Dido and Aeneas

~ Release by Purcell; Susan Graham, Ian Bostridge, Camilla Tilling, Felicity Palmer, David Daniels, Cecile De Boever, Paul Agnew, European Voices, Le Concert d'Astrée, Emmanuelle Haïm (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Dido and Aeneas: Overture
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Overture (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626
Henry Purcell2:13
2Dido and Aeneas: Act the First, Scene: The Palace. “Shake the cloud from off your brow” (Belinda)
soprano vocals [Belinda]:
Camilla Tilling (soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:36
3Dido and Aeneas: Act the First, Scene: The Palace. “Banish sorrow, banish care” (Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:32
4Dido and Aeneas: Act the First, Scene: The Palace. “Ah! Belinda, I am pressed with torment” (Dido)
mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:07
5Dido and Aeneas: Act the First, Scene: The Palace. “Grief increases by concealing” (Belinda, Dido)
mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
soprano vocals [Belinda]:
Camilla Tilling (soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:34
6Dido and Aeneas: Act the First, Scene: The Palace. “When monarchs unite, how happy their state” (Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:15
7Dido and Aeneas: Act the First, Scene: The Palace. “Whence could so much virtue spring?” (Belinda, Dido)
mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
soprano vocals [Belinda]:
Camilla Tilling (soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:41
8Dido and Aeneas: Act the First, Scene: The Palace. “Fear no danger to ensue” (Belinda, Second Woman, Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
soprano vocals [Belinda]:
Camilla Tilling (soprano) (from 2003-03-14 until 2003-03-16)
soprano vocals [Second Woman]:
Cécile De Boever (soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:15
9Dido and Aeneas: Act the First, Scene: The Palace. “See, your royal guest appears” (Aeneas, Belinda, Dido)
mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
soprano vocals [Belinda]:
Camilla Tilling (soprano) (from 2003-03-14 until 2003-03-16)
tenor vocals [Aeneas]:
Ian Bostridge (tenor) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:48
10Dido and Aeneas: Act the First, Scene: The Palace. “Cupid only throws the dart” (Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:35
11Dido and Aeneas: Act the First, Scene: The Palace. “If not for mine, for empire’s sake” (Aeneas, Belinda)
soprano vocals [Belinda]:
Camilla Tilling (soprano) (from 2003-03-14 until 2003-03-16)
tenor vocals [Aeneas]:
Ian Bostridge (tenor) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:30
12Dido and Aeneas: Act the First, Scene: The Palace. “To the hills and the vales” (Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:03
13Dido and Aeneas: Act the First, Scene: The Palace. The Triumphing Dance
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:26
14Dido and Aeneas: Act the Second, Scene 1: The Cave. “Wayward sisters, you that fright” (Sorceress, First Witch) / “Harm’s our delight” (Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
contralto vocals [Sorceress]:
Felicity Palmer (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:11
15Dido and Aeneas: Act the Second, Scene 1: The Cave. “The Queen of Carthage, whom we hate” (Sorceress) / “Ho Ho Ho!” (Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
contralto vocals [Sorceress]:
Felicity Palmer (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:39
16Dido and Aeneas: Act the Second, Scene 1: The Cave. “Ruined ere the set of sun?” (Sorceress, Two Witches) / “Ho Ho Ho!” (Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
contralto vocals [Sorceress]:
Felicity Palmer (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:10
17Dido and Aeneas: Act the Second, Scene 1: The Cave. “But ere we this perform” (Two Witches)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:12
18Dido and Aeneas: Act the Second, Scene 1: The Cave. “In our deep vaulted cell” (Chorus in the Manner of an Echo)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:28
19Dido and Aeneas: Act the Second, Scene 1: The Cave. Echo Dance of Furies
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:18
20Dido and Aeneas: Act the Second, Scene 2: The Grove. Ritornelle
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:43
21Dido and Aeneas: Act the Second, Scene 2: The Grove. “Thanks to these lonesome vales” (Belinda, Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
soprano vocals [Belinda]:
Camilla Tilling (soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:15
22Dido and Aeneas: Act the Second, Scene 2: The Grove. “Oft she visits this lone mountain” (Second Woman)
soprano vocals [Second Woman]:
Cécile De Boever (soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:18
23Dido and Aeneas: Act the Second, Scene 2: The Grove. “Behold, upon my bending spear” (Aeneas, Dido)
mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
tenor vocals [Aeneas]:
Ian Bostridge (tenor) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:30
24Dido and Aeneas: Act the Second, Scene 2: The Grove. “Haste, haste to town” (Belinda, Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
soprano vocals [Belinda]:
Camilla Tilling (soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:45
25Dido and Aeneas: Act the Second, Scene 2: The Grove. “Stay, Prince, and hear great Jove’s command” (Aeneas, Spirit)
countertenor vocals [Spirit]:
David Daniels (American countertenor) (from 2003-03-14 until 2003-03-16)
tenor vocals [Aeneas]:
Ian Bostridge (tenor) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:19
26Dido and Aeneas: Act the Third, Scene 1: The Ships. “Come away, fellow sailors” (A Sailor, Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
tenor vocals [A Sailor]:
Paul Agnew (tenor / conductor) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:36
27Dido and Aeneas: Act the Third, Scene 1: The Ships. The Sailor’s Dance
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:50
28Dido and Aeneas: Act the Third, Scene 1: The Ships. “See the flags and streamers curling” (Sorceress, First and Second Witch)
contralto vocals [Sorceress]:
Felicity Palmer (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:03
29Dido and Aeneas: Act the Third, Scene 1: The Ships. “Our next motion” (Sorceress)
contralto vocals [Sorceress]:
Felicity Palmer (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:42
30Dido and Aeneas: Act the Third, Scene 1: The Ships. “Destruction’s our delight” (Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:32
31Dido and Aeneas: Act the Third, Scene 1: The Ships. The Witches’ Dance
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:22
32Dido and Aeneas: Act the Third, Scene 2. “Your counsel all is urged in vain” (Aeneas, Belinda, Dido)
mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
soprano vocals [Belinda]:
Camilla Tilling (soprano) (from 2003-03-14 until 2003-03-16)
tenor vocals [Aeneas]:
Ian Bostridge (tenor) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:27
33Dido and Aeneas: Act the Third, Scene 2. “Great minds against themselves conspire” (Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:51
34Dido and Aeneas: Act the Third, Scene 2. “Thy hand, Belinda; darkness shades me” (Dido)
mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:57
35Dido and Aeneas: Act the Third, Scene 2. “When I am laid in earth” (Dido)
mezzo-soprano vocals and mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano) (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:51
36Dido and Aeneas: Act the Third, Scene 2. “With drooping wings” (Chorus)
choir vocals:
European Voices (from 2003-03-14 until 2003-03-16)
orchestra:
Le Concert d’Astrée (ensemble founded in 2000 by Emmanuelle Haïm) (from 2003-03-14 until 2003-03-16)
conductor:
Emmanuelle Haïm (conductor) (from 2003-03-14 until 2003-03-16)
chorus master:
Simon Halsey (conductor) (from 2003-03-14 until 2003-03-16) and David Lowe (tenor and chorus master) (from 2003-03-14 until 2003-03-16)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est, France (from 2003-03-14 until 2003-03-16)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (from 2003-03-14 until 2003-03-16)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:16