo, rhythm only) [HARBINGER OF TRAGEDY]
1:40
11 E-6 [Angel Attack]
2:32
12 E-7 [MARKING TIME, WAITING FOR]
2:44
13 E-8 [PLEASURE PRINCIPLE]
3:51
14 E-9 [A STEP FORWARD INTO TERROR]
1:55
15 E-9 [A STEP FORWARD INTO TERROR] (no intro fanfare)
1:40
16 E-9 [A STEP FORWARD INTO TERROR] (rhythm only)
1:39
17 E-10
2:36
18 E-10 (rhythm only)
2:35
19 E-11
1:56
20 F-0
0:09
21 F-0 (no spoken lines)
0:10
22 F-0 (spoken lines only)
0:07
23 F-1
0:10
24 F-1 (no spoken lines)
0:09
25 F-1 (spoken lines only)
0:09
26 F-2 [Preview of Next Time]
0:34
27 F-2 [Simple Version - Preview of Next Time] (Video & LD Editions)
0:33
28 F-4
0:08
29 Title Spoken Lines -A-Type
0:33
30 Title Spoken Lines -B-Type
0:20
31 A-13 [A-Type]
2:10
32 A-13 [B-Type CRIME OF INNOCENCE]
2:28
33 A-13 [C-Type HOSTILITY RESTRAINED]
1:40
34 A-13 [D-Type]
1:26
35 A-13 [E-Type]
1:34
36 A-14 [Rei III]
3:45
37 A-14 [Rei III] (fast tempo)
2:46
38 A-15 [She said, "Don't Make Other Suffer for your Personal Hatred" 3-EVA Attack on Sahaquiel]
1:56
39 A-15 [She said, "Don't Make Other Suffer for your Personal Hatred" 3-EVA Attack on Sahaquiel] (rhythm only)
1:56
40 A-15 [She said, "Don't Make Other Suffer for your Personal Hatred" 3-EVA Attack on Sahaquiel] (drums)
1:55
41 A-15 [She said, "Don't Make Other Suffer for your Personal Hatred" 3-EVA Attack on Sahaquiel] (slow tempo)
2:00
42 A-15 [She said, "Don't Make Other Suffer for your Personal Hatred" 3-EVA Attack on Sahaquiel] (slow tempo, rhythm only)
2:00
43 A-15 [She said, "Don't Make Other Suffer for your Personal Hatred" 3-EVA Attack on Sahaquiel] (slow tempo, drums)
1:59
44 A-16 [Theme of NERV] (spaghetti western style)
1:36
45 A-16 [Theme of NERV] (rhythm only)
1:34
46 A-16 [Theme of NERV] (strings) [BACKGROUND MUSIC II]
1:34
CD 4
# Title Rating Length
1 B-21 [A Moment When Tension Breaks]
4:13
2 B-21 [A Moment When Tension Breaks] (rhythm only)
4:13
3 B-21 [A Moment When Tension Breaks] (guitar & piano)
4:13
4 B-21 [A Moment When Tension Breaks] (fast tempo)
3:55
5 B-21 [A Moment When Tension Breaks] (fast tempo rhythm only)
3:55
6 B-21 [A Moment When Tension Breaks] (fast tempo guitar & piano)
3:53
7 B-22 [FLY ME TO THE MOON - A-Type]
2:22
8 B-22 [FLY ME TO THE MOON - B-Type]
2:37
9 B-22 [FLY ME TO THE MOON - C-Type]
2:20
10 C-55 [A-Type]
1:51
11 C-55 [B-Type]
1:57
12 C-55 [C-Type]
2:08
13 C-55 [D-Type - THREE OF ME, ONE OF SOMEONE ELSE]
2:22
14 C-55 [E-Type]
2:14
15 C-55 [F-Type]
1:47
16 E-12 [Battle - Light "Pinch"]
2:21
17 E-12 [Battle - Light "Pinch"] (rhythm only)
2:20
18 E-13 [THANATOS]
3:31
19 E-13 [THANATOS] (rhythm only)
3:28
20 E-14 [Battle] (pleasing tempo)
2:33
21 E-14 [Battle] (rhythm only)
2:32
22 E-15 [MAGMADIVER - EVA-02 vs. Sandalphon]
2:25
23 E-15 [MAGMADIVER - EVA-02 vs. Sandalphon] (rhythm only)
2:10
24 E-15 [MAGMADIVER - EVA-02 vs. Sandalphon] (fast tempo)
1:00
25 E-15 [MAGMADIVER - EVA-02 vs. Sandalphon] (fast tempo, rhythm only)
0:59
26 E-16 [THE BEAST II]
2:20
27 E-16 [THE BEAST II] (rhythm only)
2:19
28 E-16 [THE BEAST II] (fast tempo) [NORMAL BLOOD]
1:58
29 E-16 [THE BEAST II] (fast tempo, rhythm only)
1:56
CD 5
# Title Rating Length
1 F-3 [Take 1] (cello solo melody)
1:32
2 F-3 [Take 2 - CHILDHOOD MEMORIES, SHUT AWAY]
0:37
3 OP-1 [Zankoku na Tenshi no TEEZE]
2:32
4 OP-1 [Zankoku na Tenshi no TEEZE] (strings)
2:18
5 OP-1 [Zankoku na Tenshi no TEEZE] (strings, slow tempo) [THE HEADY FEELING OF FREEDOM]
1:50
6 OP-2 [Zankoku na Tenshi no TEEZE - A-Type]
1:21
7 OP-2 [Zankoku na Tenshi no TEEZE - B-Type]
1:49
8 OP-2 [Zankoku na Tenshi no TEEZE - C-Type]
1:58
9 OP-2 [Zankoku na Tenshi no TEEZE - D-Type - Good or Don't Be]
1:24
10 ED-1 [FLY ME TO THE MOON - A-Type]
1:50
11 ED-1 [FLY ME TO THE MOON - B-Type]
1:56
12 A-4 [Zeijaku na, Jiga Kyoukai Different Version]
2:12
13 A-4 [Zeijaku na, Jiga Kyoukai ZAKAZAKA Version - Anxiety-Ridden Honeymoon]
1:39
14 A-4 [Zeijaku na, Jiga Kyoukai] (strings)
1:21
15 A-4 [Zeijaku na, Jiga Kyoukai] (lonely version)
1:27
16 A-4 [Zeijaku na, Jiga Kyoukai] (piano)
1:28
17 A-4 [Zeijaku na, Jiga Kyoukai] (piano, mellow unison)
1:28
18 A-4 [Zeijaku na, Jiga Kyoukai] (violin solo) [Reliance Leads To Falsehood]
1:48
19 A-4 [Zeijaku na, Jiga Kyoukai] (piano Solo)
2:09
20 A-4 [Zeijaku na, Jiga Kyoukai] (piano, normal version)
1:17
21 A-4 [Zeijaku na, Jiga Kyoukai] (piano, lonely version)
1:22
22 A-4 [Zeijaku na, Jiga Kyoukai] (piano, omakase version) [A Hole In The Dream]
1:28
23 E-13 [Short Composition 1 Battle - Pessimistic And Tragic Feeling]
2:07
24 E-13 [Short Composition 2] (piano)
2:05
25 E-13 [Short Composition 2] (no piano)
2:05
26 E-13 [Short Composition] (fast tempo, piano) [Toward Oneself, Tears] (video & LD Edition)
2:08
27 E-13 [Short Composition] (fast tempo, no piano)
2:08
28 E-13 [Short Composition] (rhythm only, modified) [Vicarious Invasion]
3:29
29 M-2 [Piano Music 2 - Light Etude]
3:03
30 M-3 [The Flow of Emptiness]
6:17
31 M-3 [The Flow of Emptiness - SUITE]
0:51
32 M-4 [Escape To The Beginning]
4:58
33 M-4 [Escape To The Beginning] (chorus only) [From Emergency Refuge Into Regression]
4:16
34 M-5 [Tragic Choral Music] (religious)
3:45
CD 6
# Title Rating Length
1 M-6 (slow tempo)
2:53
2 M-6 (slow tempo, no guitar)
2:53
3 M-6 (slow tempo, rhythm)
2:53
4 M-6 (fast tempo)
2:20
5 M-6 (fast tempo, no guitar)
2:19
6 M-6 (fast tempo, rhythm only)
2:19
7 M-6 (fast tempo, rhythm only) [Outside Interference]
2:19
8 M-6 (fast tempo) [Modified Midsummer's End]
2:22
9 M-7B [From Falsehood, Rebirth]
2:28
10 M-7B [From Falsehood, Rebirth] (no woodwinds) - [The Revival of EVA 02] (heavy strings and percussion)
2:28
11 M-7B [New Mix From Falsehood]
2:28
12 M-8 [Tragic Battle - Asuka's Death] (religious)
2:26
13 M-8 [Tragic Battle - Asuka's Death] (chorus delay)
2:27
14 M-9 [Liberation of Souls] (begins with peaceful strings, intensifies)
6:49
15 M-9 [Liberation of Souls - Modified - The Enlargement of Obstruction]
6:53
16 M-10 [Komm, Susser Tod] (Single Version)
7:56
17 M-10 [Komm, Susser Tod] (Director's Edition Version)
7:45
18 M-11 [Everything You've Ever Dreamed]
6:42
CD 7: bonus
# Title Rating Length
1 Cello Tuning - Cello - Fourth Chord - Tuning Chord
0:27
2 Suiten Fur Violoncello Solo Nr. 1 G-Dur, BWV. 1007. Vorspier
0:44
3 DVORAK: Original Complete Version
0:33
4 Violin Tuning - Violin - Second Chord - Tuning Chord
0:23
5 Partita III Fur Violino Solo E-Dur, BWV. 1006 3. Gavotte In Rondo
0:23
6 Violin Tuning - Viola - Third Chord - Tuning Chord
1:10
7 Tuning Panorama [Miryou E no Chouritsu (Tuning, To Incompletion
0:18
8 Kanon D-Dur (Normal) Kanon D-Dur (Strings Orchestra)
5:08
9 Kanon D-Dur (W Quintet)
5:07
10 Kanon D-Dur (Quintet)
5:01
11 Kanon D-Dur (Quintet, No Harpsichord) Kanon D-Dur Quartet
5:02
12 II Air (ORCHESTRAL SUITE No. 3 In D Major, BWV. 1068) Slow Tempo
3:57
13 II Air (ORCHESTRAL SUITE No. 3 In D Major, BWV. 1068)
5 3:24
14 Jesus Bleibet Meine Freude - Herz Und Mund Und Tat Und Leben BWV. 147 (Strings, Fast Tempo)
3:10
15 Jesus Bleibet Meine Freude - Herz Und Mund Und Tat Und Leben BWV. 147 (Strings, NC 26' TV Series, Video, & LD Edition)
3:47
16 M-10 [Komm, Susser Tod - A-Type] (no intro)
7:05
17 M-10 [Komm, Susser Tod - B-Type] (no intro)
7:05
18 M-13 Type 1 (Incomplete) A-4 [BORDERLINE CASE] (heavy version)
6:16
19 M-13 Type 2 (Incomplete) A-4 [BORDERLINE CASE]
6:16
20 M-14 [Dignified Battle Music] (unedited)
2:16
21 M-14 [Latter Half] (unedited)
0:37
22 M-15 Incomplete [Theme of Love Piano] (female chorus)
4:08
23 THANATOS - IF I CAN'T BE YOURS
4:49

Credits

CD 1

composer:
鷺巣詩郎 (tracks 1–7, 9–13, 15–26)
Bart Howard (1954) (tracks 27–33)
lyricist:
Bart Howard (1954) (tracks 27–33)
arrangements:
Fly Me to the Moon (Quincy Jones arr.) (tracks 27–33)
cover recording of:
Fly Me to the Moon (track 27)
instrumental cover recording of:
Fly Me to the Moon (tracks 28–31, 33)
instrumental recording of:
Fly Me to the Moon (track 32)
later translated versions:
Schieß mich doch zum Mond (tracks 27–33)
Voin sanoa sen toisinkin (tracks 27–33)
Volons vers la lune (tracks 27–33)
later versions:
BACKGROUND MUSIC II (tracks 3–5)
part of:
Neon Genesis Evangelion (tracks 1–7, 9–13, 15–21, 24–33)
recording of:
ANGEL ATTACK II (tracks 10–13)
ANGEL ATTACK III (tracks 15–16)
BACKGROUND MUSIC (track 2)
BORDERLINE CASE (tracks 6–7)
DEPRESSION (tracks 19–20)
Hedgehog's Dilemma (track 24)
I. SHINJI (track 9)
INTROJECTION (track 21)
NERV (tracks 3–5)
Rei I (track 1)
SEPARATION ANXIETY (Neon Genesis Evangelion) (tracks 22–23)
Splitting of the Breast (tracks 17–18)

CD 2

composer:
鷺巣詩郎 (tracks 3, 5–6, 9, 11, 13–16, 22, 25, 27–29)
part of:
Neon Genesis Evangelion (tracks 3, 5–6, 9, 11, 13–16, 22, 25, 27–29)
recording of:
ASUKA STRIKES! (tracks 15–16)
MISATO (tracks 13–14)
RITSUKO (track 28)
Rei II (track 22)

CD 3

composer:
鷺巣詩郎 (tracks 1–2, 5–16, 32–33, 36–46)
part of:
Neon Genesis Evangelion (tracks 1–2, 5–16, 32–33, 36–46)
recording of:
A STEP FORWARD INTO TERROR (tracks 14–16)
ANGEL ATTACK (track 11)
BACKGROUND MUSIC II (tracks 44–46)
DECISIVE BATTLE (tracks 1–2)
EVA-00 (tracks 7–10)
EVA-01 (track 5)
EVA-02 (track 6)
PLEASURE PRINCIPLE (track 13)
Rei I (tracks 32–33, 36–37)
version of:
NERV (tracks 44–46)

CD 4

composer:
鷺巣詩郎 (tracks 1–6, 13, 18–19, 22–29)
Bart Howard (1954) (tracks 7–9)
lyricist:
Bart Howard (1954) (tracks 7–9)
arrangements:
Fly Me to the Moon (Quincy Jones arr.) (tracks 7–9)
cover recording of:
Fly Me to the Moon (tracks 7–9)
later translated versions:
Voin sanoa sen toisinkin (tracks 7–9)
Volons vers la lune (tracks 7–9)
later versions:
part of:
Neon Genesis Evangelion (tracks 1–9, 13, 18–19, 22–25)
recording of:
DECISIVE BATTLE (tracks 22–25)
RITSUKO (track 13)
THANATOS (tracks 18–19)
THE BEAST II (tracks 26–29)

CD 5

composer:
鷺巣詩郎 (tracks 2, 5)
佐藤英敏 (tracks 3–4, 6–9)
Bart Howard (1954) (tracks 10–11)
lyricist:
及川眠子 (tracks 3–4, 6–9)
Bart Howard (1954) (tracks 10–11)
publisher:
テレビ東京ミュージック (tracks 3–4, 6–9)
arrangements:
Fly Me to the Moon (Quincy Jones arr.) (tracks 10–11)
instrumental cover recording of:
Fly Me to the Moon (tracks 10–11)
instrumental recording of:
残酷な天使のテーゼ (tracks 4, 6–9)
later translated versions:
Schieß mich doch zum Mond (tracks 10–11)
Voin sanoa sen toisinkin (tracks 10–11)
Volons vers la lune (tracks 10–11)
part of:
Neon Genesis Evangelion (tracks 2–11)
recording of:
CHILDHOOD MEMORIES, SHUT AWAY (Neon Genesis Evangelion) (track 2)

CD 6

composer:
鷺巣詩郎 (tracks 16–17)
lyricist:
庵野秀明 (tracks 16–17)
translator:
Mike Wyzgowski (tracks 16–17)
part of:
Neon Genesis Evangelion (tracks 16–17)
recording of:
Komm, süsser Tod [Come, Sweet Death / 甘き死よ、来たれ] (Neon Genesis Evangelion) (tracks 16–17)

CD 7: bonus

arranger:
鷺巣詩郎 (track 10)
composer:
鷺巣詩郎 (tracks 16–17, 23)
lyricist:
庵野秀明 (tracks 16–17)
MASH (of LOREN & MASH) (track 23)
translator:
Mike Wyzgowski (tracks 16–17)
arrangements:
Air on the G String (arr. Wilhelmj for violin & piano, based on BWV 1068, second movement) (track 13)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 13)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 13)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 13)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (2004-10-03 – 2004-10-04) (track 13)
is the basis for:
Bach Aire (track 13)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 13)
part of:
Neon Genesis Evangelion (tracks 13, 16–17, 23)
recording of:
Komm, süsser Tod [Come, Sweet Death / 甘き死よ、来たれ] (Neon Genesis Evangelion) (tracks 16–17)
referred to in medleys:
Hooked on Romance (track 13)
version of:
THANATOS (track 23)

Release

ASIN: US: B000AL5AI6 [info]