Arias

~ Release by Rossini, Donizetti; Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (see all versions of this release, 5 available)

Annotation

Recorded 4-23 XII.1963 & 13-24 IV.1964, Salle Wagram, Paris
(P) 1965 by EMI Records Ltd.
Digital remastering (P) 1997 by EMI Records Ltd. (C) 1997 by EMI Records Ltd.

Annotation last modified on 2015-03-22 11:56 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1La Cenerentola: Atto II. "Nacqui all'affanno... Non più mesta"
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Nicola Rescigno (conductor)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-04 until 1964-04-24)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini6:22
2Guglielmo Tell: Atto II. "S'allontanano alfine... Selva opaca"
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Nicola Rescigno (conductor)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-04 until 1964-04-24)
recording of:
Guglielmo Tell: Atto II, scena 2. “S’allontanano alfine!”
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto II
Gioachino Rossini8:37
3Semiramide: Atto I. "Bel raggio lusinghier"
soprano vocals [Semiramide]:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Nicola Rescigno (conductor)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-04 until 1964-04-24)
recording of:
Semiramide: Atto I. Cavatina “Bel raggio lusinghier” (Semiramide)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide: Atto I
Gioachino Rossini8:40
4La figlia del reggimento: Atto I. "Convien partir"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-04 until 1964-04-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-04 until 1964-04-24)
conductor:
Nicola Rescigno (conductor) (from 1963-12-04 until 1964-04-24)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-04 until 1964-04-24)
recording of:
La figlia del reggimento: Atto I. “Convien partir” (from 1963-12-04 until 1964-04-24)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La figlia del reggimento: Atto I
Gaetano Donizetti4:08
5Lucrezia Borgia: Atto I. "Tranquillo ei posa... Com'è bello"
soprano vocals:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Nicola Rescigno (conductor)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-04 until 1964-04-24)
recording of:
Lucrezia Borgia: Prologo. Romanza “Tranquillo ei posa … Com'è bello! … Quale incanto …” (Lucrezia)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucrezia Borgia: Prologo
Gaetano Donizetti8:21
6L'elisir d'amore: Atto II. "Prendi, prendi, per me sei libero"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-04 until 1964-04-24)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-04 until 1964-04-24)
conductor:
Nicola Rescigno (conductor) (from 1963-12-04 until 1964-04-24)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-04 until 1964-04-24)
recording of:
L’elisir d’amore: Atto II. Aria “Prendi, per me sei libero” (Adina, Nemorino) (from 1963-12-04 until 1964-04-24)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti3:36