Gustav Mahler: Complete Edition

~ Release by Gustav Mahler (see all versions of this release, 1 available)

Tracklist

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CD 1: Symphony no. 1 / Blumine
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1Symphony no. 1 “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
14:31
2Symphony no. 1 “Titan”: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
7:04
3Symphony no. 1 “Titan”: III. Feierlich und gemessen, ohne zu schleppen
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
10:37
4Symphony no. 1 “Titan”: IV. Stürmisch bewegt
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1967-10)
conductor:
Rafael Kubelík (conductor) (in 1967-10)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1967-10)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1967-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
17:48
5Blumine. Andante allegretto
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Symphonic Movement “Blumine”: Andante allegretto
composer:
Gustav Mahler (composer) (from 1884 until 1888)
6:01
CD 2: Symphony no. 2
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1Symphony no. 2 in C minor: I. Allegro maestoso: Mit durchaus ernstem und feierlichem Ausdruck
engineer:
Jack Law (engineer) (in 1975-02), James Lock (engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1975-02)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier
part of:
Symphony no. 2 “Resurrection”
21:03
2Symphony no. 2 in C minor: II. Andante moderato: Sehr gemächlich
engineer:
Jack Law (engineer) (in 1975-02), James Lock (engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1975-02)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
10:12
3Symphony no. 2 in C minor: III. In ruhig fließender Bewegung
engineer:
Jack Law (engineer) (in 1975-02), James Lock (engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1975-02)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
10:28
4Symphony no. 2 in C minor: IV. “Urlicht”: Sehr feirlich, aber schlicht
engineer:
Jack Law (engineer) (in 1975-02), James Lock (engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1975-02)
orchestra:
Wiener Philharmoniker (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1975-02)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
5:30
5Symphony no. 2 in C minor: V. Im Tempo des Scherzo: Wild herausfahrend
engineer:
Jack Law (engineer) (in 1975-02), James Lock (engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1975-02)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
9:45
6Symphony no. 2 in C minor: V. Maestoso. Sehr zurückhaltend
engineer:
Jack Law (engineer) (in 1975-02), James Lock (engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1975-02)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
7:33
7Symphony no. 2 in C minor: V. Sehr langsam und gedehnt
engineer:
Jack Law (engineer) (in 1975-02), James Lock (engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
orchestra:
Wiener Philharmoniker (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1975-02)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
2:21
8Symphony no. 2 in C minor: V. “Aufersteh’n, ja aufersteh’n wirst du”: Langsam. Misterioso
engineer:
Jack Law (engineer) (in 1975-02), James Lock (engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1975-02)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1975-02)
orchestra:
Wiener Philharmoniker (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1975-02)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
6:39
9Symphony no. 2 in C minor: V. “O glaube, mein Herz, o glaube”: Etwas bewegter
engineer:
Jack Law (engineer) (in 1975-02), James Lock (engineer) (in 1975-02) and Colin Moorfoot (engineer) (in 1975-02)
producer:
Ray Minshull (record producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1975-02)
contralto vocals:
Christa Ludwig (mezzo-soprano) (in 1975-02)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1975-02)
orchestra:
Wiener Philharmoniker (in 1975-02)
conductor:
Zubin Mehta (conductor) (in 1975-02)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1975-02)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1975-02)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
7:39
CD 3: Symphony no. 3
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1Symphony no. 3: I. Kräftig. Entschieden
orchestra:
Concertgebouworkest (in 1966-05)
conductor:
Bernard Haitink (conductor) (in 1966-05)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-05)
recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1966-05)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
32:17
CD 4: Symphony no. 3
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1Symphony no. 3: II. Tempo di Menuetto. Sehr mäßig
orchestra:
Concertgebouworkest (in 1966-05)
conductor:
Bernard Haitink (conductor) (in 1966-05)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-05)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1966-05)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
10:22
2Symphony no. 3: III. Comodo. Scherzando. Ohne Hast
orchestra:
Concertgebouworkest (in 1966-05)
conductor:
Bernard Haitink (conductor) (in 1966-05)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-05)
recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1966-05)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
16:53
3Symphony no. 3: IV. Sehr langsam. Misterioso. Durchaus “O Mensch! Gib acht!” (contralto solo)
contralto vocals:
Maureen Forrester (contralto) (in 1966-05)
orchestra:
Concertgebouworkest (in 1966-05)
conductor:
Bernard Haitink (conductor) (in 1966-05)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-05)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1966-05)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
8:45
4Symphony no. 3: V. Lustig im Tempo und keck im Ausdruck “Bimm bamm / Es sungen drei Engel” (chorus, contralto solo)
choir vocals:
Boy's Choir of the St. Willisbrorduskerk (in 1966-05) and Women's Chorus of the Netherlands Radio (in 1966-05)
contralto vocals:
Maureen Forrester (contralto) (in 1966-05)
orchestra:
Concertgebouworkest (in 1966-05)
conductor:
Bernard Haitink (conductor) (in 1966-05)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-05)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (in 1966-05)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
arrangement of:
Des Knaben Wunderhorn: Es sungen drei Engel
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
4:03
5Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden
orchestra:
Concertgebouworkest (in 1966-05)
conductor:
Bernard Haitink (conductor) (in 1966-05)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1966-05)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1966-05)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
22:04
CD 5: Symphony no. 4 / Totenfeier
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1Symphony no. 4: I. Bedächtig. Nicht eilen
recording engineer:
Reinhard Lagemann
producer:
Christian Gansch (conductor)
editor:
Johannes Müller (German engineer/producer)
orchestra:
The Cleveland Orchestra (in 1998-04)
conductor:
Pierre Boulez (composer and conductor) (in 1998-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1998-04)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (in 1998-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
15:17
2Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast
recording engineer:
Reinhard Lagemann
producer:
Christian Gansch (conductor)
editor:
Johannes Müller (German engineer/producer)
violin:
William Preucil (violinist) (in 1998-04)
orchestra:
The Cleveland Orchestra (in 1998-04)
conductor:
Pierre Boulez (composer and conductor) (in 1998-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1998-04)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (in 1998-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
9:29
3Symphony no. 4: III. Ruhevoll. Poco Adagio
recording engineer:
Reinhard Lagemann
producer:
Christian Gansch (conductor)
editor:
Johannes Müller (German engineer/producer)
orchestra:
The Cleveland Orchestra (in 1998-04)
conductor:
Pierre Boulez (composer and conductor) (in 1998-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1998-04)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 1998-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
20:02
4Symphony no. 4: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden”
recording engineer:
Reinhard Lagemann
producer:
Christian Gansch (conductor)
editor:
Johannes Müller (German engineer/producer)
soprano vocals:
Juliane Banse (soprano) (in 1998-04)
orchestra:
The Cleveland Orchestra (in 1998-04)
conductor:
Pierre Boulez (composer and conductor) (in 1998-04)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1998-04)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1998-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
8:52
5Totenfeier: Funeral Rite
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Dagmar Birwe
orchestra:
Chicago Symphony Orchestra (in 1996-12)
conductor:
Pierre Boulez (composer and conductor) (in 1996-12)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1996-12)
recording of:
Totenfeier (in 1996-12)
composer:
Gustav Mahler (composer) (in 1888)
25:09
CD 6: Symphony no. 5
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1Symphony no. 5: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1987-09-08) and Wolf-Dieter Karwatky (on 1987-09-08)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Helmut Burk
orchestra:
Wiener Philharmoniker (on 1987-09-08)
conductor:
Leonard Bernstein (on 1987-09-08)
balance engineer:
Helmut Burk (on 1987-09-08) and Karl-August Naegler (balance engineer) (on 1987-09-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Alte Oper in Frankfurt am Main, Hessen, Germany (on 1987-09-08)
live recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (on 1987-09-08)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
14:35
2Symphony no. 5: II. Stürmisch bewegt. Mit größter Vehemenz
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1987-09-08) and Wolf-Dieter Karwatky (on 1987-09-08)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Helmut Burk
orchestra:
Wiener Philharmoniker (on 1987-09-08)
conductor:
Leonard Bernstein (on 1987-09-08)
balance engineer:
Helmut Burk (on 1987-09-08) and Karl-August Naegler (balance engineer) (on 1987-09-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Alte Oper in Frankfurt am Main, Hessen, Germany (on 1987-09-08)
live recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (on 1987-09-08)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
15:06
3Symphony no. 5: III. Scherzo. Kräftig, nicht zu schnell
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1987-09-08) and Wolf-Dieter Karwatky (on 1987-09-08)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
solo horn:
Friedrich Pfeiffer (on 1987-09-08)
orchestra:
Wiener Philharmoniker (on 1987-09-08)
conductor:
Leonard Bernstein (on 1987-09-08)
balance engineer:
Helmut Burk (on 1987-09-08) and Karl-August Naegler (balance engineer) (on 1987-09-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Alte Oper in Frankfurt am Main, Hessen, Germany (on 1987-09-08)
compilation of:
Symphonie Nr 5: Zweiter Teil: 3. Scherzo (I). Kräftig, nicht zu schnell by Wiener Philharmoniker, Leonard Bernstein and Symphonie Nr 5: Zweiter Teil: 3. Scherzo (II). Molto moderato (Ziff. 11) by Wiener Philharmoniker, Leonard Bernstein
live recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (on 1987-09-08)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
19:07
4Symphony no. 5: IV. Adagietto. Sehr langsam
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1987-09-08) and Wolf-Dieter Karwatky (on 1987-09-08)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Helmut Burk
orchestra:
Wiener Philharmoniker (on 1987-09-08)
conductor:
Leonard Bernstein (on 1987-09-08)
balance engineer:
Helmut Burk (on 1987-09-08) and Karl-August Naegler (balance engineer) (on 1987-09-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Alte Oper in Frankfurt am Main, Hessen, Germany (on 1987-09-08)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (on 1987-09-08)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
11:13
5Symphony no. 5: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (on 1987-09-08) and Wolf-Dieter Karwatky (on 1987-09-08)
executive producer:
Hanno Rinke
producer:
Hans Weber (producer/engineer)
editor:
Helmut Burk
orchestra:
Wiener Philharmoniker (on 1987-09-08)
conductor:
Leonard Bernstein (on 1987-09-08)
balance engineer:
Helmut Burk (on 1987-09-08) and Karl-August Naegler (balance engineer) (on 1987-09-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Alte Oper in Frankfurt am Main, Hessen, Germany (on 1987-09-08)
live recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (on 1987-09-08)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
15:00
CD 7: Symphony no. 6
#TitleArtistRatingLength
1Symphony no. 6: I. Allegro energico, ma non troppo. Heftig, aber markig
recording engineer:
Titus Maderlechner (in 2004-06) and Florian B. Schmidt (classical engineer and producer) (in 2004-06)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus-Peter Groß (engineer)
orchestra:
Berliner Philharmoniker (in 2004-06)
conductor:
Claudio Abbado (conductor) (in 2004-06)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2005)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-06)
live recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (in 2004-06)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll
Gustav Mahler22:48
2Symphony no. 6: II. Andante moderato
recording engineer:
Titus Maderlechner (in 2004-06) and Florian B. Schmidt (classical engineer and producer) (in 2004-06)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus-Peter Groß (engineer)
orchestra:
Berliner Philharmoniker (in 2004-06)
conductor:
Claudio Abbado (conductor) (in 2004-06)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2005)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-06)
live recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (in 2004-06)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll
Gustav Mahler13:57
3Symphony no. 6: III. Scherzo. Wuchtig
recording engineer:
Titus Maderlechner (in 2004-06) and Florian B. Schmidt (classical engineer and producer) (in 2004-06)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus-Peter Groß (engineer)
orchestra:
Berliner Philharmoniker (in 2004-06)
conductor:
Claudio Abbado (conductor) (in 2004-06)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2005)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-06)
live recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (in 2004-06)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll
Gustav Mahler12:43
4Symphony no. 6: IV. Finale. Allegro moderato - Allegro energico
recording engineer:
Titus Maderlechner (in 2004-06) and Florian B. Schmidt (classical engineer and producer) (in 2004-06)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus-Peter Groß (engineer)
orchestra:
Berliner Philharmoniker (in 2004-06)
conductor:
Claudio Abbado (conductor) (in 2004-06)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2005)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-06)
live recording of:
Symphonie Nr. 6 in a-Moll: IV. Finale. Allegro moderato (in 2004-06)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll
Gustav Mahler29:44
5[applause]
recording engineer:
Titus Maderlechner (in 2004-06) and Florian B. Schmidt (classical engineer and producer) (in 2004-06)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Klaus-Peter Groß (engineer)
orchestra:
Berliner Philharmoniker (in 2004-06)
conductor:
Claudio Abbado (conductor) (in 2004-06)
balance engineer:
Klaus-Peter Grosz (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2005)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 2004-06)
[no artist]0:24
CD 8: Symphony no. 7
#TitleRatingLength
1Symphony no. 7: I. Langsam (Adagio). Nicht schleppen - Allegro risoluto, ma non troppo
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1992-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-05)
balance engineer:
Klaus Hiemann (German audio) (in 1992-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (in 1992-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
24:36
2Symphony no. 7: II. Nachtmusik. Allegro moderato
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1992-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-05)
balance engineer:
Klaus Hiemann (German audio) (in 1992-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (in 1992-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
17:04
3Symphony no. 7: III. Scherzo. Schattenhaft - Trio
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1992-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-05)
balance engineer:
Klaus Hiemann (German audio) (in 1992-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (in 1992-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
9:54
CD 9: Symphony no. 7
#TitleRatingLength
1Symphony no. 7: IV. Nachtmusik. Andante amoroso
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1992-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-05)
balance engineer:
Klaus Hiemann (German audio) (in 1992-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (in 1992-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
17:35
2Symphony no. 7: V. Rondo-Finale. Tempo I (Allegro ordinato) / Tempo II (Allegro moderato ma energico)
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1992-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-05)
balance engineer:
Klaus Hiemann (German audio) (in 1992-05)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (in 1992-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
18:19
CD 10: Symphony no. 8
#TitleRatingLength
1Symphony no. 8 “Symphony of a Thousand”: Part I. I. “Veni, creator spiritus”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
1:27
2Symphony no. 8 “Symphony of a Thousand”: Part I. II. “Imple superna gratia”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
4:26
3Symphony no. 8 “Symphony of a Thousand”: Part I. III. “Infirma nostri corporis”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
6:20
4Symphony no. 8 “Symphony of a Thousand”: Part I. IV. “Accende lumen sensibus”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
4:44
5Symphony no. 8 “Symphony of a Thousand”: Part I. V. “Veni, creator spiritus”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
3:50
6Symphony no. 8 “Symphony of a Thousand”: Part I. VI. “Gloria sit Patri Domino”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
2:35
7Symphony no. 8 “Symphony of a Thousand”: Part II. I. Poco adagio - Chor und Echo “Waldung, sie schwankt heran”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
14:16
8Symphony no. 8 “Symphony of a Thousand”: Part II. II. Pater ecstaticus: “Ewiger Wonnebrand”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo baritone vocals [Pater Ecstaticus]:
John Shirley‐Quirk (operatic bass / baritone) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
1:35
9Symphony no. 8 “Symphony of a Thousand”: Part II. III. Pater profundis: “Wie Felsenabgrund mir zu Füßen”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo bass vocals [Pater Profundus]:
Martti Talvela (operatic bass) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
4:42
10Symphony no. 8 “Symphony of a Thousand”: Part II. IV. Chor der Engel: “Gerettet ist das edle Glied”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09), Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
3:03
11Symphony no. 8 “Symphony of a Thousand”: Part II. V. Die vollendeteren Engel: “Uns bleibt ein Erdenrest”2:59
12Symphony no. 8 “Symphony of a Thousand”: Part II. VI. Doctor Marianus: “Höchste Herrscherin der Welt”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
8:08
13Symphony no. 8 “Symphony of a Thousand”: Part II. VII. Magna Peccatrix: “Bei der Liebe, die den Füßen”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
solo contralto vocals [Maria Aegyptiaca]:
Helen Watts (contralto) (in 1971-09)
solo contralto vocals [Mulier Samaritana]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo soprano vocals [Magna Peccatrix]:
Heather Harper (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
4:54
14Symphony no. 8 “Symphony of a Thousand”: Part II. VIII. Una Poenitentium: “Neige, du Ohnegleiche”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Wiener Sängerknaben (in 1971-09) and Wiener Singverein (in 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
5:18
15Symphony no. 8 “Symphony of a Thousand”: Part II. IX. Doctor Marianus: “Blicket auf zum Retterblick”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1971-08 until 1971-09), Wiener Sängerknaben (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo soprano vocals [Mater Gloriosa]:
Arleen Augér (soprano) (from 1971-08 until 1971-09)
solo soprano vocals [Una Poenitentium]:
Lucia Popp (soprano) (from 1971-08 until 1971-09)
solo tenor vocals [Doctor Marianus]:
René Kollo (tenor) (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
4:47
16Symphony no. 8 “Symphony of a Thousand”: Part II. X. Chorus mysticus: “Alles Vergängliche ist nur ein Gleichnis”
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1971-08 until 1971-09), Wiener Sängerknaben (from 1971-08 until 1971-09) and Wiener Singverein (from 1971-08 until 1971-09)
solo baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (from 1971-08 until 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (from 1971-08 until 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (from 1971-08 until 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (from 1971-08 until 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (from 1971-08 until 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (from 1971-08 until 1971-09)
solo tenor vocals:
René Kollo (tenor) (from 1971-08 until 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust
6:43
CD 11: Symphony no. 9
CD 12: Symphony no. 9
CD 13: Symphony no. 10
CD 14: Das Lied von der Erde
CD 15: Des Knaben Wunderhorn
CD 16: Lieder eines fahrenden Gesellen / Kindertotenlieder / Rückert-Lieder
CD 17: Das klagende Lied
CD 18: Lieder und Gesänge aus der Jugendzeit / Klavierquartettsatz / Weber arr Mahler: Die drei Pintos (Entrʼacte)