Modern Art

~ Release by Art Pepper (see all versions of this release, 2 available)

Annotation

This album, recorded in 1956 and 1957, is the second part of a two-volume set released by Aladdin Records, comprising the saxophonist's full body of recorded material for this label. Combining bebop with West Coast cool, Modern Art documents memorable performances of standards, including the luscious ballad "Bewitched, Bothered and Bewildered," and the steamy "Summertime." Pepper's version of this latter track is replete with a thick, almost haunting, reverb effect. Other standouts are the stripped-down versions of "Blues In" and "Blue Out," two tunes that feature Pepper's lamenting sax as it soliloquizes over a simple walking bass line. Art Pepper was one of the world's greatest alto saxophonists. Though firmly rooted in the jazz tradition, Pepper possessed a strongly unique sensibility, and his career ups and downs (largely due to drug addiction) never seemed to affect his ability to play with precision, clarity, and insight.

Source : http://www.cduniverse.com/productinfo.asp?pid=1230501&style=music&fulldesc=T

Annotation last modified on 2017-01-11 18:25 UTC.

Tracklist

CD 1
#TitleRatingLength
1Blues In
recording engineer:
Thorne Nogar (on 1956-12-28)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1956-12-28)
double bass [bass]:
Ben Tucker (on 1956-12-28)
drums (drum set):
Chuck Flores (on 1956-12-28)
piano:
Russ Freeman (pianist) (on 1956-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-12-28)
recording of:
Blues In (on 1956-12-28)
composer:
Pepper
6:03
2Bewitched, Bothered and Bewildered
recording engineer:
Thorne Nogar (on 1956-12-28)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1956-12-28)
double bass [bass]:
Ben Tucker (on 1956-12-28)
drums (drum set):
Chuck Flores (on 1956-12-28)
piano:
Russ Freeman (pianist) (on 1956-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-12-28)
instrumental recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (on 1956-12-28)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
4:28
3Stompin' at the Savoy
recording engineer:
Thorne Nogar (on 1956-12-28)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1956-12-28)
double bass [bass]:
Ben Tucker (on 1956-12-28)
drums (drum set):
Chuck Flores (on 1956-12-28)
piano:
Russ Freeman (pianist) (on 1956-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-12-28)
instrumental recording of:
Stompin’ at the Savoy (on 1956-12-28)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
5:06
4What Is This Thing Called Love
recording engineer:
Thorne Nogar (on 1956-12-28)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1956-12-28)
double bass [bass]:
Ben Tucker (on 1956-12-28)
drums (drum set):
Chuck Flores (on 1956-12-28)
piano:
Russ Freeman (pianist) (on 1956-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-12-28)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-12-28)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
6:07
5Blues Out
recording engineer:
Thorne Nogar (on 1956-12-28)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1956-12-28)
double bass [bass]:
Ben Tucker (on 1956-12-28)
drums (drum set):
Chuck Flores (on 1956-12-28)
piano:
Russ Freeman (pianist) (on 1956-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-12-28)
recording of:
Blues Out (on 1956-12-28)
composer:
Pepper
4:49
6When You're Smiling
recording engineer:
Bunny Robine (on 1957-01-14)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1957-01-14)
double bass [bass]:
Ben Tucker (on 1957-01-14)
drums (drum set):
Chuck Flores (on 1957-01-14)
piano:
Russ Freeman (pianist) (on 1957-01-14)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-01-14)
instrumental recording of:
When You’re Smiling (The Whole World Smiles With You) (on 1957-01-14)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
4:54
7Cool Bunny
recording engineer:
Bunny Robine (on 1957-01-14)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1957-01-14)
double bass [bass]:
Ben Tucker (on 1957-01-14)
drums (drum set):
Chuck Flores (on 1957-01-14)
piano:
Russ Freeman (pianist) (on 1957-01-14)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-01-14)
recording of:
Cool Bunny (on 1957-01-14)
composer:
Pepper
4:16
8Diane's Dilemma
recording engineer:
Bunny Robine (on 1957-01-14)
producer:
Donald D. Clark (UK engineer)
alto saxophone:
Art Pepper (on 1957-01-14)
double bass [bass]:
Ben Tucker (on 1957-01-14)
drums (drum set):
Chuck Flores (on 1957-01-14)
piano:
Russ Freeman (pianist) (on 1957-01-14)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-01-14)
recording of:
Diane's Dilemma (on 1957-01-14)
composer:
Pepper
3:51
9Diane's Dilemma (alternate take)
recording engineer:
Bunny Robine (on 1957-01-14)
alto saxophone:
Art Pepper (on 1957-01-14)
double bass [bass]:
Ben Tucker (on 1957-01-14)
drums (drum set):
Chuck Flores (on 1957-01-14)
piano:
Russ Freeman (pianist) (on 1957-01-14)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-01-14)
recording of:
Diane's Dilemma (on 1957-01-14)
composer:
Pepper
4:57
10Summertime
recording engineer:
Bunny Robine (on 1957-01-14)
alto saxophone:
Art Pepper (on 1957-01-14)
double bass [bass]:
Ben Tucker (on 1957-01-14)
drums (drum set):
Chuck Flores (on 1957-01-14)
piano:
Russ Freeman (pianist) (on 1957-01-14)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-01-14)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-01-14)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
7:20
11Fascinatin' Rhythm (alternate take)
alto saxophone:
Art Pepper (on 1957-04-01)
double bass [bass]:
Ben Tucker (on 1957-04-01)
drums (drum set):
Chuck Flores (on 1957-04-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (on 1957-04-01)
recorded at:
Audio Arts in Los Angeles, California, United States (on 1957-04-01)
instrumental recording of:
Fascinatin’ Rhythm (on 1957-04-01)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
4:02
12Begin the Beguine (alternate take)
alto saxophone:
Art Pepper (on 1957-04-01)
double bass [bass]:
Ben Tucker (on 1957-04-01)
drums (drum set):
Chuck Flores (on 1957-04-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (on 1957-04-01)
recorded at:
Audio Arts in Los Angeles, California, United States (on 1957-04-01)
instrumental recording of:
Begin the Beguine (on 1957-04-01)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
6:19
13Webb City (alternate take)
alto saxophone:
Art Pepper (on 1957-04-01)
double bass [bass]:
Ben Tucker (on 1957-04-01)
drums (drum set):
Chuck Flores (on 1957-04-01)
piano:
Carl Perkins (Jazz pianist from the bop era, west coast) (on 1957-04-01)
recorded at:
Audio Arts in Los Angeles, California, United States (on 1957-04-01)
recording of:
Webb City (on 1957-04-01)
composer:
Bud Powell
4:35