| # | Title | Artist | Rating | Length |
|---|
| 1 | Mass in B minor, BWV 232: Kyrie: Kyrie eleison (Chorus) | Johann Sebastian Bach | | 9:54 |
| 2 | Mass in B minor, BWV 232: Kyrie: Christe eleison (Soprano I and II) | Johann Sebastian Bach | | 5:18 |
| 3 | Mass in B minor, BWV 232: Gloria: Gloria in excelsis Deo (Chorus) | Johann Sebastian Bach | | 1:32 |
| 4 | Mass in B minor, BWV 232: Gloria: Et in terra pax (Chorus) | Johann Sebastian Bach | | 3:50 |
| 5 | Mass in B minor, BWV 232: Gloria: Domine Deus, Rex coelestis (Soprano and Tenor) | Johann Sebastian Bach | | 5:48 |
| 6 | Mass in B minor, BWV 232: Gloria: Qui sedes ad dextram Patris (Alto) | Johann Sebastian Bach | | 4:43 |
| 7 | Mass in B minor, BWV 232: Gloria: Cum Sancto Spiritu (Chorus) | Johann Sebastian Bach | | 4:00 |
| 8 | Mass in B minor, BWV 232: Credo: Et in unum Dominum Jesum Christum (Soprano and Alto) | Johann Sebastian Bach | | 5:07 |
| 9 | Mass in B minor, BWV 232: Credo: Crucifixus etiam pro nobis (Chorus)- bass-baritone vocals:
- Hanno Müller‐Brachmann
- choir vocals:
- Dresdner Kammerchor
- mezzo-soprano vocals:
- Ann Hallenberg and Marianne Beate Kielland
- soprano vocals:
- Sunhae Im
- tenor vocals:
- Markus Schäfer
- orchestra:
- Kölner Kammerorchester
- conductor:
- Helmut Müller‐Brühl
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:33 |
| 10 | Mass in B minor, BWV 232: Credo: Et resurrexit tertia die (Chorus) | Johann Sebastian Bach | | 3:58 |
| 11 | Mass in B minor, BWV 232: Credo: Et in Spiritum Sanctum (Bass) | Johann Sebastian Bach | | 4:47 |
| 12 | Mass in B minor, BWV 232: Credo: Et exspecto resurrectionem mortuorum (Chorus) | Johann Sebastian Bach | | 2:11 |
| 13 | Mass in B minor, BWV 232: Sanctus: Sanctus Dominus Deus Sabaoth (Chorus) | Johann Sebastian Bach | | 4:48 |
| 14 | Mass in B minor, BWV 232: Benedictus: Benedictus qui venit (Tenor) | Johann Sebastian Bach | | 4:30 |
| 15 | Mass in B minor, BWV 232: Benedictus: Osanna in excelsis (Chorus)- bass-baritone vocals:
- Hanno Müller‐Brachmann
- choir vocals:
- Dresdner Kammerchor
- mezzo-soprano vocals:
- Ann Hallenberg and Marianne Beate Kielland
- soprano vocals:
- Sunhae Im
- tenor vocals:
- Markus Schäfer
- orchestra:
- Kölner Kammerorchester
- conductor:
- Helmut Müller‐Brühl
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:45 |
| 16 | Mass in B minor, BWV 232: Agnus Dei: Agnus Dei (Alto) | Johann Sebastian Bach | | 6:01 |
| 17 | Mass in B minor, BWV 232: Agnus Dei: Dona nobis pacem (Chorus) | Johann Sebastian Bach | | 2:39 |
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