# | Title | Rating | Length |
---|
A1 | The Blues | | 2:40 |
A2 | Smoke Rings | | 3:16 |
A3 | Misty | | 3:35 |
A4 | Blues Flame | | 2:44 |
A5 | After Hours | | 3:06 |
A6 | Mood Indigo | | 3:04 |
B1 | The Beat- recording engineer:
- Al Schmitt (from 1960-02-22 until 1960-02-29)
- producer:
- Dick Peirce
- double bass:
- Rolly Bundock (from 1960-02-22 until 1960-02-29)
- French horn:
- Vincent DeRosa (from 1960-02-22 until 1960-02-29), John Graas (from 1960-02-22 until 1960-02-29), Herman Lebow (from 1960-02-22 until 1960-02-29), Sinclair Lott (from 1960-02-22 until 1960-02-29), Richard Perissi (from 1960-02-22 until 1960-02-29) and George Price (from 1960-02-22 until 1960-02-29)
- membranophone:
- Jack Sperling (from 1960-02-22 until 1960-02-29)
- piano:
- John Williams
- saxophone:
- Ted Nash (from 1960-02-22 until 1960-02-29)
- trombone:
- Jimmy Priddy (from 1960-02-19 until 1960-02-29), Karl DeKarske (from 1960-02-22 until 1960-02-29) and John Halliburton (from 1960-02-22 until 1960-02-29)
- trumpet:
- Frank Beach (from 1960-02-22 until 1960-02-29), Pete Candoli (from 1960-02-22 until 1960-02-29), Conrad Gozzo (from 1960-02-22 until 1960-02-29) and Graham Young (from 1960-02-22 until 1960-02-29)
- vibraphone:
- Larry Bunker (from 1960-02-22 until 1960-02-29)
- recorded at:
- RCA’s Music Center of the World in Hollywood, Los Angeles, California, United States (from 1960-02-22 until 1960-02-29)
- recording of:
- The Beat (from 1960-02-22 until 1960-02-29)
- composer:
- Henry Mancini
| | 3:07 |
B2 | Big Noise From Winnetka | | 2:38 |
B3 | Alright, Okay, You Win | | 3:00 |
B4 | Tippin’ Inn | | 3:46 |
B5 | How Could You Do a Thing Like That to Me | | 3:30 |
B6 | Sing, Sing, Sing | | 3:11 |