French Kiss

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Someone Like You
recording engineer, engineer and mixer:
Mick Glossop (producer & engineer)
producer:
Van Morrison
strings arranger:
Fiachra Trench
arranger:
Van Morrison
phonographic copyright (℗) by:
Exile Productions Ltd. (not for Label Release) (in 1986, in 1987)
recording of:
Someone Like You
lyricist and composer:
Van Morrison
publisher:
Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Van Morrison4:08
2La Vie en rose
orchestra:
Sy Oliver’s Orchestra (on 1950-06-26)
cover recording of:
La Vie en rose (English translation) (on 1950-06-26)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
translated version of:
La Vie en rose (French original)
Louis Armstrong43:25
3Les Yeux ouverts
engineer:
John Brough
producer and mixer:
Jon Kelly (engineer at Air London Studios) and The Magic Pumpkin (Producer)
recording of:
Les Yeux ouverts (French version of "Dream a Little Dream of Me")
lyricist:
Brice Homs, Gus Kahn and Körin Ternovtzeff
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
translated version of:
Dream a Little Dream of Me
The Beautiful South3:35
4Via con me
producer:
Italo Greco
recording of:
Via con me
lyricist and composer:
Paolo Conte
Paolo Conte2:37
5I Love Paris
recording engineer and mixer:
Robert Schaper and Dennis Sands (American sound engineer)
co-producer:
Michale Mason (producer)
producer:
James Newton Howard (American score composer)
chromatic harmonica:
Toots Thielemans
performer:
Toots Thielemans
arranger:
James Newton Howard (American score composer)
recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can (1960 musical film)
part of:
Can‐Can
part of:
High Society (stage musical)
James Newton Howard feat. Toots Thielemans1:41
6Feels Like a Woman
producer:
Corrado Rustici
recording of:
Feels Like a Woman
writer:
Tena Clark and Zucchero
Zucchero5:16
7I Love Paris
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (american bass trombone) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-02-07) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (american trombone player) (on 1956-02-07) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1956, on 1956-02-07)
conductor:
Buddy Bregman (in 1956, on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can (1960 musical film)
part of:
Can‐Can
part of:
High Society (stage musical)
cover recording of:
I Love Paris (Can-Can [Pistache, Company]) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can (1960 musical film)
part of:
Can‐Can
part of:
High Society (stage musical)
Ella Fitzgerald5:00
8Verlaine
vocals:
Charles Trenet
recording of:
Verlaine (Chanson d’automne)
lyricist:
Paul Verlaine (French poet)
composer:
Séverin Luino (in 1941) and Charles Trenet (in 1941)
publisher:
Éditions Raoul Breton (in 1941)
Charles Trenet3:13
9C'est trop beau
recording of:
C'est Trop Beau
writer:
Francis Lopez (French composer) and Raymond Vincy
Tino Rossi2:33
10La Mer
engineer:
Al Schmitt
producer:
Johnny Mandel (American composer and arranger)
recording of:
La Mer
lyricist:
Charles Trenet (in 1945)
composer:
Albert Lasry (in 1945) and Charles Trenet (in 1945)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Kevin Kline3:47
11I Want You
recording engineer and mixer:
Robert Schaper and Dennis Sands (American sound engineer)
co-producer:
Michale Mason (producer)
producer:
James Newton Howard (American score composer)
James Newton Howard2:06
12Les Yeux de ton père
producer:
Clive Martin and Sodi (French producer, musician and composer)
recording of:
Les Yeux de ton père
writer:
M. Crespin and N. Rota
Les Négresses Vertes3:57