Weihnachts-Oratorium

~ Release by Bach; Elly Ameling, Brigitte Fassbaender, Horst R. Laubenthal, Hermann Prey, Chor des Bayerischen Rundfunks, Symphonie-Orchester des Bayerischen Rundfunks, Eugen Jochum (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
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1Weihnachts-Oratorium, BWV 248: Teil I, I. Coro "Jauchzet, frohlocket"
recorded in:
West Germany (in 1972-10)
choir vocals:
Chorus of the Bavarian Radio (in 1972-10), Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Orchestra of the Bavarian Radio (in 1972-10) and Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1972-10, in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor) and Josef Schmidhuber (chorus master) (in 1972-10)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach8:41
2Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo "Es begab sich aber zu der Zeit" (Evangelista) / III. Recitativo (Alto) "Nun wird mein liebster Bräutigam"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:47
3Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) "Bereite dich, Zion"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:58
4Weihnachts-Oratorium, BWV 248: Teil I, V. Choral "Wie soll ich dich empfangen"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:21
5Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral con Recitativo (Basso) "Er ist auf Erden kommen arm"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:29
6Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) "Großer Herr, o starker König"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:56
7Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral "Ach mein herzliebes Jesulein"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:32
8Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia / XI. Recitativo "Und es waren Hirten in derselben Gegend" (Evangelista)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach7:18
9Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral "Brich an, o schönes Morgenlicht" / XIII Recit "Und der Engel sprach zu ihnen" / XIV Recit "Was Gott dem Abraham verheißen"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
tenor vocals [Evangelist]:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:10
10Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) "Frohe Hirten, eilt, ach eilet"
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:12
11Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo "Und das habt zum Zeichen" (Evangelista) / XVII. Choral "Schaut hin, dort liegt im finstern Stall" / XVIII. Recitativo (Basso) "So geht denn hin"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:30
12Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) "Schlafe, mein Liebster"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach10:10
13Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo "Und alsobald war da bei dem Engel" (Evangelista) / XXI. Coro "Ehre sei Gott in der Höhe"
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:02
14Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) "So recht, ihr Engel" / XXIII. Choral "Wir singen dir in deinem Heer"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:00
▼ CD 2
#TitleArtistRatingLength
1Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:24
2Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo "Und da die Engel" (Evangelista) / XXVI. Coro "Lasset uns nun gehen" / XXVII. Recitativo (Basso) "Er hat sein Volk getröst"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:41
3Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral "Dies hat er alles uns getan"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:05
4Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) "Herr, dein Mitleid"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach8:07
5Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo "Und sie kamen eilend" (Evangelista)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:33
6Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) "Schließe, mein Herze"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach6:02
7Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) "Ja, ja, mein Herz soll es bewahren" / XXXIII. Choral "Ich will dich mit Fleiß bewahren" / XXXIV. Recitativo "Und die Hirten kehrten wieder um" (Evangelista)
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:12
8Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" / Coro da capo "Herrscher des Himmels, erhöre das Lallen"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:24
9Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro "Fallt mit Danken, fallt mit Loben"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach6:43
10Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo "Und da acht Tage um waren" (Evangelista) / XXXVIII. Recitativo (Basso) con Chorale "Immanuel, o süßes Wort" /
bass vocals:
Hermann Prey (baritone) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:29
11Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) "Flößt, mein Heiland, flößt dein Namen"
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1976)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:19
12Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale "Wohlan, dein Name soll allein"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:34
13Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) "Ich will nur dir zu Ehren leben"
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:15
14Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral "Jesus richte mein Beginnen"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:28
▼ CD 3
#TitleArtistRatingLength
1Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro "Ehre sei dir, gott, gesungen"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach7:39
2Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo "Da Jesus geboren war zu Bethlehem" (Evangelista) / XLV. Coro "Wo ist der neugeborne König" / XLVI. Choral "Dein Glanz all Finsternis verzehrt"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:41
3Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) "Erleucht auch meine finstre Sinnen"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:37
4Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo "Da das der König Herodes hörte" (Evangelista) / XLIX. Recitativo (Alto) "Warum wollt ihr erschrecken" / L. Recitativo "Und ließ versammeln alle Hohepriester" (Evangelista)
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:41
5Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, alto, tenore) "Ach, wenn wird die Zeit erscheinen"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
bass vocals:
Hermann Prey (baritone) (in 1973-02)
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:34
6Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) "Mein Liebster herrschet schon" / LIII. Choral "Zwar ist solche Herzensstube"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:43
7Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro "Herr, wenn die stolzen Feinde schnauben"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:10
8Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo "Da berief Herodes die Weisen heimlich" (Evangelista) / LVI. Recitativo (Soprano) "Du Falscher, suche nur den Herrn zu fällen"
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:56
9Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) "Nur ein Wink von seinen Händen"
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:00
10Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo "Als sie nun den König gehöret hatten" (Evangelista)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:40
11Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral "Ich steh an deiner Krippen hier"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:15
12Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo "Und Gott befahl ihnen im Traum" (Evangelista) / LXI. Recitativo (Tenore) "So geht! Genug, mein Schatz geht nicht von hier"
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:52
13Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) "Nun mögt ihr stolzen Feinde schrecken"
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:23
14Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, alto, tenore, basso) "Was will der Höllen Schrecken nun"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
bass vocals:
Hermann Prey (baritone) (in 1973-02)
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:51
15Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral "Nun seid ihr wohl gerochen"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:34