Blown Away

~ Release by Alan Silvestri (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Prince’s Day (Main Title)
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Prince’s Day (Main Title)
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:28
2The Escape
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
The Escape
composer:
Alan Silvestri (American score composer)
Alan Silvestri4:31
3M.I.T. Arrival
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
M.I.T. Arrival
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:16
4Bomb Squad
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Bomb Squad
composer:
Alan Silvestri (American score composer)
Alan Silvestri3:47
5Flashbacks
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Flashbacks
composer:
Alan Silvestri (American score composer)
Alan Silvestri0:42
6Serendipity
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Serendipity
composer:
Alan Silvestri (American score composer)
Alan Silvestri0:50
7Gaerity Sets Up Shop
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Gaerity Sets Up Shop
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:06
8Blanket Gets It
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Blanket Gets It
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:11
9Bomb Site
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Bomb Site
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:17
10Bake Sale Spy
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Bake Sale Spy
composer:
Alan Silvestri (American score composer)
Alan Silvestri0:29
11Playing the Angle
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Playing the Angle
composer:
Alan Silvestri (American score composer)
Alan Silvestri3:16
12Trolley Bomb Site
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Trolley Bomb Site
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:00
13Cortez Goes Boom
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Cortez Goes Boom
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:16
14Red Herring Du Jour
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Red Herring Du Jour
composer:
Alan Silvestri (American score composer)
Alan Silvestri11:25
15Shut Him Down
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Shut Him Down
composer:
Alan Silvestri (American score composer)
Alan Silvestri0:31
16Explosive Headset
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Explosive Headset
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:28
17Too Easy
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Too Easy
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:48
18Kite Fixer
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Kite Fixer
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:06
19Searching the Docks
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Searching the Docks
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:56
20Gaerity’s Hideout
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Gaerity’s Hideout
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:25
21Saint Max
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Saint Max
composer:
Alan Silvestri (American score composer)
Alan Silvestri4:52
22Computer Search
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Computer Search
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:02
23You Don’t Know Me
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
You Don’t Know Me
composer:
Alan Silvestri (American score composer)
Alan Silvestri2:12
24At the Dolphin
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
At the Dolphin
composer:
Alan Silvestri (American score composer)
Alan Silvestri0:50
25Nail Bomb
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Nail Bomb
composer:
Alan Silvestri (American score composer)
Alan Silvestri0:58
26For Your Lovely Wife
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
For Your Lovely Wife
composer:
Alan Silvestri (American score composer)
Alan Silvestri0:46
271812 Overture (Last Bomb)
Пётр Ильич Чайковский1:00
281812 Overture (Bomb Struggle)
Пётр Ильич Чайковский1:23
29Final Fight
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Final Fight
composer:
Alan Silvestri (American score composer)
Alan Silvestri3:40
301812 Overture (Desperate Run)
Пётр Ильич Чайковский2:01
31Brakeless in Boston
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Brakeless in Boston
composer:
Alan Silvestri (American score composer)
Alan Silvestri3:08
32Everybody Loves a Hero
producer:
Douglass Fake
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Jacqueline Tager (editor)
editor:
Douglass Fake and Ken Karmen
conductor:
Alan Silvestri (American score composer)
phonographic copyright (℗) by:
Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only)
recorded at and mixed at:
Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
edited at:
Intrada in Oakland, California, United States
recording of:
Everybody Loves a Hero
composer:
Alan Silvestri (American score composer)
Alan Silvestri1:40
331812 Overture (rehearsal #1)
Пётр Ильич Чайковский0:31
341812 Overture (rehearsal #2)
Пётр Ильич Чайковский0:28