Julian Cannonball Adderley

~ Release by Julian Cannonball Adderley (see all versions of this release, 5 available)

Annotation

UPC is correct even though it is the same as CD version. Verified by iTunes.

Annotation last modified on 2022-04-15 08:00 UTC.

Tracklist

▼ Digital Media 1
#TitleRatingLength
1Cannonball
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Cannonball (on 1955-07-29)
composer:
Julian “Cannonball” Adderley
4:15
2Willows
recorded in:
New York, New York, United States (on 1955-08-05)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-08-05)
baritone saxophone:
Cecil Payne (on 1955-08-05)
cornet:
Nat Adderley (on 1955-08-05)
double bass:
Paul Chambers (US jazz bassist) (on 1955-08-05)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-08-05)
flute and tenor saxophone:
Jerome Richardson (on 1955-08-05)
piano:
John Williams (American jazz pianist) (on 1955-08-05)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-08-05)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Willows (on 1955-08-05)
composer:
Quincy Jones
4:57
3Everglade
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Everglade (on 1955-07-29)
composer:
Quincy Jones and Julian “Cannonball” Adderley
3:41
4Cynthia’s in Love
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
James Cleveland (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
cover recording of:
Cynthia’s in Love (on 1955-07-21)
writer:
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") and Earl White
3:04
5The Song Is You
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
Jimmy Cleveland (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
instrumental cover recording of:
The Song Is You (in 1955)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
4:13
6Hurricane Connie
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
James Cleveland (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955) and Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2001)
recording of:
Hurricane Connie (on 1955-07-21)
composer:
Quincy Jones
4:17
7Purple Shades
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
James Cleveland (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Purple Shades (on 1955-07-21)
writer:
Phil Dooley, Lew Douglas and Frank LaVere
3:32
8Rose Room
recorded in:
New York, New York, United States (on 1955-08-05)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-08-05)
baritone saxophone:
Cecil Payne (on 1955-08-05)
cornet:
Nat Adderley (on 1955-08-05)
double bass:
Paul Chambers (US jazz bassist) (on 1955-08-05)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-08-05)
flute and tenor saxophone:
Jerome Richardson (on 1955-08-05)
piano:
John Williams (American jazz pianist) (on 1955-08-05)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-08-05)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
instrumental cover recording of:
Rose Room (on 1955-08-05)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
5:46
9Fallen Feathers
recorded in:
New York, New York, United States (on 1955-08-05)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-08-05)
baritone saxophone:
Cecil Payne (on 1955-08-05)
cornet:
Nat Adderley (on 1955-08-05)
double bass:
Paul Chambers (US jazz bassist) (on 1955-08-05)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-08-05)
flute and tenor saxophone:
Jerome Richardson (on 1955-08-05)
piano:
John Williams (American jazz pianist) (on 1955-08-05)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-08-05)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955) and Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2001)
recording of:
Fallen Feathers (on 1955-08-05)
composer:
Quincy Jones
3:45
10You’d Be So Nice to Come Home To
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
3:37

Credits

Release

copyrighted (©) by:The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2003)
phonographic copyright (℗) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
purchase for download:https://itunes.apple.com/us/album/id3438260 [info] (ended)
https://music.apple.com/us/album/1443869049 [info]
stream for free:https://open.spotify.com/album/18JHKcwCBtOfCGmOB7hXx8 [info]
https://www.deezer.com/album/231844 [info]
streaming page:https://music.apple.com/us/album/1443869049 [info]

Release group

associated singles/EPs:Julian Cannonball Adderley
Discogs:https://www.discogs.com/master/420337 [info]
Wikidata:Q6306917 [info]