Composers in Person

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: [01] Béla Bartók, Ernő Dohnányi
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114 Bagatelles, op. 6 / Sz38 / BB50: No. 2. Allegro giocoso
recorded in:
Budapest, Hungary (from 1929-11-05 until 1929-11-20)
piano:
Béla Bartók (composer) (from 1929-11-05 until 1929-11-20)
recording of:
14 Bagatelles, op. 6: No. 2. Allegro giocoso (from 1929-11-05 until 1929-11-20)
composer:
Béla Bartók (composer)
part of:
14 Bagatelles, Sz. 38, BB 50, op. 6
Béla Bartók0:48
210 Easy Pieces Sz39 / BB51: No. 5. Este a székelyeknél
recorded in:
Budapest, Hungary (from 1929-11-05 until 1929-11-20)
piano:
Béla Bartók (composer) (from 1929-11-05 until 1929-11-20)
recording of:
Ten Easy Pieces, Sz. 39, BB 51, No. 5: An Evening at the Village (from 1929-11-05 until 1929-11-20)
composer:
Béla Bartók (composer) (in 1908)
part of:
Ten Easy Pieces, Sz. 39, BB 51
Béla Bartók2:39
310 Easy Pieces Sz39 / BB51: No. 10. Medvetánc
recorded in:
Budapest, Hungary (from 1929-11-05 until 1929-11-20)
piano:
Béla Bartók (composer) (from 1929-11-05 until 1929-11-20)
recording of:
Ten Easy Pieces, Sz. 39, BB 51, No. 10: Bear Dance (from 1929-11-05 until 1929-11-20)
composer:
Béla Bartók (composer) (in 1908)
part of:
Ten Easy Pieces, Sz. 39, BB 51
Béla Bartók1:39
42 Romanian Dances, op. 8a / Sz43 / BB56: No. 1. Allegro vivace
recorded in:
Budapest, Hungary (from 1929-11-05 until 1929-11-20)
piano:
Béla Bartók (composer) (from 1929-11-05 until 1929-11-20)
recording of:
Two Romanian Dances, Sz. 43, BB 56, No. 1: Allegro vivace (from 1929-11-05 until 1929-11-20)
composer:
Béla Bartók (composer) (in 1910)
part of:
Two Romanian Dances, Sz. 43, BB 56
Béla Bartók4:12
52 Romanian Dances, op. 8a / Sz43 / BB56: No. 2. Kicsit ázottan...
recorded in:
Budapest, Hungary (from 1929-11-05 until 1929-11-20)
piano:
Béla Bartók (composer) (from 1929-11-05 until 1929-11-20)
recording of:
Three Burlesques, Sz. 47, BB 55, No. 2: A Little Tipsy (from 1929-11-05 until 1929-11-20)
composer:
Béla Bartók (composer)
part of:
Three Burlesques, Sz. 47, BB 55
Béla Bartók2:03
6Allegro barbaro, Sz.49 / BB63
recorded in:
Budapest, Hungary (from 1929-11-05 until 1929-11-20)
piano:
Béla Bartók (composer) (from 1929-11-05 until 1929-11-20)
recording of:
Allegro barbaro, Sz. 49, BB 63 (from 1929-11-05 until 1929-11-20)
composer:
Béla Bartók (composer) (in 1911)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 49) and Béla Bartók's Works (BB) (number: BB 63)
Béla Bartók2:26
7Suite, op. 14 / Sz62 / BB70: I. Allegretto
recorded in:
Budapest, Hungary (from 1929-11-05 until 1929-11-20)
piano:
Béla Bartók (composer) (from 1929-11-05 until 1929-11-20)
recording of:
Suite for Piano, op. 14, Sz. 62: I. Allegretto (from 1929-11-05 until 1929-11-20)
composer:
Béla Bartók (composer) (in 1916-02)
part of:
Suite for Piano, op. 14, Sz. 62
Béla Bartók1:51
8Suite, op. 14 / Sz62 / BB70: II. Scherzo
recorded in:
Budapest, Hungary (from 1929-11-05 until 1929-11-20)
piano:
Béla Bartók (composer) (from 1929-11-05 until 1929-11-20)
recording of:
Suite for Piano, op. 14, Sz. 62: II. Scherzo (from 1929-11-05 until 1929-11-20)
composer:
Béla Bartók (composer) (in 1916-02)
part of:
Suite for Piano, op. 14, Sz. 62
Béla Bartók1:49
9Suite, op. 14 / Sz62 / BB70: III. Allegro molto
recorded in:
Budapest, Hungary (from 1929-11-05 until 1929-11-20)
piano:
Béla Bartók (composer) (from 1929-11-05 until 1929-11-20)
recording of:
Suite for Piano, op. 14, Sz. 62: III. Allegro molto (from 1929-11-05 until 1929-11-20)
composer:
Béla Bartók (composer) (in 1916-02)
part of:
Suite for Piano, op. 14, Sz. 62
Béla Bartók2:01
10Suite, op. 14 / Sz62 / BB70: IV. Sostenuto
recorded in:
Budapest, Hungary (from 1929-11-05 until 1929-11-20)
piano:
Béla Bartók (composer) (from 1929-11-05 until 1929-11-20)
recording of:
Suite for Piano, op. 14, Sz. 62: IV. Sostenuto (from 1929-11-05 until 1929-11-20)
composer:
Béla Bartók (composer) (in 1916-02)
part of:
Suite for Piano, op. 14, Sz. 62
Béla Bartók2:29
11Mikrokosmos Sz107 / BB105, Vol. V: No. 124. Staccato (Allegretto mosso)
piano:
Béla Bartók (composer) (on 1937-02-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1937-02-05)
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume V, No. 124: Staccato (on 1937-02-05)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume V
Béla Bartók1:14
12Mikrokosmos Sz107 / BB105, Vol. VI: No. 146. Ostinato (Vivacissimo)
piano:
Béla Bartók (composer) (on 1937-02-05)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1937-02-05)
recording of:
Mikrokosmos, Sz. 107, BB 105: Volume VI, No. 146: Ostinato (Vivacissimo) (on 1937-02-05)
composer:
Béla Bartók (composer)
part of:
Mikrokosmos, Sz. 107, BB 105: Volume VI
Béla Bartók2:14
135 Hungarian Folk Songs from Sz33 / BB97: No. 1. Elindultam szép hazámból / No. 2. Általmennék én a Tiszán ladikon / No. 3. A gyulai kert alatt / No. 4. Nem messze van ide Kis Margitta / No. 5. Végig mentem a tárkányi
recorded in:
Budapest, Hungary (on 1928-12-05)
piano:
Béla Bartók (composer) (on 1928-12-05)
soprano vocals:
Vilma Medgyaszay (on 1928-12-05)
recording of:
Magyar népdalok: No. 1. Elindultam szép hazámból (I left my beautiful country) (on 1928-12-05)
composer:
Béla Bartók (composer)
part of:
Magyar népdalok
recording of:
Magyar népdalok: No. 2. Általmennék én a Tiszán ladikon (on 1928-12-05)
composer:
Béla Bartók (composer)
part of:
Magyar népdalok
recording of:
Magyar népdalok: No. 4. A gyulai kert alatt (In the summer fields) (on 1928-12-05)
composer:
Béla Bartók (composer)
part of:
Magyar népdalok
recording of:
Magyar népdalok: No. 8. Végig mentem a tárkányi sej, haj, nagy uccán (Walking through the town) (on 1928-12-05)
composer:
Béla Bartók (composer)
part of:
Magyar népdalok
recording of:
Magyar népdalok: No. 9. Nem messze van ide (Not far from here - The Horseman) (on 1928-12-05)
composer:
Béla Bartók (composer)
part of:
Magyar népdalok
Béla Bartók5:34
148 Hungarian Folk Songs Sz64 / BB47: No. 1. Fekete főd / No. 2. Istenem, Istenem / No. 3. Asszonyok, asszonyok / No. 5. Ha kimegyek arr’ a magos tetőre
recorded in:
Budapest, Hungary (on 1928-12-07)
piano:
Béla Bartók (composer) (on 1928-12-07)
contralto vocals:
Mária Basilides (on 1928-12-07)
recording of:
Eight Hungarian Folksongs: No. 1. Fekete főd, fehér az én zsebkendőm (on 1928-12-07)
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
recording of:
Eight Hungarian Folksongs: No. 2. Istenem, Istenem, áraszd meg a vizet (on 1928-12-07)
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
recording of:
Eight Hungarian Folksongs: No. 3. Asszonyok, asszonyok, had’ legyek társatok (on 1928-12-07)
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
recording of:
Eight Hungarian Folksongs: No. 5. Ha kimegyek arr’ a magos tetőre (on 1928-12-07)
composer:
Béla Bartók (composer) (in 1907)
part of:
Eight Hungarian Folksongs
Béla Bartók5:02
158 Hungarian Folk Songs Sz64 / BB47: No. 6. Töltik a nagyerdő útját / No. 7. Eddig való dolgom / No. 8. Olvad a hó
recorded in:
Budapest, Hungary (on 1928-12-07)
piano:
Béla Bartók (composer) (on 1928-12-07)
tenor vocals:
Ferenc Székelyhidy (on 1928-12-07)
recording of:
Eight Hungarian Folksongs: No. 6. Töltik a nagyerdő útját (on 1928-12-07)
composer:
Béla Bartók (composer) (in 1917)
part of:
Eight Hungarian Folksongs
recording of:
Eight Hungarian Folksongs: No. 7. Eddig való dolgom a tavaszi szántás (on 1928-12-07)
composer:
Béla Bartók (composer) (in 1917)
part of:
Eight Hungarian Folksongs
recording of:
Eight Hungarian Folksongs: No. 8. Olvad a hó, csárdás kis angyalom (on 1928-12-07)
composer:
Béla Bartók (composer) (in 1917)
part of:
Eight Hungarian Folksongs
Béla Bartók3:53
167 Hungarian Folk Tunes
piano:
Béla Bartók (composer)
violin:
Joseph Szigeti (violinist)
recording of:
Hungarian Folk Tunes
composer:
Béla Bartók (composer)
arranger:
Béla Bartók (composer) (from 1926 until 1927) and Joseph Szigeti (violinist) (from 1926 until 1927)
Béla Bartók7:33
176 Romanian Folk Dances
piano:
Béla Bartók (composer)
violin:
Joseph Szigeti (violinist)
recording of:
Romanian Folk Dances, Sz. 56, BB 68 (for violin and piano, Szekely)
composer:
Béla Bartók (composer) (in 1915)
arranger:
Zoltán Székely
arrangement of:
Romanian Folk Dances, Sz. 56, BB 68
Béla Bartók5:23
18Variations on a Nursery Song, op. 25: Introduction (Maestoso) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Introduction (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi3:02
19Variations on a Nursery Song, op. 25: Theme (Allegro) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Theme (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi0:44
20Variations on a Nursery Song, op. 25: Variation I (Poco Più Mosso) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Variation 1 (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi0:35
21Variations on a Nursery Song, op. 25: Variation II (Risoluto) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Theme, op. 25: Variation II: Risoluto — (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist)
Ernő Dohnányi0:30
22Variations on a Nursery Song, op. 25: Variation III (L'istesso Tempo) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Variation 3 (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi1:08
23Variations on a Nursery Song, op. 25: Variation IV (Molto Meno Mosso [Allegretto Moderato]) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Variation 4 (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi1:00
24Variations on a Nursery Song, op. 25: Variation V (Più Mosso) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Variation 5 (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi1:00
25Variations on a Nursery Song, op. 25: Variation VI (Ancora Più Mosso [Allegro]) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Variation 6 (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi0:43
26Variations on a Nursery Song, op. 25: Variation VII (Walzer [Tempo Giusto]) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Variation 7 (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi1:42
27Variations on a Nursery Song, op. 25: Variation VIII (Alla Marcia [Allegro Moderato]) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Variation 8 (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi1:26
28Variations on a Nursery Song, op. 25: Variation IX (Presto) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Variation 9 (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi1:44
29Variations on a Nursery Song, op. 25: Variation X (Passacaglia [Adagio Non Troppo]) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Variation 10 (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi3:42
30Variations on a Nursery Song, op. 25: Variation XI (Choral [Maestoso]) –
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Variation 11 (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi1:31
31Variations on a Nursery Song, op. 25: Finale Fugato (Allegro Vivace)
piano:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (from 1931-02-21 until 1931-02-23)
orchestra:
London Symphony Orchestra (from 1931-02-21 until 1931-02-23)
conductor:
Lawrance Collingwood (from 1931-02-21 until 1931-02-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1931-02-21 until 1931-02-23)
recording of:
Variations on a Nursery Song, op. 25: Finale (from 1931-02-21 until 1931-02-23)
composer:
Ernő Dohnányi (Hungarian conductor, composer and pianist) (in 1914)
part of:
Variations on a Nursery Song, op. 25
part of:
Variations on a Nursery Song, op. 25
Ernő Dohnányi2:57
▼ CD 2: [02] Paul Hindemith (1)
#TitleArtistRatingLength
1Sonata for Solo Viola, op. 25 no. 1: I. Breit -
producer:
Joseph Batten
viola:
Paul Hindemith (German composer, 1895–1963) (on 1934-01-23)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1934-01-23)
recording of:
Sonate für Bratsche allein, op. 25 no. 1: I. Breit viertel (on 1934-01-23)
composer:
Paul Hindemith (German composer, 1895–1963)
part of:
Sonate für Bratsche allein, op. 25 no. 1
Paul Hindemith1:31
2Sonata for Solo Viola, op. 25 no. 1: II. Sehr frisch und straff
producer:
Joseph Batten
viola:
Paul Hindemith (German composer, 1895–1963) (on 1934-01-23)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1934-01-23)
recording of:
Sonate für Bratsche allein, op. 25 no. 1: II. Sehr frisch und straff (Viertel) (on 1934-01-23)
composer:
Paul Hindemith (German composer, 1895–1963)
part of:
Sonate für Bratsche allein, op. 25 no. 1
Paul Hindemith1:53
3Sonata for Solo Viola, op. 25 no. 1: III. Sehr langsam
producer:
Joseph Batten
viola:
Paul Hindemith (German composer, 1895–1963) (on 1934-01-23)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1934-01-23)
recording of:
Sonate für Bratsche allein, op. 25 no. 1: III. Sehr langsam (on 1934-01-23)
composer:
Paul Hindemith (German composer, 1895–1963)
part of:
Sonate für Bratsche allein, op. 25 no. 1
Paul Hindemith5:45
4Sonata for Solo Viola, op. 25 no. 1: IV. Rasendes Zeitmaß. Wild. Tonschönheit ist Nebensache
producer:
Joseph Batten
viola:
Paul Hindemith (German composer, 1895–1963) (on 1934-01-23)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1934-01-23)
recording of:
Sonate für Bratsche allein, op. 25 no. 1: IV. Rasendes zeitmaß. Wild. Tonschönheit ist nebensache (on 1934-01-23)
composer:
Paul Hindemith (German composer, 1895–1963)
part of:
Sonate für Bratsche allein, op. 25 no. 1
Paul Hindemith1:51
5Sonata for Solo Viola, op. 25 no. 1: V. Langsam, mit viel Ausdruck
producer:
Joseph Batten
viola:
Paul Hindemith (German composer, 1895–1963) (on 1934-01-23)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1934-01-23)
recording of:
Sonate für Bratsche allein, op. 25 no. 1: V. Langsam, aber mit viel Ausdruck (on 1934-01-23)
composer:
Paul Hindemith (German composer, 1895–1963)
part of:
Sonate für Bratsche allein, op. 25 no. 1
Paul Hindemith4:25
6Scherzo for Viola and Cello
producer:
Joseph Batten
cello:
Emanuel Feuermann (cellist) (on 1934-01-23)
viola:
Paul Hindemith (German composer, 1895–1963) (on 1934-01-23)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1934-01-23)
recording of:
Duett für Bratsche und Cello (on 1934-01-23)
composer:
Paul Hindemith (German composer, 1895–1963) (on 1934-01-23)
Paul Hindemith3:24
7Nobilissima visione, Suite: I. Einleitung und Rondo
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-21)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-21)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-21)
recording of:
Nobilissima visione: I. Einleitung und Rondo (on 1956-11-21)
composer:
Paul Hindemith (German composer, 1895–1963)
part of:
Nobilissima visione
Paul Hindemith8:55
8Nobilissima visione, Suite: II. Marsch und Pastorale
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-21)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-21)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-21)
recording of:
Nobilissima visione: II. Marsch und Pastorale (on 1956-11-21)
composer:
Paul Hindemith (German composer, 1895–1963)
part of:
Nobilissima visione
Paul Hindemith9:11
9Nobilissima visione, Suite: III. Passacaglia
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-21)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-21)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-21)
recording of:
Nobilissima visione: III. Passacaglia (on 1956-11-21)
composer:
Paul Hindemith (German composer, 1895–1963)
part of:
Nobilissima visione
Paul Hindemith6:55
10Symphonia serena: I. Moderately fast
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-21)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-21)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-21)
recording of:
Symphonia Serena: I. Moderately fast (on 1956-11-21)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1946)
part of:
Symphonia Serena
Paul Hindemith10:48
11Symphonia serena: II. Geschwindmarsch by Beethoven (Rather fast)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-21)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-21)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-21)
recording of:
Symphonia Serena: II. Geschwindmarsch by Beethoven, paraphrase (on 1956-11-21)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1946)
part of:
Symphonia Serena
Paul Hindemith3:31
12Symphonia serena: III. Colloquy
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-21)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-21)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-21)
recording of:
Symphonia Serena: III. Colloquy (on 1956-11-21)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1946)
part of:
Symphonia Serena
Paul Hindemith10:01
13Symphonia serena: IV. Finale (Gay)
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-21)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-21)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-21)
recording of:
Symphonia Serena: IV. Finale (on 1956-11-21)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1946)
part of:
Symphonia Serena
Paul Hindemith9:30
▼ CD 3: [03] Paul Hindemith (2)
#TitleArtistRatingLength
1String Trio no. 2: I. Mäßig schnell
producer:
Joseph Batten
cello:
Emanuel Feuermann (cellist) (on 1934-01-21)
viola:
Paul Hindemith (German composer, 1895–1963) (on 1934-01-21)
violin:
Szymon Goldberg (violinist and conductor) (on 1934-01-21)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1934-01-21)
recording of:
String Trio no. 2: I. Mäßig schnell (on 1934-01-21)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1933)
part of:
String Trio no. 2
Paul Hindemith7:56
2String Trio no. 2: II. Lebhaft
producer:
Joseph Batten
cello:
Emanuel Feuermann (cellist) (on 1934-01-21)
viola:
Paul Hindemith (German composer, 1895–1963) (on 1934-01-21)
violin:
Szymon Goldberg (violinist and conductor) (on 1934-01-21)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1934-01-21)
recording of:
String Trio no. 2: II. Lebhaft (on 1934-01-21)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1933)
part of:
String Trio no. 2
Paul Hindemith6:36
3String Trio no. 2: III. Langsam - Schnelle Halbe - Langsam - Schnell, wie vorher - Äußerst lebhaft
producer:
Joseph Batten
cello:
Emanuel Feuermann (cellist) (on 1934-01-21)
viola:
Paul Hindemith (German composer, 1895–1963) (on 1934-01-21)
violin:
Szymon Goldberg (violinist and conductor) (on 1934-01-21)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1934-01-21)
recording of:
String Trio no. 2: III. Langsam - Schnelle Halbe - Langsam - Schnell, wie vorher - Äußerst lebhaft (on 1934-01-21)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1933)
part of:
String Trio no. 2
Paul Hindemith8:40
4Clarinet Concerto: I. Ziemlich schnell
producer:
Walter Legge (British classical record producer, 1906-1979)
clarinet:
Louis Cahuzac (on 1956-11-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-22)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-22)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-22)
recording of:
Concerto for Clarinet and Orchestra: I. Rather Fast (on 1956-11-22)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1947)
part of:
Concerto for Clarinet and Orchestra
Paul Hindemith8:27
5Clarinet Concerto: II. Schnell
producer:
Walter Legge (British classical record producer, 1906-1979)
clarinet:
Louis Cahuzac (on 1956-11-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-22)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-22)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-22)
recording of:
Concerto for Clarinet and Orchestra: II. Ostinato. Fast (on 1956-11-22)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1947)
part of:
Concerto for Clarinet and Orchestra
Paul Hindemith2:07
6Clarinet Concerto: III. Ruhig
producer:
Walter Legge (British classical record producer, 1906-1979)
clarinet:
Louis Cahuzac (on 1956-11-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-22)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-22)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-22)
recording of:
Concerto for Clarinet and Orchestra: III. Quiet (on 1956-11-22)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1947)
part of:
Concerto for Clarinet and Orchestra
Paul Hindemith7:09
7Clarinet Concerto: IV. Heiter
producer:
Walter Legge (British classical record producer, 1906-1979)
clarinet:
Louis Cahuzac (on 1956-11-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-22)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-22)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-22)
recording of:
Concerto for Clarinet and Orchestra: IV. Gay (on 1956-11-22)
composer:
Paul Hindemith (German composer, 1895–1963) (in 1947)
part of:
Concerto for Clarinet and Orchestra
Paul Hindemith6:29
8Horn Concerto: I. Moderately fast
producer:
Walter Legge (British classical record producer, 1906-1979)
French horn:
Dennis Brain (horn player) (on 1956-11-19)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-19)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-19)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-19)
recording of:
Concerto for Horn and Orchestra: I. Moderately fast (on 1956-11-19)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1949-02 until 1949-03)
part of:
Concerto for Horn and Orchestra
Paul Hindemith3:21
9Horn Concerto: II. Very fast
producer:
Walter Legge (British classical record producer, 1906-1979)
French horn:
Dennis Brain (horn player) (on 1956-11-19)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-19)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-19)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-19)
recording of:
Concerto for Horn and Orchestra: II. Very fast (on 1956-11-19)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1949-02 until 1949-03)
part of:
Concerto for Horn and Orchestra
Paul Hindemith1:55
10Horn Concerto: III. Very slow - Moderately fast - Fast - Lively - Very slow
producer:
Walter Legge (British classical record producer, 1906-1979)
French horn:
Dennis Brain (horn player) (on 1956-11-19)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1956-11-19)
conductor:
Paul Hindemith (German composer, 1895–1963) (on 1956-11-19)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1956-11-19)
recording of:
Concerto for Horn and Orchestra: III. Very slow - Moderately fast - Fast - Lively - Very slow (on 1956-11-19)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1949-02 until 1949-03)
part of:
Concerto for Horn and Orchestra
Paul Hindemith9:39
11Concert Music for Brass and Strings, op. 50: I. Mäßig schnell, mit Kraft - Sehr breit, aber stets fließend
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1956-11-22 until 1956-11-24)
conductor:
Paul Hindemith (German composer, 1895–1963) (from 1956-11-22 until 1956-11-24)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-11-22 until 1956-11-24)
recording of:
Konzertmusik für Streichorchester und Blechbläser, op. 50: I. Mässig schnell, mit Kraft – Sehr breit, aber stehts fliessend (Moderately fast, with power – Very broad, but always flowing) (from 1956-11-22 until 1956-11-24)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1930-11 until 1930-12)
part of:
Konzertmusik für Streichorchester und Blechbläser, op. 50
Paul Hindemith8:05
12Concert Music for Brass and Strings, op. 50: II. Lebhaft - Langsam - Lebhaft
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1956-11-22 until 1956-11-24)
conductor:
Paul Hindemith (German composer, 1895–1963) (from 1956-11-22 until 1956-11-24)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-11-22 until 1956-11-24)
recording of:
Konzertmusik für Streichorchester und Blechbläser, op. 50: II. Lebhaft – Langsam – Im ersten Zeitmass (Fast – Slow – Tempo primo) (from 1956-11-22 until 1956-11-24)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1930-11 until 1930-12)
part of:
Konzertmusik für Streichorchester und Blechbläser, op. 50
Paul Hindemith8:05
▼ CD 4: [04] Aram Khachaturian
#TitleArtistRatingLength
1Masquerade Suite: I. Waltz
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-27 until 1954-12-04)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-27 until 1954-12-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-27 until 1954-12-04)
recording of:
Masquerade Suite, op. 48a: I. Waltz (from 1954-11-27 until 1954-12-04)
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (in 1944)
part of:
Masquerade Suite, op. 48a
Aram Khachaturian4:16
2Masquerade Suite: II. Nocturne
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-27 until 1954-12-04)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-27 until 1954-12-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-27 until 1954-12-04)
recording of:
Masquerade Suite, op. 48a: II. Nocturne (from 1954-11-27 until 1954-12-04)
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (in 1944)
part of:
Masquerade Suite, op. 48a
Aram Khachaturian4:37
3Masquerade Suite: III. Mazurka
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-27 until 1954-12-04)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-27 until 1954-12-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-27 until 1954-12-04)
recording of:
Masquerade Suite, op. 48a: III. Mazurka (from 1954-11-27 until 1954-12-04)
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (in 1944)
part of:
Masquerade Suite, op. 48a
Aram Khachaturian2:31
4Violin Concerto: I. Allegro con fermezza - Cadenza
violin:
David Oistrakh (violinist) (from 1954-11-26 until 1954-11-27)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-26 until 1954-11-27)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-26 until 1954-11-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-26 until 1954-11-27)
recording of:
Cadenza to Khachaturian’s Violin Concerto: I. Allegro con fermezza (Oistrakh) (from 1954-11-26 until 1954-11-27)
composer:
Давид Фёдорович Ойстрах (violinist)
is based on:
Violin Concerto in D minor, op. 46: I. Allegro con fermezza
recording of:
Violin Concerto in D minor, op. 46: I. Allegro con fermezza (from 1954-11-26 until 1954-11-27)
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (in 1940)
part of:
Violin Concerto in D minor, op. 46
Aram Khachaturian14:09
5Violin Concerto: II. Andante sostenuto
violin:
David Oistrakh (violinist) (from 1954-11-26 until 1954-11-27)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-26 until 1954-11-27)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-26 until 1954-11-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-26 until 1954-11-27)
recording of:
Violin Concerto in D minor, op. 46: II. Andante sostenuto (from 1954-11-26 until 1954-11-27)
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (in 1940)
part of:
Violin Concerto in D minor, op. 46
Aram Khachaturian12:02
6Violin Concerto: III. Allegro vivace
violin:
David Oistrakh (violinist) (from 1954-11-26 until 1954-11-27)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-26 until 1954-11-27)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-26 until 1954-11-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-26 until 1954-11-27)
recording of:
Violin Concerto in D minor, op. 46: III. Allegro vivace (from 1954-11-26 until 1954-11-27)
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (in 1940)
part of:
Violin Concerto in D minor, op. 46
Aram Khachaturian9:28
7Suite from Gayaneh: Dance of the Rose Maidens
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-24 until 1954-11-27)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-24 until 1954-11-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-24 until 1954-11-27)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: II. Dance of the Rose Maidens (from 1954-11-24 until 1954-11-27)
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Aram Khachaturian2:08
8Suite from Gayaneh: Ayesha's Awakening and Dance
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-24 until 1954-11-27)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-24 until 1954-11-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-24 until 1954-11-27)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: III. Aysheh’s awakening and dance (from 1954-11-24 until 1954-11-27)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Aram Khachaturian5:31
9Suite from Gayaneh: Lullaby
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-24 until 1954-11-27)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-24 until 1954-11-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-24 until 1954-11-27)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: V. Lullaby (from 1954-11-24 until 1954-11-27)
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Aram Khachaturian5:11
10Suite from Gayaneh: Gayaneh's Adagio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-24 until 1954-11-27)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-24 until 1954-11-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-24 until 1954-11-27)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: VII. Gayaneh’s Adagio (from 1954-11-24 until 1954-11-27)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Aram Khachaturian4:19
11Suite from Gayaneh: Lezghinka
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-24 until 1954-11-27)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-24 until 1954-11-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-24 until 1954-11-27)
recording of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53: VIII. Lezghinka (from 1954-11-24 until 1954-11-27)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
part of:
First Suite from the ballet “Gayaneh” for orchestra, op. 53
Aram Khachaturian2:38
12Suite from Gayaneh: Lyrical Duet of Ayesha and Armen
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-24 until 1954-11-27)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-24 until 1954-11-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-24 until 1954-11-27)
recording of:
Second Suite from the ballet “Gayaneh” for orchestra, op. 54: II. Lyrical Duet of Ayesha and Armen (from 1954-11-24 until 1954-11-27)
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian)
part of:
Second Suite from the ballet “Gayaneh” for orchestra, op. 54
Aram Khachaturian5:10
13Suite from Gayaneh: Dance of the Old Men and Women
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-24 until 1954-11-27)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-24 until 1954-11-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-24 until 1954-11-27)
recording of:
Second Suite from the ballet “Gayaneh” for orchestra, op. 54: V. Dance of the Old Men and the Female Carpetweavers (from 1954-11-24 until 1954-11-27)
composer:
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian)
part of:
Second Suite from the ballet “Gayaneh” for orchestra, op. 54
Aram Khachaturian4:22
14Suite from Gayaneh: Sabre Dance
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1954-11-24 until 1954-11-27)
conductor:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (from 1954-11-24 until 1954-11-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-11-24 until 1954-11-27)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (from 1954-11-24 until 1954-11-27)
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Khachaturian2:10
▼ CD 5: [05] Arthur Honegger, Francis Poulenc
#TitleArtistRatingLength
1Pastorale d'été
recorded in:
Paris, Île-de-France, France (in 1931-01)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1931-01)
conductor:
Arthur Honegger (composer) (in 1931-01)
recording of:
Pastorale d'été, H 31 (in 1931-01)
composer:
Arthur Honegger (composer) (in 1920-08)
part of:
Harry Halbreich's catalog of Arthur Honegger's works (H) (number: H 31)
Arthur Honegger7:49
2Cello Concerto: Andante
recorded in:
Paris, Île-de-France, France (in 1931-01)
cello:
Maurice Maréchal (cellist) (in 1931-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1931-01)
conductor:
Arthur Honegger (composer) (in 1931-01)
recording of:
Cello Concerto: I. Andante (in 1931-01)
composer:
Arthur Honegger (composer) (in 1929)
part of:
Cello Concerto
Arthur Honegger5:56
3Cello Concerto: Lento – Cadenza
recorded in:
Paris, Île-de-France, France (in 1931-01)
solo cello:
Maurice Maréchal (cellist) (in 1931-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1931-01)
conductor:
Arthur Honegger (composer) (in 1931-01)
recording of:
Cello Concerto: II. Lento (in 1931-01)
composer:
Arthur Honegger (composer) (in 1929)
part of:
Cello Concerto
Arthur Honegger5:46
4Cello Concerto: Allegro marcato
recorded in:
Paris, Île-de-France, France (in 1931-01)
cello:
Maurice Maréchal (cellist) (in 1931-01)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1931-01)
conductor:
Arthur Honegger (composer) (in 1931-01)
recording of:
Cello Concerto: III. Allegro marcato - Lento - Presto (in 1931-01)
composer:
Arthur Honegger (composer) (in 1929)
part of:
Cello Concerto
Arthur Honegger5:35
5Trois Mouvements perpetuels: I. Assez modéré
recorded in:
Paris, Île-de-France, France (on 1928-03-07)
piano:
Francis Poulenc (pianist and composer) (on 1928-03-07)
balance engineer:
J. Clenshaw
recording of:
Trois mouvements perpétuels, FP 14a: I. Assez modéré (on 1928-03-07)
composer:
Francis Poulenc (pianist and composer)
part of:
Trois mouvements perpétuels, FP 14a
Francis Poulenc1:10
6Trois Mouvements perpetuels: II. Très modéré
recorded in:
Paris, Île-de-France, France (on 1928-03-07)
piano:
Francis Poulenc (pianist and composer) (on 1928-03-07)
balance engineer:
J. Clenshaw
recording of:
Trois mouvements perpétuels, FP 14a: II. Très modéré (on 1928-03-07)
composer:
Francis Poulenc (pianist and composer)
part of:
Trois mouvements perpétuels, FP 14a
Francis Poulenc1:11
7Trois Mouvements perpetuels: III. Alerte
recorded in:
Paris, Île-de-France, France (on 1928-03-07)
piano:
Francis Poulenc (pianist and composer) (on 1928-03-07)
balance engineer:
J. Clenshaw
recording of:
Trois mouvements perpétuels, FP 14a: III. Alerte (on 1928-03-07)
composer:
Francis Poulenc (pianist and composer)
part of:
Trois mouvements perpétuels, FP 14a
Francis Poulenc2:12
8Trio pour piano, hautbois et basson: I. Presto
recorded in:
Paris, Île-de-France, France (on 1928-03-07)
bassoon:
Gustave Dhérin (on 1928-03-07)
oboe:
Roger Lamorlette (on 1928-03-07)
piano:
Francis Poulenc (pianist and composer) (on 1928-03-07)
balance engineer:
J. Clenshaw
recording of:
Trio pour piano, hautbois et basson: I. Presto (on 1928-03-07)
composer:
Francis Poulenc (pianist and composer) (in 1926)
part of:
Trio pour piano, hautbois et basson, FP 43
Francis Poulenc4:37
9Trio pour piano, hautbois et basson: II. Andante
recorded in:
Paris, Île-de-France, France (on 1928-03-07)
bassoon:
Gustave Dhérin (on 1928-03-07)
oboe:
Roger Lamorlette (on 1928-03-07)
piano:
Francis Poulenc (pianist and composer) (on 1928-03-07)
balance engineer:
J. Clenshaw
recording of:
Trio pour piano, hautbois et basson: II. Andante (on 1928-03-07)
composer:
Francis Poulenc (pianist and composer) (in 1926)
part of:
Trio pour piano, hautbois et basson, FP 43
Francis Poulenc3:59
10Trio pour piano, hautbois et basson: III. Rondo
recorded in:
Paris, Île-de-France, France (on 1928-03-07)
bassoon:
Gustave Dhérin (on 1928-03-07)
oboe:
Roger Lamorlette (on 1928-03-07)
piano:
Francis Poulenc (pianist and composer) (on 1928-03-07)
balance engineer:
J. Clenshaw
recording of:
Trio pour piano, hautbois et basson: III. Rondo (on 1928-03-07)
composer:
Francis Poulenc (pianist and composer) (in 1926)
part of:
Trio pour piano, hautbois et basson, FP 43
Francis Poulenc2:41
11Deux Novelettes: No. 1 in C
recorded in:
Paris, Île-de-France, France (on 1932-06-11)
piano:
Francis Poulenc (pianist and composer) (on 1932-06-11)
recording of:
Novellette no. 1 in C major (on 1932-06-11)
composer:
Francis Poulenc (pianist and composer)
part of:
2 Novelettes, FP 47
Francis Poulenc2:24
12Deux Novelettes: No. 2 in B-flat minor
recorded in:
Paris, Île-de-France, France (on 1932-06-11)
piano:
Francis Poulenc (pianist and composer) (on 1932-06-11)
recording of:
Novellette no. 2 in B-flat minor (on 1932-06-11)
composer:
Francis Poulenc (pianist and composer)
part of:
2 Novelettes, FP 47
Francis Poulenc1:10
13Nocturnes: No. 1 in C
recorded in:
Paris, Île-de-France, France (on 1934-11-20)
piano:
Francis Poulenc (pianist and composer) (on 1934-11-20)
balance engineer:
M. Cailly (engineer)
recording of:
Nocturne no. 1 in C major (on 1934-11-20)
composer:
Francis Poulenc (pianist and composer)
part of:
8 Nocturnes, FP 56
Francis Poulenc3:22
14Nocturnes: No. 2 in A ("Bal des jeunes filles")
recorded in:
Paris, Île-de-France, France (on 1934-11-20)
piano:
Francis Poulenc (pianist and composer) (on 1934-11-20)
balance engineer:
M. Cailly (engineer)
recording of:
Nocturne No. 2 (Bal de jeunes filles) (on 1934-11-20)
composer:
Francis Poulenc (pianist and composer)
part of:
8 Nocturnes, FP 56
Francis Poulenc1:17
15Nocturnes: No. 4 in C minor ("Bal fantôme")
recorded in:
Paris, Île-de-France, France (on 1934-11-20)
piano:
Francis Poulenc (pianist and composer) (on 1934-11-20)
balance engineer:
M. Cailly (engineer)
recording of:
Nocturne no. 4 in C minor "Bal fantôme" (on 1934-11-20)
composer:
Francis Poulenc (pianist and composer)
part of:
8 Nocturnes, FP 56
Francis Poulenc1:33
16Improvisations: No. 2 in A-flat
recorded in:
Paris, Île-de-France, France (on 1934-11-20)
piano:
Francis Poulenc (pianist and composer) (on 1934-11-20)
balance engineer:
M. Cailly (engineer)
recording of:
Improvisation no. 2 in A-flat major (on 1934-11-20)
composer:
Francis Poulenc (pianist and composer)
part of:
10 Improvisations, FP 63
Francis Poulenc1:39
17Improvisations: No. 5 in A minor
recorded in:
Paris, Île-de-France, France (on 1934-11-20)
piano:
Francis Poulenc (pianist and composer) (on 1934-11-20)
balance engineer:
M. Cailly (engineer)
recording of:
Improvisation no. 5 in A minor (on 1934-11-20)
composer:
Francis Poulenc (pianist and composer)
part of:
10 Improvisations, FP 63
Francis Poulenc1:25
18Improvisations: No. 9 in D
recorded in:
Paris, Île-de-France, France (on 1934-11-20)
piano:
Francis Poulenc (pianist and composer) (on 1934-11-20)
balance engineer:
M. Cailly (engineer)
recording of:
Improvisation no. 9 in D major (on 1934-11-20)
composer:
Francis Poulenc (pianist and composer)
part of:
10 Improvisations, FP 63
Francis Poulenc1:08
19Improvisations: No. 10 in F ("Éloge des gammes")
recorded in:
Paris, Île-de-France, France (on 1934-11-20)
piano:
Francis Poulenc (pianist and composer) (on 1934-11-20)
balance engineer:
M. Cailly (engineer)
recording of:
Improvisation no. 10 in F major (Eloge des gammes) (on 1934-11-20)
composer:
Francis Poulenc (pianist and composer)
part of:
10 Improvisations, FP 63
Francis Poulenc1:26
20Aubade: Toccata
orchestra:
Walther Straram Concerts Orchestra (from 1930-01-20 until 1930-01-22)
conductor:
Walther Straram (from 1930-01-20 until 1930-01-22)
balance engineer:
M. Cailly (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1930-01-20 until 1930-01-22)
recording of:
Aubade, FP 51: I. Toccata (from 1930-01-20 until 1930-01-22)
composer:
Francis Poulenc (pianist and composer) (in 1929)
part of:
Aubade, FP 51
Francis Poulenc2:36
21Aubade: Récitatif
orchestra:
Walther Straram Concerts Orchestra (from 1930-01-20 until 1930-01-22)
conductor:
Walther Straram (from 1930-01-20 until 1930-01-22)
balance engineer:
M. Cailly (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1930-01-20 until 1930-01-22)
recording of:
Aubade, FP 51: II. Recitatif: Les compagnes de Diane (from 1930-01-20 until 1930-01-22)
composer:
Francis Poulenc (pianist and composer) (in 1929)
part of:
Aubade, FP 51
Francis Poulenc0:48
22Aubade: Rondo
orchestra:
Walther Straram Concerts Orchestra (from 1930-01-20 until 1930-01-22)
conductor:
Walther Straram (from 1930-01-20 until 1930-01-22)
balance engineer:
M. Cailly (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1930-01-20 until 1930-01-22)
recording of:
Aubade, FP 51: III. Rondeau: Diane et compagnes (from 1930-01-20 until 1930-01-22)
composer:
Francis Poulenc (pianist and composer) (in 1929)
part of:
Aubade, FP 51
Francis Poulenc3:12
23Aubade: Presto
orchestra:
Walther Straram Concerts Orchestra (from 1930-01-20 until 1930-01-22)
conductor:
Walther Straram (from 1930-01-20 until 1930-01-22)
balance engineer:
M. Cailly (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1930-01-20 until 1930-01-22)
recording of:
Aubade, FP 51: IV. Presto: Toilette de Diane (from 1930-01-20 until 1930-01-22)
composer:
Francis Poulenc (pianist and composer) (in 1929)
part of:
Aubade, FP 51
Francis Poulenc1:22
24Aubade: Récitatif
orchestra:
Walther Straram Concerts Orchestra (from 1930-01-20 until 1930-01-22)
conductor:
Walther Straram (from 1930-01-20 until 1930-01-22)
balance engineer:
M. Cailly (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1930-01-20 until 1930-01-22)
recording of:
Aubade, FP 51: V. Recitatif: Introduction a la variation de Diane (from 1930-01-20 until 1930-01-22)
composer:
Francis Poulenc (pianist and composer) (in 1929)
part of:
Aubade, FP 51
Francis Poulenc1:52
25Aubade: Andante
orchestra:
Walther Straram Concerts Orchestra (from 1930-01-20 until 1930-01-22)
conductor:
Walther Straram (from 1930-01-20 until 1930-01-22)
balance engineer:
M. Cailly (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1930-01-20 until 1930-01-22)
recording of:
Aubade, FP 51: VI. Andante: Variation de Diane (from 1930-01-20 until 1930-01-22)
composer:
Francis Poulenc (pianist and composer) (in 1929)
part of:
Aubade, FP 51
Francis Poulenc3:16
26Aubade: Allegro feroce
orchestra:
Walther Straram Concerts Orchestra (from 1930-01-20 until 1930-01-22)
conductor:
Walther Straram (from 1930-01-20 until 1930-01-22)
balance engineer:
M. Cailly (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1930-01-20 until 1930-01-22)
recording of:
Aubade, FP 51: VII. Allegro feroce: Désespoir de Diane (from 1930-01-20 until 1930-01-22)
composer:
Francis Poulenc (pianist and composer) (in 1929)
part of:
Aubade, FP 51
Francis Poulenc0:43
27Aubade: Conclusion
orchestra:
Walther Straram Concerts Orchestra (from 1930-01-20 until 1930-01-22)
conductor:
Walther Straram (from 1930-01-20 until 1930-01-22)
balance engineer:
M. Cailly (engineer)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 1930-01-20 until 1930-01-22)
recording of:
Aubade, FP 51: VIII. Conclusion: Adieux et départ de Diane (from 1930-01-20 until 1930-01-22)
composer:
Francis Poulenc (pianist and composer) (in 1929)
part of:
Aubade, FP 51
Francis Poulenc5:07
▶ CD 6: [06] Charles-Marie Widor, Louis Vierne, Marcel Dupré, Olivier Messiaen
▶ CD 7: [07] Edward Elgar
▶ CD 8: [08] Olivier Messiaen
▶ CD 9: [09] Sergei Prokofiev, Alexander Glazunov
▶ CD 10: [10] Heitor Villa-Lobos
▶ CD 11: [11] Hans Pfitzner
▶ CD 12: [12] Darius Milhaud
▶ CD 13: [13] Francis Poulenc, Benjamin Britten
▶ CD 14: [14] Dmitri Shostakovich
▶ CD 15: [15] Igor Stravinsky (1)
▶ CD 16: [16] Igor Stravinsky (2)
▶ CD 17: [17] Richard Strauss
▶ CD 18: [18] Manuel de Falla, Enrique Granados, Federico Mompou, Joaquín Nin
▶ CD 19: [19] Edward Elgar, Gustav Holst
▶ CD 20: [20] Franz Lehár
▶ CD 21: [21] Nicolas Medtner
▶ CD 22: [22] Albert Roussel, Florent Schmitt