Not Too Late

~ Release by Norah Jones (see all versions of this release, 16 available)

Annotation

on disc: LC 0110 => Angel Records
on backcover and disc: ℗ © 2006
CD-Matrix:
IFPI LD02
3820352-CD
GZ X71424
based on matrix release year probably 2011

Annotation last modified on 2018-07-11 14:18 UTC.

Tracklist

CD 1
#TitleRatingLength
1Wish I Could
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
cello [bowed cello]:
Jeffrey Zeigler (cellist - Kronos Quartet, Corigliano Quartet)
cello [pizzicato cello]:
Julia Kent (cellist)
lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Wish I Could
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
3.654:18
2Sinkin' Soon
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
banjitar [guitJo]:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set), friction drum [pots], slit drum and steelpan [pans]:
Andrew Borger
mandolin:
Kevin Breit
piano and lead vocals [vocals]:
Norah Jones
trombone:
J. Walter Hawkes
vocals:
Daru Oda and M. Ward
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Sinkin' Soon
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
4.654:38
3The Sun Doesn't Like You
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
chamberlin [chamberlin keyboards]:
Paul Bryan (Los Angeles-based musician)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
The Sun Doesn't Like You
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
3.152:59
4Until the End
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
Hammond organ [Hammond B-3 organ]:
Larry Goldings
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Until the End
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
3.653:56
5Not My Friend
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
cymbal and marimba:
Andrew Borger
electric guitar [backwards electric guitar]:
Adam Levy (jazz guitarist)
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Not My Friend
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Muthajones Music
3.52:54
6Thinking About You
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Tony Mason (60s US soul vocalist)
Hammond organ [Hammond B-3 organ]:
Devin Greenwood
tenor saxophone:
Rob Sudduth
trumpet:
Chuck MacKinnon
Wurlitzer electric piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Thinking About You
lyricist and composer:
İlhan Erşahin and Norah Jones
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Muthajones Music and Tatu Music
4.353:20
7Broken
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
cello [outro cellos]:
Julia Kent (cellist)
cello [pizzicato] and double bass [bowed basses]:
Lee Alexander (US bassist, songwriter & producer)
electric guitar and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Broken
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
43:21
8My Dear Country
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
Hammond organ [Hammond B-3 organ]:
Larry Goldings
piano and lead vocals [vocals]:
Norah Jones
tenor saxophone:
Bill McHenry
trombone [trombones]:
J. Walter Hawkes
tuba:
Jose Davila (tuba, trombone)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
My Dear Country
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Muthajones Music
43:25
9Wake Me Up
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar and reed organ [pump organ] and lead vocals [vocals]:
Norah Jones
bass and lap steel guitar [lap steel]:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Wake Me Up
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
42:46
10Be My Somebody
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Tony Scherr
Hammond organ [Hammond B-3 organ]:
Larry Goldings
Wurlitzer electric piano [Wurlitzer] and lead vocals [vocals]:
Norah Jones
vocals:
Richard Julian
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Be My Somebody
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Muthajones Music
3.53:36
11Little Room
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar and lead vocals [vocals]:
Norah Jones
bass:
Lee Alexander (US bassist, songwriter & producer)
whistle:
Daru Oda
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Little Room
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Muthajones Music
32:44
12Rosie's Lullaby
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
solo electric guitar:
Robbie McIntosh (English guitarist for The Pretenders)
Wurlitzer electric piano [Wurlitzer] and lead vocals [vocals]:
Norah Jones
vocals:
Adam Levy (jazz guitarist) and Daru Oda
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Rosie's Lullaby
lyricist and composer:
Norah Jones and Daru Oda
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Honk Shoo Music and Muthajones Music
43:56
13Not Too Late
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
mellotron and piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Not Too Late
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
3.53:31

Credits

Release

manufactured in:EU
art direction and design:Carla Leighton (art, design)
photography:Todd Chalfant (photography)
mastering:Greg Calbi (American mastering engineer)
illustration:Melanie Little Gomez (art, painting, photography)
distributed by:EMI (EMI Records, since 1972)
copyrighted (©) by:Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
glass mastered by:GZ Digital Media, a.s. (2000-2014)
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, United States
Discogs:https://www.discogs.com/release/9773253 [info]