Messe H-Moll, BWV 232

~ Release by Johann Sebastian Bach; La Petite Bande, Gustav Leonhardt (see all versions of this release, 3 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Chor: Kyrie Eleison
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach9:20
2Duetto: Christe Eleison
mezzo-soprano vocals:
Guillemette Laurens (mezzo-soprano) (from 1985-11-13 until 1985-11-19)
soprano vocals:
Isabelle Poulenard (soprano) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:15
3Chor: Kyrie Eleison (2)
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:12
4Chor: Gloria in Excelsis Deo
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:42
5Chor: Et in Terra Pax
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:36
6Arie: Laudamus Te
mezzo-soprano vocals:
Guillemette Laurens (mezzo-soprano) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:21
7Chor: Gratias Agimus Tibi
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:57
8Duetto: Domine Deus
soprano vocals:
Isabelle Poulenard (soprano) (from 1985-11-13 until 1985-11-19)
tenor vocals:
John Elwes (tenor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:52
9Chor: Qui Tollis Peccata Mundi
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:03
10Arie: Qui Sedes ad Dextram Patris
alto vocals:
René Jacobs (conductor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:55
11Arie: Quoniam Tu Solus Sanctus
bass vocals:
Harry van der Kamp (operatic bass) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:43
12Chor: Cum Sancto Spiritu
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
tenor vocals:
John Elwes (tenor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:07
CD 2
#TitleArtistRatingLength
1Chor: Credo unum Deum
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:27
2Chor: Patrem omnipotentem
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:04
3Duetto: Et in unum Dominum
alto vocals:
René Jacobs (conductor) (from 1985-11-13 until 1985-11-19)
soprano vocals:
Isabelle Poulenard (soprano) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:56
4Chor: Et incarnatus est
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:16
5Chor: Crucifixus
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:52
6Chor: Et resurrexit
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:05
7Arie: Et in Spiritum Sanctum
bass vocals:
Max van Egmond (bass-baritone) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:34
8Chor: Confiteor
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:09
9Chor: Et expecto
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:11
10Chor: Sanctus
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:20
11Doppelchor: Osanna (1)
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:48
12Arie: Benedictus
tenor vocals:
John Elwes (tenor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:11
13Doppelchor: Osanna (2)
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:48
14Arie: Agnus Dei
alto vocals:
René Jacobs (conductor) (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:39
15Chor: Dona nobis pacem
choir vocals:
Collegium Musicum Van de Nederlandse Bachvereging (from 1985-11-13 until 1985-11-19)
orchestra:
La Petite Bande (Belgian chamber orchestra) (from 1985-11-13 until 1985-11-19)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-11-13 until 1985-11-19)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1985-11-13 until 1985-11-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1985-11-13 until 1985-11-19)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:04

Credits

Release

ASIN:US: B000001TWF [info]