The Great American Songbook

~ Release by Ella Fitzgerald (see all versions of this release, 1 available)

Tracklist

| |
▼ CD 1
#TitleRatingLength
1Manhattan
cover recording of:
Manhattan
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:50
2Ev’ry Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:33
3The Lady Is a Tramp
recorded in:
Los Angeles, California, United States (from 1956-08-21 until 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (from 1956-08-21 until 1956-08-31)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
bass trombone:
George Roberts (american bass trombone) (from 1956-08-21 until 1956-08-31)
drums (drum set):
Alvin Stoller (from 1956-08-21 until 1956-08-31)
flugelhorn:
Vince DeRosa (from 1956-08-21 until 1956-08-31)
flute and saxophone:
Bob Cooper (US jazz saxophonist) (from 1956-08-21 until 1956-08-31), Ted Nash (40s-80s US swing reedman, uncle of the other) (from 1956-08-21 until 1956-08-31), Bud Shank (from 1956-08-21 until 1956-08-31) and Maurice Stein (American jazz saxophonist) (from 1956-08-21 until 1956-08-31)
guitar:
Barney Kessel (from 1956-08-21 until 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-08-21 until 1956-08-31)
trombone:
Milt Bernhart (from 1956-08-21 until 1956-08-31), Joe Howard (american trombone player) (from 1956-08-21 until 1956-08-31) and Lloyd Ulyate (from 1956-08-21 until 1956-08-31)
trumpet:
Pete Candoli (from 1956-08-21 until 1956-08-31), Maynard Ferguson (from 1956-08-21 until 1956-08-31), Conrad Gozzo (from 1956-08-21 until 1956-08-31) and Ray Linn (from 1956-08-21 until 1956-08-31)
lead vocals:
Ella Fitzgerald (American jazz singer)
vocals:
Ella Fitzgerald (American jazz singer) (from 1956-08-21 until 1956-08-31)
conductor:
Buddy Bregman (from 1956-08-21 until 1956-08-31)
arranger and orchestrator:
Buddy Bregman
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (from 1956-08-21 until 1956-08-31)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
53:23
4Let’s Do It (Let’s Fall in Love)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Joe Mondragon (on 1956-02-09)
drums (drum set) [drums]:
Alvin Stoller (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1928)
part of:
Can‐Can (1960 musical film)
part of:
Paris (1928 musical)
3.53:34
5If You Can’t Sing It (You’ll Have to Swing It)
cover recording of:
If You Can’t Sing It (You’ll Have to Swing It)
lyricist and composer:
Sam Coslow
5:12
6Taking a Chance on Love
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-01-27)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Nick Fatool
guitar:
Perry Botkin
piano:
Buddy Cole
saxophone:
Warren Baker, Dave Harris (tenor saxo) and Matty Matlock
trombone:
Joe Howard (american trombone player), Wendell Mayhew and Ted Vesely
trumpet:
Ziggy Elman, Bobby Guy and Red Nichols
vocals:
Ella Fitzgerald (American jazz singer) (on 1954-01-27)
conductor:
John Scott Trotter (on 1954-01-27)
live cover recording of:
Taking a Chance on Love (on 1954-01-27)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
cover recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
3:09
7Soon
cover recording of:
Soon
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
New World Music Corp. (in 1929)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
2:46
8Black Coffee
cover recording of:
Black Coffee (1948 song)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
3:07
9I’ve Got the World on a String
cover recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:17
10Someone to Watch Over Me
recorded in:
New York, New York, United States (on 1950-09-12)
piano:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-09-12)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1950-09-12)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:14
11That Old Black Magic
cover recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:33
12Old Devil Moon
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
part of:
Finian’s Rainbow (1947 Broadway musical)
2:59
13I Can’t Get Started
cover recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:08
14Between the Devil and the Deep Blue Sea
recorded in:
Los Angeles, California, United States (on 1955-04-27)
vocals:
Ella Fitzgerald (American jazz singer) (on 1955-04-27)
conductor:
Benny Carter (on 1955-04-27)
cover recording of:
Between the Devil and the Deep Blue Sea (on 1955-04-27)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
2:18
15You’ll Never Know
cover recording of:
You’ll Never Know
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), EMI Blackwood Music Inc. (1989-07-24–present) and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 16th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 16)
3:10
16Lover, Come Back to Me
cover recording of:
Lover, Come Back to Me (The New Moon)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:02
17But Not for Me
cover recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:12
18It Might as Well Be Spring
vocals:
Ella Fitzgerald (American jazz singer) (on 1955-04-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (on 1955-04-01)
cover recording of:
It Might as Well Be Spring (State Fair) (on 1955-04-01)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 18)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair
2:43
19I’ve Got You Under My Skin
recorded in:
Los Angeles, California, United States (on 1956-02-09)
engineer:
Val Valentin (on 1956-02-09)
producer:
Norman Granz
bass trombone:
George Roberts (american bass trombone) (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (american trombone player) (on 1956-02-09) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-02-09)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-09)
conductor:
Buddy Bregman (on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (on 1956-02-09)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
2.352:46
20Night and Day
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-03-27) and Bud Shank (on 1956-03-27)
baritone saxophone:
Chuck Gentry (on 1956-03-27)
bass trombone:
George Roberts (american bass trombone) (on 1956-03-27)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-03-27) and Edgar Lustgarten (on 1956-03-27)
double bass:
Joe Mondragon (on 1956-03-27)
drums (drum set):
Alvin Stoller (on 1956-03-27)
guitar:
Barney Kessel (on 1956-03-27)
harp:
Corky Hale (on 1956-03-27)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-03-27)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-03-27) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-03-27)
trombone:
Milt Bernhart (on 1956-03-27), Joe Howard (american trombone player) (on 1956-03-27) and Lloyd Ulyate (American trombonist (1927-2004)) (on 1956-03-27)
trumpet:
Pete Candoli (on 1956-03-27), Harry “Sweets” Edison (on 1956-03-27), Maynard Ferguson (on 1956-03-27) and Conrad Gozzo (on 1956-03-27)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-03-27)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-03-27)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-03-27)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:06
21My Funny Valentine
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
3:54
22(Love Is) The Tender Trap
cover recording of:
(Love Is) The Tender Trap
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
3:02
23My One and Only Love
cover recording of:
My One and Only Love
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京
version of:
Music from Beyond the Moon (My One and Only Love)
3:21
24Smooth Sailing
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1973-07-05)
live recording of:
Smooth Sailing (Instrumental) (on 1973-07-05)
composer:
Arnett Cobb
publisher:
Wayne Music (smooth sailing - Cobb)
43:06
▼ CD 2
#TitleArtistRatingLength
1Oh, Lady Be Good!
cover recording of:
Oh, Lady Be Good!
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Ella Fitzgerald3:02
2Body and Soul
cover recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald4:13
3How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald3:15
4I Got It Bad and That Ain’t Good
cover recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald3:40
5Angel Eyes
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
orchestra:
Sy Oliver and His Orchestra (from 1949 until 1954)
cover recording of:
Angel Eyes (1946 jazz standard) (in 1956)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Ella Fitzgerald52:55
6Maybe
cover recording of:
Maybe
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
New World Music Corp. (in 1926)
part of:
Oh, Kay! (1926 musical)
Ella Fitzgerald3:27
7Looking for a Boy
recorded in:
New York, New York, United States (on 1950-09-11)
piano:
Ellis Larkins (on 1950-09-11)
vocals:
Ella Fitzgerald (American jazz singer) (on 1950-09-11)
cover recording of:
Looking for a Boy (on 1950-09-11)
lyricist:
Ira Gershwin (in 1925)
composer:
George Gershwin (composer) (in 1925)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to ????)
part of:
Tip-Toes
Ella Fitzgerald3:09
8I’ve Got a Crush on You
cover recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Treasure Girl (1928 musical)
Ella Fitzgerald3:13
9Air Mail Special
bass guitar:
Ray Brown (jazz bassist)
drums (drum set):
Rudy Taylor (vocalist and songwriter)
electronic organ:
Bill Doggett
glockenspiel [bells]:
Dick Jacobs
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
orchestra:
The Ray Brown Trio (in 1952)
cover recording of:
Good Enough to Keep (Air Mail Special) (in 1956)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
Ella Fitzgerald43:03
10Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald & Louis Armstrong3:05
11Baby It’s Cold Outside
cover recording of:
Baby, It’s Cold Outside (Neptune’s Daughter)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 22)
Ella Fitzgerald & Louis Jordan2:44
12You Won’t Be Satisfied (Until You Break My Heart)
recorded in:
New York, New York, United States (on 1946-01-18)
alto saxophone:
George Koenig (on 1946-01-18) and Bill Stegmeyer (on 1946-01-18)
baritone saxophone:
Milton Schatz (on 1946-01-18)
bass:
Trigger Alpert (on 1946-01-18)
clarinet and reeds:
Bill Stegmeyer (on 1946-01-18)
double bass:
Trigger Alpert (on 1946-01-18)
drums (drum set):
Cozy Cole (on 1946-01-18)
guitar:
Danny Perri (on 1946-01-18)
piano:
Joe Bushkin (on 1946-01-18)
solo trumpet:
Louis Armstrong
tenor saxophone:
Art Drelinger (on 1946-01-18) and Jack Greenberg (on 1946-01-18)
trumpet:
Louis Armstrong (on 1946-01-18) and Billy Butterfield (on 1946-01-18)
vocals:
Louis Armstrong (on 1946-01-18) and Ella Fitzgerald (American jazz singer) (on 1946-01-18)
orchestra:
Bob Haggart and His Orchestra (on 1946-01-18)
conductor:
Bob Haggart (on 1946-01-18)
arranger:
Bob Haggart
cover recording of:
You Won’t Be Satisfied (Until You Break My Heart) (on 1946-01-18)
writer:
Freddy James and Larry Stock
Ella Fitzgerald & Louis Armstrong42:55
13Basin Street Blues
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
orchestra:
Sy Oliver and His Orchestra (from 1949 until 1954)
cover recording of:
Basin Street Blues (in 1956)
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Ella Fitzgerald53:08
14Sentimental Journey
cover recording of:
Sentimental Journey (on 1947-01-24)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
Ella Fitzgerald3:19
15Thanks for the Memory
cover recording of:
Thanks for the Memory
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Paramount Music Corporation
part of:
The 11th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 11)
Ella Fitzgerald2:30
16Moanin’ Low
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-11-15)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Nick Fatool
guitar:
Perry Botkin
piano:
Buddy Cole
saxophone:
Warren Baker, Dave Harris (tenor saxo) and Matty Matlock
trombone:
Joe Howard (american trombone player), Wendell Mayhew and Ted Vesely
trumpet:
Ziggy Elman, Bobby Guy and Red Nichols
vocals:
Ella Fitzgerald (American jazz singer) (on 1953-11-15)
conductor:
John Scott Trotter (on 1953-11-15)
live cover recording of:
Moanin’ Low (on 1953-11-15)
lyricist:
Howard Dietz (librettist)
composer:
Ralph Rainger
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
cover recording of:
Moanin’ Low
lyricist:
Howard Dietz (librettist)
composer:
Ralph Rainger
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
Ella Fitzgerald2:44
17Walkin’ by the River
recorded in:
New York, New York, United States (on 1952-09-19)
double bass:
George Duvivier (on 1952-09-19)
drums (drum set):
Stan Kane (drummer) (on 1952-09-19)
guitar:
Hi White (on 1952-09-19)
piano:
Hank Jones (piano) (on 1952-09-19)
vibraphone:
Phil Kraus (on 1952-09-19)
vocals:
Ella Fitzgerald (American jazz singer) (on 1952-09-19)
conductor:
Leroy Kirkland (on 1952-09-19)
cover recording of:
Walkin’ by the River
writer:
Una Mae Carlisle and Robert Sour
Ella Fitzgerald2:31
18An Empty Ballroom
Ella Fitzgerald3:10
19I Wished on the Moon
cover recording of:
I Wished on the Moon
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Ella Fitzgerald3:10
20My One and Only
cover recording of:
My One and Only (from “Funny Face”)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Ella Fitzgerald3:18
21How Long Has This Been Going On
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
Ella Fitzgerald3:19
22Happy Talk
cover recording of:
Happy Talk (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
Ella Fitzgerald2:28
23I’m Gonna Wash That Man Right Outa My Hair
cover recording of:
I’m Gonna Wash That Man Right Outa My Hair (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
Ella Fitzgerald2:55
24I’ve Got a Feelin’ I’m Fallin’
cover recording of:
I’ve Got a Feeling I’m Falling
lyricist:
Billy Rose (lyricist and Broadway producer)
composer:
Harry Link (US vaudeville actor & songwriter) and Fats Waller
Ella Fitzgerald2:34
25Crying
cover recording of:
Crying
lyricist:
Barney Ross
composer:
Jay Chernis
Ella Fitzgerald3:10

Credits

Release

ASIN:DE: B000NRRWNS [info]