Greatest Ever! Love Songs: The Definitive Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Review by James Christopher Monger

This budget-priced, three-disc, 60-track box set is all about the amore. The no-frills Greatest Ever! Love Songs features a wide cross-section of genres and spans multiple decades, with highlights arriving via the lush, Benjamin Orr-led Cars classic "Drive," Eva Cassidy's lovely "Songbird," the Everly Brothers' "All I Have to Do Is Dream," and Harry Nilsson's cathartic "Without You."

Annotation last modified on 2015-01-01 02:00 UTC.

Tracklist

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CD 1
#TitleArtistRatingLength
1How Do I Live
producer:
Mike Curb, Chuck Howard (american A&R executive, record and movie producer) and Wilbur C. Rimes
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
LeAnn Rimes2.54:07
2Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp. and Lido Music, Inc.
The Cars43:56
3Fields of Gold
acoustic guitar:
Eva Cassidy
electric guitar:
Keith Grimes
vocals:
Eva Cassidy
remaster of:
Fields of Gold by Eva Cassidy
cover recording of:
Fields of Gold
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) and Steerpike Ltd. (PRS-affiliated)
Eva Cassidy4.154:43
4If Tomorrow Never ComesRonan Keating3:36
5Nothing Compares 2 USinéad O’Connor4.355:00
6Geek Love
Nerina Pallot4:00
7Friday I’m in Love
assistant engineer:
Chris Bandy
engineer:
David M. Allen (UK producer/engineer/remixer (mainly new-wave/synth-pop/goth)) and Steve Whitfield
producer:
David M. Allen (UK producer/engineer/remixer (mainly new-wave/synth-pop/goth)) and The Cure
assistant mixer:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple and Mark Warner (UK guitarist for Quantum Jump)
mixer:
Mark Saunders (UK record producer)
bass:
Simon Gallup
bass guitar [6-string bass] and keyboard:
Perry Bamonte
drums (drum set) and percussion:
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 73)
recording of:
Friday I’m in Love
lyricist:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) and Simon Gallup
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Fiction Songs Ltd.
The Cure4.53:35
8Love… Thy Will Be Done
recording of:
Love… Thy Will Be Done
writer:
Martika (American singer-songwriter and actress) and Prince (“The Artist Formerly Known as…”)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1991), Girlsongs (publisher) (in 1991), Tika Tunes (publisher) (in 1991) and WB Music Corp. (1929–2019) (in 1991)
Martika24:19
9Only You
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe
additional producer:
Daniel Miller (British music producer and founder of Mute Records)
producer:
Eric Radcliffe and Yazoo (80s British synthpop duo, aka Yaz)
vocals:
Alison Moyet
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Only You
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Musical Moments Ltd., SM Publishing (UK) Limited (current name of Sony Music Publishing UK) and Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:10
10Love and Affection
Joan Armatrading4:21
11Days
cover recording of:
Days
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
Kirsty MacColl3:01
12It Must Be Love
cover recording of:
It Must Be Love
lyricist and composer:
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:21
13Crazy for You
producer:
Nicky Graham
recording of:
Crazy for You
lyricist and composer:
Richie Wermerling
Let Loose24:11
14To Love Again
producer:
Gary Barlow and John Shanks
recording of:
To Love Again
writer:
Gary Barlow, Alesha Dixon (English singer, rapper, dancer and author) and John Shanks
Alesha Dixon23:51
15Closest Thing to CrazyMichael Ball3:59
16Stay
Shakespears Sister3:25
17The Power of Love
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (Member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
strings arranger and additional arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; also referred to as Zang Tumb Tuum or Zang Tuum Tumb) (in 1984)
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:30
18Moments in LoveArt of Noise54:38
19You’re the One
Shane MacGowan and the Popes3:55
CD 2
#TitleArtistRatingLength
1Songbird
Eva Cassidy3:43
2Up Where We Belong
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3:46
3Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:37
4Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 131)
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) and Unichappell Music
Ben E. King4.62:54
5When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:50
6Stop in the Name of Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Supremes4.152:53
7We’re All Alone
Rita Coolidge3:35
8Dedicated to the One I LoveThe Mamas & the Papas4.23:01
9Happy Together
performer:
The Turtles (late 60s US rock band)
phonographic copyright (℗) by:
White Whale (late 60s/early 70s California) (in 1967)
recording of:
Happy Together (in 1967)
writer:
Garry Bonner and Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
publisher:
Alley Music Corp., The Hudson Bay Music Co. (publisher) and Trio Music Co., Inc.
part of:
Freaky Friday (2003)
The Turtles4.652:55
10All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
The Everly Brothers2:20
11To Love Somebody
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Don Alias (in 1967)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1967)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
To Love Somebody (in 1967)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. and Universal Music Careers
part of:
50/50
Nina Simone42:40
12My Guy
recording of:
My Guy
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells2:49
13If I Were Your Woman
producer:
Clay McMurray (producer, songwriter, engineer)
arranger:
Paul Riser
recording of:
If I Were Your Woman
writer:
Clarence McMurray (producer, songwriter, engineer), Gloria Jones (US singer/songwriter, known for “Tainted Love”) and Pam Sawyer (British-born American lyricist and songwriter)
Gladys Knight & the Pips43:12
14The Way You Look Tonight
Jimmy Scott2:27
15Baby Make It Soon
Marmalade3:02
16Standing in the Shadows of Love
Four Tops2:36
17You Are Everything
producer:
Hal Davis
vocals:
Diana Ross
arranger:
Dave Blumberg
cover recording of:
You Are Everything
writer:
Linda Creed and Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye43:08
18Long Live Love
phonographic copyright (℗) by:
Glissando Music Ltd. (in 1965)
recording of:
Long Live Love
lyricist and composer:
Chris Andrews (UK singer-songwriter)
Sandie Shaw2:39
19Jennifer Juniper
recording of:
Jennifer Juniper
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
Donovan2:41
20Love Hurts
additional recording engineer and additional mixer:
John Punter
recording engineer:
Tony Taverner
producer:
Manny Charlton
bass guitar:
Pete Agnew
drums (drum set):
Darrell Sweet
guitar and synthesizer:
Manny Charlton
background vocals:
Pete Agnew and Darrell Sweet
lead vocals:
Dan McCafferty
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974)
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom and Escape Studios in Kent, England, United Kingdom
part of:
New York Post: 100 Greatest Covers (2007) (number: 75)
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
Acuff-Rose Music Limited (UK), House of Bryant Publications (publisher; do NOT use as release label), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
Nazareth4.453:51
CD 3
#TitleArtistRatingLength
1Stay Another Day
recording of:
Stay Another Day
writer and composer:
Dominic Hawken, Rob Kean and Tony Mortimer
publisher:
Polygram Music and Porky Publishing
East 174:27
2Love Me for a ReasonBoyzone33:38
3Love Is All Around
co-producer:
Graeme Duffin
conductor:
Fiachra Trench
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
music videos:
Love Is All Around by Wet Wet Wet
cover recording of:
Love Is All Around
lyricist and composer:
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.63:59
4Without You
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
acoustic guitar:
John Uribe (in 1971-06)
bass guitar:
Klaus Voormann (in 1971-06)
drums (drum set):
Jim Keltner (in 1971-06)
piano:
Gary Wright (US singer/keyboardist) (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster
brass and strings arranger:
Paul Buckmaster
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 496)
cover recording of:
Without You (in 1971)
writer:
Tom Evans (UK guitarist for Badfinger) and W. Peter Ham
publisher:
100 % Apple Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and Apple Publishing Ltd. (from 1970 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Harry Nilsson4.23:16
5Can’t Get Enough of Your Love Babe
producer:
Barry White
recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:30
6Love Will Keep Us Together
Captain & Tennille3:22
7Now That We’ve Found Love
cover recording of:
Now That We Found Love
writer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
Third World3:52
8Love Train
recording engineer:
Joe Tarsia (engineer)
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Love Train (in 1972)
lyricist and composer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:56
9Move Closer
producer:
Yves Dessca and Pascal Rivaton
phonographic copyright (℗) by:
OVC Ltd. and Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
lyricist and composer:
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:04
10Sandy
producer:
John Farrar
mixer:
David J. Holman
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1978) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Sandy (Grease, 1978 film)
lyricist:
Scott Simon
composer:
Louis St. Louis (American songwriter, music arranger and singer)
publisher:
Ensign Music Corp. (in 1978) and Unichappell Music (in 1978)
part of:
Grease (1978 film)
John Travolta3.752:34
11Don’t Give Up on Us
vocals:
David Soul
phonographic copyright (℗) by:
David Soul (in 1976)
phonographic copyright (℗) by:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976)
recording of:
Don’t Give Up on Us (in 1976)
lyricist and composer:
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. and Universal Music Publishing International Ltd.
David Soul33:38
12There’s a Whole Lot of Loving
Guys ’n’ Dolls23:14
13Forever and EverDemis Roussos3:38
14The First Time Ever I Saw Your Face
Mel Tormé3:48
15They Don’t Know
producer:
Liam Sternberg
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1979)
recording of:
They Don’t Know
lyricist and composer:
Kirsty MacColl
publisher:
Chrysalis Music Ltd. (music publisher)
Kirsty MacColl43:02
16Move Over DarlingTracey Ullman2:35
17I’ll Be There for You
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There For You (theme from ‘Friends’)
lyricist:
Allee Willis
additional composer:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
composer:
Michael Skloff
The Rembrandts43:06
18Only Love Can Break Your Heart
cover recording of:
Only Love Can Break Your Heart
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music, Broken Arrow Music Pub, Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
The Mint Juleps3:25
19If She Should Come to You
Anthony Newley2:32
20If I Were a Carpenter
Bobby Darin2:21
21Misty
Ray Stevens2:41