A Portrait of Pavarotti: Highlights from The Pavarotti Edition

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1Che gelida manina
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
4:43
2O soave fanciulla
engineer:
James Lock (engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (Puccini)
4:16
3In un coupe... O Mimi, tu piu non torni
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (Puccini)
4:47
4Bimba, bimba, non piangere
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1974-01)
mezzo-soprano vocals and mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
2:22
5Viene le sera
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
7:34
6Vogliatemi bene
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I
7:50
7Addio fiorita asil
baritone vocals:
Robert Kerns (baritone)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
2:06
8Ma si vi talenta... Tra voi belle
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Manon Lescaut: Atto I. “Tra voi, belle, brune e bionde” (Des Grieux, Edmondo, coro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
1:40
9Donna non vidi mai
tenor vocals:
Luciano Pavarotti (tenor)
2:06
10Presto! In fila... No, no pazzo son!
recording engineer:
James Lock (engineer) and John Pellowe (audio engineer)
assistant producer:
Christopher Pope (producer)
producer:
Michael Woolcock (producer)
bass vocals [Sergente degli arcieri]:
James Courtney (operatic bass-baritone) (in 1992-08)
bass vocals [Un comandante di marina]:
Federico Davià (Italian operatic bass) (in 1992-08)
choir vocals:
Metropolitan Opera Chorus (in 1992-08)
tenor vocals [Il cavaliere Renato des Grieux, studente]:
Luciano Pavarotti (tenor) (in 1992-08)
orchestra:
Metropolitan Opera Orchestra (in 1992-08)
conductor:
James Levine (US conductor and pianist) (in 1992-08)
chorus master:
Raymond Hughes (conductor) (in 1992-08)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1992-08)
recording of:
Manon Lescaut: Atto III. “Presto! In fila!…No! No! pazzo son” (Des Grieux, Sergente, Comandante) (in 1992-08)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto III
3:32
11Recondita armonia
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Nicola Rescigno (conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
3:02
12Mario! Mario! Mario!
soprano vocals:
Mirella Freni (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Nicola Rescigno (conductor)
partial recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
5:44
13Or lasciami al lavoro
soprano vocals:
Mirella Freni (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Nicola Rescigno (conductor)
recording of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto I
7:38
14E lucevan le stelle
engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
3:03
15Ch'ella mi creda
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Johnson]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance) (in 1979-06)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
2:06
16Non piangere liu... Ah per l'ultima volta
baritone vocals [Ping]:
Tom Krause (bass-baritone)
bass vocals [Timur]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
The John Alldis Choir
soprano vocals [Liù]:
Montserrat Caballé (soprano)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor)
tenor vocals [Pang]:
Pier Francesco Poli (Italian tenor)
tenor vocals [Pong]:
Piero de Palma (tenor)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Zubin Mehta (conductor)
chorus master:
John Alldis (chorusmaster and conductor)
recording of:
Turandot: Atto I. “Ah! per l’ultima volta!” (Timur, Liù, Ministri, Calaf, coro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I
5:07
17Nessun dorma!
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25, on 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
52:59
▼ CD 2
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1La Mia Letizia infondere
tenor vocals:
Luciano Pavarotti (tenor)
2:00
2O figli Ah, la paterna mano
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Lamberto Gardelli (conductor)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
3:36
3Il foglio dunque!
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
recording of:
Luisa Miller: Atto II, Nº 10a. Scena “Il foglio dunque?” – “Oh! Fede negar potessi” (Rodolfo, Farmer)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
2:47
4Quando le sere al placido
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
3:51
5Questa o quella
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
edit of:
Rigoletto: Atto I. "Questa o quella per me pari sono" (Duca) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Ricardo Cassinelli (Argentine operatic tenor), Sherrill Milnes (baritone), Luciano Pavarotti (tenor), Kiri Te Kanawa (soprano), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
partial recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
1:49
6Ella mi fu rapita...Parma veder
tenor vocals:
Luciano Pavarotti (tenor)
4:49
7La donna e mobile
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1972)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1971-06-28)
vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (conductor and pianist) (on 1971-06-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:24
8Quale d'armi fragor
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:10
9Ah si ben mio
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
3:02
10L'onda de suoni mistici
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
tenor vocals [Ruiz]:
Graham Clark (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
1:55
11Di quella pira
tenor vocals:
Luciano Pavarotti (tenor)
3:22
12Libiamo (Bridisi/drinking song)
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
choir vocals:
London Opera Chorus (in 1979-11)
soprano vocals [Violetta Valéry]:
Dame Joan Sutherland (soprano) (in 1979-11)
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I
2:52
13Lunga da lei.. De'miei bollenti spiriti
tenor vocals [Alfredo]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer) and Richard Bonynge (conductor and pianist) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II
3:56
14la rivedra nell'estasi
tenor vocals:
Luciano Pavarotti (tenor)
2:04
15Di' tu se ffedele
tenor vocals:
Luciano Pavarotti (tenor)
3:08
16Forse la soglia... Ma se m'e forza perderti
tenor vocals:
Luciano Pavarotti (tenor)
5:37
17Fratello
tenor vocals:
Luciano Pavarotti (tenor)
5:22
18Celeste Aida
tenor vocals:
Luciano Pavarotti (tenor)
4:09
19Pur ti riveggo
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano, Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
3:24
20Dies Irae: Ingemisco
tenor vocals:
Luciano Pavarotti (tenor)
3:38
21Gia nella notte densa
soprano vocals:
Kiri Te Kanawa (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto I, scena 3. “Già nella notte densa” (Otello, Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
9:36
▼ CD 3
#TitleRatingLength
1Dalla sua pace
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker
conductor:
Sir John Pritchard (conductor)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
4:36
2Una furtiva lagrima
engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1971-06-28 until 1971-07-16)
orchestra:
English Chamber Orchestra (from 1971-06-28 until 1971-07-16)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06-28 until 1971-07-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-06-28 until 1971-07-16)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1971-06-28 until 1971-07-16)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
4:50
3A te, o cara
bass vocals:
Nicolaï Ghiaurov (operatic bass) and Giancarlo Luccardi (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
I Puritani: Atto I, scena 3. N°7 “A te, o cara, amor talora” (Arturo, Giorgio, Walton, Elvira, Coro)
composer:
Vincenzo Bellini (Sicilian opera composer) (in 1835)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
5:49
4M'appari
tenor vocals:
Luciano Pavarotti (tenor)
3:32
5O Paradiso
tenor vocals:
Luciano Pavarotti (tenor)
3:31
6La fleur que tu m'avais jetee
tenor vocals:
Luciano Pavarotti (tenor)
4:31
7Pourquoi me reveiller
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Werther]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1979-06)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
3:07
8Amor ti vieta
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Loris]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06) and Nicola Rescigno (conductor) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga) (in 1979-06)
composer:
Umberto Giordano (Italian opera composer) (in 1898)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
1:47
9Mamma, quel vino e generoso
baritone vocals:
Piero Cappuccilli (baritone)
choir vocals:
London Opera Chorus
mezzo-soprano vocals:
Ida Bormida and Carmen Gonzalez (soprano)
soprano vocals:
Júlia Várady (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Gianandrea Gavazzeni (conductor)
chorus master:
Terry Edwards (British choir director)
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
composer:
Pietro Mascagni (composer & conductor) (in 1890)
librettist:
Guido Menasci (Italian librettist, 19th-20th c.) and Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Cavalleria rusticana
5:10
10Vesti la giubba
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I
4:08
11Mattinata
tenor vocals:
Luciano Pavarotti (tenor)
2:00
12La danza
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare” (in 1973-07)
lyricist:
Carlo Pepoli (Italian librettist, 19th c.)
composer:
Gioachino Rossini (composer)
part of:
Soirées musicales
3:08
13Torna a Surriento
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-03)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Torna a Surriento (Giancarlo Chiaramello arrangement) (in 1979-03)
lyricist:
Giambattista De Curtis
composer:
Ernesto De Curtis (composer)
arranger:
Giancarlo Chiaramello
arrangement of:
Torna a Surriento
4:25
14Core 'ngrato
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1985-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
phonographic copyright (℗) by:
Dala Luma
recorded at:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Core ’ngrato (Catarì, Catarì) (Original for voice & orchestra) (in 1985-07)
lyricist:
Riccardo Cordiferro (in 1911)
composer:
Salvatore Cardillo (Italian-American composer) (in 1911)
publisher:
Ed. G. Ricordi & Cia. SpA
4:55
15Rondine al nido
tenor vocals:
Luciano Pavarotti (tenor)
3:27
16Mamma
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1984-01)
orchestra:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1984)
recorded at:
Grand Casino Noga Hilton in Genève, Genève, Switzerland (in 1984-01)
recording of:
Mamma (arr. Mancini) (in 1984-01)
lyricist:
Bixio Cherubini
composer:
Cesare Andrea Bixio
arranger:
Henry Mancini (US composer, conductor & arranger)
arrangement of:
Mamma
3:35
17Funiculi Funicula
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1977-07)
choir vocals:
Coro del Teatro Comunale di Bologna (in 1977-07)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1977-07)
conductor:
Anton Guadagno (conductor) (in 1977-07)
arranger:
Giancarlo Chiaramello
recording of:
Funiculì, funiculà (in 1977-07)
composed in:
Castellammare di Stabia, Napoli, Campania, Italy (in 1880)
lyricist:
Peppino Turco
composer:
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. and Robbins Music Corp.
2:43
18Non ti scordar di me
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
choir vocals:
The Henry Mancini Chorus (in 1984-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1984-01)
orchestra:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1984)
recorded at:
Grand Casino Noga Hilton in Genève, Genève, Switzerland (in 1984-01)
recording of:
Non ti scordar di me (arr. Mancini) (in 1984-01)
lyricist:
Domenico Furnò
composer:
Ernesto De Curtis (composer)
arranger:
Henry Mancini (US composer, conductor & arranger)
arrangement of:
Non ti scordar di me
2:58
19La mia canzone al vento
tenor vocals:
Luciano Pavarotti (tenor)
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
La mia canzone al vento (arr. Mancini)
lyricist:
Bixio Cherubini
composer:
Cesare Andrea Bixio
arranger:
Henry Mancini (US composer, conductor & arranger)
3:05
20O sole mio
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-03)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-03)
recording of:
’O sole mio (in 1979-03)
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
arrangement of:
O sole mio
part of:
For the First Time (1959 film)
3:22