The Very Best of Nat King Cole

~ Release by Nat King Cole (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1Stardust
producer:
Lee Gillette
piano:
Charles LaVere (on 1956-12-19)
lead vocals:
Nat King Cole (on 1956-12-19)
conductor:
Gordon Jenkins (on 1956-12-19)
arranger:
Gordon Jenkins
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-12-19)
recording of:
Stardust (the jazz standard) (on 1956-12-19)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
2.653:14
2Sweet Lorraine
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15)
guitar:
Oscar Moore (on 1943-12-15)
piano:
Nat King Cole (on 1943-12-15)
vocals:
Nat King Cole (on 1943-12-15), Johnny Miller (part of the Nat King Cole Trio) (on 1943-12-15) and Oscar Moore (on 1943-12-15)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-12-15)
cover recording of:
Sweet Lorraine (on 1943-12-15)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
3:08
3(Get Your Kicks on) Route 66
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
instruments:
The Nat King Cole Trio (in 1946)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole
vocals:
Nat King Cole (in 1946, on 1946-03-15)
performer:
The Nat King Cole Trio (on 1946-03-15)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (on 1946-03-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and Burke-Van Heusen, Inc. (on 1946-04-22)
3:00
4Straighten Up and Fly Right
double bass and double bass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
performer:
The Nat King Cole Trio (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Straighten Up and Fly Right (on 1943-11-30)
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (until 2021-06-30)
52:25
5(I Love You) For Sentimental Reasons
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-08-22)
guitar:
Oscar Moore (on 1946-08-22)
piano:
Nat King Cole (on 1946-08-22)
vocals:
Nat King Cole (on 1946-08-22)
performer:
The Nat King Cole Trio (on 1946-08-22)
recorded at:
WMCA Studios in New York, New York, United States (on 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (on 1946-08-22)
lyricist:
Ivory “Deek” Watson
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
42:52
6What'll I Do3:02
7Morning Star
2:56
8Penthouse Serenade
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Penthouse Serenade (on 1952-07-18)
writer:
Val Burton (Isadore Harry Burns) and Will Jason
3:04
9Candy
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (from 1956-08 until 1956-09)
3:52
10Walkin' My Baby Back Home
producer:
Lee Gillette
bass:
Joe Comfort (on 1961-07-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1961-07-20)
guitar:
Alvino Rey (on 1961-07-20)
piano:
Nat King Cole (on 1961-07-20)
vocals:
Nat King Cole (on 1961-07-20)
conductor:
Billy May (on 1961-07-20)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1961-07-20)
cover recording of:
Walkin’ My Baby Back Home (on 1961-07-20)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA)
42:39
11Unforgettable
recorded in:
Los Angeles, California, United States (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
guitar:
Irving Ashby (on 1951-08-17)
piano:
Nat King Cole (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra and performer:
Nelson Riddle and His Orchestra (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
43:11
12Mona Lisa
producer:
Lee Gillette
bass:
Joe Comfort (on 1950-03-11)
bongos:
Jack Costanzo (on 1950-03-11)
cello:
Cy Bernard (on 1950-03-11) and Eleanor Slatkin (on 1950-03-11)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1950-03-11)
guitar:
Irving Ashby (on 1950-03-11)
piano:
Buddy Cole (on 1950-03-11)
viola:
Allan Harshman (on 1950-03-11) and Dave Sterkin (on 1950-03-11)
violin:
Sam Cytron (on 1950-03-11), David Frisina (on 1950-03-11), Murray Kellner (on 1950-03-11), Mark Levant (on 1950-03-11), Dan Lube (on 1950-03-11), Lou Raderman (on 1950-03-11), Paul Shure (on 1950-03-11) and Felix Slatkin (on 1950-03-11)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-03-11)
vocals:
Nat King Cole (on 1950-03-11)
orchestra:
Les Baxter and His Orchestra (on 1950-03-11)
conductor:
Les Baxter (on 1950-03-11)
arranger:
Nelson Riddle (on 1950-03-11)
cover recording of:
Mona Lisa (on 1950-03-11)
lyricist:
Raymond B. Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
part of:
The 23rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 23)
43:14
13Nature Boy
recorded in:
New York, New York, United States (on 1947-08-22)
additional guitar:
Oscar Moore (on 1947-08-22)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-22)
piano:
Nat King Cole (on 1947-08-22)
violin:
Harry Bluestone (on 1947-08-22)
vocals:
Nat King Cole (on 1947-08-22)
orchestra:
Frank De Vol Orchestra (on 1947-08-22)
recording of:
Nature Boy (on 1947-08-22)
lyricist and composer:
eden ahbez (composer of "Nature Boy", artist name lowercase by intent) (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
32:38
14Somewhere Along the Way
bass:
Charlie Harris (jazz bassist) (on 1952-01-10)
bongos:
Jack Costanzo (on 1952-01-10)
guitar:
John Collins (jazz guitarist) (on 1952-01-10)
vocals:
Nat King Cole (on 1952-01-10)
conductor:
Nelson Riddle (on 1952-01-10)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-01-10)
cover recording of:
Somewhere Along the Way (on 1952-01-10)
lyricist:
Sammy Gallop
composer:
Kurt Adams
publisher:
United Music Corp.
2:51
15Smile
producer:
Lee Gillette
bass:
Charlie Harris (jazz bassist) (on 1954-07-27)
bass trombone:
George Roberts (american bass trombone) (on 1954-07-27)
cello:
Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (on 1954-07-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-07-27)
French horn:
Vincent DeRosa (on 1954-07-27) and William Hinshaw (American horn player) (on 1954-07-27)
guitar:
John Collins (jazz guitarist) (on 1954-07-27)
percussion:
Louis Singer (percussionist) (on 1954-07-27)
piano:
Bill Miller (pianist) (on 1954-07-27)
reeds:
John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
trombone:
Francis Howard (trombone) (on 1954-07-27)
viola:
Stanley Harris (US big band viola player) (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
violin:
Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (violinist) (on 1954-07-27), Eudice Shapiro (Violinist) (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (American violinist and strings conductor) (on 1954-07-27)
vocals:
Nat King Cole (on 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (on 1954-07-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-27)
cover recording of:
Smile (on 1954-07-27)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
2:52
16A Blossom Fell
bass:
Red Callender (on 1954-12-20)
bass trombone:
George Roberts (american bass trombone) (on 1954-12-20)
cello:
Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-12-20)
flute:
Harry Klee (on 1954-12-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-12-20) and Champ Webb (on 1954-12-20)
French horn:
Vincent DeRosa (on 1954-12-20) and Joseph Eger (horn player) (on 1954-12-20)
guitar:
Al Hendrickson (on 1954-12-20)
harp:
Kathryn Julye (on 1954-12-20)
piano:
Ray Turner (pianist) (on 1954-12-20)
trombone:
Joe Howard (american trombone player) (on 1954-12-20)
trumpet:
Harry “Sweets” Edison (on 1954-12-20)
valve trombone:
Juan Tizol (on 1954-12-20)
viola:
Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
violin:
Israel Baker (violinist) (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (violinist) (on 1954-12-20)
vocals:
Nat King Cole (on 1954-12-20)
orchestra:
Nelson Riddle and His Orchestra (on 1954-12-20)
conductor:
Nelson Riddle (on 1954-12-20)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-12-20)
recording of:
A Blossom Fell (on 1954-12-20)
writer and composer:
Howard Barnes, Harold Cornelius and Dominic John (songwriter, aka Dominic John)
42:31
17Can't I
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (jazz guitarist) (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (trumpeter) (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (40s jazz trumpeter) (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Can’t I? (on 1953-01-14)
lyricist and composer:
Leroy Lovett Jr
3:13
18Let There Be Love
piano:
George Shearing (British jazz pianist)
vocals:
Nat King Cole
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
cover recording of:
Let There Be Love (on 1961-12-20)
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing
2.52:43
19Almost Like Being in Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (jazz bassist) (on 1953-01-28)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-28)
guitar:
John Collins (jazz guitarist) (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-01-28)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
Brigadoon (complete musical)
1:51
20Ballerina
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-19)
bass:
Charlie Harris (jazz bassist) (on 1956-09-19)
bass trombone:
George Roberts (american bass trombone) (on 1956-09-19)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-19)
guitar:
John Collins (jazz guitarist) (on 1956-09-19)
harp:
Kathryn Julye (on 1956-09-19)
percussion:
Louis Singer (percussionist) (on 1956-09-19)
piano:
Jimmy Rowles (on 1956-09-19)
saxophone:
Joe Koch (on 1956-09-19), Irving "Babe" Russin (on 1956-09-19), Wilbur Schwartz (on 1956-09-19) and Buck Skalak (on 1956-09-19)
trombone:
Joe Howard (american trombone player) (on 1956-09-19) and Jimmy Priddy (on 1956-09-19)
trumpet:
Conrad Gozzo (on 1956-09-19), Cappy Lewis (on 1956-09-19), Vito N. Mangano (on 1956-09-19) and Shorty Sherock (on 1956-09-19)
valve trombone:
Juan Tizol (on 1956-09-19)
vocals:
Nat King Cole (on 1956-09-19)
orchestra:
Nelson Riddle and His Orchestra (on 1956-09-19)
conductor:
Nelson Riddle (on 1956-09-19)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-09-19)
cover recording of:
Ballerina (on 1956-09-19)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
2:50
21I'm Gonna Sit Right Down (And Write Myself a Letter)2:35
22Let's Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
2:25
23Autumn Leaves
cover recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
2:34
24When I Fall in Love
vocals:
Nat King Cole (on 1956-12-28)
conductor:
Gordon Jenkins (on 1956-12-28)
arranger:
Gordon Jenkins
cover recording of:
When I Fall in Love (on 1956-12-28)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
1.53:09
25That Sunday, That Summer
recording of:
That Sunday, That Summer (in 1963)
writer:
Joe Sherman and George David Weiss
publisher:
Comet Music
3:10
26Looking Back
producer:
Lee Gillette
vocals:
Nat King Cole (on 1961-04-03)
orchestra:
The Ralph Carmichael Orchestra and Chorus (on 1961-04-03)
conductor:
Ralph Carmichael (on 1961-04-03)
recording of:
Looking Back (on 1961-04-03)
writer:
Brook Benton, Belford Hendricks and Clyde Otis (American songwriter and record producer)
publisher:
The Clyde Otis Music Group, Inc. (publisher; do NOT use as release label)
2:26
27L-O-V-E
engineer:
Ryan Robinson (engineer)
mixer:
Joel Iwataki
assistant editor:
Sam Zeines
vocals:
Nat King Cole (on 1964-06-03)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1964-06-03)
recording of:
L-O-V-E (on 1964-06-03)
lyricist:
Milton Gabler
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
52:32
28I Wish You Love2:55