Essential Debussy: 26 of His Greatest Masterpieces

~ Release by Claude Debussy (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1Suite bergamasque, L. 75: Clair de lune
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
arranger:
Henri Mouton (composer) and Walter Piston
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973, in 1976)
recording of:
Clair de lune from Suite bergamasque (orch. Mouton)
orchestrator:
Henri Mouton (composer)
composer:
Claude Debussy (composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
4:44
2Nocturnes, L. 91: Nuages. Modéré
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
editor:
Joachim Niss
orchestra:
Boston Symphony Orchestra (on 1970-02-02)
conductor:
Claudio Abbado (conductor) (on 1970-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-02-02)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (on 1970-02-02)
composer:
Claude Debussy (composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
7:49
3Nocturnes, L. 91: Fêtes. Animé et très rythmé
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
editor:
Joachim Niss
orchestra:
Boston Symphony Orchestra (on 1970-02-02)
conductor:
Claudio Abbado (conductor) (on 1970-02-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1970-02-02)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (on 1970-02-02)
composer:
Claude Debussy (composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
6:04
4Images for Orchestra, L. 122: 2. Ibéria: 1. Par les rues et par les chemins
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk (in 1991-03)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1991-03)
recording of:
Images pour orchestre, L 122: IIa. Ibéria - Par les rues et par les chemins (in 1991-03)
composer:
Claude Debussy (composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
6:51
5Images for Orchestra, L. 122: 2. Ibéria: 2. Les parfums de la nuit
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk (in 1991-03)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1991-03)
recording of:
Images pour orchestre, L 122: IIb. Ibéria - Les Parfums de la nuit (in 1991-03)
composer:
Claude Debussy (composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
7:29
6Images for Orchestra, L. 122: 2. Ibéria: 3. Le matin d'un jour de fête
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1991-03)
conductor:
Pierre Boulez (composer and conductor) (in 1991-03)
balance engineer:
Helmut Burk (in 1991-03)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1991-03)
recording of:
Images pour orchestre, L 122: IIc. Ibéria - Le Matin d'un jour de fête (in 1991-03)
composer:
Claude Debussy (composer) (from 1905 until 1908)
part of:
Images pour orchestre, L. 122, CD 118: II. Ibéria
4:18
7Children's Corner, L. 113: Doctor Gradus ad Parnassum
producer:
Christopher Pope (producer)
editor:
Matthew Hutchinson (engineer / editor)
oboe:
Theodore Baskin
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (conductor) (in 1994-05)
balance engineer:
John Dunkerley (engineer) (in 1994-05) and Philip Siney (sound engineer) (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children's Corner: I. Doctor Gradus ad Parnassum (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (composer) (in 1910)
composer:
Claude Debussy (composer) (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
2:37
8Children's Corner, L. 113: Jimbo's Lullaby
producer:
Christopher Pope (producer)
editor:
Matthew Hutchinson (engineer / editor)
oboe:
Theodore Baskin
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (conductor) (in 1994-05)
balance engineer:
John Dunkerley (engineer) (in 1994-05) and Philip Siney (sound engineer) (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children's Corner: II. Jimbo's Lullaby (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (composer) (in 1910)
composer:
Claude Debussy (composer) (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: II. Jimbo’s Lullaby (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
3:54
9Children's Corner, L. 113: Serenade for the Doll
producer:
Christopher Pope (producer)
editor:
Matthew Hutchinson (engineer / editor)
oboe:
Theodore Baskin
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (conductor) (in 1994-05)
balance engineer:
John Dunkerley (engineer) (in 1994-05) and Philip Siney (sound engineer) (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children's Corner: III. Serenade for the Doll (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (composer) (in 1910)
composer:
Claude Debussy (composer) (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
2:40
10Children's Corner, L. 113: The Snow is Dancing
producer:
Christopher Pope (producer)
editor:
Matthew Hutchinson (engineer / editor)
oboe:
Theodore Baskin
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (conductor) (in 1994-05)
balance engineer:
John Dunkerley (engineer) (in 1994-05) and Philip Siney (sound engineer) (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children's Corner: IV. The Snow is Dancing (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (composer) (in 1910)
composer:
Claude Debussy (composer) (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
2:42
11Children's Corner, L. 113: The Little Shepherd
producer:
Christopher Pope (producer)
editor:
Matthew Hutchinson (engineer / editor)
oboe:
Theodore Baskin (in 1994-05)
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (conductor) (in 1994-05)
balance engineer:
John Dunkerley (engineer) (in 1994-05) and Philip Siney (sound engineer) (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children's Corner: V. The Little Shepherd (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (composer) (in 1910)
composer:
Claude Debussy (composer) (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
2:46
12Children's Corner, L. 113: Golliwogg's Cake-Walk
producer:
Christopher Pope (producer)
editor:
Matthew Hutchinson (engineer / editor)
oboe:
Theodore Baskin (in 1994-05)
orchestra:
Orchestre symphonique de Montréal (in 1994-05)
conductor:
Charles Dutoit (conductor) (in 1994-05)
balance engineer:
John Dunkerley (engineer) (in 1994-05) and Philip Siney (sound engineer) (in 1994-05)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (in 1994-05)
recording of:
Children's Corner: VI. Golliwogg's Cake-Walk (André Caplet orchestration) (in 1994-05)
orchestrator:
André Caplet (composer) (in 1910)
composer:
Claude Debussy (composer) (from 1906 until 1908-07)
orchestration of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake-Walk (original piano version)
part of:
Children’s Corner (André Caplet orchestration)
2:52
13La Mer, L. 109: 1. From Dawn Till Noon On The Sea
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (conductor) (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
8:35
14La Mer, L. 109: 2. Play Of The Waves
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (conductor) (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
6:12
15La Mer, L. 109: 3. Dialogue Of The Wind And The Sea
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (conductor) (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
7:52
▼ CD 2
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1Prelude to 'The Afternoon of a Faun'
producer:
Otto Gerdes (conductor and producer)
flute:
Karlheinz Zöller (flutist) (on 1964-03-11)
orchestra:
Berliner Philharmoniker (on 1964-03-11)
conductor:
Herbert von Karajan (conductor) (on 1964-03-11)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-03-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-03-11)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra) (on 1964-03-11)
composer:
Claude Debussy (composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
9:53
2En Bateau
producer:
Michael Bremner (producer/engineer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1961-02)
conductor:
Ernest Ansermet (conductor) (in 1961-02)
balance engineer:
Roy Wallace (recording engineer) (in 1961-02)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1961-02)
recording of:
Petite Suite, L. 65, CD 71b : I. En bateau (for orchestra) (in 1961-02)
orchestrator:
Henri Büsser (French composer, organist, conductor) (in 1907)
composer:
Claude Debussy (composer) (from 1888 until 1889)
orchestration of:
Petite Suite, L. 65, CD 71a : I. En bateau (for piano 4-hands)
part of:
Petite Suite, L. 65, CD 71b (for orchestra)
3:47
3Ballet
producer:
Michael Bremner (producer/engineer) and James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (in 1961-02)
conductor:
Ernest Ansermet (conductor) (in 1961-02)
balance engineer:
Roy Wallace (recording engineer) (in 1961-02)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1961-02)
recording of:
Petite Suite, L. 65, CD 71b : IV. Ballet (for orchestra) (in 1961-02)
orchestrator:
Henri Büsser (French composer, organist, conductor) (in 1907)
composer:
Claude Debussy (composer) (from 1888 until 1889)
orchestration of:
Petite Suite, L. 65, CD 71a : IV. Ballet (for piano 4-hands)
part of:
Petite Suite, L. 65, CD 71b (for orchestra)
3:22
4Arabesques No.1
piano:
Pascal Rogé (pianist) (in 1977)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1978)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (in 1977)
composer:
Claude Debussy (composer) (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
3:51
5La Plus que Lente
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
La plus que lente, L. 121, CD 128 (pour piano solo) (in 1969-04)
composer:
Claude Debussy (composer) (in 1910)
premiered at:
[concert] (1911-03-31)
publisher:
Durand et Cie (1909–1947) (in 1910-07)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 121) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 128)
3:45
6Des pas sur la neige
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VI. Des pas sur la neige. Triste et lent (in 1978-06)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
5:01
7The Girl with the Flaxen Hair
producer:
Werner Mayer (classical producer)
piano:
Alexis Weissenberg (from 1985-01 until 1985-02)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1985-01 until 1985-02)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (from 1985-01 until 1985-02)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
2:37
8The Sunken Cathedral
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (German audio)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (in 1978-06)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
6:52
9Minstrels
piano:
Jean-Rodolphe Kars (pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: XII. Minstrels. Modéré
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-02-10)
part of:
Préludes, Livre I, L. 117, CD 125
2:22
10La Puerta del Vino
piano:
Claudio Arrau (pianist)
recording of:
Préludes, Livre II, L. 123: III. La puerta del Vino. Mouvement de Habanera
composer:
Claude Debussy (composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
3:40
11Feux d'artifice
piano:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1989-09)
recorded at:
Louise M. Davies Symphony Hall in San Francisco, California, United States (in 1989-09)
recording of:
Préludes, Livre II, L. 123: XII. Feux d'artifice. Modérément animé (in 1989-09)
composer:
Claude Debussy (composer) (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
5:01
12Toccata
piano:
Zoltán Kocsis (pianist) (in 1983-09)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1984)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-09)
recording of:
Pour le piano, L. 95, CD 95: III. Toccata. À N.G. Coronio. Vif (in 1983-09)
composer:
Claude Debussy (composer) (from 1894 until 1901)
dedicated to:
Nicolas G. Coronio
part of:
Pour le piano, L. 95, CD 95
3:41
13L'isle Joyeuse
producer:
Werner Mayer (classical producer)
piano:
Alexis Weissenberg (from 1985-01 until 1985-02)
balance engineer:
Klaus Hiemann (German audio)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1985-01 until 1985-02)
recording of:
L’Isle joyeuse, L. 106, CD 109 (for piano) (from 1985-01 until 1985-02)
composer:
Claude Debussy (composer) (from 1903 until 1904-08)
premiered at:
[concert] (1905-02-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 106) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 109)
4:48
14Reflets dans l'eau
piano:
Jean‐Yves Thibaudet (pianist)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau
composer:
Claude Debussy (composer) (from 1901 until 1905)
premiered at:
[Concert des " Soirées d'art "] (1905-12-14)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
5:28
15Jardin sous la pluie
recorded in:
Palermo, Palermo, Sicilia, Italy (from 1962-10-13 until 1962-11-20), Rome, Roma, Lazio, Italy (from 1962-10-13 until 1962-11-20), Turin, Torino, Piemonte, Italy (from 1962-10-13 until 1962-11-20) and Venice, Venezia, Veneto, Italy (from 1962-10-13 until 1962-11-20)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
editor:
Günther Dieckmann (audio engineer)
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (from 1962-10-13 until 1962-11-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Auditorium Giovanni Agnelli in Torino, Torino, Piemonte, Italy (from 1962-10-13 until 1962-11-20)
recording of:
Estampes, L. 100: III. Jardins sous la pluie. Net et vif (for piano) (from 1962-10-13 until 1962-11-20)
composer:
Claude Debussy (composer) (in 1903-07)
is based on:
Images oubliées, L. 87, CD 94 : III. Quelques aspects de ‘Nous n’irons plus au bois’ parce qu’il fait un temps insupportable (for piano)
part of:
Estampes, L. 100, CD 108 (for piano)
3:17
16La Soirée dans Grenade
recorded in:
Palermo, Palermo, Sicilia, Italy (from 1962-10-13 until 1962-11-20), Rome, Roma, Lazio, Italy (from 1962-10-13 until 1962-11-20), Turin, Torino, Piemonte, Italy (from 1962-10-13 until 1962-11-20) and Venice, Venezia, Veneto, Italy (from 1962-10-13 until 1962-11-20)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
editor:
Günther Dieckmann (audio engineer)
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (from 1962-10-13 until 1962-11-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Auditorium Giovanni Agnelli in Torino, Torino, Piemonte, Italy (from 1962-10-13 until 1962-11-20)
recording of:
Estampes, L. 100: II. La Soirée dans Grenade. Mouvement de Habanera (from 1962-10-13 until 1962-11-20)
composer:
Claude Debussy (composer) (in 1903-07)
part of:
Estampes, L. 100, CD 108 (for piano)
5:28
17Syrinx for Solo Flute
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Joachim Niss
flute:
Doriot Anthony Dwyer (in 1970-02)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1970-02)
recording of:
Syrinx, L. 129, CD 137 (for solo flute) (in 1970-02)
composer:
Claude Debussy (composer) (in 1913)
dedicated to:
Louis Fleury
premiered at:
[concert] (1913-12-01)
publisher:
Editions Jobert (in 1927-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 129) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 137)
2:44

Credits

Release

ASIN:US: B000069HME [info]