Up! (international version)

~ Release by Shania Twain (see all versions of this release, 17 available)

Tracklist

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▼ CD 1: Red Disc
#	Title	Rating	Length
1	Up! assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland music videos: Up! (red version) by Shania Twain recording of: Up! composer: Robert John “Mutt” Lange and Shania Twain	5	2:53
2	I’m Gonna Getcha Good! assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) and Mercury Records (The Holding. Use for ©/℗ credits only!) (in 2022) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland music videos: I'm Gonna Getcha Good! (red version) by Shania Twain recording of: I’m Gonna Getcha Good! composer: Robert John “Mutt” Lange and Shania Twain	3.35	4:29
3	She’s Not Just a Pretty Face assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: She’s Not Just a Pretty Face composer: Robert John “Mutt” Lange and Shania Twain	5	3:49
4	Juanita assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: Juanita composer: Robert John “Mutt” Lange and Shania Twain	5	3:50
5	Forever and for Always assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore membranophone: Paul Leim lead vocals: Shania Twain vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) and Mercury Records (The Holding. Use for ©/℗ credits only!) (in 2022) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: Forever and for Always composer: Robert John “Mutt” Lange and Shania Twain publisher: Loon Echo, Inc., Universal–Songs of PolyGram International, Inc. and Zomba Enterprises, Inc.	5	4:43
6	Ain’t No Particular Way assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: Ain’t No Particular Way writer: Eilleen Regina Lange and Robert John Lange publisher: Imagem London Ltd.	4	4:24
7	It Only Hurts When I’m Breathing assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: It Only Hurts When I’m Breathing composer: Robert John “Mutt” Lange and Shania Twain	5	3:19
8	Nah! assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: Nah! composer: Robert John “Mutt” Lange and Shania Twain	4	4:08
9	(Wanna Get to Know You) That Good! assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: (Wanna Get to Know You) That Good! composer: Robert John “Mutt” Lange and Shania Twain	4	4:33
10	C’est la vie assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: C’est la vie composer: Robert John “Mutt” Lange and Shania Twain	4	3:42
11	I’m Jealous assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: I’m Jealous writer: Eilleen Regina Lange and Robert John Lange publisher: Imagem London Ltd.	4	4:05
12	Ka-Ching! assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: Ka-Ching! composer: Robert John “Mutt” Lange and Shania Twain	4	3:20
13	Thank You Baby! (for Makin’ Someday Come So Soon) assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: Thank You Baby! (for Makin’ Someday Come So Soon) composer: Robert John “Mutt” Lange and Shania Twain	4	4:00
14	Waiter! Bring Me Water! assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: Waiter! Bring Me Water! composer: Robert John “Mutt” Lange and Shania Twain	3	3:19
15	What a Way to Wanna Be! assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: What a Way to Wanna Be! composer: Robert John “Mutt” Lange and Shania Twain	4	3:36
16	I Ain’t Goin’ Down assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: I Ain’t Goin’ Down composer: Robert John “Mutt” Lange and Shania Twain	5	3:57
17	I’m Not in the Mood (to Say No)! assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: I’m Not in the Mood (to Say No)! composer: Robert John “Mutt” Lange and Shania Twain	3	3:25
18	In My Car (I’ll Be the Driver) assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: In My Car (I’ll Be the Driver) composer: Robert John “Mutt” Lange and Shania Twain	4	3:16
19	When You Kiss Me assistant recording engineer: Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara recording engineer: Bob Bullock, Kevin Churko and Brian Masterson miscellaneous support: Protools mixing and fixing operator programming: Kevin Churko and Kieran Lynch engineer: Kevin Churko producer: Robert John “Mutt” Lange mixer: Mike Shipley (audio engineer, mixer, producer) editor: Kevin Churko and Stewart Whitmore lead vocals: Shania Twain arranger: Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead phonographic copyright (℗) by: Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) recorded at: Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland recording of: When You Kiss Me composer: Robert John “Mutt” Lange and Shania Twain	5	4:08

▼ CD 2: Blue Disc
#	Title	Rating	Length
1	Up! recording of: Up! composer: Robert John “Mutt” Lange and Shania Twain		3:13
2	I’m Gonna Getcha Good! recording of: I’m Gonna Getcha Good! composer: Robert John “Mutt” Lange and Shania Twain		4:33
3	She’s Not Just a Pretty Face recording of: She’s Not Just a Pretty Face composer: Robert John “Mutt” Lange and Shania Twain		3:39
4	Juanita recording of: Juanita composer: Robert John “Mutt” Lange and Shania Twain		3:50
5	Forever and for Always recording of: Forever and for Always composer: Robert John “Mutt” Lange and Shania Twain publisher: Loon Echo, Inc., Universal–Songs of PolyGram International, Inc. and Zomba Enterprises, Inc.		4:51
6	Ain’t No Particular Way recording of: Ain’t No Particular Way writer: Eilleen Regina Lange and Robert John Lange publisher: Imagem London Ltd.		4:26
7	It Only Hurts When I’m Breathing recording of: It Only Hurts When I’m Breathing composer: Robert John “Mutt” Lange and Shania Twain		3:32
8	Nah! recording of: Nah! composer: Robert John “Mutt” Lange and Shania Twain		4:05
9	(Wanna Get to Know You) That Good! recording of: (Wanna Get to Know You) That Good! composer: Robert John “Mutt” Lange and Shania Twain		4:28
10	C’est la vie recording of: C’est la vie composer: Robert John “Mutt” Lange and Shania Twain		3:36
11	I’m Jealous recording of: I’m Jealous writer: Eilleen Regina Lange and Robert John Lange publisher: Imagem London Ltd.		4:09
12	Ka-Ching! recording of: Ka-Ching! composer: Robert John “Mutt” Lange and Shania Twain		3:32
13	Thank You Baby! (For Makin’ Someday Come So Soon) recording of: Thank You Baby! (for Makin’ Someday Come So Soon) composer: Robert John “Mutt” Lange and Shania Twain		4:01
14	Waiter! Bring Me Water! recording of: Waiter! Bring Me Water! composer: Robert John “Mutt” Lange and Shania Twain		3:37
15	What a Way to Wanna Be! recording of: What a Way to Wanna Be! composer: Robert John “Mutt” Lange and Shania Twain		3:32
16	I Ain’t Goin’ Down recording of: I Ain’t Goin’ Down composer: Robert John “Mutt” Lange and Shania Twain		3:43
17	I’m Not in the Mood (to Say No)! recording of: I’m Not in the Mood (to Say No)! composer: Robert John “Mutt” Lange and Shania Twain		3:23
18	In My Car (I’ll Be the Driver) recording of: In My Car (I’ll Be the Driver) composer: Robert John “Mutt” Lange and Shania Twain		3:11
19	When You Kiss Me recording of: When You Kiss Me composer: Robert John “Mutt” Lange and Shania Twain		3:56

Credits

Release

Discogs:	https://www.discogs.com/release/901520 [info]
ASIN:	UK: B000071IYO [info]

Release group

associated singles/EPs:	Forever and for Always I’m Gonna Getcha Good! Ka-Ching! Thank You Baby! (For Makin’ Someday Come So Soon) When You Kiss Me

part of:	Juno Awards: Country Album of the Year (number: 2004) (order: 2) Music Canada Certified Double Diamond Albums (number: 2004-12-21) (order: 11) Music Canada Certified Nine Times Platinum Albums (order: 22) Music Canada Certified Eight Times Platinum Albums (order: 24) Music Canada Certified Seven Times Platinum Albums (order: 27) Music Canada Certified Six Times Platinum Albums (order: 30) Music Canada Certified Quintuple Platinum Albums (order: 35) Music Canada Certified Quadruple Platinum Albums (order: 42) Grammy Award: Best Country Album nominees (number: 2004) (order: 49) Music Canada Certified Diamond Albums (order: 52) Music Canada Certified Triple Platinum Albums (order: 59) Huffington Post: Sexiest Album Covers: From the 50’s to Now (number: 66) (order: 65) Music Canada Certified Double Platinum Albums (order: 100) Juno Awards: Album of the Year (number: 2003) (order: 140) Music Canada Certified Platinum Albums (order: 154) Music Canada Certified Gold Albums (order: 301)

part of:

Discogs:	https://www.discogs.com/master/132439 [info]
Allmusic:	https://www.allmusic.com/album/mw0000662317 [info]
Wikidata:	Q2211171 [info]

Up! (international version)

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