Complete Recordings

~ Release by Booker Little feat. George Coleman (see all versions of this release, 1 available)

Annotation

Notes

Exact content still to be determined.
As usual with Lone Hill, this may contain some rare cuts, but is likely to not be "Complete".

Annotation last modified on 2007-12-04 06:32 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Victory and Sorrow
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Victory and Sorrow (in 1961)
composer:
Booker Little
5:56
2Forward Flight
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Forward Flight (in 1961)
composer:
Booker Little
6:19
3Looking Ahead
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Looking Ahead (in 1961)
composer:
Booker Little
7:25
4If I Should Lose You
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
If I Should Lose You (in 1961)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:12
5Calling Softly
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Calling Softly (in 1961)
composer:
Booker Little
5:39
6Booker’s Blues
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Booker's Blues (in 1961)
composer:
Booker Little
5:16
7Matilde
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Matilde (in 1961)
composer:
Booker Little
5:57
8Milestones
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
recording of:
Milestones (originally titled “Miles”) (in 1958-10)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, since 1972), Jazz Horn Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
5:35
9Sweet and Lovely
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass [bass]:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
instrumental recording of:
Sweet and Lovely (in 1958-10)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
cover recording of:
Sweet and Lovely
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
4:14
10Rounder's Mood
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
recording of:
Rounder's Mood (in 1958-10)
composer:
Booker Little
5:20
11Dungeon Waltz
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
4:28
12Jewel’s Tempo
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
6:36
13Moonlight Becomes You
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass [bass]:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
cover recording of:
Moonlight Becomes You (in 1958-10)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1942)
composer:
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部
5:44

Credits

Release

ASIN:DE: B0007Q189O [info]