Die schönsten Chöre

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Die Ehre Gottes aus der Natur op. 48 Nr. 4 »Die Himmel rühmen«
choir vocals:
Berliner Händel-Chor (in 1962)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
arranger:
Felix Mottl
recording of:
Song for Voice and Piano, op. 48 no. 4 in C major: Majestätisch und erhaben "Die Ehre Gottes in der Natur: Die Himmel rühmen des Ewigen Ehre" (in 1962)
lyricist:
Christian Fürchtegott Gellert
composer:
Ludwig van Beethoven (German composer) (in 1802-03)
part of:
6 Lieder, op. 48
Ludwig van Beethoven2:46
2Transeamus usque Bethlehem
choir vocals:
Berliner Händel-Chor (in 1962)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Transeamus usque Bethlehem (in 1962)
composer:
Josef Ignaz Schnabel
Joseph Schnabel3:01
3Ave Maria D 839
choir vocals:
Berliner Händel-Chor (in 1962)
soprano vocals:
Lisa Otto (soprano) (in 1962)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements) (in 1962)
composer:
Franz Schubert (composer)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert5:19
4Deutsche Messe F-Dur D 872: 5. Zum Sanctus »Heilig ist der Herr«
choir vocals:
Berliner Händel-Chor (in 1962)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Deutsche Messe, D. 872: V. Zum Sanctus: Heilig, Heilig (in 1962)
lyricist:
Johann Philipp Neumann (poet)
composer:
Franz Schubert (composer)
part of:
Deutsche Messe, D. 872
Franz Schubert3:51
5Ave Maria
choir vocals:
Berliner Händel-Chor (in 1962)
soprano vocals:
Lisa Otto (soprano) (in 1962)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Ave Maria (Bach/Gounod) (in 1962)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles‐François Gounod3:19
6Ave Maria (II)
choir vocals:
Berliner Händel-Chor (in 1962)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Ave Maria (unspecified) (in 1962)
composer:
Anton Bruckner (composer)
Anton Bruckner4:07
7Agnus Dei
choir vocals:
Berliner Händel-Chor (in 1962)
tenor vocals:
Donald Grobe (tenor) (in 1962)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) (in 1962)
conductor:
Günther Arndt (choral conductor) (in 1962)
recording of:
Agnus Dei (in 1962)
composer:
Georges Bizet (composer)
arranger:
Ernest Guiraud
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:26
8Deutsche Messe F-Dur D 872: 2. Zum Gloria »Ehre sei Gott in der Höhe«
choir vocals:
Mitglieder des Chors des Bayerischen Rundfunks (in 1961) and Regensburger Domspatzen (German / Regensburger cathedral choir) (in 1961)
orchestra:
Mirglieder des Symphonieorchesters des Bayerischen Rundfunks (in 1961)
conductor:
Theobald Schrems (in 1961)
recording of:
Deutsche Messe, D. 872: II. Zum Gloria: Ehre, Ehre sei Gott (in 1961)
lyricist:
Johann Philipp Neumann (poet)
composer:
Franz Schubert (composer)
part of:
Deutsche Messe, D. 872
Franz Schubert3:30
9Der Messias: »Halleluja«
producer:
Karl Faust (producer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1964-06)
organ:
Elmar Schloter (organist) (in 1964-06)
solo trumpet:
Maurice André (French trumpeter) (in 1964-06)
choir vocals:
Münchener Bach‐Chor (in 1964-06)
orchestra:
Münchener Bach‐Orchester (in 1964-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1964-06)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1964-06)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1964-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:16
10Messe in h-Moll, BWV 232: Gloria
choir vocals:
Münchener Bach‐Chor (from 1961-02 until 1961-04)
orchestra:
Münchener Bach‐Orchester (from 1961-02 until 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1962)
compilation of:
Mass in B minor: IV. Chor: Gloria in excelsis Deo by Münchener Bach‐Orchester, Karl Richter (conductor/ choir master/ organist/ harpsichordist) and Mass in B minor: V. Chor: Et in terra pax by Münchener Bach‐Orchester, Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1961-02 until 1961-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1961-02 until 1961-04)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:55
11Kyrie B-Dur D 45
choir vocals:
Regensburger Domspatzen (German / Regensburger cathedral choir) (in 1961)
conductor:
Theobald Schrems (in 1961)
recording of:
Kyrie in B-flat major, D. 45 (in 1961)
composer:
Franz Schubert (composer) (in 1813-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 45)
Franz Schubert2:17
12Salve Regina B-Dur D 386
choir vocals:
Regensburger Domspatzen (German / Regensburger cathedral choir) (in 1961)
conductor:
Theobald Schrems (in 1961)
recording of:
Salve Regina in B-flat major, D. 386 (in 1961)
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 386)
Franz Schubert3:51
13Die Schöpfung: »Die Himmel erzählen«
producer:
Hans Weber (producer/engineer)
choir vocals:
Wiener Singverein (from 1966-02-22 until 1969-04-29)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1966-02-22 until 1969-04-29)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-02-22 until 1969-04-29)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-02-22 until 1969-04-29)
orchestra:
Berliner Philharmoniker (from 1966-02-22 until 1969-04-29)
conductor:
Herbert von Karajan (conductor) (from 1966-02-22 until 1969-04-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-02-22 until 1969-04-29)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-02-22 until 1969-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-02-22 until 1969-04-29)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:06
14Paukenmesse (Missa in tempore belli): »Gloria« (Teil 1)
vocals:
Chor des Bayerischen Rundfunks (in 1963)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1963)
conductor:
Rafael Kubelík (conductor) (in 1963)
partial recording of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria (in 1963)
composer:
Joseph Haydn (composer)
part of:
Missa in tempore belli, Hob. XXII:9 "Paukenmesse"
Joseph Haydn2:52
15Ein deutsches Requiem op. 45: 2. »Denn alles Fleisch« (Anfang)
choir vocals:
Wiener Singverein (in 1965)
orchestra:
Berliner Philharmoniker (in 1965)
conductor:
Herbert von Karajan (conductor) (in 1965)
partial recording of:
Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras” (Chor) (in 1965)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:27
▶ CD 2