Pirates of the Caribbean: Soundtrack Treasures Collection (EU version with no barcode at the box’ bottom (see annotations for further identification information))

~ Release by Klaus Badelt & Hans Zimmer (see all versions of this release, 2 available)

Annotation

Medium 1: {
Matrix Number: WWW.MEDIAMOTION.COM 3532372 @ 3
Master SID Code: IFPI LW03
Mould SID Code: IFPI AAHT9
Stamper: 030202
Rights Society: SDRM/BIEM
Label Code: LC 0542

Medium, booklet and digipak all contain the following data:
(Medium-Specific) Catalogue Number: 5099951444723
Set Number: 5099951444624
Notices that they were “printed in the EU”.
}

Medium 2: {
Matrix Number: WWW.MEDIAMOTION.COM 3680162 @ 1
Master SID Code: IFPI LW04
Mould SID Code: IFPI AAHT5
Stamper: 010117
Rights Society: SDRM/BIEM
Label Code: LC 0542

Medium, booklet and digipak all contain the following data:
(Medium-Specific) Catalogue Number: 5099951444822
Set Number: 5099951444624
Notices that they were “printed in the EU”.

Track 12: Bonus Track
}

Medium 3: {
Matrix Number: WWW.MEDIAMOTION.COM 3957032 @ 1
Master SID Code: IFPI LW04
Mould SID Code: IFPI AAHP1
Stamper: 010108
Rights Society: SDRM/BIEM
Label Code: LC 0542

Medium, booklet and digipak all contain the following data:
(Medium-Specific) Catalogue Number: 5099951444921
Set Number: 5099951444624
Notices that they were “printed in the EU”.
}

Medium 4: {
Matrix Number: WWW.MEDIAMOTION.COM 5144502 @ 1
Master SID Code: IFPI LW03
Mould SID Code: IFPI AAHY3
Stamper: 010101
Rights Society: SDRM/BIEM
Label Code: LC 0542

Medium, booklet and digipak all contain the following data:
(Medium-Specific) Catalogue Number: 5099951445027
Set Number: 5099951444624
Notices that they were “printed in the EU”.
}

Medium 5: {
Matrix Number: WWW.MEDIAMOTION.COM 5144469 PAL @ 1
Master SID Code: IFPI LW04
Mould SID Code: IFPI AAHM1
Stamper: 010101
Rights Society: SDRM/BIEM
Label Code: LC 0542

Medium, booklet and digipak all contain the following data:
(Medium-Specific) Catalogue Number: 5099951444693
Set Number: 5099951444624
Notices that they were “printed in the EU”.
}

On identifying this release:
- The barcode and catalogue number of this release are both “5099951444624”.
- The mediums, booklets and digipaks all contain notices that these were “printed in the EU” and that they are licensed to “EMI Recrods Ltd.”.

Warning:
The above alone IS NOT enough to identify this EU-version, but they can be used to differentiate it from the US-version.

- There is another EU-version of that release, apparently with the same barcode and catalogue number(s).
Differences include:
* It has the barcode printed at the bottom of the box.
* It uses another style of the digipaks (see also “Packaging” below).

See http://www.discogs.com/release/1163113 until that release has been added to MusicBrainz.

Barcode and catalogue numbers:
- The barcode of this release is 5099951444624, which is also the “Set Number” written on each medium, booklet and digipak.

- Each medium of the release (along with the respective booklet and digipak), has another specific catalogue number, which are all written above.

Packaging:
The release comes in a box with 5 digipaks, the booklets are inside of a slot within the cover.

Annotation last modified on 2016-01-08 02:53 UTC.

Tracklist

| |
CD 1: Pirates of the Caribbean: The Curse of the Black Pearl
#TitleArtistRatingLength
1Fog Bound
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Fog Bound (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt32:17
2The Medallion Calls
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
The Medallion Calls (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Ramin Djawadi (Iranian‐German score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt31:53
3The Black Pearl
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
The Black Pearl (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Steve Jablonsky (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt32:16
4Will and Elizabeth
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Will and Elizabeth (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Ramin Djawadi (Iranian‐German score composer), Steve Jablonsky (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt42:08
5Swords Crossed
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Swords Crossed (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Steve Jablonsky (American score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt43:16
6Walk the Plank
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Walk the Plank (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Ramin Djawadi (Iranian‐German score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt31:59
7Barbossa Is Hungry
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Barbossa Is Hungry (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
publisher:
Warner Chappell Artemis Music
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt54:06
8Blood Ritual
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Blood Ritual (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Jim Dooley (composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt33:33
9Moonlight Serenade
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Moonlight Serenade (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Ramin Djawadi (Iranian‐German score composer), Jim Dooley (composer) and Hans Zimmer (German score composer)
publisher:
Warner Chappell Artemis Music
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt42:09
10To the Pirates’ Cave!
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
To the Pirates' Cave! (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Ramin Djawadi (Iranian‐German score composer), Jim Dooley (composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt43:31
11Skull and Crossbones
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Skull and Crossbones (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Ramin Djawadi (Iranian‐German score composer), Nick Glennie‐Smith, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt33:24
12Bootstrap’s Bootstraps
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Bootstrap's Bootstraps (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), James McKee Smith, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt32:39
13Underwater March
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
Underwater March (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Nick Glennie‐Smith, Blake Neely and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt34:12
14One Last Shot
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
One Last Shot (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt34:46
15He’s a Pirate
additional recording engineer:
Slamm Andrews, Tom Vedvik and Mark Wherry
recording engineer:
Geoff Foster (sound engineer), Malcolm Luker, Alan Meyerson and Nick Wollage
synthesizer programming:
Bart Hendrickson, Rob Williams (synth programmer on Pirates of the Caribbean) and Hans Zimmer (German score composer)
assistant engineer:
Chris Barrett (engineer), Jeff Biggers, Jake Jackson (recording engineer) and Gregg Silk
producer:
Hans Zimmer (German score composer)
mixer:
Slamm Andrews and Alan Meyerson
assistant editor:
Dan Pinder and Melissa Muik
editor:
Christopher Brooks (soundtrack editor / producer), Kenneth Karman and Jeanette Surga
creative direction:
Mel Wesson
cello:
Martin Tillman
flute:
Fred Selden
guitar:
Heitor Pereira
percussion:
Emil Richards
woodwind:
Danny Kuramoto
orchestra:
Hollywood Studio Symphony
conductor:
Nick Ingman, Blake Neely and Rick Wentworth
chorus master:
Jenny O’Grady
recording of:
He’s a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean (Live in Prague)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt41:30
CD 2: Pirates of the Caribbean: Dead Man’s Chest
#TitleArtistRatingLength
1Jack Sparrow
additional recording engineer:
Slamm Andrews, Big Al Clay and Jeff Biggers
recording engineer and mixer:
Alan Meyerson
producer:
Bob Badami and Hans Zimmer (German score composer)
assistant editor:
Katie Greathouse
editor:
Melissa Muik and Julie Pearce
cello:
Martin Tillman
choir vocals:
Choir of the King’s Consort and Metro Voices
choir vocals [choir master]:
Jenny O’Grady
vocals:
Delores Clay
additional conductor:
Alastair King
conductor:
Pete Anthony
orchestrator:
Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
additionally recorded at:
Abbey Road Studios, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios, London (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Sony Scoring Stage, Los Angeles, CA (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage, Los Angeles, CA in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Jack Sparrow (Pirates of the Caribbean: Dead Man’s Chest)
composer:
Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Hans Zimmer26:06
2The Kraken
additional recording engineer:
Slamm Andrews, Big Al Clay and Jeff Biggers
recording engineer and mixer:
Alan Meyerson
producer:
Bob Badami and Hans Zimmer (German score composer)
assistant editor:
Katie Greathouse
editor:
Melissa Muik and Julie Pearce
cello:
Martin Tillman
choir vocals:
Choir of the King’s Consort and Metro Voices
choir vocals [choir master]:
Jenny O’Grady
vocals:
Delores Clay
additional conductor:
Alastair King
conductor:
Pete Anthony
orchestrator:
Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
additionally recorded at:
Abbey Road Studios, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios, London (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Sony Scoring Stage, Los Angeles, CA (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Kraken (Pirates of the Caribbean: Dead Man’s Chest)
composer:
Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Hans Zimmer3.46:55
3Davy Jones
additional recording engineer:
Slamm Andrews, Big Al Clay and Jeff Biggers
recording engineer and mixer:
Alan Meyerson
producer:
Bob Badami and Hans Zimmer (German score composer)
assistant editor:
Katie Greathouse
editor:
Melissa Muik and Julie Pearce
cello:
Martin Tillman
choir vocals:
Choir of the King’s Consort and Metro Voices
choir vocals [choir master]:
Jenny O’Grady
vocals:
Delores Clay
additional conductor:
Alastair King
conductor:
Pete Anthony
orchestrator:
Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
additionally recorded at:
Abbey Road Studios, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios, London (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Sony Scoring Stage, Los Angeles, CA (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Davy Jones (Pirates of the Caribbean: Dead Man's Chest)
composer:
Hans Zimmer (German score composer)
publisher:
Warner Chappell Artemis Music
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Hans Zimmer3.753:15
4I’ve Got My Eye on You
additional recording engineer:
Slamm Andrews, Big Al Clay and Jeff Biggers
recording engineer and mixer:
Alan Meyerson
producer:
Bob Badami and Hans Zimmer (German score composer)
assistant editor:
Katie Greathouse
editor:
Melissa Muik and Julie Pearce
cello:
Martin Tillman
choir vocals:
Choir of the King’s Consort and Metro Voices
choir vocals [choir master]:
Jenny O’Grady
vocals:
Delores Clay
additional conductor:
Alastair King
conductor:
Pete Anthony
orchestrator:
Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
additionally recorded at:
Abbey Road Studios, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios, London (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Sony Scoring Stage, Los Angeles, CA (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I’ve Got My Eye on You (Pirates of the Caribbean: Dead Man’s Chest)
composer:
Trevor Morris (Canadian score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Hans Zimmer2:25
5Dinner Is Served
additional recording engineer:
Slamm Andrews, Big Al Clay and Jeff Biggers
recording engineer and mixer:
Alan Meyerson
producer:
Bob Badami and Hans Zimmer (German score composer)
assistant editor:
Katie Greathouse
editor:
Melissa Muik and Julie Pearce
cello:
Martin Tillman
choir vocals:
Choir of the King’s Consort and Metro Voices
choir vocals [choir master]:
Jenny O’Grady
vocals:
Delores Clay
additional conductor:
Alastair King
conductor:
Pete Anthony
orchestrator:
Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
additionally recorded at:
Abbey Road Studios, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios, London (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Sony Scoring Stage, Los Angeles, CA (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Dinner Is Served (Pirates of the Caribbean: Dead Man’s Chest)
composer:
Klaus Badelt (German score composer), Bruce Fowler (American trombonist and composer), Nick Glennie‐Smith, Mel Wesson, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Hans Zimmer21:30
6Tia Dalma
additional recording engineer:
Slamm Andrews, Big Al Clay and Jeff Biggers
recording engineer and mixer:
Alan Meyerson
producer:
Bob Badami and Hans Zimmer (German score composer)
assistant editor:
Katie Greathouse
editor:
Melissa Muik and Julie Pearce
cello:
Martin Tillman
choir vocals:
Choir of the King’s Consort and Metro Voices
choir vocals [choir master]:
Jenny O’Grady
vocals:
Delores Clay
additional conductor:
Alastair King
conductor:
Pete Anthony
orchestrator:
Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
additionally recorded at:
Abbey Road Studios, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios, London (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Sony Scoring Stage, Los Angeles, CA (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Tia Dalma (Pirates of the Caribbean: Dead Man’s Chest)
composer:
Klaus Badelt (German score composer), Lorne Balfe (Scottish score composer), Blake Neely, Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Hans Zimmer3:58
7Two Hornpipes (Tortuga)
additional recording engineer:
Slamm Andrews, Big Al Clay and Jeff Biggers
recording engineer and mixer:
Alan Meyerson
producer:
Bob Badami and Hans Zimmer (German score composer)
assistant editor:
Katie Greathouse
editor:
Melissa Muik and Julie Pearce
cello:
Martin Tillman
choir vocals:
Choir of the King’s Consort and Metro Voices
choir vocals [choir master]:
Jenny O’Grady
vocals:
Delores Clay
additional conductor:
Alastair King
conductor:
Pete Anthony
orchestrator:
Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
additionally recorded at:
Abbey Road Studios, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios, London (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Sony Scoring Stage, Los Angeles, CA (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Two Hornpipes (Tortuga) (Pirates of the Caribbean: Dead Man’s Chest)
composer:
Skip Henderson
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Hans Zimmer1:14
8A Family Affair
additional recording engineer:
Slamm Andrews, Big Al Clay and Jeff Biggers
recording engineer and mixer:
Alan Meyerson
producer:
Bob Badami and Hans Zimmer (German score composer)
assistant editor:
Katie Greathouse
editor:
Melissa Muik and Julie Pearce
cello:
Martin Tillman
choir vocals:
Choir of the King’s Consort and Metro Voices
choir vocals [choir master]:
Jenny O’Grady
vocals:
Delores Clay
additional conductor:
Alastair King
conductor:
Pete Anthony
orchestrator:
Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
additionally recorded at:
Abbey Road Studios, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios, London (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Sony Scoring Stage, Los Angeles, CA (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
A Family Affair (Pirates of the Caribbean: Dead Man’s Chest)
composer:
Klaus Badelt (German score composer), Nick Glennie‐Smith and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Hans Zimmer3:34
9Wheel of Fortune
additional recording engineer:
Slamm Andrews, Big Al Clay and Jeff Biggers
recording engineer and mixer:
Alan Meyerson
producer:
Bob Badami and Hans Zimmer (German score composer)
assistant editor:
Katie Greathouse
editor:
Melissa Muik and Julie Pearce
cello:
Martin Tillman
choir vocals:
Choir of the King’s Consort and Metro Voices
choir vocals [choir master]:
Jenny O’Grady
vocals:
Delores Clay
additional conductor:
Alastair King
conductor:
Pete Anthony
orchestrator:
Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
additionally recorded at:
Abbey Road Studios, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios, London (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Sony Scoring Stage, Los Angeles, CA (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Wheel of Fortune (Pirates of the Caribbean: Dead Man’s Chest)
composer:
Klaus Badelt (German score composer), Tom Gire (co-founder, Brand X Music), John Sponsler (co-founder, Brand X Music) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Hans Zimmer6:46
10You Look Good Jack
additional recording engineer:
Slamm Andrews, Big Al Clay and Jeff Biggers
recording engineer and mixer:
Alan Meyerson
producer:
Bob Badami and Hans Zimmer (German score composer)
assistant editor:
Katie Greathouse
editor:
Melissa Muik and Julie Pearce
cello:
Martin Tillman
choir vocals:
Choir of the King’s Consort and Metro Voices
choir vocals [choir master]:
Jenny O’Grady
vocals:
Delores Clay
additional conductor:
Alastair King
conductor:
Pete Anthony
orchestrator:
Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
additionally recorded at:
Abbey Road Studios, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios, London (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Sony Scoring Stage, Los Angeles, CA (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
You Look Good Jack (Pirates of the Caribbean: Dead Man’s Chest)
composer:
Blake Neely and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Hans Zimmer5:34
11Hello Beastie
additional recording engineer:
Slamm Andrews, Big Al Clay and Jeff Biggers
recording engineer and mixer:
Alan Meyerson
producer:
Bob Badami and Hans Zimmer (German score composer)
assistant editor:
Katie Greathouse
editor:
Melissa Muik and Julie Pearce
cello:
Martin Tillman
choir vocals:
Choir of the King’s Consort and Metro Voices
choir vocals [choir master]:
Jenny O’Grady
vocals:
Delores Clay
additional conductor:
Alastair King
conductor:
Pete Anthony
orchestrator:
Bruce Fowler (American trombonist and composer), Walt Fowler, Rick Giovinazzo, Ken Kugler and Suzette Moriarty
additionally recorded at:
Abbey Road Studios, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios, London (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Sony Scoring Stage, Los Angeles, CA (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd-AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Hello Beastie (Pirates of the Caribbean: Dead Man’s Chest)
composer:
Lorne Balfe (Scottish score composer), Tom Gire (co-founder, Brand X Music), Blake Neely, John Sponsler (co-founder, Brand X Music) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
Hans Zimmer10:16
12He’s a Pirate (Tiësto remix)
additional producer:
Tiësto (Dutch DJ and record producer)
executive producer:
Glen Lajeski
remixer:
Tiësto (Dutch DJ and record producer)
remix of:
He’s a Pirate by Hans Zimmer (German score composer), Klaus Badelt (German score composer) & Geoff Zanelli (American score composer)
recording of:
He’s a Pirate (Tiësto remix)
composer:
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
Klaus Badelt27:03
CD 3: Pirates of the Caribbean: At World’s End
#TitleArtistRatingLength
1Hoist the Colours
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recorded at:
Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Hoist the Colours (Pirates of the Caribbean: At World’s End)
lyricist:
Ted Elliott (American screenwriter and film producer) and Terry Rossio (American screenwriter)
composer:
Gore Verbinski (American film director, screenwriter, producer and musician) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer1:31
2Singapore
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Singapore (Pirates of the Caribbean: At World’s End)
composer:
Klaus Badelt (German score composer), Tom Gire (co-founder, Brand X Music), Atli Örvarsson (Icelandic score composer), John Sponsler (co-founder, Brand X Music), Gore Verbinski (American film director, screenwriter, producer and musician), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer3:41
3At Wit’s End
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
At Wit’s End (Pirates of the Caribbean: At World’s End)
composer:
Lorne Balfe (Scottish score composer), Henry Jackman (English score composer), Atli Örvarsson (Icelandic score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer8:06
4Multiple Jacks
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Multiple Jacks (Pirates of the Caribbean: At World’s End)
composer:
Atli Örvarsson (Icelandic score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer3:52
5Up Is Down
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Up Is Down (Pirates of the Caribbean: At World’s End)
composer:
Henry Jackman (English score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer3.752:42
6I See Dead People in Boats
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I See Dead People in Boats (Pirates of the Caribbean: At World’s End)
composer:
Lorne Balfe (Scottish score composer), Blake Neely, Atli Örvarsson (Icelandic score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer7:09
7The Brethren Court
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
The Brethren Court (Pirates of the Caribbean: At World’s End)
composer:
Lorne Balfe (Scottish score composer), Atli Örvarsson (Icelandic score composer), Gore Verbinski (American film director, screenwriter, producer and musician) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer2:21
8Parlay
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Parlay (Pirates of the Caribbean: At World’s End)
composer:
Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer2:10
9Calypso
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Calypso (Pirates of the Caribbean: At World’s End)
composer:
Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer3:03
10What Shall We Die For
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
What Shall We Die For (Pirates of the Caribbean: At World’s End)
composer:
Nick Glennie‐Smith, Gore Verbinski (American film director, screenwriter, producer and musician) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer3.752:03
11I Don’t Think Now Is the Best Time
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
I Don’t Think Now Is the Best Time (Pirates of the Caribbean: At World’s End)
composer:
Klaus Badelt (German score composer), Tom Gire (co-founder, Brand X Music), Henry Jackman (English score composer), Atli Örvarsson (Icelandic score composer), John Sponsler (co-founder, Brand X Music), Gore Verbinski (American film director, screenwriter, producer and musician) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer10:45
12One Day
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
One Day (Pirates of the Caribbean: At World’s End)
composer:
Henry Jackman (English score composer), John Sponsler (co-founder, Brand X Music), Thomas Gire (co-founder, Brand X Music) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer4:02
13Drink Up Me Hearties
additional recording engineer:
Big Al Clay, Jeff Biggers, Geoff Foster (sound engineer), Greg Vines and Matt Ward (UK based songwriter, record producer and remixer)
recording engineer:
Slamm Andrews and Alan Meyerson
producer:
Bob Badami, Melissa Muik and Hans Zimmer (German score composer)
mixer:
Big Al Clay and Alan Meyerson
editor:
Katie Greathouse, Barbara McDermott and Melissa Muik
choir vocals:
Metro Voices
choir vocals [choir master]:
Jenny O’Grady
soprano vocals:
Hila Plitmann
vocals:
Delores Clay
additional conductor:
Matthew Dunkel (choir conductor)
conductor:
Nick Glennie‐Smith and Blake Neely
orchestrator:
Steve Bartek, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Ken Kugler and Suzette Moriarty
concertmaster:
Endre Granat (Hungarian violinist)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom, Fox Scoring Stage in Century City, Los Angeles, California, United States, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States and Todd AO Scoring Stage in Studio City, Los Angeles, California, United States
mixed at:
Remote Control Productions in Santa Monica, California, United States
recording of:
Drink Up Me Hearties (Pirates of the Caribbean: At World’s End)
composer:
Lorne Balfe (Scottish score composer), Henry Jackman (English score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean: At World's End (2007 film soundtrack)
Hans Zimmer3.754:32
CD 4: Pirates of the Caribbean: Remixed & Unreleased
#TitleArtistRatingLength
1Pirates, Day One, 4:56am
recording of:
Pirates, Day One, 4:56AM (Pirates of the Caribbean)
composer:
Hans Zimmer (German score composer)
Klaus Badelt3:46
2Marry Me
recording of:
Marry Me (Pirates of the Caribbean)
composer:
Hans Zimmer (German score composer)
Klaus Badelt11:37
3The Heart of Davey Jones
recording of:
The Heart of Davy Jones (Pirates of the Caribbean)
composer:
Hans Zimmer (German score composer)
Klaus Badelt3:14
4Lord Cutler Beckett
recording of:
Lord Cutler Beckett (Pirates of the Caribbean)
composer:
Hans Zimmer (German score composer)
Klaus Badelt8:47
5Jack’s Theme (bare bones demo)
piano:
Hans Zimmer (German score composer)
recording of:
Jack Theme Suite
composer:
Hans Zimmer (German score composer)
Klaus Badelt4:05
6Hoist the Colours (suite)
recording of:
Hoist the Colours Suite (Pirates of the Caribbean: At World's End)
lyricist:
Ted Elliott (American screenwriter and film producer) and Terry Rossio (American screenwriter)
composer:
Gore Verbinski (American film director, screenwriter, producer and musician) and Hans Zimmer (German score composer)
Klaus Badelt5:44
7The Pirate Lord of Singapore
recording of:
The Pirate Lord of Singapore (Pirates of the Caribbean)
composer:
Hans Zimmer (German score composer)
Klaus Badelt5:58
8Just Good Business
recording of:
Just Good Business
composer:
Hans Zimmer (German score composer)
is based on:
Lord Cutler Beckett (Pirates of the Caribbean)
Klaus Badelt5:56
9He’s a Pirate (Pete n’ Red’s Jolly Roger mix)
remixer:
Pete n' Red
recording of:
He’s a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean (Live in Prague)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
recording of:
He’s a Pirate (Pete n’ Red’s Jolly Roger radio edit)
composer:
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
Klaus Badelt3:13
10He’s a Pirate (Friscia & Lamboy Tribal Treasure mix)
remixer:
Friscia & Lamboy
recording of:
He’s a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean (Live in Prague)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt4:38
11He’s a Pirate (Pelo Verde mix)
remixer:
Pelo Verde
recording of:
He’s a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean (Live in Prague)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt4:40
12He’s a Pirate (Chris Joss Ship Ahoy Tribal mix)
remixer:
Chris Joss
recording of:
He’s a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl)
orchestrator:
Robert Elhai, Elizabeth Finch, Bruce Fowler (American trombonist and composer), Walt Fowler, Bill Liston, Ladd McIntosh, Suzette Moriarty, Conrad Pope and Brad Warnaar
composer:
Klaus Badelt (German score composer), Geoff Zanelli (American score composer) and Hans Zimmer (German score composer)
part of:
Pirates of the Caribbean (Live in Prague)
part of:
Pirates of the Caribbean: Dead Man's Chest (2006 film soundtrack)
part of:
Pirates of the Caribbean: Dead Men Tell No Tales (2017 film soundtrack)
part of:
Pirates of the Caribbean: The Curse of the Black Pearl (2003 film soundtrack)
Klaus Badelt4:03
13Jack’s Suite (Paul Oakenfold mix)
remixer:
Paul Oakenfold
recording of:
Jack Theme Suite
composer:
Hans Zimmer (German score composer)
Klaus Badelt3:35
14Jack’s Suite (The Crystal Method mix)
remixer:
The Crystal Method
recording of:
Jack Theme Suite
composer:
Hans Zimmer (German score composer)
Klaus Badelt3:48
15Pirates Live Forever (Ryeland Allison mix)
remixer:
Ryeland Allison
recording of:
Pirates Live Forever
composer:
Hans Zimmer (German score composer)
Klaus Badelt3:51
DVD-Video 5: Pirates of the Caribbean: Making of a Score
#TitleArtistRatingLength
1Making of a Score
[unknown]19:49
2Hans Zimmer: The Man Behind the Pirates Music
Hans Zimmer17:38
3Hans Zimmer’s Live Performance at Disneyland for the World Premiere of Pirates of the Caribbean: At the World’s End
Hans Zimmer8:37