Annotation

Recorded Studio Lukaskirche, Dresden, 11.1989

Annotation last modified on 2012-08-30 19:39 UTC.

Tracklist

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CD 1
#TitleArtistRatingLength
1Fidelio: Ouvertüre
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
Ludwig van Beethoven6:31
2Fidelio: Akt I. "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
solo tenor vocals [Jaquino]:
Hans Peter Blochwitz (tenor) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:46
3Fidelio: Akt I. "Der arme Jaquino dauert mich" (Marzelline)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:19
4Fidelio: Akt I. "O war ich schon mit dir vereint" (Marzelline)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:01
5Fidelio: Akt I. "Marzelline, ist Fidelio noch nicht zuruck?" (Rocco, Marzelline, Leonore)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (in 1989-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:44
6Fidelio: Akt I. "Mir ist so wunderbar" (Rocco, Marzelline, Leonore, Jaquino)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
solo tenor vocals [Jaquino]:
Hans Peter Blochwitz (tenor) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1805)
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:02
7Fidelio: Akt I. "Höre, Fidelio" (Rocco, Marzelline)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. "Höre, Fidelio!" (Rocco, Marzelline) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:31
8Fidelio: Akt I. "Hat man nicht auch Gold beineben" (Rocco)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:34
9Fidelio: Akt I. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (in 1989-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven1:43
10Fidelio: Akt I. "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:16
11Fidelio: Act I. Nr. 6 Marsch
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:09
12Fidelio: Akt I. "Drei Schildwachen auf den Wall" (Pizarro, Rocco)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Don Pizarro]:
Ekkehard Wlaschiha (in 1989-11)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:48
13Fidelio: Akt I. "Ha! Welch ein Augenblick!" (Pizarro)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Don Pizarro]:
Ekkehard Wlaschiha (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:27
14Fidelio: Akt I. "Hauptmann! Besteigen Sie mit einem Trompeter..." (Pizarro, Rocco)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Don Pizarro]:
Ekkehard Wlaschiha (in 1989-11)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7b. "Hauptmann, besteigen Sie mit einem Trompeter sogleich den Turm!" (Pizarro, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven0:24
15Fidelio: Akt I. "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Don Pizarro]:
Ekkehard Wlaschiha (in 1989-11)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:12
16Fidelio: Akt I. "Abscheulicher! Wo eilst du hin?" (Leonore)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio: Act I. No. 9a Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline) (in 1989-11)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
Ludwig van Beethoven7:46
17Fidelio: Akt I. "Meister, Rocco, Ihr verspracht mir so oft" (Leonore, Rocco, Marzelline)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio: Act I. No. 9b Aria. "Komm Hoffnung, lass den letzten Stern" (Leonore, Marzelline, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
Ludwig van Beethoven0:38
18Fidelio: Akt I. "O welche Lust, in freier Luft den Atem leicht zu heben!" (Prisoners' Chorus)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Second Prisoner]:
Egbert Junghanns (baritone) (in 1989-11)
solo tenor vocals [First Prisoner]:
Wolfgang Millgramm (German tenor) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:54
19Fidelio: Akt I. "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizarro)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Don Pizarro]:
Ekkehard Wlaschiha (in 1989-11)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
solo tenor vocals [Jaquino]:
Hans Peter Blochwitz (tenor) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven8:00
20Fidelio: Akt I. "Leb wohl, du warmes Sonnenlicht" (Marzelline, Leonore, Jaquino, Pizarro, Rocco)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Don Pizarro]:
Ekkehard Wlaschiha (in 1989-11)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
solo tenor vocals [Jaquino]:
Hans Peter Blochwitz (tenor) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:04
CD 2
#TitleArtistRatingLength
1Fidelio: Akt II. "Gott! Welch Dunkel hier!" (Florestan)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo tenor vocals [Florestan]:
Reiner Goldberg (tenor) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven10:48
2Fidelio: Akt II. "Wie kalt ist es in diesem unterirdischen Gewölbe" (Rocco, Leonore)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12a. Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:44
3Fidelio: Akt II. "Er erwacht" (Leonore, Rocco, Florestan)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:26
4Fidelio: Akt II. "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:10
5Fidelio: Akt II. "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Don Pizarro]:
Ekkehard Wlaschiha (in 1989-11)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo tenor vocals [Florestan]:
Reiner Goldberg (tenor) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:40
6Fidelio: Akt II. "Er sterbe! Doch er soll erst wissen" (Pizarro, Florestan, Leonore, Rocco, Jaquino)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo bass vocals [Don Pizarro]:
Ekkehard Wlaschiha (in 1989-11)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo tenor vocals [Florestan]:
Reiner Goldberg (tenor) (in 1989-11)
solo tenor vocals [Jaquino]:
Hans Peter Blochwitz (tenor) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
part of:
Fidelio, op. 72: Akt II
partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:12
7Fidelio: Akt II. "Meine Leonore, was hast du für mich getan" (Florestan, Leonore)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo tenor vocals [Florestan]:
Reiner Goldberg (tenor) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
partial recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (in 1989-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:12
8Fidelio: Akt II. "O namenlose Freude" (Leonore, Florestan)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo tenor vocals [Florestan]:
Reiner Goldberg (tenor) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:01
9Fidelio: Akt II. "Heil sei dem Tag" (Fernando, Rocco, Pizarro, Leonore, Marzelline, Jaquino)
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
solo baritone vocals [Don Fernando]:
Andreas Schmidt (bass-baritone & teacher) (in 1989-11)
solo bass vocals [Don Pizarro]:
Ekkehard Wlaschiha (in 1989-11)
solo bass vocals [Rocco]:
Kurt Moll (operatic bass) (in 1989-11)
solo soprano vocals [Leonore]:
Jessye Norman (soprano) (in 1989-11)
solo soprano vocals [Marzelline]:
Pamela Coburn (soprano) (in 1989-11)
solo tenor vocals [Florestan]:
Reiner Goldberg (tenor) (in 1989-11)
solo tenor vocals [Jaquino]:
Hans Peter Blochwitz (tenor) (in 1989-11)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale) (in 1989-11)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven14:14
10Fidelio: Ouvertüre (Leonore III) Op. 72a
engineer:
Cees Heijkoop (recording engineer), Horst-Dieter Kappler (engineer) and Volker Straus (producer and engineer)
assistant producer:
Ursula Singer
producer:
Volker Straus (producer and engineer)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1989-11)
conductor:
Bernard Haitink (conductor) (in 1989-11)
recorded at:
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (in 1989-11)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (in 1989-11)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
Ludwig van Beethoven14:13