The Best Anthems… Ever! Volume 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Road Rage
recording of:
Road Rage
lyricist and composer:
Cerys Matthews (lead singer, Catatonia) and Mark Roberts (Welsh guitarist, Catatonia)
Catatonia3.353:45
2Come Back to What You Know
recording of:
Come Back to What You Know
writer:
Danny McNamara and Richard McNamara
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Embrace24:09
3Pure Morning
programming:
Phelan Kane
engineer:
Téo Miller
producer:
Phil Vinall (UK producer)
phonographic copyright (℗) by:
Elevator Lady Ltd. (in 1998) and Elevator Music (Placebo vanity label) (in 1998)
produced for:
140 DB Management
recorded at and mixed at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, United Kingdom
recording of:
Pure Morning
lyricist:
Brian Molko
composer:
Steve Hewitt (UK drummer, singer, guitarist & producer), Brian Molko and Stefan Olsdal
publisher:
BMG Consortium Music Publishing Germany, BMG FM Music Limited, Elevator Lady Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Music Publishing, LLC (1995–2020)
Placebo4.64:15
4Special
recording of:
Special
writer:
Duke Erikson (member of Garbage), Shirley Manson, Steve Marker and Butch Vig
Garbage3:41
5Breakfast at Tiffany’sDeep Blue Something3.74:16
6Let Me Entertain You
recording of:
Let Me Entertain You
lyricist and writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and BMG VM Music Ltd. (from 2013-05 to present)
Robbie Williams2.153:44
7Walk This WayRun‐D.M.C. feat. Aerosmith3.653:35
8ConnectedStereo MCs33:46
9Would You
producer:
David Lowe (aka Dreamcatcher)
editor:
Tim Gordine
phonographic copyright (℗) by:
V2 Music Limited (holding company - do not use as release label) (in 1998)
recording of:
Would You…?
writer:
David Lowe (aka Dreamcatcher)
publisher:
Oval Music
Touch and Go3.253:10
10Gangster Trippin
engineer and mixer:
Simon Thornton (Big beat mixing engineer)
producer:
Fatboy Slim
music videos:
Gangster Tripping by Fatboy Slim
recording of:
Gangster Tripping
writer:
Fatboy Slim, Josh Davis (US hip hop producer, DJ & instrumentalist) and Nicholas Lockett
publisher:
Dust Junkys Music, MCA Music Ltd., Mo Wax Music Ltd and Polygram Music
Fatboy Slim3.53:32
11Brimful of Asha
additional producer:
Norman Cook
producer:
Tjinder Singh
additional remixer:
Norman Cook
remixer:
Norman Cook
remix of:
Brimful of Asha (LP / original version) by Cornershop and Brimful of Asha (short version) by Cornershop
recording of:
Brimful of Asha
lyricist and composer:
Tjinder Singh
dedicated to:
Asha Bhosle
Cornershop3.754:01
12Mis‐shapes
programming:
Matthew Vaughan (UK producer)
assistant engineer:
Julie Gardner and Pete Lewis (engineer)
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1995-06-19 until 1995-07-28)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Mis-Shapes (from 1995-06-19 until 1995-07-28)
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist), Russell Senior and Mark Webber (Guitarist with Pulp)
premiered at:
Glastonbury Festival 1995, day 2: Pyramid Stage (1995-06-24)
Pulp43:46
13Travellers Tune
recording of:
Traveller's Tune
writer:
Steve Cradock, Simon Fowler (English singer), Oscar Harrison and Damon Minchella
Ocean Colour Scene3:40
14Everyday Is a Winding Road
assistant recording engineer:
Ron Black, S. "Husky" Höskulds, Cappy Japngie and John Paterno
recording engineer:
Tchad Blake, Blair Lamb, Bob Salcedo and Trina Shoemaker
producer:
Sheryl Crow (American singer-songwriter and musician)
mixer:
Tchad Blake
drums (drum set):
Michael Urbano
electric bass guitar [bass], Hammond organ [Hammond] and harmonium:
Sheryl Crow (American singer-songwriter and musician)
guitar:
Steve Donnelly and Jeff Trott
harmonium [dueling harmonium]:
Mitchell Froom
sampler [loop]:
Brian MacLeod (American drummer)
guest background vocals:
Neil Finn
vocals:
Sheryl Crow (American singer-songwriter and musician) and Neil Finn
phonographic copyright (℗) by:
A&M Records, Inc. (in 1996)
recording of:
Everyday Is a Winding Road
writer:
Sheryl Crow (American singer-songwriter and musician), Brian MacLeod (American drummer) and Jeff Trott
publisher:
Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (in 1996), Trottsky Music (in 1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1996) and Weenie Stand Music (in 1996)
Sheryl Crow3.84:17
15She’s a StarJames3:41
16Going Out
producer:
Sam Williams (producer & musician. ex‐member of The Animalhouse)
recording of:
Going Out
composer:
Gaz Coombes, Rob Coombes, Danny Goffey and Mick Quinn
Supergrass2.954:15
17Not If You Were the Last Junkie on EarthThe Dandy Warhols3:12
18Higher Ground
additional engineer:
Michael Beinhorn
engineer:
Garth Richardson (Canadian music producer and engineer)
producer:
Michael Beinhorn
mixer:
Dave Jerden and Garth Richardson (Canadian music producer and engineer)
bass:
Flea (US bassist)
drums (drum set):
Chad Smith (drummer from Red Hot Chili Peppers)
guitar:
John Frusciante
background vocals:
Sir Babs, Vicki Calhoun, Aklia Chinn, Bruno Deron, Joel Virgel Viergel, Iris Parker, Julie Ritter, Randy Ruff, Gretchen Seager, Jack Sherman, Laura Spinosa, Kristen Vigard, WAG (add compilations to this artist) and Merrill Ward
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1989) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
produced for:
Demolition Sound
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
Higher Ground
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. and Stein & Van Stock, Inc.
Red Hot Chili Peppers4.053:22
19I Am the Resurrection
engineer:
Paul Schroeder (UK rock/pop producer, engineer & remixer)
producer:
John Leckie
bass guitar:
Gary Mounfield
drums (drum set) and background vocals:
Reni
guitar:
John Squire
vocals:
Ian Brown (UK singer, member of Stone Roses)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (from 1988-08 until 1989-01)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 8)
recording of:
I Am the Resurrection
writer:
Ian Brown (UK singer, member of Stone Roses) and John Squire
The Stone Roses4.58:13
CD 2
#TitleArtistRatingLength
1High and Dry
recording engineer:
Jonny Greenwood (English musician and score composer)
sound engineer:
Jim Warren (producer/engineer)
assistant engineer:
Guy Massey (UK producer/engineer) and Shelley Saunders
engineer:
Chris Brown (engineer), Nigel Godrich (English record producer), John Leckie and Jim Warren (producer/engineer)
producer:
Radiohead and Jim Warren (producer/engineer)
mixer:
John Leckie, Paul Q. Kolderee, Radiohead and Sean Slade
editor:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
bass guitar:
Colin Greenwood (from 1994-02 until 1994-11)
cello:
Caroline Lavelle (from 1994-02 until 1994-11)
drums (drum set) and percussion:
Philip Selway (from 1994-02 until 1994-11)
guitar:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11), Ed O’Brien (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
organ and synthesizer:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11)
piano:
Jonny Greenwood (English musician and score composer) (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
viola and violin:
John Matthias (from 1994-02 until 1994-11)
background vocals:
Ed O’Brien (from 1994-02 until 1994-11)
vocals:
Thom Yorke (from 1994-02 until 1994-11)
strings arranger:
Jonny Greenwood (English musician and score composer) and Thom Yorke
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1995)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1994-02 until 1994-11), RSK in London (Greater London), England, United Kingdom (from 1994-02 until 1994-11) and The Manor in Oxfordshire, England, United Kingdom (from 1994-02 until 1994-11)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Fort Apache in Cambridge, Massachusetts, United States
edited at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
music videos:
High and Dry (promo video, UK version) by Radiohead and High and Dry (promo video, US version) by Radiohead
part of:
Indie 88: Top 500 Indie Rock Songs (number: 191)
recording of:
High and Dry (from 1994-02 until 1994-11)
writer:
Colin Greenwood, Jonny Greenwood (English musician and score composer), Ed O’Brien, Philip Selway and Thom Yorke
publisher:
Warner Chappell Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
50/50
Radiohead4.24:17
2Beetlebum
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
acoustic guitar:
Damon Albarn and Graham Coxon
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set) and percussion:
Dave Rowntree
electric guitar and background vocals:
Graham Coxon
Hammond organ, keyboard, piano and lead vocals:
Damon Albarn
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recording of:
Beetlebum
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Blur3.85:04
3Brazen (Weep)
programming:
Darren Vaz and Skunk Anansie
engineer:
Mr. Colson, GGGarth (Canadian music producer and engineer) and Andrew Scarth
producer:
GGGarth (Canadian music producer and engineer)
assistant mixer:
Chad Bamford and Guido South
mixer:
Joe Barresi (recording engineer, mixer, producer)
bass guitar:
Cass Lewis
cello:
Martin McCarrick
drums (drum set) and percussion:
Mark Richardson (UK drummer)
guitar:
Ace (Member of Skunk Anansie)
violin:
Boguslaw Kostecki (violinist), William Hawkes and Gavyn Wright (UK violinist)
lead vocals:
Skin (Skunk Anansie singer)
strings arranger:
Martin McCarrick and Skin (Skunk Anansie singer)
recorded at:
Great Linford Manor in Milton Keynes, England, United Kingdom
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
music videos:
Brazen (Weep) by Skunk Anansie
recording of:
Brazen (Weep)
writer:
Len Arran and Skin (Skunk Anansie singer)
publisher:
Chrysalis Music Ltd. (music publisher)
Skunk Anansie44:31
4Saturday Night
Suede4:33
5Whippin’ Piccadilly
producer:
Gomez (UK indie rock band)
music videos:
Whippin' Piccadilly (Music video) by Gomez (UK indie rock band)
recording of:
Whippin' Piccadilly
lyricist and composer:
Ian Ball, Paul Blackburn (bassist for Gomez), Tom Gray (UK vocals, guitars, keyboards for Gomez), Ben Ottewell and Olly Peacock
Gomez3.753:13
6Drinking in L.A.Bran Van 300033:40
7Avenging Angels
Space3:04
8Marvellous
engineer:
Cenzo Townshend (engineer)
producer:
Ian Broudie and Simon Rogers
recording of:
Marvellous
lyricist and composer:
Ian Broudie
publisher:
Chrysalis Music Ltd. (music publisher)
The Lightning Seeds3:42
9I Think I’m Paranoid
assistant engineer:
Mike Zirkel
engineer:
Billy Bush
producer:
Garbage (US rock band)
bass guitar:
Daniel Shulman (bass guitarist)
vocals:
Shirley Manson
phonographic copyright (℗) by:
Mushroom Records Ltd. (in 1998)
music videos:
I Think I’m Paranoid by Garbage (US rock band)
recording of:
I Think I’m Paranoid
writer:
Duke Erikson (member of Garbage), Shirley Manson, Steve Marker and Butch Vig
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Deadarm Music, Irving Music, Inc. and Vibecrusher Music
Garbage3.63:38
10Lost in Space
producer:
Apollo 440 (electronic rock band)
bass and melodica:
Kenny Cougar
drums (drum set):
Kodish
electronic drum set [ddrums]:
Cliff Hewitt
turntable [vinyl]:
Harry K.
vocals:
Mary Mary (performance name of Ian Hoxley)
performer:
Howard Gray (UK producer, engineer, and electronic musician), Trevor Gray (Member of Apollo 440) and Noko (Norman Fisher Jones)
phonographic copyright (℗) by:
TVT Soundtrax (in 1998) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1999)
produced for:
Apollo Control
cover recording of:
Main Title (Lost in Space)
composer:
John Williams (American score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Apollo 4404.53:25
11Jesus Says
Ash3:45
12Being a Girl
recording of:
Being a Girl
composer:
Paul Draper (singer‐songwriter)
Mansun2:00
13Rocks
additional engineer:
David Bianco (American engineer and record producer) and Jeffrey Reed
engineer:
David Bianco (American engineer and record producer) and Jeff Powell (engineer)
additional producer:
George Drakoulias
co-producer:
David Bianco (American engineer and record producer)
producer:
Tom Dowd
remixer:
George Drakoulias
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1994)
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Rocks
writer:
Bobby Gillespie, Andrew Innes and Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:33
14Bitch
engineer and producer:
Geza X
mixer:
Jim Ebert
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks43:57
15I Wasn’t Built to Get Up
producer:
Pete Smith (UK producer)
recording of:
I Wasn’t Built to Get Up
lyricist and composer:
James McColl
The Supernaturals3:24
16Generation Sex
producer:
Jon Jacobs (UK producer/engineer)
harp:
Lucy Wakeford (harpist)
harpsichord:
Joby Talbot (English score composer)
background vocals:
Crouch End Festival Chorus
arranger:
Joby Talbot (English score composer)
phonographic copyright (℗) by:
Setanta (in 1998)
recording of:
Generation Sex
lyricist and composer:
Neil Hannon
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it)
The Divine Comedy53:30
17Love UnlimitedFun Lovin’ Criminals4.53:27
18Morning Afterglow
mixer:
Chris Brown (engineer)
recording of:
Morning Afterglow
writer:
Nigel Nisbet
Electrasy44:00
19Traffic
Stereophonics4:25
20Walkaway
recording of:
Walkaway
lyricist and composer:
John Power (of The La’s and Cast)
publisher:
PolyGram Music Publishing
Cast23:34
21Love Me and Leave Me
recording of:
Love Me and Leave Me
additional lyricist:
Liam Gallagher (English musician, lead singer of Oasis)
writer:
John Squire
The Seahorses43:55

Credits

Release

ASIN:UK: B00000I5VA [info]