| # | Title | Artist | Rating | Length |
|---|
| 1 | Instant Karma (We All Shine on) | John Lennon | | 3:16 |
| 2 | Money- assistant engineer:
- Peter James
- engineer:
- Alan Parsons
- producer:
- Pink Floyd
- drums (drum set):
- Nick Mason (from 1972-06 until 1973-01)
- electric bass guitar:
- Roger Waters (from 1972-06 until 1973-01)
- electric guitar:
- David Gilmour (from 1972-06 until 1973-01)
- keyboard:
- Richard Wright (from 1972-06 until 1973-01)
- saxophone:
- Dick Parry (from 1972-06 until 1973-01)
- vocals:
- David Gilmour (from 1972-06 until 1973-01)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1992), Pink Floyd Music (1987) Ltd. (in 2011) and Pink Floyd Music Ltd. (in 2016)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1972-06 until 1973-01)
- recording of:
- Money (from 1972-06 until 1973-01)
- lyricist and composer:
- Roger Waters
- publisher:
- Artemis Muziekuitgeverij B V, Chappell Music Ltd., KPM , Pathe‐Marconi , Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. and Hampshire House Publishing Corp. (in 1973)
| Pink Floyd | 4.6 | 6:28 |
| 3 | Ashes to Ashes- recording engineer:
- David Bowie (from 1980-02-15 until 1980-06) and Tony Visconti (from 1980-02-15 until 1980-06)
- assistant engineer:
- Larry Alexander (from 1980-02 until 1980-04) and Jeff Hendrickson (from 1980-02 until 1980-04)
- producer:
- David Bowie and Tony Visconti
- analog synthesizer [Yamaha CS-80] and Minimoog:
- Andy Clark (from 1980-02-15 until 1980-06)
- drums (drum set):
- Dennis Davis (from 1980-02-15 until 1980-06)
- electric bass guitar:
- George Murray (from 1980-02-15 until 1980-06)
- guitar:
- Carlos Alomar (from 1980-02-15 until 1980-06)
- guitar synthesizer [Roland GR-500 guitar synthesizer]:
- Chuck Hammer (from 1980-02-15 until 1980-06)
- percussion and shakers:
- Tony Visconti (from 1980-02-15 until 1980-06)
- piano [flanged piano]:
- Roy Bittan (from 1980-02-15 until 1980-06)
- background vocals and lead vocals:
- David Bowie (from 1980-04 until 1980-06)
- phonographic copyright (℗) by:
- RCA Records (in 1980), Mainman S.A. (in 1992) and Tintoretto Music (in 1992)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1980-02-15 until 1980-06) and Good Earth Studios in Soho, Westminster, London , England, United Kingdom (from 1980-04 until 1980-06)
- recording of:
- Ashes to Ashes (from 1980-02-15 until 1980-06)
- lyricist and composer:
- David Bowie
- publisher:
- EMI Music Publishing , EMI Music Publishing Ltd. , RZO Music Ltd, Screen Gems–EMI Music, Inc. and Tintoretto Music
| David Bowie | 4.3 | 4:27 |
| 4 | Walking on the Moon | The Police | 3.7 | 5:05 |
| 5 | The Tide Is High- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals:
- Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980)
- recorded at:
- United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.45 | 3:55 |
| 6 | Nothing Really Matters | Madonna | 3.8 | 4:29 |
| 7 | Stepping Out | Joe Jackson | | 4:15 |
| 8 | Uptown Girl | Billy Joel | 4.25 | 3:19 |
| 9 | Dreamer | Supertramp | 4.2 | 3:33 |
| 10 | California Dreaming | The Mamas & the Papas | 4.45 | 2:43 |
| 11 | Freebird | Lynyrd Skynyrd | | 4:44 |
| 12 | Weather With You | Crowded House | 4 | 3:46 |
| 13 | Everyday Is a Winding Road- assistant recording engineer:
- Ron Black, S. "Husky" Höskulds, Cappy Japngie and John Paterno
- recording engineer:
- Tchad Blake, Blair Lamb, Bob Salcedo and Trina Shoemaker
- producer:
- Sheryl Crow
- mixer:
- Tchad Blake
- drums (drum set):
- Michael Urbano
- electric bass guitar [bass], Hammond organ [Hammond] and harmonium:
- Sheryl Crow
- guitar:
- Steve Donnelly and Jeff Trott
- harmonium [dueling harmonium]:
- Mitchell Froom
- sampler [loop]:
- Brian MacLeod
- guest background vocals:
- Neil Finn
- vocals:
- Sheryl Crow and Neil Finn
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1996)
- recording of:
- Everyday Is a Winding Road
- writer:
- Sheryl Crow , Brian MacLeod and Jeff Trott
- publisher:
- Reservoir One America, Old Crow Music (in 1996), Trottsky Music (in 1996), Warner–Tamerlane Publishing Corp. (in 1996) and Weenie Stand Music (in 1996)
| Sheryl Crow | 3.8 | 4:19 |
| 14 | You’re So Vain | Carly Simon | 4.75 | 4:18 |
| 15 | Your Song | Elton John | 3.85 | 4:04 |
| 16 | It’s a Man’s Man’s Man’s World | James Brown | 4.25 | 2:53 |
| 17 | Psychokiller | Talking Heads | 4.05 | 4:22 |
| 18 | The Drugs Don’t Work | The Verve | 2 | 4:45 |
| 19 | No Surprises | Radiohead | 4.1 | 3:49 |
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