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~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

8-CD set, split across two 4-CD boxes.

Annotation last modified on 2015-11-01 10:45 UTC.

Tracklist

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▼ CD 5: Part 2 (disc 1)
#TitleArtistRatingLength
1Le nozze di Figaro — Overture
engineer and balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
producer:
Christopher Raeburn (producer) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492
Mozart4:23
2Largo (Xerxes)
orchestra:
London Symphony Orchestra (in 1961-08)
conductor:
George Szell (conductor, pianist, composer) (in 1961-08)
orchestrator:
August Reinhard (composer and arranger)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1961-08)
recording of:
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse) (in 1961-08)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Handel5:38
3Ave verum corpus
producer:
Harley Usill
instruments and orchestra:
Academy of St Martin in the Fields (in 1958-10)
organ:
Peter White (English organist) (in 1958-10)
choir vocals:
Choir of St John’s College, Cambridge (in 1958-10)
conductor:
George Guest (organist and conductor) (in 1958-10)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1958-10)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (in 1958-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Köchelverzeichnis (original numbering) (number: 618) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618)
Mozart3:56
4Judex (Mors et vita)
orchestra:
Richard Hickox Orchestra
conductor:
Richard Hickox (conductor)
recording of:
Mors et Vita: Pars secunda "Judicium": Judex: 4. Sedenti in Throno
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars secunda "Judicium"
Gounod4:39
5Silent Worship ("Did You Not Hear My Lady") (Ptolemy)
tenor vocals:
Kenneth McKellar (tenor)
orchestra:
Orchestra of the Royal Opera House
conductor:
Sir Adrian Boult (conductor)
recording of:
Silent Worship
composer:
George Frideric Handel (German‐British baroque composer)
arranger and translator:
Sir Arthur Somervell (composer)
Handel2:48
6Romance No. 2 in F Major
orchestra:
Wiener Mozart-Ensemble (recorded for Decca)
conductor:
Willi Boskovsky (violinist and conductor)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Beethoven9:35
7Bailero
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1982-08)
orchestra:
English Chamber Orchestra (in 1982-08)
conductor:
Jeffrey Tate (conductor) (in 1982-08)
balance engineer:
John Dunkerley (engineer) (in 1982-08)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro (in 1982-08)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Canteloube6:51
8Scheherazade — The Young Prince and the Young Princess
producer:
Tony D’Amato
violin:
Erich Gruenberg (in 1964-09)
orchestra:
London Symphony Orchestra (in 1964-09)
conductor:
Leopold Stokowski (conductor) (in 1964-09)
balance engineer:
Arthur Lilley (engineer) (in 1964-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1964-09)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (in 1964-09)
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Rimsky-Korsakov12:01
9Piano Concerto No. 1 in B Flat Minor
producer:
Ray Minshull (record producer)
piano:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1963-04)
orchestra:
London Symphony Orchestra (in 1963-04)
conductor:
Lorin Maazel (conductor) (in 1963-04)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1963-04)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version) (in 1963-04)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Tchaikovsky59:14
10Lullaby (Wiegenlied)
producer:
Christopher Raeburn (producer)
soprano vocals:
Renata Tebaldi (soprano) (in 1971-04)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1971-04)
conductor:
Anton Guadagno (conductor) (in 1971-04)
arranger:
Douglas Gamley (film composer)
balance engineer:
Stanley Goodall (engineer) (in 1971-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-04)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch-all for arrangements) (in 1971-04)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" (for voice and piano)
Brahms2:22
11Abide With Me (Eventide)
sound engineer:
Colin Moorfoot (engineer)
producer:
Chris Hazell
organ:
Richard Farnes (from 1985-03-19 until 1985-03-20)
choir vocals:
Choir of King’s College, Cambridge (from 1985-03-19 until 1985-03-20)
treble vocals:
Bruce Blyth (from 1985-03-19 until 1985-03-20)
conductor and chorus master:
Stephen Cleobury (organist, conductor) (from 1985-03-19 until 1985-03-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1985-03-19 until 1985-03-20)
recording of:
Abide With Me (Set to tune ‘Eventide’) (from 1985-03-19 until 1985-03-20)
lyricist:
Henry Francis Lyte (in 1847)
composer:
William Henry Monk (in 1861)
is based on:
Abide With Me (hymn without specified tune)
W.H. Monk4:31
12Horn Concerto No. 4 in E Flat Major
engineer:
Kenneth Wilkinson (engineer)
producer:
Michael Bremner (producer/engineer) (in 1961-04) and Ray Minshull (record producer) (in 1961-04)
French horn:
Barry Tuckwell (hornist / conductor) (in 1961-04)
orchestra:
London Symphony Orchestra (in 1961-04)
conductor:
Peter Maag (conductor) (in 1961-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1961-04)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (in 1961-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Mozart4:07
13Hallelujah Chorus (Messiah)
engineer:
Simon Eadon (classical music engineer) (in 1976-07) and Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Handel3:44
▼ CD 6: Part 2 (disc 2)
#TitleArtistRatingLength
1The Thieving Magpie (La gazza ladra) — Overture
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Riccardo Chailly (conductor)
recording of:
La gazza ladra: Ouverture
composer:
Gioachino Rossini (composer) (in 1817)
librettist:
Giovanni Gherardini
part of:
La gazza ladra
part of:
The Thieving Magpie (English version by Sams)
Rossini9:04
2Don't Be Cross (Sei nicht bos) (Der Obsersteiger)
choir vocals:
Vienna Operetta Choir
soprano vocals:
Hilde Güden (soprano)
orchestra:
Orchestra of the Vienna State Opera
conductor:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
recording of:
Der Obersteiger: Akt II. "Sei nicht bös" (Martin)
composer:
Carl Zeller
librettist:
Ludwig Held and Moritz West
part of:
Der Obersteiger: Akt II
Zeller3:57
3Piano Concerto No. 21 in C Major, K467
producer:
James Mallinson (producer) (from 1974-03 to present)
piano:
Radu Lupu (Romanian concert pianist) (in 1974-03)
orchestra:
English Chamber Orchestra (in 1974-03)
conductor:
Uri Segal (Uri Segal) (in 1974-03)
balance engineer:
Kenneth Wilkinson (engineer) (from 1974-03 to present, in 1974-03)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975) and The Decca Record Company Limited (for copyrights use only!) (in 1975)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1974-03)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Mozart7:24
4The Rosary
piano:
John Constable (pianist)
tenor vocals:
Stuart Burrows (tenor)
recording of:
The Rosary
lyricist:
Robert Cameron Rogers (songwriter)
composer:
Ethelbert Nevin
Nevin2:20
5Toccata and Fugue in D Minor, BWV 565
organ:
Peter Hurford (organist)
recorded at:
Ratzeburger Dom in Ratzeburg, Schleswig-Holstein, Germany
compilation of:
Toccata and Fugue in D minor, BWV565: I. Toccata by Peter Hurford (organist) and Toccata and Fugue in D minor, BWV565: II. Fugue by Peter Hurford (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565 (from 1974 until 1986)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
J. S. Bach9:24
6Zadok the Priest
recording engineer:
Gordon Parry (engineer) (from 1963-07 until 1963-08)
producer:
Andrew Raeburn
harpsichord:
Thurston Dart (conductor and keyboard player) (from 1963-07 until 1963-08)
organ [organ continuo]:
John Langdon (organist) (from 1963-07 until 1963-08)
other instruments [continuo]:
Thurston Dart (conductor and keyboard player) (in 1963-07)
choir vocals:
Choir of King’s College, Cambridge (from 1963-07 until 1963-08)
orchestra:
English Chamber Orchestra (from 1963-07 until 1963-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1963-07 until 1963-08)
concertmaster:
Emanuel Hurwitz (violinist) (from 1963-07 until 1963-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1963)
recorded at:
King's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1963-07 until 1963-08)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (from 1963-07 until 1963-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
Handel6:00
7The Blue Danube
orchestra:
Vienna Philharmonic Orchestra
conductor:
Willi Boskovsky (violinist and conductor)
phonographic copyright (℗) by:
Decca Music Group Ltd. (not for release label use, for ℗ & © rights holder use only) (in 1960) and The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recording of:
An der schönen blauen Donau, op. 314
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
J. Strauss II9:12
8Largo al factotum (Il barbiere di Siviglia)
baritone vocals [Figaro]:
Sherrill Milnes (baritone) (on 1972-02-03)
orchestra:
London Philharmonic Orchestra (LPO) (on 1972-02-03)
conductor:
Silvio Varviso (conductor) (on 1972-02-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1972-02-03)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (on 1972-02-03)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Rossini5:05
9Air From Suite No. 3 in D
recorded in:
London (Greater London), England, United Kingdom (in 1976-06)
producer:
Michael Bremner (producer/engineer) and Vittorio Negri (conductor)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
violin:
Henryk Szeryng (violinist) (in 1976-06)
orchestra:
Academy of St Martin in the Fields (in 1970-12, in 1976-06)
conductor:
Sir Neville Marriner (conductor) (in 1970-12) and Neville Marriner (conductor) (in 1976-06)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12) and Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (in 1976-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
reconstructed by:
Siegbert Rampe (harpsichordist and conductor)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
J. S. Bach5:20
10Serenade (La jolie fille de Perth)
tenor vocals:
Kenneth McKellar (tenor)
conductor:
Robert Sharples (British composer, arranger, music director, and conductor)
recording of:
La Jolie Fille de Perth : Sérénade “Elle est la ... à la voix d'un amant fidele”
composer:
Georges Bizet (composer)
part of:
La Jolie Fille de Perth
Bizet3:56
11Nimrod (Variation 9)
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
orchestra:
Chicago Symphony Orchestra (on 1974-05-15)
conductor:
Sir Georg Solti (conductor) (on 1974-05-15)
recorded at:
Medinah Temple in Chicago, Illinois, United States (on 1974-05-15)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (on 1974-05-15)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Elgar4:02
12Tannhauser — Overture (excerpt)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
partial recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
Wagner5:27
13Nessun dorma (None Shall Sleep) (Turandot)
choir vocals:
The John Alldis Choir
tenor vocals [Calaf]:
Luciano Pavarotti (tenor)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Zubin Mehta (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Puccini2:49
▼ CD 7: Part 2 (disc 3)
#TitleArtistRatingLength
1Poet and Peasant Overture
solo cello [violoncello]:
Emanuel Brabec (Austrian cellist)
orchestra:
Vienna Philharmonic
conductor:
Sir Georg Solti (conductor)
Suppe10:09
2O Silver Moon (Mesicku na nebi hlubokem) (Rusalka)
producer:
John Mordler (producer)
soprano vocals [Rusalka]:
Pilar Lorengar (soprano) (in 1966-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1966-07)
conductor:
Giuseppe Patanè (conductor) (in 1966-07)
balance engineer:
Kenneth Wilkinson (engineer) (in 1966-07)
recorded at:
Accademia nazionale di Santa Cecilia in Roma, Roma, Lazio, Italy (in 1966-07)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Song to the Moon) (in 1966-07)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Dvorak6:20
3Lohengrin — Prelude, Act 3
orchestra:
Vienna Philharmonic Orchestra
conductor:
Horst Stein (conductor)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Wagner3:44
4Sanctus (German Mass)
choir vocals:
St Paul’s Cathedral Choir (London)
chorus master:
Christopher Dearnley (organist)
Schubert3:27
5Water Music Suite — Finale (Allegro deciso)
orchestra:
London Symphony Orchestra
conductor:
George Szell (conductor, pianist, composer)
Handel3:27
6Goin' Home
instruments:
Martin Neary (organist and choral conductor)
tenor vocals:
Stuart Burrows (tenor)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
chorus master:
Wyn Morris (conductor)
recording of:
Goin’ Home
lyricist:
William Arms Fisher (in 1922)
composer:
William Arms Fisher and Antonín Dvořák (composer) (in 1893)
instruments arranger:
William Arms Fisher
publisher:
Dash Music Co. Ltd.
is based on:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
Dvorak6:32
7Finlandia
producer:
Andrew Cornall (engineer / producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1980-03)
conductor:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1980-03)
balance engineer:
Kenneth Wilkinson (engineer) (in 1980-03)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-03)
recording of:
Finlandia, op. 26 (for orchestra) (in 1980-03)
premiered in:
Helsinki, Uusimaa, Finland (on 1900-07-02)
composer:
Jean Sibelius (Finnish composer) (in 1899)
revised by:
Jean Sibelius (Finnish composer) (in 1900)
premiered at:
Konsertti (1900-07-02)
publisher:
Breitkopf & Härtel (in 1905)
part of:
Works of Jean Sibelius by opus number (number: op. 26)
version of:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
Sibelius9:32
8Lebestraum No. 3
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Liszt5:02
9None but the Lonely Heart (Niet, tolko, tot, kto znal)
engineer:
Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
piano:
Zlatina Ghiaurov (Bulgarian pianist) (in 1971-03)
bass vocals:
Nicolaï Ghiaurov (operatic bass) (in 1971-03)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1971-03)
recording of:
6 Romances, op. 6, no. 6: None but the Lonely Heart (Нет, только тот, кто знал) (original for voice and piano) (in 1971-03)
lyricist:
Johann Wolfgang von Goethe (in 1795)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869-11)
dedicated to:
Анна Полякова-Хвостова (XIX c. opera and chamber singer, mezzo-soprano)
translator:
Лев Мей (XIX c. poet, prose writer, playwright, translator) (in 1857)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 216)
part of:
6 Romances, op. 6
Tchaikovsky3:35
10Miserere (abridged)
treble vocals:
Roy Goodman (conductor and violinist)
vocals:
Choir of King’s College, Cambridge
chorus master:
Sir David Willcocks (UK composer, organist, choral conductor)
partial recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
Allegri7:24
11Clarinet Concerto in A Major — 2nd Movement
engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
clarinet:
Gervase de Peyer (clarinetist) (in 1959-11)
orchestra:
London Symphony Orchestra (in 1959-11)
conductor:
Peter Maag (conductor) (in 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1959-11)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (in 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Mozart8:11
121812 Overture — Finale
orchestra:
Los Angeles Philharmonic
conductor:
Zubin Mehta (conductor)
partial recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни!
Tchaikovsky3:53
▼ CD 8: Part 2 (disc 4)
#TitleArtistRatingLength
1Rosemunde Overture (Die Zauberharfe)
Schubert10:38
2Mon coeur s'ouvre a ta voix (Samson et Dalila)
Saint‐Saëns6:37
3Piano Sonata No. 14 "Moonlight": 1st Movement: Adagio sostentuto
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Beethoven5:51
4O for the Wings of a Dove (Hear my Prayer)
Mendelssohn6:16
5Adagio for Organ and Strings
Albinoni / Giazotto9:02
6Panis angelicus
Franck4:51
7Symphony No. 6 in F Major "Pastoral": 5th Movement: Allegretto (Shepherds' Thanksgiving)
Beethoven10:29
8Romeo and Juliet — Love Theme
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Tchaikovsky3:18
9Violin Concerto No. 1 in G Minor: 2nd Movement: Adagio
Bruch8:52
10Battle Hymn of the Republic
[traditional]4:34