Once More With Feeling

~ Release by Billy Eckstine (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Once More With Feeling
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
flute:
Arthur Gleghorn (from 1960-01-28 until 1960-01-29)
French horn:
Jack Cave (from 1960-01-28 until 1960-01-29), Jim Decker (from 1960-01-28 until 1960-01-29) and Vincent DeRosa (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Milt Raskin (Milton Raskin) (from 1960-01-28 until 1960-01-29)
reeds:
Buddy Collette (from 1960-01-28 until 1960-01-29), Jules Jacob (US jazz woodwind player) (from 1960-01-28 until 1960-01-29) and Ronnie Lang (from 1960-01-28 until 1960-01-29)
tuba:
Phil Steven (bass and tuba player) (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
3:03
2Stormy Weather
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
alto saxophone:
Benny Carter (from 1960-01-28 until 1960-01-29) and Wilbur Schwartz (from 1960-01-28 until 1960-01-29)
baritone saxophone:
Chuck Gentry (from 1960-01-28 until 1960-01-29)
bass:
Red Callender (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Jimmy Rowles (from 1960-01-28 until 1960-01-29)
reeds:
Pete Candoli (from 1960-01-28 until 1960-01-29) and Conrad Gozzo (from 1960-01-28 until 1960-01-29)
tenor saxophone:
Fred Falensby (from 1960-01-28 until 1960-01-29) and Justin Gordon (from 1960-01-28 until 1960-01-29)
trombone:
Ed Kusby (from 1960-01-28 until 1960-01-29), Dick Noel (trombone) (from 1960-01-28 until 1960-01-29), Bill Schaefer (from 1960-01-28 until 1960-01-29) and Lloyd Ulyate (from 1960-01-28 until 1960-01-29)
trumpet:
Joseph Triscari (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
cover recording of:
Stormy Weather (in 1960-01)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
3:56
3Cottage for Sale
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
flute:
Arthur Gleghorn (from 1960-01-28 until 1960-01-29)
French horn:
Jack Cave (from 1960-01-28 until 1960-01-29), Jim Decker (from 1960-01-28 until 1960-01-29) and Vincent DeRosa (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Milt Raskin (Milton Raskin) (from 1960-01-28 until 1960-01-29)
reeds:
Buddy Collette (from 1960-01-28 until 1960-01-29), Jules Jacob (US jazz woodwind player) (from 1960-01-28 until 1960-01-29) and Ronnie Lang (from 1960-01-28 until 1960-01-29)
tuba:
Phil Steven (bass and tuba player) (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
cover recording of:
A Cottage for Sale (in 1960-01)
lyricist:
Larry Conley (jazz bandleader/songwriter/trombonist)
composer:
Willard Robison
publisher:
Chappell & Co.
3:26
4Blues in the Night
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
alto saxophone:
Benny Carter (from 1960-01-28 until 1960-01-29) and Wilbur Schwartz (from 1960-01-28 until 1960-01-29)
baritone saxophone:
Chuck Gentry (from 1960-01-28 until 1960-01-29)
bass:
Red Callender (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Jimmy Rowles (from 1960-01-28 until 1960-01-29)
reeds:
Pete Candoli (from 1960-01-28 until 1960-01-29) and Conrad Gozzo (from 1960-01-28 until 1960-01-29)
tenor saxophone:
Fred Falensby (from 1960-01-28 until 1960-01-29) and Justin Gordon (from 1960-01-28 until 1960-01-29)
trombone:
Ed Kusby (from 1960-01-28 until 1960-01-29), Dick Noel (trombone) (from 1960-01-28 until 1960-01-29), Bill Schaefer (from 1960-01-28 until 1960-01-29) and Lloyd Ulyate (from 1960-01-28 until 1960-01-29)
trumpet:
Joseph Triscari (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
cover recording of:
Blues in the Night (My Mama Done Tol’ Me) (in 1960-01)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2)
3:09
5I Hear a Rhapsody
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
alto saxophone:
Benny Carter (from 1960-01-28 until 1960-01-29) and Wilbur Schwartz (from 1960-01-28 until 1960-01-29)
baritone saxophone:
Chuck Gentry (from 1960-01-28 until 1960-01-29)
bass:
Red Callender (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Jimmy Rowles (from 1960-01-28 until 1960-01-29)
reeds:
Pete Candoli (from 1960-01-28 until 1960-01-29) and Conrad Gozzo (from 1960-01-28 until 1960-01-29)
tenor saxophone:
Fred Falensby (from 1960-01-28 until 1960-01-29) and Justin Gordon (from 1960-01-28 until 1960-01-29)
trombone:
Ed Kusby (from 1960-01-28 until 1960-01-29), Dick Noel (trombone) (from 1960-01-28 until 1960-01-29), Bill Schaefer (from 1960-01-28 until 1960-01-29) and Lloyd Ulyate (from 1960-01-28 until 1960-01-29)
trumpet:
Joseph Triscari (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
cover recording of:
I Hear a Rhapsody (in 1960-01)
lyricist and composer:
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos and Dick Gasparre
publisher:
Broadcast Music Inc.
2:38
6As Time Goes By
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
flute:
Arthur Gleghorn (from 1960-01-28 until 1960-01-29)
French horn:
Jack Cave (from 1960-01-28 until 1960-01-29), Jim Decker (from 1960-01-28 until 1960-01-29) and Vincent DeRosa (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Milt Raskin (Milton Raskin) (from 1960-01-28 until 1960-01-29)
reeds:
Buddy Collette (from 1960-01-28 until 1960-01-29), Jules Jacob (US jazz woodwind player) (from 1960-01-28 until 1960-01-29) and Ronnie Lang (from 1960-01-28 until 1960-01-29)
tuba:
Phil Steven (bass and tuba player) (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
recording of:
As Time Goes By (the song from “Casablanca”) (in 1960-01)
lyricist, writer and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
Warner/Chappell Music Taiwan Ltd.
part of:
Casablanca (original soundtrack of the 1942 American film)
3:24
7That Old Black Magic
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
alto saxophone:
Benny Carter (from 1960-01-28 until 1960-01-29) and Wilbur Schwartz (from 1960-01-28 until 1960-01-29)
baritone saxophone:
Chuck Gentry (from 1960-01-28 until 1960-01-29)
bass:
Red Callender (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Jimmy Rowles (from 1960-01-28 until 1960-01-29)
reeds:
Pete Candoli (from 1960-01-28 until 1960-01-29) and Conrad Gozzo (from 1960-01-28 until 1960-01-29)
tenor saxophone:
Fred Falensby (from 1960-01-28 until 1960-01-29) and Justin Gordon (from 1960-01-28 until 1960-01-29)
trombone:
Ed Kusby (from 1960-01-28 until 1960-01-29), Dick Noel (trombone) (from 1960-01-28 until 1960-01-29), Bill Schaefer (from 1960-01-28 until 1960-01-29) and Lloyd Ulyate (from 1960-01-28 until 1960-01-29)
trumpet:
Joseph Triscari (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
cover recording of:
That Old Black Magic (in 1960-01)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
3:18
8I Apologize
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
flute:
Arthur Gleghorn (from 1960-01-28 until 1960-01-29)
French horn:
Jack Cave (from 1960-01-28 until 1960-01-29), Jim Decker (from 1960-01-28 until 1960-01-29) and Vincent DeRosa (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Milt Raskin (Milton Raskin) (from 1960-01-28 until 1960-01-29)
reeds:
Buddy Collette (from 1960-01-28 until 1960-01-29), Jules Jacob (US jazz woodwind player) (from 1960-01-28 until 1960-01-29) and Ronnie Lang (from 1960-01-28 until 1960-01-29)
tuba:
Phil Steven (bass and tuba player) (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
cover recording of:
I Apologize (in 1960-01)
writer:
Ed G. Nelson (Popular music songwriter and bandleader), Al Goodhart and Al Hoffman
publisher:
Crawford Music Corp. and DeSylva, Brown and Henderson, Inc.
3:20
9I Love You
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
alto saxophone:
Benny Carter (from 1960-01-28 until 1960-01-29) and Wilbur Schwartz (from 1960-01-28 until 1960-01-29)
baritone saxophone:
Chuck Gentry (from 1960-01-28 until 1960-01-29)
bass:
Red Callender (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Jimmy Rowles (from 1960-01-28 until 1960-01-29)
reeds:
Pete Candoli (from 1960-01-28 until 1960-01-29) and Conrad Gozzo (from 1960-01-28 until 1960-01-29)
tenor saxophone:
Fred Falensby (from 1960-01-28 until 1960-01-29) and Justin Gordon (from 1960-01-28 until 1960-01-29)
trombone:
Ed Kusby (from 1960-01-28 until 1960-01-29), Dick Noel (trombone) (from 1960-01-28 until 1960-01-29), Bill Schaefer (from 1960-01-28 until 1960-01-29) and Lloyd Ulyate (from 1960-01-28 until 1960-01-29)
trumpet:
Joseph Triscari (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
cover recording of:
I Love You (in 1960-01)
lyricist:
Harlan Thompson
writer and composer:
Harry Archer and Harlan Thompson
publisher:
Chappell & Co., Inc. (USA) and SBK Feist Catalog, Inc.
2:40
10With Every Breath I Take
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
flute:
Arthur Gleghorn (from 1960-01-28 until 1960-01-29)
French horn:
Jack Cave (from 1960-01-28 until 1960-01-29), Jim Decker (from 1960-01-28 until 1960-01-29) and Vincent DeRosa (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Milt Raskin (Milton Raskin) (from 1960-01-28 until 1960-01-29)
reeds:
Buddy Collette (from 1960-01-28 until 1960-01-29), Jules Jacob (US jazz woodwind player) (from 1960-01-28 until 1960-01-29) and Ronnie Lang (from 1960-01-28 until 1960-01-29)
tuba:
Phil Steven (bass and tuba player) (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
cover recording of:
With Every Breath I Take (writers Robin/Rainger) (in 1960-01)
writer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
3:23
11Secret Love
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
flute:
Arthur Gleghorn (from 1960-01-28 until 1960-01-29)
French horn:
Jack Cave (from 1960-01-28 until 1960-01-29), Jim Decker (from 1960-01-28 until 1960-01-29) and Vincent DeRosa (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Milt Raskin (Milton Raskin) (from 1960-01-28 until 1960-01-29)
reeds:
Buddy Collette (from 1960-01-28 until 1960-01-29), Jules Jacob (US jazz woodwind player) (from 1960-01-28 until 1960-01-29) and Ronnie Lang (from 1960-01-28 until 1960-01-29)
tuba:
Phil Steven (bass and tuba player) (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
cover recording of:
Secret Love (song from “Calamity Jane”) (in 1960-01)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!) and Warner Chappell North America
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 26)
part of:
Calamity Jane (stage musical)
3:20
12I’m Beginning to See the Light
recording engineer:
Al Schmitt (from 1960-01-28 until 1960-01-29)
producer:
Teddy Reig
alto saxophone:
Benny Carter (from 1960-01-28 until 1960-01-29) and Wilbur Schwartz (from 1960-01-28 until 1960-01-29)
baritone saxophone:
Chuck Gentry (from 1960-01-28 until 1960-01-29)
bass:
Red Callender (from 1960-01-28 until 1960-01-29)
drums (drum set):
Irv Cottler (from 1960-01-28 until 1960-01-29)
guitar:
Bobby Gibbons (from 1960-01-28 until 1960-01-29)
piano:
Jimmy Rowles (from 1960-01-28 until 1960-01-29)
reeds:
Pete Candoli (from 1960-01-28 until 1960-01-29) and Conrad Gozzo (from 1960-01-28 until 1960-01-29)
tenor saxophone:
Fred Falensby (from 1960-01-28 until 1960-01-29) and Justin Gordon (from 1960-01-28 until 1960-01-29)
trombone:
Ed Kusby (from 1960-01-28 until 1960-01-29), Dick Noel (trombone) (from 1960-01-28 until 1960-01-29), Bill Schaefer (from 1960-01-28 until 1960-01-29) and Lloyd Ulyate (from 1960-01-28 until 1960-01-29)
trumpet:
Joseph Triscari (from 1960-01-28 until 1960-01-29)
arranger:
Billy May
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1960-01-28 until 1960-01-29)
cover recording of:
I’m Beginning to See the Light (in 1960-01)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
2:35
13Anything You Wanna Do (I Wanna Do With You)
recording engineer:
Phil Macy (50s-70s engineer) (from 1959-07-29 until 1959-07-30)
producer:
Teddy Reig
arranger:
Joe Reisman
engineered at:
Bell Sound Studios in New York, New York, United States (from 1959-07-29 until 1959-07-30)
recording of:
Anything You Wanna Do
writer:
Phil Medley and Ray Passman
2:27
14Like Wow
recording engineer:
Phil Macy (50s-70s engineer) (from 1959-07-29 until 1959-07-30)
producer:
Teddy Reig
arranger:
Joe Reisman
engineered at:
Bell Sound Studios in New York, New York, United States (from 1959-07-29 until 1959-07-30)
2:15