# | Title | Rating | Length |
---|
1 | Goin’ Out of My Head | 4 | 2:17 |
2 | O Morro | | 4:49 |
3 | Boss City | | 3:47 |
4 | Chim Chim Cheree (from Walt Disney’s “Mary Poppins”)- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- double bass [bass]:
- George Duvivier (on 1965-12-22)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- electric guitar [guitar]:
- Wes Montgomery (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- recording of:
- Chim Chim Cher-ee (on 1965-12-22)
- lyricist and composer:
- Richard M. Sherman and Robert B. Sherman
- publisher:
- Campbell Connelly & Co. Ltd., The Walt Disney Co. and Wonderland Music Company, Inc. (in 1964)
- part of:
- The 37th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 37)
- part of:
- Mary Poppins
- part of:
- Mary Poppins
| | 4:53 |
5 | Naptown Blues- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- double bass [bass]:
- George Duvivier (on 1965-12-22)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- electric guitar [guitar]:
- Wes Montgomery (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- recording of:
- Naptown Blues (on 1965-12-22)
- composer:
- Wes Montgomery
| | 3:10 |
6 | Twisted Blues- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- double bass [bass]:
- George Duvivier (on 1965-12-22)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- electric guitar [guitar]:
- Wes Montgomery (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- recording of:
- Twisted Blues (on 1965-12-22)
- composer:
- Wes Montgomery
| | 4:17 |
7 | End of a Love Affair- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass:
- George Duvivier (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- guitar:
- Wes Montgomery (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- instrumental recording of:
- The End of a Love Affair (on 1965-12-22)
- lyricist and composer:
- Edward Redding
- publisher:
- MCA Music Publishing
| | 3:45 |
8 | It Was a Very Good Year- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- double bass [bass]:
- George Duvivier (on 1965-12-22)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- electric guitar [guitar]:
- Wes Montgomery (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- instrumental recording of:
- It Was a Very Good Year (on 1965-12-22)
- lyricist and composer:
- Ervin Drake
- publisher:
- Memory Lane Music , Reedlands Music Corp. and The Songwriters Guild
| | 3:44 |
9 | Golden Earrings- recording engineer:
- Rudy van Gelder (on 1965-12-22)
- producer:
- Creed Taylor
- alto flute, baritone saxophone and bass clarinet:
- Dan Bank (on 1965-12-22)
- alto saxophone:
- Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- bass trombone:
- Tony Studd (on 1965-12-22)
- clarinet:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Jerry Dodgion (on 1965-12-22) and Phil Woods (on 1965-12-22)
- congas:
- Candido (on 1965-12-22)
- cor anglais [English horn], oboe and tenor saxophone:
- Romeo Penque (on 1965-11-20)
- double bass [bass]:
- George Duvivier (on 1965-12-22)
- drums (drum set):
- Grady Tate (on 1965-12-22)
- electric guitar [guitar]:
- Wes Montgomery (on 1965-12-22)
- flute:
- Romeo Penque (on 1965-11-20), Bob Ashton (on 1965-12-22), Dan Bank (on 1965-12-22) and Jerry Dodgion (on 1965-12-22)
- piano:
- Herbie Hancock (on 1965-12-22) and Roger Kellaway (on 1965-12-22)
- piccolo:
- Romeo Penque (on 1965-11-20) and Jerry Dodgion (on 1965-12-22)
- saxophone:
- Bob Ashton (on 1965-12-22)
- trombone:
- Wayne Andre (on 1965-12-22), Jimmy Cleveland (on 1965-12-22) and Quentin Jackson (on 1965-12-22)
- trumpet:
- Donald Byrd (on 1965-12-22), Danny Moore (on 1965-12-22), Joe Newman (on 1965-12-22) and Ernie Royal (on 1965-12-22)
- conductor:
- Oliver Nelson (on 1965-12-22)
- arranger:
- Oliver Nelson
- recorded at:
- Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-12-22)
- instrumental recording of:
- Golden Earrings (on 1965-12-22)
- lyricist:
- Ray Evans and Jay Livingston
- composer:
- Victor Young
| | 5:14 |